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Article
‘The abduction of Europa’ by Paulus Potter: a mythological painting rediscovered
07/2024 | 1456 | 166
Pages: 680–88
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Author:
Lydon, Muirne (Lydon, Muirne)
Author:
Macro, Natalia (Macro, Natalia)
Author:
Marx, Lizzie (Marx, Lizzie)
Author:
Schilder, Jolijn (Schilder, Jolijn)
Author:
Vandivere, Abbie (Vandivere, Abbie)
Subjects
artists:
Potter, Paulus
dates:
1600-1649
museums and institutions:
National Gallery of Ireland, Dublin, Ireland / Mauritshuis, The Hague, Netherlands
subjects:
Dutch painting / Mythology / Mythical animals / Europa / Scientific analysis / Technical analysis / Fragments / Conservation
Illustrations
Attributed works:
1. Head of a white bull, by Paulus Potter. c.1647–50. Oil on canvas, 79.4 by 62 cm. (National Gallery of Ireland, Dublin).
Attributed works:
10. Infrared reflectogram of Fig.1, revealing the fragmentary Europa figure.
Attributed works:
11. X-radiograph of Fig.1, revealing the fragmentary Europa figure.
Attributed works:
12. Abduction of Europa, attributed to Jan de Visscher, after Nicolaes Berchem. 1643–92. Etching and engraving, 45.7 by 30.5 cm, shown mirrored horizontally. (Rijksmuseum, Amsterdam).
Attributed works:
2. Portrait of Paulus Potter (1625–1654), by Bartholomeus van der Helst. 1654. Oil on canvas, 99 by 80 cm. (Mauritshuis, The Hague).
Attributed works:
3. The bull (De stier), by Paulus Potter. 1647. Oil on canvas, 236.5 by 341 cm. (Mauritshuis, The Hague).
Attributed works:
4. Proposed location of Fig.1 within the Abduction of Europa, determined from thread angle mapping (Fig.5c).
Attributed works:
5. Computer-assisted thread counting from X-radiographs of Fig.1, showing: a) thread density in the vertical and horizontal directions; b) horizontal thread density of the upper and lower pieces of canvas; c) thread angle deviations in the vertical and horizontal directions. The horizontal join is indicated with an arrow.
Attributed works:
6. Display of Fig.1 in the Grand Gallery, National Gallery of Ireland, Dublin. Photograph, after 1889. (RSAI, Dublin).
Attributed works:
7. Display of Fig.1 in Room 12, Dargan Wing, National Gallery of Ireland, Dublin. Photograph, c.1930–39. (National Gallery of Ireland Archive, Dublin).
Attributed works:
8. MA-XRF map of Fig.1, showing the distribution of mercury (Hg) from vermilion.
Attributed works:
9. MA-XRF map overlaid onto Fig.1, showing the distribution of copper (Cu) in white.
Book Review
The Touch of Pygmalion: Rubens and Sculpture in Rome
05/2024 | 1454 | 166
Pages: 512–515
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Reviewer:
Pierguidi, Stefano (Pierguidi, Stefano)
Subjects
art literature:
Exhibition catalogues
artists:
Rubens, Peter Paul
dates:
1600-1649
museums and institutions:
Museo e Galleria Borghese, Rome, Italy
places:
Rome
subjects:
Antiquity / Sculpture / Paintings / Drawings / Paragone (concept) / Flemish art
Reviewed Items
subjects:
The Touch of Pygmalion: Rubens and Sculpture in Rome Edited by Francesca Cappelletti and Lucia Simonato. 232 pp. incl. numerous col. + b. & w. ills. (Electa, Milan, 2023), €42. 978–88–928–2478–2. | :
Illustrations
Attributed works:
6. Two studies after the Spinario, by Peter Paul Rubens. 1602. Red chalk, heightened with white, with later grey background wash, on paper. 26.1 by 36 cm. (British Museum, London).
Attributed works:
7. Death of Adonis, by Peter Paul Rubens. c.1614. Oil on canvas, 212 by 325 cm. (Israel Museum, Jerusalem).
Attributed works:
8. Agrippina and Germanicus, by Peter Paul Rubens. c.1614. Oil on panel, 66.4 by 57 cm. (National Gallery of Art, Washington).
Article
The young Jordaens
04/2023 | 1441 | 165
Pages: 366-377
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Author:
Vander Auwera, Joost (Vander Auwera, Joost )
Subjects
artists:
Jordaens, Jacob / Rubens, Peter Paul / Dyck, Anthony van
dates:
1600-1649
places:
Antwerp
subjects:
Flemish painting / Attributions / Dating / Early works / Workshops (Organisations) / Formal analysis / Technical analysis / Copies
Illustrations
Attributed works:
1. Adoration of the shepherds, by Jacques Jordaens. 1616. Oil on panel transferred to canvas, 113 by 81 cm. (Metropolitan Museum of Art, New York; Bridgeman Images).
Attributed works:
10. Holy Family with St Anne, the young St John the Baptist and his parents, by Jacques Jordaens. c.1620–25 and c.1650s–early 1660s. Oil on panel, 169.9 by 149.9 cm. (Metropolitan Museum of Art, New York).
Attributed works:
11. Holy Family with St Elizabeth, by Jacques Jordaens. c.1620–23. Pen and brown ink and brown wash, heightened in places with white body colour, 12.3 by 12.1 cm. (British Museum, London).
Attributed works:
12. X-radiographs of Fig.10, revealing the original central composition. (Metropolitan Museum of Art, New York).
Attributed works:
13. Satyr and peasants, by Jacques Jordaens. After 1663. Oil on panel, 77 by 50.1 cm. (Private collection).
Attributed works:
14. Holy Family, by Jacques Jordaens. Here dated c.1616. Oil on canvas, 155 by 113 cm. (Royal Museums of Fine Arts of Belgium, Brussels).
Attributed works:
15. Pan and Syrinx, by Jacques Jordaens. Here dated c.1619–20. Oil on canvas, 173 by 136 cm. (Assembly of photographs by Freya Maes and of X-radiographs by Guido van de Voorde; Royal Museums of Fine Arts of Belgium, Brussels; KIK/IRPA).
Attributed works:
16. Abduction of Europa, by Jacques Jordaens. c.1615–16. Oil on panel, 55 by 93.5 cm. (Current location unknown).
Attributed works:
17. Christ with Nicodemus, by Jacques Jordaens. Here dated c.1618. Oil on panel, 112 by 83 cm. (Royal Museums of Fine Arts of Belgium, Brussels; Bridgeman Images).
Attributed works:
18. Lot and his family leaving Sodom, by Jacques Jordaens, after Peter Paul Rubens. Here dated c.1617–18. Oil on canvas, 169.5 by 198.5 cm. (National Museum of Western Art, Tokyo).
Attributed works:
2. The daughters of Cecrops finding the child Erichthonius, by Jacques Jordaens. 1617. Oil on canvas, 170 by 280 cm. (Royal Museum of Fine Arts, Antwerp).
Attributed works:
3. Adoration of the shepherds, by Jacques Jordaens. 1618. Oil on canvas, 124 by 93 cm. (Nationalmuseum, Stockholm).
Attributed works:
4. Adoration of the shepherds, here attributed to Jacques Jordaens. Here dated c.1615. Oil on panel, 64.3 by 51.4 cm. (Museum Mayer van den Bergh, Antwerp).
Attributed works:
5. Adoration of the shepherds, by Jacques Jordaens. Here dated c.1615. Red and black chalk, brush in brown ink and watercolour, some white body-colour on paper, 16.7 by 20.2 cm. (Museum Boijmans Van Beuningen, Rotterdam).
Attributed works:
6. Holy Family with St Anne, by Jacques Jordaens. Here dated c.1617–18. Oil on panel, 63.7 by 48.5 cm. (City Hall, Municipality of Saint-Gilles, Brussels; on long-term loan to the Royal Museums of Fine Arts of Belgium, Brussels).
Attributed works:
7. Allegory on the Peace of Münster, by Jacques Jordaens. 1654. Oil on canvas, 184 by 139.5 cm. (National Gallery, Oslo).
Attributed works:
8. Detail of Fig.6.
Attributed works:
9. Holy Family with St Elizabeth, by Jacques Jordaens and workshop. c.1620–23. Oil on panel, 122.6 by 145 cm. (Alte Pinakothek, Munich).
Article
A newly identified portrait by Sir Nathaniel Bacon
07/2022 | 1432 | 164
Pages: 641-649
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Author:
Hearn, Karen (Hearn, Karen)
Subjects
artists:
Bacon, Nathaniel / Kauffmann, Angelica / Rubens, Peter Paul
buildings:
Brome Hall, Eye, Suffolk, Great Britain / Government House, Sydney, Australia / Santry Court, Dublin, Ireland
dates:
1600-1649
subjects:
British painting / Portraits / Pregnancy / Provenance / Attributions / Country houses / Gardens / Lost works / Attributions, former
Illustrations
Attributed works:
1. Self-portrait, by Nathaniel Bacon. c.1620. Oil on canvas, 206.4 by 153.7 cm. (Private collection).
Attributed works:
10. Self-portrait with his wife, Isabella Brant, by Peter Paul Rubens. c.1609–10. Oil on canvas, 178 by 136.5 cm. (Alte Pinakothek, Munich; Bridgeman Images).
Attributed works:
2. Detail of Fig.2, showing metal braid on Bacon’s jacket.
Attributed works:
3. The artist’s wife, Jane Bacon, Lady Cornwallis, née Meautys, here attributed to Nathaniel Bacon. c.1614–17. Oil on canvas, 203.2 by 149.8 cm. (Government House, Sydney; photograph Ondrej Koucky, Rapturous Media).
Attributed works:
4. Cookmaid with still life of vegetables and fruit, by Nathaniel Bacon. c.1620–25. Oil on canvas, 151 by 246.7 cm. (Tate).
Attributed works:
5. Detail of Brome Hall, Suffolk, by Johannes Kip. 1715. Engraving, 35.5 by 49 cm. (From J. Kip: Nouveau théâtre de la Grande Bretagne, London 1715, I, pl.44).
Attributed works:
6. Detail of Fig.3, showing Brome Hall.
Attributed works:
7. Monument to Jane, Lady Bacon, by Thomas Stanton. Commissioned 1657. Marble. (St Mary’s church, Culford, Suffolk).
Attributed works:
8. Detail of Fig.3, showing figures in the garden.
Attributed works:
9. Detail of Fig.3, showing the sitter’s hands and pregnant body.
Article
The development of the still lifes of Frans Snijders up to 1615
06/2022 | 1431 | 164
Pages: 568-577
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Author:
Meijer, Fred G. (Meijer, Fred G.)
Subjects
artists:
Snyders, Frans
dates:
1600-1649
places:
Antwerp
subjects:
Flemish painting / Still lifes / Animals / Birds
subjects:
Kitchen scenes / Hunting scenes
Illustrations
Attributed works:
1. Still life with a hare, lobster and fruit, by Frans Snijders. Here dated to c.1613–14. Oil on panel, 106.4 by 75 cm. (Photographed in 2012 after restoration; private collection, on long-term loan to the Frans Snijders Museum, Antwerp).
Attributed works:
10. Still life with fowl and game, by Frans Snijders. 1614. Oil on canvas, 156 by 218 cm. (Walraff-Richartz-Museum, Cologne).
Attributed works:
11. Dishes with oysters, fruit and wine, by Osias Beert. c.1620–25. Oil on panel, 52.9 by 73.4 cm. (National Gallery of Art, Washington).
Attributed works:
13. Still life with dead game, fruits, and vegetables in a market by Frans Snijders. 1614. Oil on canvas, 212.1 by 308.6 cm. (Art Institute, Chicago).
Attributed works:
14. Still life on a kitchen table, by Frans Snijders. c.1610–12(?). Oil on panel, 58.5 by 106.9 cm. (Location unknown).
Attributed works:
15. A game and fruit seller’s stall, by or after Frans Snijders. c.1610–12(?). Pen and wash and black chalk on paper, 27.8 by 40.5 cm. (Ashmolean Museum, Oxford).
Attributed works:
16. A game seller in his stall, by Frans Snijders. c.1610–12(?). Oil on panel, 127 by 89 cm. (Location unknown).
Attributed works:
17. Detail of Fig.1; 18. Detail of Still life of game with a tazza of grapes, by Frans Snijders. c.1614. Oil on panel. (Hessische Museumslandschaft, Schloss Wilhelmshöhe, Kassel); 19. Detail of Still life of game, vegetables, fruit and a lobster, by Frans Snijders. c.1613. Oil on canvas. (Museum Boijmans Van Beuningen, Rotterdam); 19. Detail of Fig.1, showing the lobster; 20. Detail of Fig.14, showing the lobster; 21. Detail of Still life of fruit with a squirrel, by Frans Snijders. 1616. Oil on copper. (Museum of Fine Arts, Boston), showing the grapes; and 22. Detail of Fig.4, showing the grapes.
Attributed works:
2. The recognition of Philopoemen, by Peter Paul Rubens and Frans Snijders. c.1609. Oil on canvas, 201 by 313.5 cm. (Museo Nacional del Prado, Madrid).
Attributed works:
22. Table in a larder with a page, by Frans Snijders. c.1615. Oil on canvas, 125.7 by 198.1 cm. (Wallace Collection, London).
Attributed works:
23. Still life with a dead hare and plucked fowl, after Frans Snijders. 17th century. Oil on panel, 105 by 73 cm. (Location unknown).
Attributed works:
24. Larder scene with a young page, by Frans Snijders. c.1611. Oil on canvas, 123 by 186 cm. (Location unknown).
Attributed works:
25–27. Details of the hare in Figs.1, 15 and 24.
Attributed works:
28. Detail of Still life of fruit with a dead hare, by Frans Snijders. c.1617. Oil on canvas, 124.5 by 127 cm. (Location unknown).
Attributed works:
3. Kitchen scene, by Frans Snijders. c.1608(?) Oil on canvas, 138 by 245 cm. (Location unknown).
Attributed works:
4. Still life with a tazza of grapes in a niche, by Frans Snijders (signed). Here dated to c.1610. Oil on panel, 89 by 62.1 cm. (Nationalmuseum, Stockholm).
Attributed works:
5. Cook preparing food, by Frans Snijders. c.1610. Oil on canvas, 88.5 by 120 cm. (Wallraf-Richartz-Museum, Cologne).
Attributed works:
6. Still life with game and a hare, by Frans Snijders. 1612. Oil on panel, 95.5 by 125.6 cm. (Location unknown).
Attributed works:
7. Still life of game and a tazza of grapes, by Frans Snijders. 1613. Oil on canvas, 59 by 87 cm. (Location unknown).
Attributed works:
8. Still life of game and a tazza of grapes, by Frans Snijders. 1613. Oil on panel, 55 by 106 cm. (Location unknown).
Attributed works:
9. Larder scene with a page, by Frans Snijders. 1613. Oil on panel, 125.1 by 203.8 cm. (Location unknown).
Book Review
Die Krone der Hildegard von Bingen
03/2022 | 1428 | 164
Pages: 312-314
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Reviewer:
Seeberg, Stefanie (Seeberg, Stefanie)
Subjects
dates:
1170-1179 / 1600-1649
museums and institutions:
Abegg-Stiftung, Riggisberg, Switzerland
subjects:
Hildegard, Saint / Crowns (headdresses) / Nuns / Christian iconography
Reviewed Items
subjects:
Die Krone der Hildegard von Bingen By Philipp Cordez and Evelin Wetter. 135 pp. incl. 40 col. + b. & w. ills. (Abegg-Stiftung, Riggisberg, 2019), CHF 25. ISBN 978–3–905014–70–9. | :
Illustrations
Western art unattributed:
3. Crown of Hildegard of Bingen. 1170s and 1600–50. Silk bands with embroidered medallions on a blue velvet cap, height 13 cm. (Abegg-Stiftung, Riggisberg; photograph Christoph von Viràg).
Article
Caravaggio’s ‘Entombment of Christ’ and the birth of Christian archaeology
01/2022 | 1426 | 164
Pages: 34-40
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Author:
Danesi Squarzina, Silvia (Danesi Squarzina, Silvia; Squarzina, Silvia Danesi)
Subjects
artists:
Caravaggio, Michelangelo Merisi da / Camuccini, Vincenzo
buildings:
Santa Maria in Vallicella, Rome, Italy
dates:
1600-1649
sources:
Bosio, Antonio / Aringhi, Paolo / Neri (Saint), Philip
subjects:
Early Christian / Catacombs / Archaeology / Wall paintings / Jesus Christ: Entombment / Antiquarianism / Antiquities
subjects:
Italian art
subjects:
Mosaics
Illustrations
Attributed works:
1. The entombment of Christ, after Caravaggio, by Pietro Fontana after a drawing by Luigi Cochetti. c.1821, published 1834. Engraving, 51.9 by 35.6 cm. (Biblioteca Casanatense, Rome).
Attributed works:
10. St Philip Neri at prayer in the Catacombs of S. Callisto, Rome. Engraving. (From P. Aringhi: Unterirdisches Rom, ed. J.F. Haagen, Arnheim 1668, p.238; Bibliotheca Hertziana, Rome).
Attributed works:
2. The entombment of Christ, by Caravaggio. c.1602–04. Oil on canvas, 306 by 214 cm. (Vatican Museums).
Attributed works:
3. The entombment of Christ, by Filippo and Vincenzo Cocchi, Domenico Cerasoli and Antonio Castellini after Caravaggio. c.1821. Mosaic, 300 by 190 cm. (Sacristy of St Peter’s, Rome).
Attributed works:
4. The entombment of Christ, by Vincenzo Camuccini after Caravaggio. 1796. Oil on canvas, 306 by 214 cm. (Private collection; photograph A. Vasari).
Attributed works:
5. Woman in prayer. Mural painting, 2nd–3rd century. Cuniculum of the Five Saints, Catacombs of S. Callisto, Rome. Chromolithograph by G. Mariani. (From G.B. de Rossi: La Roma sotterranea cristiana, Rome 1877, III, pl.3).
Attributed works:
6. Frontispiece from P. Aringhi, ed.: Roma subterranea novissima, Rome 1651, by Giuseppe Baroni. Engraving, 41 by 26 cm. (Photograph Bibliotheca Hertziana, Rome).
Attributed works:
8. The burial of St Lucy, by Caravaggio. 1608. Oil on canvas, 408 by 300 cm. (S. Lucia, Syracuse; Bridgeman Images).
Attributed works:
9. St Philip Neri at prayer in the Catacombs of S. Callisto, Rome. Engraving. (From P. Aringhi: Roma subterranea novissima, Rome 1651, p.195; Bibliotheca Hertziana, Rome).
Western art unattributed:
7. Wall tombs in the Catacombs of S. Sebastiano, Rome. 2nd century. (Photograph Granger; Bridgeman Images).
Article
New light on the colossal statues on the façade of St Peter’s, Rome
01/2022 | 1426 | 164
Pages: 22-33
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Author:
Loffredo, Fernando (Loffredo, Fernando)
Subjects
artists:
Fancelli, Chiarissimo / Fancelli (stonecutter), Carlo / Cennini, Bernardino / Drouin, Siméon / Paracca (Valsoldino), Giovanni Antonio / Stati, Cristoforo / Moretti, Egidio / Buonvicino, Ambrogio / Serodine, Giovanni / Bernini, Pietro
artists:
Fontana, Giuseppe
buildings:
Basilica di San Pietro, Rome, Italy
dates:
1600-1649
places:
Rome
sources:
Baldinucci, Filippo
subjects:
Attributions / Italian sculpture / Italian architecture / Statues
Illustrations
Attributed works:
1. Detail of the east front of St Peter’s, Rome. (Photograph the author).
Attributed works:
10. St Philip, here attributed to Pietro Bernini. 1613–14. Travertine, height 565 cm. (St Peter’s, Rome; photograph the author).
Attributed works:
11. Virgin and Child, by Giovan Battista Serodine. Shortly before 1615. Travertine. (S. Francesca Romana, Rome; photograph the author).
Attributed works:
12. Autumn in the guise of Priapus, by Pietro Bernini (with the assistance of Gian Lorenzo Bernini). 1616–17. Marble, height 227.6 cm. (Metropolitan Museum of Art, New York).
Attributed works:
13. Detail of Fig.10. (Photograph the author).
Attributed works:
14. Autumn, by Pietro Bernini (with the assistance of Gian Lorenzo Bernini). c.1620. Marble, 125.5 cm. (Private collection; photograph the author).
Attributed works:
15. Detail of Adam, Eve and the serpent, by Pietro Bernini. c.1620. Marble, height 188 cm. (Musée de Tessé, Le Mans; photograph the author).
Attributed works:
16. St Matthew, by Pietro Bernini. 1604–06. Marble, height approx. 180 cm. (Church of Gerolamini, Naples; photograph courtesy Kunsthistorisches Institut in Florenz).
Attributed works:
17. St John the Evangelist, by Giovanni Antonio Paracca, nicknamed Valsoldino. 1612–13. Travertine, height 565 cm. (St Peter’s, Rome; photograph the author).
Attributed works:
18. St John the Baptist, by Siméon Drouin. 1613. Travertine, height 565 cm. (St Peter’s, Rome; photograph the author).
Attributed works:
19. St James the Great, by Egidio Moretti. 1613. Travertine, height 565 cm. (St Peter’s, Rome; photograph the author).
Attributed works:
2. Statues of (from left to right) St John the Evangelist, St Andrew, Christ the Redeemer and St John the Baptist on the attic of the east front of St Peter’s, Rome. (Bibliotheca Hertziana, Max-Planck-Institute für Kunstgeschichte, Rome).
Attributed works:
20. St Matthias, by Giuseppe Fontana. 1612–13. Travertine, height 565 cm. (St Peter’s, Rome; photograph the author).
Attributed works:
3. The east front of St Peter’s, Rome. (Bridgeman Images).
Attributed works:
4. The coat of arms of Pope Paul V Borghese in the pediment on the east front of St Peter’s, Rome, by Carlo Fancelli and Leone Garuo. c.1612–13. Travertine, height 600 cm. (Photograph the author).
Attributed works:
5. Vulcan, by Chiarissimo Fancelli. 1611. Marble, height 210 cm. (Boboli Gardens, Florence; photograph courtesy Kunsthistorisches Institut in Florenz).
Attributed works:
6. St Andrew, by Chiarissimo Fancelli. 1612–13. Travertine, height 565 cm. (St Peter’s, Rome; photograph the author).
Attributed works:
7. St Thaddeus, by Chiarissimo Fancelli. 1612–13. Travertine, height 565 cm. (St Peter’s, Rome; photograph the author).
Attributed works:
8. St Cristina, by Chiarissimo Fancelli. 1622–25. Marble, height approx. 200 cm. (Pisa Cathedral; photograph the author).
Attributed works:
9. Christ the Redeemer, by Cristoforo Stati, completed by Siméon Drouin. 1612–13. Travertine, height 600 cm. (St Peter’s, Rome; photograph the author).
Article
Caravaggio in exile: new documents
01/2021 | 1414 | 163
Pages: 34-39
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Author:
Cocconi, Giulia (Cocconi, Giulia)
Subjects
artists:
Caravaggio, Michelangelo Merisi da
dates:
1600-1649
places:
Rome / Naples / Parma
subjects:
Tomassoni, Ranuccio / Murder / Exiled artists / Farnese family / Documents / Popes / Patrons
subjects:
Italian painting
Illustrations
Attributed works:
1. Detail of David and Goliath, by Caravaggio, showing the head of Goliath, believed to be a self-portrait of the artist. c.1609–10. Oil on canvas, 125 by 101 cm. (Galleria Borghese, Rome; Bridgeman Images).
Attributed works:
2. Rest on the flight into Egypt, by Caravaggio. 1597. Oil on canvas, 135.5 by 166.5 cm. (Doria Pamphilj Gallery, Rome; Bridgeman Images).
Attributed works:
3. The choice of Hercules, by Annibale Carracci. 1596. Oil on canvas, 167 by 237 cm. (Museo e Real Bosco di Capodimonte, Naples; Bridgeman Images).
Article
The sitters in a family portrait by Rubens in the Staatliche Kunsthalle, Karlsruhe
09/2020 | 1410 | 162
Pages: 757-765
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Author:
Stighelen, Katlijne van der (Stighelen, Katlijne van der)
Subjects
artists:
Rubens, Peter Paul
artists:
Brueghel, Jan, the Elder / Ortelius, Abraham
dates:
1600-1649
museums and institutions:
Staatliche Kunsthalle Karlsruhe, Karlsruhe, Germany
patrons:
Staes, Robert / Rindfleisch family
places:
Antwerp / Brussels
subjects:
Family portraits / Flemish art / Sitters / Dating / Identification / Iconography / Provenance / Metalworkers / Jewellery
Illustrations
Attributed works:
1. Family portrait, here identified as Robert Staes, his wife, Anna Rindfleisch, and their son Albert, by Peter Paul Rubens. Here dated c.1610–11. Oil on canvas, 116 by 112.5 cm. (Staatliche Kunsthalle, Karlsruhe).
Attributed works:
10. Detail of Fig.1, showing one of the bracelets worn by Anna Rindfleisch.
Attributed works:
11. Detail of Allegory of sight, by Jan Brueghel the Elder and Peter Paul Rubens, showing jewellery. 1617. Oil on panel, 64.7 by 109.5 cm. (Museo Nacional del Prado, Madrid).
Attributed works:
2. Self-portrait with his wife, Isabella Brant, by Peter Paul Rubens. c.1609–10. Oil on canvas, mounted on panel, 178 by 136 cm. (Alte Pinakothek, Munich).
Attributed works:
3. Family portrait, here identified as Robert Staes, his wife, Anna Rindfleisch, and their son Albert, after Peter Paul Rubens. c.1610–25. Black chalk, pen and brown ink and pencil on parchment, 19.9 by 19.5 cm. (Museum Boijmans van Beuningen, Rotterdam).
Attributed works:
4. Jan Brueghel the Elder, his wife, Catharina van Marienberghe, and their children Elisabeth and Pieter, by Peter Paul Rubens. Here dated c.1613–14. Oil on panel, 124.5 by 94.5 cm. (Courtauld Gallery, London).
Attributed works:
6. Page from the album amicorum of Abraham Ortelius, showing the coat of arms of the Rindfleisch (Runtvleesch) family. 1583. Pen and ink and wash, 16 by 11 cm. (Pembroke College, Cambridge).
Attributed works:
7. Page from the album amicorum of Daniel Rindfleisch, showing the coat of arms of the Rindfleisch (Runtvleesch) family. 1591. Pen and ink and wash, 13.7 by 21.5 cm. (Bibliothèque nationale de France, Paris).
Attributed works:
8. Self-portrait with his wife, Helena Fourment, and their son, Frans, by Peter Paul Rubens. c.1634. Oil on canvas, 204 by 153.5 cm. (Metropolitan Museum of Art, New York).
Attributed works:
9. Detail of Fig.1, showing Albert Staes.
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