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173 articles
Exhibition Review
Guercino: Il mestiere del pittore
07/2024 | 1456 | 166
Pages: 729–31
related names
Reviewer:
Bohn, Babette (Bohn, Babette)
Subjects
dates:
museums and institutions:
Reviewed Items
subjects:
Guercino: Il mestiere del pittore Musei Reali, Turin 23rd March–28th July | :
Illustrations
Attributed works:
6. Madonna of the Rosary with St Dominic and St Catherine of Siena, by Guercino. 1637. Oil on canvas, 378 by 255 cm. (S. Domenico, Turin; exh. Musei Reali, Turin).
Attributed works:
7. Diana, by Guercino. 1646. Oil on canvas, 102 by 84 cm. (Fondazione Marini Clarelli Santi, Perugia; exh. Musei Reali, Turin).
Attributed works:
8. Study for St William kneeling and dressed in armour, by Guercino. 1620. Charcoal on paper, 62 by 41.3 cm. (Musei di Strada Nuova, Genoa; exh. Musei Reali, Turin).
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Advertisements (front)
06/2024 | 1455 | 166
Pages: i–xxiv
Subjects
Illustrations
Attributed works:
A saint kneeling in prayer, with other figures in the background (Apostles at the tomb), by Guercino (1591–1666). Red chalk, 28.2 by 20.7 cm. [LAW/STEPHEN ONGPIN FINE ART, 82 PARK STREET, W1K 6NH]
Attributed works:
Attributed to George Gower (c.1540-1596), Portrait of Lady Arabella Stuart, £30,000-40,000 [Sworders]
Attributed works:
Bamburgh Castle, Northumberland, by Thomas Girtin (1775– 1802). 1797. Watercolour over traces of pencil heightened with bodycolour on laid paper, 41.7 by 54.7 cm. [LAW/GUY PEPPIATT FINE ART, 6 MASONS YARD, DUKE STREET, SW1Y 6BU]
Attributed works:
Bust of an old man with a rosary, by Gaetano Gandolfi (1734–1802). Oil on canvas, 56.2 by 45.3 cm. [LAW/TRINITY FINE ART AND WALTER PADOVANI, 15 OLD BOND STREET, W1S 4AX]
Attributed works:
Bust of the Goddess Roma Vincenzo Pacetti (1746–1820) A monumental marble from the collection of Thomas Hope (1769–1831)
Attributed works:
C.R.W. Nevinson (1889-1946) ‘Banking at 4000 Feet’. Lithograph. 1917. Signed. 16x12 inches. [Abbott and Holder]
Attributed works:
Charles Beale, by Mary Beale (1633–99). Oil on paper laid on panel, 29 by 23 cm. [LAW/PHILIP MOULD & COMPANY, 18–19 PALL MALL, SW1Y 5LU]
Attributed works:
Detail from Vedute del Giardino del Mar. Stiozzi-Ridolfi già Orti Oricellari Florence, by Emilio Burci (1811–77). 1832. Pen and ink with grey wash, 21 by 25 cm. [LAW/NONESUCH GALLERY, LOWER FLOOR MAAS GALLERY, 6 DUKE STREET, SW1Y 6BN]
Attributed works:
GIOVANNI FRANCESCO BARBIERI, called GUERCINO (1591–1666) The Virgin of the Rosary with Saints Dominic and Catherine of Siena Pen and brown ink and brown wash, 401 x 267 mm. (15¾ x 10½ in.) [Stephen Ongpin Fine Art]
Attributed works:
Guido Reni Bologna, 1575 - 1642 Martyrdom of Saint Apollonia morettigallery.com Oil on copper, 44.1 x 33.6 cm [Moretti]
Attributed works:
Hunter resting and Hunter grazing, by Adam Roud (b.1971). 2024. Bronze, height 46 cm. and 42 cm., respectively. [LAW/SLADMORE GALLERY, 57 JERMYN STREET, SW1Y 6LX]
Attributed works:
Ivar Arosenus, Venus and Diogenes, 1908 Each titled Venus och Diogenes lower left, and signed and dated I.A./08 lower right Four watercolours on paper each 90 x 143 mm (3 ⁄1/2 x 5 ⁄5/8  in) [Clase Fine Art]
Attributed works:
Leda and the swan and the bath of Venus, by Claude Michel, called Clodion (1738–1814). c.1780–82. Terracotta, 33 by 98.4 by 5.7 cm. and 33.7 by 97.1 by 6.4 cm., respectively. [LAW/DANIEL KATZ GALLERY, 6 HILL STREET, W1J 5NF]
Attributed works:
Making soldiers: in the front line trench for the first time, by Eric Kennington (1888–1960). 1917. Lithograph, 45.7 by 35.6 cm. [LAW/ABBOTT AND HOLDER, 30 MUSEUM STREET, WC1A 1LH]
Attributed works:
Mask of the man with the broken nose, by Auguste Rodin (1840– 1917). Conceived 1864, cast 1883. Bronze, height 40.5 cm. [LAW/STUART LOCHHEAD SCULPTURE, 35 BURY STREET, SW1Y 6AU]
Attributed works:
P I E R R E -A L E X ANDR E W I L L E Paris, 1748 - 1837 THE TRAVELLING MUSICIANS Pen & ink on paper 44 x 33 cm | 1 7 1 / 3 x 1 3 i n [Nonesuch Gallery]
Attributed works:
Red cardinals, by Frank Dobson (1886–1963). 1946. Black ink and pastel, 38 by 49 cm. [LAW/CHARLES BEDDINGTON LTD, 16 SAVILE ROW, W1S 3PL]
Attributed works:
Sir Robert Ker Porter (1777-1842), An album of figure studies taken on travels through France and Russia, forty-one, each signed and dated between 1814 and 1816, pen and ink and watercolour, each sheet approx. 17.2 by 10.8 cm, 6¼ by 4 ½ in. [Guy Peppiatt Fine Art]
Attributed works:
SOPHIE FREMIET (1797–1867) Portrait of a Woman, 1818 Recently acquired by the J. Paul Getty Museum, Los Angeles [Robilant and Voena]
Attributed works:
Summer, by Anna Boberg (1864–1935). Oil on canvas laid on board, 59 by 81 cm. [LAW/BEN ELWES FINE ART, 45 MADDOX STREET, W1S 2PE]
Attributed works:
TIZIANO VECELLIO, CALLED TITIAN (C.1485/90–1576) Rest on the Flight into Egypt Estimate: £15,000,000–25,000,000 Old Masters Part I, London, 2 July 2024 [Christie's]
Attributed works:
Vanitas, by Marcos Lozano (b.1990). 2023. Oil on board, 80 by 60 cm. [LAW/MORETTI FINE ART, 13 DUKE STREET, SW1Y 6DB]
Western art unattributed:
Detail of Mary Magdalene as a hermit. France, c.1305–13. Limestone, height 151 cm. [LAW/SAM FOGG, 15D CLIFFORD STREET, W1S 4JZ]
Western art unattributed:
Portrait miniature of a Gentleman wearing a green coat, white waistcoat and jabot, his hair powdered, by Jeremiah Meyer (1735– 89). c.1775. Watercolour on ivory, in a gold frame, set with half pearls, 6.7 by 5.1 cm. [LAW/THE LIMNER COMPANY, 6 MASONS YARD, DUKE STREET, SW1Y 6BU]
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Advertisements (front)
12/2023 | 1449 | 165
Pages: i–xvi
Subjects
Illustrations
Attributed works:
A sculpture of the Virgin of the Assumption Attributed to Alejo de Vahía, active in Palencia around 1473-1515 Gilt and polychromed wood, around 1509 Gift of Sir Michael Craig-Martin R.A. [Spanosh Gallery, The Auckland Project]
Attributed works:
ANDRÉS DE MELGAR (Sahagún, circa 1501–Santo Domingo de la Calzada, circa 1555) Descent from the Cross Oil on panel 152.5 x 110.4 cm [Caylus/Tefaf]
Attributed works:
Edgar DEGAS (1834-1917) Child’s study: two women’s heads Pastel on paper laminated on paper. Signature stamp lower left. 33 x 50 cm - 13 x 1911/16 in [Actéon]
Attributed works:
Giovan Battista Foggini (1652 – Florence – 1725) After a model by Giambologna of 1589 Hercules and the Erymanthian Boar Bronze: h. 45.4 cm [Patricia Wengraf Ltd.]
Attributed works:
Guercino (Italian, 1591-1666) St. John the Baptist, half length, circa 1640s-1650s Pen and brown ink on laid paper 9-7/8 x 8-1/4 inches (sheet) Estimate: $10,000 - $15,000 [Heritage Auctions]
Attributed works:
Juan de Zurbarán (Llerena 1620–1649) A Pear and Apples on a Pewter Plate, ca. 1641–42 Exhibiting at TEFAF Maastricht 2024 | Stand 342 [Nicholas Hall Art/Tefaf]
Attributed works:
Mary CASSATT (1844-1926) Smiling Sara in a big hat holding her dog (n° 1) Between 1901 and 1905. Pastel on paper. Signed. 57 x 41,5 cm - 223/8 x 161/4 in [Actéon]
Attributed works:
MICHAEL SWEERTS (1618–1664) A portrait of the artist (?) presenting the Virgin in Prayer Estimate: £400,000–600,000 [Christie's]
Attributed works:
The execution of Lady Jane by Paul Delaroche A preparatory oil sketch rediscovered [Moretti]
Western art unattributed:
MONUMENTAL MARBLE FIGURE OF BONUS EVENTUS Roman Empire, 2nd Century A.D. Height 198 cm (78 in.) [Cavagnis Lacerenza]
Supplement
Recent acquisitions (2016–22) of European works of art at the Detroit Institute of Arts
06/2023 | 1443 | 165
Pages: 677-692
Subjects
subjects:
Illustrations
Attributed works:
10. Large circular dish with Diana and Callisto, Nevers Manufactories. c.1660. Faience (tin-glazed earthenware), diameter: 50.8 cm. Bequest of Sidney R. Knafel, T2022.237.2.
Attributed works:
11. Infant St John the Baptist in the wilderness, by Bartolomé Esteban Murillo. Between 1665 and 1670. Oil on canvas, 85 by 72 cm. Museum purchase, Robert H. Tannahill Foundation Fund, 2021.270.
Attributed works:
12. Madonna and Child with Sts Ignatius of Loyola, Francis Xavier, Cosmas and Damian, by Andrea Sacchi. 1629. Oil on canvas, 60.5 by 40.3 cm. Gift of the European Paintings Council, 2017.10.
Attributed works:
13. St Peter weeping with keys, by Guercino (Giovanni Francesco Barbieri). c.1630–40. Pen and brown (iron gall) ink on laid paper, 24.6 by 19.3 cm. Gift of an anonymous donor, in memory of Edward B. Caulkins Jr, 2016.126.
Attributed works:
14. Study for the Chair of St Peter (Cathedra Petri), workshop of Gian Lorenzo Bernini. c.1657–58. Pen and brown ink and wash with white highlights on laid paper, 50.8 by 33.7 cm. Museum purchase, Ralph H. Booth Bequest Fund, 2018.21.
Attributed works:
15. Garniture of three vases, manufactured by the De Paauw (‘The Peacock’) Manufactory, Delft, under the direction of Petronella van Dijssel. c.1690. Tin-glazed (enamelled) earthenware, 40 by 37.5 cm. Gift of Richard and Joanne Brodie, 2019.160.1–.3.
Attributed works:
16. The archangel Michael defeating Satan, by Acisclo Antonio Palomino de Castro y Velasco. Between 1692 and 1705. Oil on canvas, 208.8 by 146.5 cm. Gift of Colnaghi in honour of Salvador Salort-Pons, 2016.58.
Attributed works:
17. Reading the fate of the Christ Child, by Josefa De Ayala. 1667. Oil on copper, 23 by 29 cm. Museum purchase, Robert H. Tannahill Foundation Fund, 2020.15.
Attributed works:
18. Large platter with Bacchanal scene in the centre with putti and a satyr pushing a wheelbarrow on an ocre niellé ground, manufactured by the Rouen Factories. c.1725. Faience (tin-glazed earthenware), diameter 40 cm. Bequest of Sidney R. Knafel, T2022.237.13.
Attributed works:
19. Madonna and Child, by Giuseppe Maria Mazza. 1685. Hand-modelled terracotta relief in a gilt wood frame, 41.9 by 37.1 cm. Gift of Richard A. and Joanne Brodie in honour of Alan Darr, 2021.28.
Attributed works:
2. St Michael vanquishing the Devil, attributed to the workshop of the Harburg Master. c.1480. Limewood with original gilding and polychromy, 165 by 66 by 40 cm. Museum purchase, Robert H. Tannahill Foundation Fund, with funds from the Visiting Committee for European Sculpture and Decorative Arts, 2020.1.
Attributed works:
20. The sanctuary-basilica of Nuestra Señora del Lledó in Castellón de la Plana, by Juan Conchillos Falco. 1699. Pen and ink and brush and sepia wash, 21.6 by 29.2 cm. Museum purchase, Hill Memorial Fund, 2020.17.
Attributed works:
21. Virgin of solitude, by Luisa Roldán (called La Roldana). 1705. Terracotta, paint, glass and wood, 38.1 by 26 cm. Museum purchase, Funds from the Joseph M. DeGrimme Memorial Fund and Robert H. Tannahill Foundation Fund, 2018.33.
Attributed works:
22. Venus ordering armour for Aeneas at Vulcan’s forge, by Gaetano Gandolfi. c.1775. Oil on canvas, 64.5 by 47.5 by 4.4 cm. Gift of the Elizabeth, Allan & Warren Shelden Fund, 2017.46.
Attributed works:
23. Penitent Magdalene, by Caterina de Julianis. 1717. Polychrome wax, painted paper, glass, tempera on paper and other materials, 26.9 by 27 cm. Museum purchase, Robert H. Tannahill Foundation Fund, 2019.44.
Attributed works:
24. The Doria commode, designed and painted by Lorenzo de Ferrari. c.1737. Carved and gilded walnut with tempera and oil painted decoration and original carved Spanish red broccatello marble top, 91 by 136 by 53 cm. Museum purchase, Jill Ford Murray Fund, Robert H. Tannahill Foundation Fund, and funds from The Visiting Committee for European Sculpture and Decorative Arts in honour of Joanne Brodie, VCESDA Chair 2012–18, 2018.32.
Attributed works:
25. St Benedict of Palermo, attributed to Juan Pascual de Mena. Between 1770 and 1780. Coniferous wood, oil, gold, glass and fibre cord, 175 by 100 by 50 cm. Museum purchase, Jill Ford Murray Fund, 2017.21.
Attributed works:
26. Virgin and Child, by Luis Salvador Carmona. c.1750. Polychrome coniferous wood and glass, 130.8 by 63.5 by 48.3 cm. Museum purchase, Robert H. Tannahill Foundation Fund and Ernest and Rosemarie Kanzler Foundation Fund, 2016.31.
Attributed works:
27. Small sword with koft-gari hilt. Possibly France, c.1770. Hilt: steel with gold inlay; blade: etched and blued steel, 100.3 by 10.8 by 8.9 cm. Museum purchase, Joseph M. de Grimme Memorial Fund, 2022.274.
Attributed works:
28. Soup plate from the Catherine the Great Service (assiette à potage), manufactured by the Sèvres Porcelain Manufactory and gilded by Henry-François Vincent. 1778. Soft-paste porcelain, bleu celeste ground with enamel decoration and gilding, 3.8 by 26.7 cm. Museum purchase, with funds from the Bernard J. Reilly Fund and the Joseph M. de Grimme Memorial Fund, 2017.58.
Attributed works:
29. Carved relief of Marchesa Vittoria Santini Torrigiani, attributed to Giuseppe Maria Bonzanigo. c.1796. Boxwood, fruitwood and ebony, 18.6 by 13.7 by .5 cm. Gift of Richard A. and Joanne Brodie, 2021.251.
Attributed works:
3. Dish with the allegory of Love depicting Giulia and Ottinello, by Francesco Xanto Avelli da Rovigo, possibly in the workshop of Nicola da Urbino. c.1525–27. Tin glazed (enamelled) earthenware, diameter 26.5 cm. Gift of Richard A. and Joanne Brodie, 2021.415.
Attributed works:
30. and 31. Mrs Mary May and her daughters Maria Emilia, Louisa and Sophia Margaret and Mr Joseph May and his sons Thomas Charles, Joseph and John, by Angelica Kauffmann. 1780. Oil on canvas, each 144.4 by 176.5 cm. Museum purchase, Robert H. Tannahill Foundation Fund, 2022.266.1-2.
Attributed works:
32. Los Caprichos, by Francisco Goya. 1796–98, first edition published 1799. Bound set of eighty etchings with aquatint and engraving on laid paper, in original Spanish mottled calfskin-covered pasteboard binding, 31.2 by 21.0 by 2.8 cm. Museum purchase, Ernest and Rosemarie Kanzler Foundation Fund, 2021.268.
Attributed works:
33. Satan, the fallen angel, by Jean-Jacques Feuchère. Modelled 1833, cast 1835. Bronze with a dark brown patina, height 34.9 cm. Museum purchase, Joseph M. de Grimme Memorial Fund and the Visiting Committee for European Sculpture and Decorative Arts, 2018.17.
Attributed works:
34. Bust of Giuseppe Bossi, by Antonio Canova. 1816. Plaster, 94 by 45.7 by 38.1 cm. Museum purchase, Robert H. Tannahill Foundation Fund, 2017.19.
Attributed works:
35. Portrait bust of the duchesse de Berry, by Félicie de Fauveau. 1840. Marble with partial gilding and polychromy, height 60 cm. Museum purchase, Joseph M. de Grimme Memorial Fund, 2022.273.
Attributed works:
36. Coffret à bijoux with the triumph of Amphitrite, by Frédéric-Jules Rudolphi. c.1850. Oxidised and parcel-gilt silver, enamel, coloured glass and pearls, 21.3 by 19.7 by 15.2 cm. Gift of Richard and Joanne Brodie, 2021.296.
Attributed works:
4. Descent from the Cross, by the Master of the Embroidered Foliage. c.1500. Oil on oak panel (cradled), 97.6 by 80.3 cm. Gift of Mr and Mrs Raymond Cracchiolo, 2019.18.
Attributed works:
6. Dish featuring Cupid holding a globe, made by Lyon Manufactories and decorated by Gironimo Tomasi. c.1582–1600. Faience (tin-glazed earthenware), diameter 32.7 cm. Bequest of Sidney R. Knafel, T2022.237.9.
Attributed works:
7. Parade shield for the guard of Archbishop Wolf-Dietrich von Raitenau. Venice, c.1595. Wood, tooled leather, metal leaf, polychromy and varnish, diameter 62.2 cm. Museum purchase, Jill Ford Murray Fund, 2022.5.
Attributed works:
8. Ecce Homo, by Luis de Morales. c.1560–70. Oil on wood panel, 54.6 by 46.4 cm. Museum purchase, Jill Ford Murray Fund and the Robert H. Tannahill Foundation Fund, 2019.41.
Western art unattributed:
1. Crucifixion with the three Marys and others. England, 1440–80. Alabaster with original polychromy and gilding, 53.3 by 25.4 by 5.1 cm. Gift of Richard A. and Joanne Brodie in honour of Alan P. Darr, 2021.112.
Western art unattributed:
5. Reliquary bust of a virgin-martyr, likely a companion of St Ursula. Possibly Castile, c.1530. Softwood with gilding and polychromy, 47 by 43.5 by 19 cm. Gift of Richard A. and Joanne Brodie, 2022.115.
Western art unattributed:
9. David and Goliath. German, c.1600. Polychrome wax, 30 by 21.5 cm. Museum purchase, European Sculpture and Decorative Arts Deaccession Fund, 2020.5.
Article
Richard Vickris Pryor in the art market of Napoleonic Europe
04/2022 | 1429 | 164
Pages: 342-349
related names
Author:
Bonazzi, Lucia (Bonazzi, Lucia)
Subjects
Illustrations
Attributed works:
1. Portrait of a man, by Paolo Veronese. c.1576–78. Oil on canvas, 192.1 by 134 cm. (The J. Paul Getty Museum, Los Angeles).
Attributed works:
2. The flight into Egypt, by Jacopo Bassano. c.1540–45. Oil on canvas, 157.5 by 203.2 cm. (Toledo Museum of Art).
Attributed works:
3. Venus at her mirror, by Paolo Veronese. Mid-1580s. Oil on canvas, 165.1 by 124.5 cm. (Joslyn Art Museum, Omaha).
Attributed works:
4. Portrait of a man, by Girolamo Romanino. c.1515–17. Oil on panel, 58.2 by 47.4 cm (Royal Collection Trust; © HM Queen Elizabeth II, 2022).
Attributed works:
5. Portrait of a man and his son, by Simone Peterzano. Late 16th century. Oil on canvas, 98 by 83 cm. (Milano Maggiore Hospital collection, Fondazione IRCCS Ca’ Granda Ospedale Maggiore Policlinico; photograph Giuseppe Giudici-Lecco).
Attributed works:
6. Andromeda, by Carlo Francesco Nuvolone. Oil on panel, 22.2 by 16.8 cm. (Private collection).
Attributed works:
7. Virgin and Child with St John the Baptist and St Anthony Abbot, by a follower of Paolo Veronese. Oil on canvas, 167.7 by 207 cm. (Art Institute of Chicago).
Article
Carlo Dolci’s Inscriptions 1 – Dolci’s signatures and prices in context
01/2022 | 1426 | 164
Pages: 4-15
related names
Author:
Spear, Richard E. (Spear, Richard E.)
Subjects
Illustrations
Attributed works:
1. Detail of Fig.10, showing Carlo Dolci’s self-portrait within a self-portrait, inscribed 1674.
Attributed works:
10. Self-portrait, by Carlo Dolci. 1674. Oil on canvas, 74.5 by 60.5 cm. (Galleria degli Uffizi, Florence).
Attributed works:
11. Inscription on the strainer of the painting illustrated in Fig.13.
Attributed works:
12. Christ Child with a garland of flowers, by Carlo Dolci. 1674. Canvas, 96.5 by 76.5 cm. (Kunsthistorisches Museum, Vienna).
Attributed works:
13. David with the head of Goliath, by Carlo Dolci. 1680. Canvas, 131.5 by 106 cm. (Museum of Fine Arts, Boston).
Attributed works:
2. Ecce Homo, by Carlo Dolci. 1681. Oil on canvas, 49 by 39 cm. (Galleria Corsini, Florence).
Attributed works:
3. Inscription on the strainer of the painting illustrated in Fig.5.
Attributed works:
4. St Agatha, by Carlo Dolci. 1664–65. Oil on canvas, 73 by 41 cm. (Private collection).
Attributed works:
5. St Philip Neri, by Carlo Dolci. 1645. Oil on canvas, 44.5 by 36.2 cm. (Metropolitan Museum of Art, New York).
Attributed works:
6 and 7. Inscriptions on the strainer of the painting illustrated in Fig.4.
Attributed works:
8. Inscription on a wooden frame behind St John the Evangelist on Patmos, by Carlo Dolci. 1656. Oil on copper, 38 by 49 cm. (Palazzo Pitti, Florence).
Attributed works:
9. Luigi Gualtieri at the age of three, by Carlo Dolci. 1674. Black, red and blue chalk with blue watercolour on white paper, 20.8 by 14.2 cm. (Galleria degli Uffizi, Florence).
Exhibition Review
Guercino: Virtuoso Draftsman Morgan Library and Museum, New York
02/2020 | 1403 | 162
Pages: 145-147
related names
Reviewer:
Bohn, Babette (Bohn, Babette)
Subjects
dates:
subjects:
Reviewed Items
subjects:
Guercino: Virtuoso Draftsman Morgan Library and Museum, New York 4th October 2019–2nd February | :
Illustrations
Attributed works:
11. Virgin and Child with a book and a pot of pinks, by Guercino. c.1635–38. Red chalk on paper, 25.7 by 19.1 cm. (Morgan Library and Museum, New York).
Attributed works:
12. Holy Family, by Guercino. c.1627. Black, red and brown chalk and blue pastel with grey wash, 35.7 by 26.7 cm. (Morgan Library and Museum, New York).
Attributed works:
13. Landscape with a volcano, by Guercino. c.1640. Brush and brown wash on blue paper, 25.9 by 37.1 cm. (Morgan Library and Museum, New York).
Exhibition Review
Up for attribution: Guercino’s ‘trial versions’ and a new catalogue raisonné
03/2019 | 1392 | 161
Pages: 206-213
related names
Author:
Stone, David M. (Stone, David M.)
Subjects
collectors and dealers:
dates:
places:
styles:
Reviewed Items
subjects:
N. Turner: The Paintings of Guercino: A Revised and Expanded Catalogue Raisonné (Ugo Bozzi Editore, Rome) | :
Illustrations
Attributed works:
1. David on the battlefield pointing to the head of Goliath, by Guercino. 1657. Canvas, 200 by 144 cm. (North Holland Regional Water Board, Heerhugowaard; on loan to Museum Boijmans Van Beuningen, Rotterdam).
Attributed works:
10. Detail of Fig.12, showing the pattern in Absalom’s breeches.
Attributed works:
11. Detail of Fig.12, showing the central assassin’s hand and sleeve.
Attributed works:
12. Absalom commanding the assassination of Amnon, here attributed to the studio or a follower of Guercino after a lost work by Guercino of 1628. Canvas, 140 by 176 cm. (Private collection).
Attributed works:
13. Opposite top Joseph and Potiphar’s wife, here attributed to the studio of Guercino (perhaps Matteo Loves), after a lost work by Guercino of 1631. Canvas, 121 by 171 cm. (Zanasi Foundation, Modena).
Attributed works:
14. Opposite bottom Joseph and Potiphar’s wife, here attributed to the studio of Guercino after a lost work by Guercino of 1631. Canvas, 122.7 by 166.8 cm. (Location unknown; formerly Vittorio Frascione, Florence).
Attributed works:
15. Above left Detail of Fig.13, showing the face of Potiphar’s wife.
Attributed works:
16. Above right Detail of Fig.14, showing the face of Potiphar’s wife.
Attributed works:
2 and 3. Fragments from All saints in glory, by Guercino. 1613. Canvas, each 49 by 66 cm. (Location unknown; formerly art market, Paris).
Attributed works:
4. Landscape with a dog running and a man at a well, and Orpheus and Eurydice, by Guercino. c.1617. Detached fresco frieze. (Pinacoteca Civica, Cento).
Attributed works:
5. Detail of Fig.4, showing a man at a well.
Attributed works:
6. Detail of Fig.4, showing Orpheus and Eurydice.
Attributed works:
7. Absalom commanding the assassination of Amnon, here attributed to the studio of Guercino after a lost work by Guercino of 1628. Canvas, 140 by 175 cm. (Pinacoteca Nazionale, Bologna; on loan to Palazzo della Prefettura, Bologna).
Attributed works:
8. Detail of Fig.7, showing the pattern in Absalom’s breeches.
Attributed works:
9. Detail of Fig.7, showing the central assassin’s hand and sleeve.
Article
The provenance of Raphael’s ‘Madonna of the pinks’ – II
10/2018 | 1387 | 160
Pages: 836-839
related names
Author:
Puddu, Pier Ludovico (Puddu, Pier Ludovico)
Subjects
dates:
media:
places:
Illustrations
Attributed works:
1. Scenes from the lives of the Virgin and other saints, by Giovanni da Rimini. c.1300–05. Panel, 54.4 by 36.5 cm. (National Gallery, London).
Attributed works:
2. The Garden of Eden, by Jan Brueghel the Elder. 1613. Oil on copper, 23.7 by 36.8 cm. (Private collection, on loan to the National Gallery, London).
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