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55 articles
Article
Jan van Eyck’s diptych for Philip the Good
07/2025 | 1468 | 167
Pages: 637–649
related names
Author:
Capron, Emma (Capron, Emma)
Subjects
museums and institutions:
subjects:
Illustrations
Attributed works:
1. Virgin in the church, by Jan van Eyck. c.1432–41. Oil on oak panel, 31 by 14 cm. (Gemäldegalerie, Berlin).
Attributed works:
10. The author presents his book to Philip the Good, by the workshop of the Master of Girart de Roussillon, from the Livres du roy Modus et de la royne Ratio, by Henri de Ferrières. c.1450. Parchment. (Royal Library of Belgium, Brussels, MS 10218-19, fol.2r).
Attributed works:
11. Detail of Fig.1.
Attributed works:
12. Philip the Good kneeling before the statue of the Virgin of the Corn, detail from the so-called book-altar of Philip the Good. Flanders, 1450. Parchment. (Austrian National Library, Vienna, Cod.1800, fol.13v).
Attributed works:
13. Philip the Good attending mass, by Jean le Tavernier, from Traité de l’oraison dominicale, by Jean Miélot. After 1457. Parchment. (Royal Library of Belgium, Brussels, MS 9092, fol.9r; Bridgeman Images).
Attributed works:
2. Reverse of the Este Diptych, by Ercole de’ Roberti. c.1490. Oil on panel, 18.8 by 14.7 cm. (left) and 18.9 by 14.5 cm. (right). (National Gallery, London).
Attributed works:
4. Detail of Fig.1.
Attributed works:
5. Virgin in the church and Antonio Siciliano, attributed to Jan Gossaert. c.1513. Oil on panel, both 40.2 by 22 cm. (Galleria Doria Pamphilj, Rome).
Attributed works:
6. Virgin in the church and Christiaan de Hondt praying in a chamber, by the Master of 1499. 1499. Oil on panel, 31.3 by 14.7 cm. (left) and 31.2 by 14.8 cm. (right). (Royal Museum of Fine Arts, Antwerp).
Attributed works:
7. Virgin and Child, by a follower of Adriaen Isenbrandt (left) and Margaret of Austria praying in a chamber, Netherlandish artist (right). c.1510. Oil on oak panel, 30.6 by 14.6 cm. (Museum of Fine Arts Ghent, Belgium).
Attributed works:
8. Philip the Good kneeling before the Annunciation, by Willem Vrelant, from the Traité sur la salutation angélique, by Jean Miélot. c.1461. Parchment. (Royal Library of Belgium, Brussels, MS 9270, fol.2v).
Attributed works:
9. Jean Wauquelin presenting his Chroniques to Philip the Good, with the young Charles, count of Charolais, by his side, wearing cloth of gold, by Rogier van der Weyden, from the Chroniques de Hainaut, by Jean Wauquelin. 1447–48. Parchment. (Royal Library of Belgium, Brussels, MS 9242, frontispiece).
Western art unattributed:
3. Extract from the inventory of Margaret of Austria. 1516. Ink on paper. (Archives départementales du Nord, Lille; Chambre des Comptes de Lille, no.123904, fol.1v).
Exhibition Review
Dürer to Van Dyck: Drawings from Chatsworth House
02/2025 | 1463 | 167
Pages: 172–175
related names
Reviewer:
Horbatsch, Olenka (Horbatsch, Olenka)
Subjects
museums and institutions:
Reviewed Items
subjects:
Dürer to Van Dyck: Drawings from Chatsworth House Royal Scottish Academy, Edinburgh 9th November 2024–23rd February 2025 | :
Illustrations
Attributed works:
10. Arcadian landscape, by Hendrick Goltzius. 1593. Pen and black ink, 35.7 by 46.8 cm. (Chatsworth House, Derbyshire; exh. National Galleries of Scotland, Edinburgh).
Attributed works:
11. A dying tree, its trunk covered in brambles, beside a fence, by Peter Paul Rubens. c.1618. Pen, brown ink, red and black chalk and watercolour, 35.2 by 29.8 cm. (Chatsworth House, Derbyshire; exh. National Galleries of Scotland, Edinburgh).
Attributed works:
12. View of the Amsteldijk at Meerzhuizen, looking towards the little windmill, by Rembrandt. c.1648–50. Pen, brown ink and brown wash with watercolour on paper prepared with brown wash, 13 by 21.2 cm. (Chatsworth House, Derbyshire; exh. National Galleries of Scotland, Edinburgh).
Exhibition Review
The Renaissance Nude
05/2019 | 1394 | 161
Pages: 416-419
related names
Reviewer:
Nuttall, Paula (Nuttall, Paula)
Subjects
dates:
Illustrations
Attributed works:
8. A male nude with proportions indicated, by Michelangelo Buonarroti. c.1515–20. Red chalk on paper, 28.9 by 18 cm. (Royal Collection Trust / © Her Majesty Queen Elizabeth II 2019; exh. Royal Academy of Arts, London).
Attributed works:
9. A myth of Pan, by Dosso Dossi. c.1524. Canvas, 163.8 by 145.4 cm. (J. Paul Getty Museum, Los Angeles; exh. Royal Academy of Arts, London).
Western art unattributed:
10. Elderly bather. German, c.1480. Boxwood with some polychromy, height 16.2 cm. (Liebieghaus Skulpturensammlung, Frankfurt; exh. Royal Academy of Arts, London).
Book Review
Jan Gossart and the Invention of Netherlandish Antiquity, by M.A. Bass
02/2017 | 1367 | 159
Pages: 135-136
related names
Reviewer:
Ainsworth, Maryan W. (Ainsworth, Maryan W.; Ainsworth, Maryan)
Subjects
artists:
Illustrations
Attributed works:
63. Neptune and Amphitrite, by Jan Gossart. 1516 (Gemäldegalerie, Staatliche Museen, Berlin)
Publication Received
Jan Gossart. The Documentary Evidence. By Sytse Weidema and Anna Koopstra, with a foreword by Maryan W. Ainsworth.
10/2014 | 1339 | 156
Pages: 681
related names
Reviewer:
Filedt Kok, Jan Piet (Filedt Kok, Jan Piet; Kok, J. P. Filedt)
Subjects
artists:
Exhibition Review
Jan Gossaert. New York and London
02/2011 | 1295 | 153
Pages: 134-137
related names
Reviewer:
Filedt Kok, Jan Piet (Filedt Kok, Jan Piet; Kok, J. P. Filedt)
Subjects
artists:
dates:
print:
subjects:
Reviewed Items
subjects:
Man, Myth and Sensual Pleasures - Jan Gossart's Renaissance | institution: Metropolitan Museum of Art , institution: National Gallery
Illustrations
Attributed works:
71. The Malvagna triptych, by Jan Gossaert and Gerard David. c.1513–15. Panels with the original frame, 45.5 by 35 cm. (centre); 45 by 17.5 cm. (wings). (Galleria Regionale della Sicilia, Palermo; exh. Metropolitan Museum of Art, New York)
Attributed works:
72. Virgin and Child, by Jan Gossaert. c.1527. Panel, 63 by 50 cm. (Museo Nacional del Prado, Madrid; exh. Metropolitan Museum of Art, New York)
Attributed works:
73. Christ on the cold stone, by Jan Gossaert. c.1530. Panel, 112 by 84 cm. (Real Colegio del Corpus Christ, Valencia; exh. Metropolitan Museum of Art, New York)
Attributed works:
74. Portrait of a man (Henry III of Nassau-Breda?), by Jan Gossaert. c.1522. Panel, 57.2 by 45.8 cm. (Kimbell Museum of Art, Fort Worth; exh. Metropolitan Museum of Art, New York)
Article
An overlooked attribution to Jan Gossaert
02/2011 | 1295 | 153
Pages: 76-80
related names
Author:
Alsteens, Stijn (Alsteens, Stijn)
Subjects
artists:
dates:
print:
Illustrations
Attributed works:
1. An allegory of filial and parental love, here attributed to Jan Gossaert. c.1520s. Pen and brown and light brown ink, red and yellow watercolour, 27.7 by 17.4 cm. (British Museum, London).
Attributed works:
2. The Fall of Man, by Jan Gossaert. 1520s. Pen and brown ink over black chalk or charcoal, 25.9 by 21.1 cm. (Albertina, Vienna).
Attributed works:
3. St Jerome writing in his cave, by Albrecht Dürer. 1512. Woodcut, 17.1 by 12.6 cm. (Metropolitan Museum of Art, New York).
Attributed works:
4. Acca Larentia, by Jacopo della Quercia. c.1414–19. Marble, 163 cm. high. (S. Maria della Scala, Siena).
Attributed works:
5. Rhea Silvia, by Jacopo della Quercia (and assistant?). c.1414–19. Marble, 165 cm. high. (S. Maria della Scala, Siena).
Attributed works:
6. An allegory of Charity, by an anonymous woodcutter after a design attributed to Pieter Coecke van Aelst. 1527 or earlier. Woodcut from Luciani dialogi . . ., Antwerp 1527. (Bibliothèque nationale, Paris).
Article
The patron of Jan Gossaert’s ‘Adoration of the Kings’ in the National Gallery, London
02/2010 | 1283 | 152
Pages: 86-89
related names
Author:
Campbell, Lorne (Campbell, Lorne; C., L.)
Subjects
artists:
dates:
museums and institutions:
print:
Illustrations
Attributed works:
20. Adoration of the Kings, by Jan Gossaert. c.1510–15. Panel, 177.2 by 161.3 cm. (National Gallery, London).
Article
The sitter in Jan Gossaert’s ‘Portrait of a merchant’ in the National Gallery of Art, Washington: Jan Snoeck (c.1510–85)
02/2010 | 1283 | 152
Pages: 82-85
related names
Author:
Colenbrander, Herman Th. (Colenbrander, Herman Th.)
Subjects
artists:
dates:
print:
Illustrations
Attributed works:
12. Portrait of a merchant, here identified as Portrait of Jan Snoeck, by Jan Gossaert. c.1530. Panel, 63.6 by 47.5 cm. (National Gallery of Art, Washington).
Attributed works:
13. Portrait of Jan Snoeck, by an anonymous artist after Jan Gossaert. c.1750. Watercolour, 49 by 39 cm. (Snouck van Loosen Stichting, Enkhuizen).
Attributed works:
17. Detail of ring worn by the sitter in Fig.12.
Attributed works:
18. Detail of the cap worn by the sitter in Fig.12.
Western art unattributed:
14. Manor of Schelluinderberg, Schelluinen. (Photograph: Rijksdienst voor Archeologie, Cultuurlandschap en Monumenten, Zeist).
Western art unattributed:
15. The weather-vane on the manor of Schelluinderberg, Schelluinen. (Photograph: L.J.P. de Waal).
Western art unattributed:
16. Relief on the façade of the manor of Schelluinderberg, Schelluinen. (Photograph: author).
Western art unattributed:
19. Seal of Jan Snoeck on a letter dated 1577. (Archief Ridderlijke Duitsche Orde, Balije van Utrecht, Utrecht; inv. no.31–6).
Advertisements
Advertisements January 2001 (front)
01/2001 | 1174 | 143
Pages: i-xx
Subjects
subjects:
Illustrations
Attributed works:
Lot and His Daughters, by Orazio Gentileschi. c.1622. 151.8 by 189.2 cm. (J. Paul Getty Museum, Los Angeles).
Attributed works:
[Artemis Group, 23 East 73rd Street, New York, New York] Henry Fuseli (1741-1825). Allegory of Love, Marriage, Life and Death. Pen and Grey Ink with Grey and Purple-Brown Wash, 1763. 200 × 275 mm
Attributed works:
[Berry-Hill Galleries, Inc., 11 East 70th Street, New York, New York] Annibale Carracci, Bologna 1560 - 1609 Rome. Landscape with Washerwomen. Pen and Brown Ink, 3 13/16 × 10½ Inches (97 × 267 mm)
Attributed works:
[Christie's, 502 Park Avenue, New York, New York] Rembrandt Harmensz. van Rijn (1606-1669). Portrait of a Bearded man, Bust-Length, in a Red Doublet. Signed and Dated 'Rembrandt fec/1633.' Oil on Panel, Oval, 25 × 20 in. (63.5 × 50.8 cm.). Estimate: $6,000,000-8,000,000, £4,000,000-5,500,000
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Hubert Robert, (1733 - Paris - 1808). A Peasant Interior with Figures. Oil on Canvas: 24.5 × 32.5 cm
Attributed works:
[Didier Aaron, Inc., New York, New York] View of Lago di Averne, the Castello di Baia, and the Bay of Naples, by Jean Charles Joseph Remond. One of Several Dozen Paintings and Drawings in a Rotating Exhibition of Recent Acquisitions.
Attributed works:
[Dover Street Art Gallery, 13 Dover Street, London, UK] Paul Bril, (Breda c. 1554 - Rome 1626), Landscape with Nymphs and Satyrs, Oil on Canvas, 27½ × 36¼ in, 70 × 92 cm
Attributed works:
[Emmanuel Moatti, Inc., Paris, France] The Aquaduct, by Giovanni Battista Camuccini. 1840's. Inaugural Exhibition, Ends January 26th.
Attributed works:
[Exh. Monte Carlo International Fine Art & Antiques Fair] A Village Street with a Watering Place, by Jan Brueghel the Elder. Oil on Copper (Stamped with the Mark of the Maker Pieter Stas), 26.1 × 35.7 cm.
Attributed works:
[Exh. Monte Carlo International Fine Art & Antiques Fair] Armoire à deux corps, Lyon, c.1570-80. 245 × 148 × 57 cm.
Attributed works:
[Exh. Monte Carlo International Fine Art & Antiques Fair] Cabinet, Attributed to Johan Puchwieser, Munich 1705-20. Palisander Wood with Brass Inlay on Tortoiseshell, 188 × 160 × 65 cm.
Attributed works:
[Exh. Monte Carlo International Fine Art & Antiques Fair] Don Juan between Charlotte and Mathurine, by Alexandre Evariste-Fragonard. Oil on Canvas, 65 × 54 cm.
Attributed works:
[Exh. Monte Carlo International Fine Art & Antiques Fair] Pedestal Table, by Molitor, c.1795. Mahogany, Inlaid with Black Wood and Brass, with Gilt-Bronze Mounts, Diameter 73 cm.
Attributed works:
[Exh. Monte Carlo International Fine Art & Antiques Fair] Piano, by A. Beurdeley et Fils, Paris, Mechanism by Erard, Paris, 1881. Mahogany with Marquetry Inlay.
Attributed works:
[Exh. Monte Carlo International Fine Art & Antiques Fair] Portable Triptych with the Crucifixion, Madonna Enthroned with Angels and the Stigmatisation of St Francis with Sts Peter and Bartholomew, by Bernardo Daddi. Tempera on Panel, 67 × 38.5 cm (Central Panel); 65.5 × 20 cm. (Side Panels).
Attributed works:
[Exh. Monte Carlo International Fine Art & Antiques Fair] View of the Grand Canal, with S. Giorgio Maggiore, the Salute and S. Marco by Bernardo Bellotto. Oil on Canvas, 63.8 × 36.5 cm.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Edward Burra (1905 - 1976) Rye Landscape with Figure (Detail) Watercolour 1947 Cecil Higgins Art Gallery © Estate of the Artist
Attributed works:
[Felder Fine Art, London, UK] Thomas Gainsborough R. A. (1727-1788). Self-Portrait, c 1739. Oil on Paper Laid on Canvas: 22.4 × 19.5cm / 8 3/4 x 7 3/4 in. This Painting is Gainsborough's Earliest Known Self-Portrait
Attributed works:
[Flavia Ormond Fine Arts, 24 Brechin Place, London, UK] A Female Virtue - Innocence, by Lorenzo De Ferrari, Circa 1738. Master Drawings at Adelson Galleries, Inc. 22nd January until 9th February.
Attributed works:
[Hill-Stone Incorporated, Park Avenue, New York, New York] Daniel in the Lions' Den by Conrad Meyer, 1618-1689. Pen and Ink, Wash and Chalk.
Attributed works:
[Hill-Stone Incorporated, Park Avenue, New York, New York] Rembrandt van Rijn 1606 - 1669. The Flight into Egypt: Altered from the Plate by Hercules Segers. Etching, Drypoint and Burin; Circa 1653. Hollstein 56, the Sixth State of Seven. A Very Fine Impression.
Attributed works:
[Jack Kilgore & Co., Inc. 154 East 71st Street, New York] Hendrick Goltzius (1558-1617). Madonna with Child and Angels. Signed with Monogram and Dated 'HG1607' and Inscribed on the Reverse 'D H Gultius' Oil on Unlined Canvas 52 3/4 x 39 3/8 Inches (134 by 100 cm.)
Attributed works:
[Jack Kilgore & Co., Inc. 154 East 71st Street, New York] Landscape with a Woman on a Dapple-Grey Horse, by Nicolaes Berchem. Oil on Panel, 254 × 324 mm. Dutch & Flemish Old Master Paintings. January 22nd - February 17th, 2001.
Attributed works:
[James Graham & Sons, 1014 Madison Avenue, New York, New York] Antoine-Louis Barye (1796-1875). French Animalier School. Fine Bronzes from the 19th and Early 20th Century. Barye, Bonheur, Mene and Others
Attributed works:
[L'antiquaire & The Connoisseur Inc., 36 East 73rd Street, New York, New York] Lord Frederic Leighton. Scarborough 1830 - 1896 London. Studies of Classically Dressed Women Seated in Klismos Chairs. Black and White Chalk over Graphite on Brown Wove Paper. Size: 14½ × 10½ Inches (371 × 276 mm).
Attributed works:
[L'antiquaire & The Connoisseur Inc., 36 East 73rd Street, New York, New York] Study of an Oak Tree, by Remigio Cantagallina. 1624. Pen and Brown Ink on Buff Paper, 394 × 508 mm. European Master Drawings 1500-1900. 24th January - 24th March 2001.
Attributed works:
[Maison d'Art, 27 Ave., De La Costa, Monte Carlo, Monaco] Domenico Riccio Called Domenico Brusasorci. Verona, Circa 1515-1567. Allegorical Scene. Oil on Canvas, Diameter 77 3/16 in. (196 cm).
Attributed works:
[Otto Naumann, New York, New York] Still Life of Roses, Tulips, Narcissi, Peonies and Other Flowers, with a Sprig of Cherries in a Roemer on a Stone Pedestal, by Jan Van Kessel, the Elder (1626 - 1679). Oil on Copper, 775 × 590 mm.
Attributed works:
[Pandora Old Masters, 8 East 77th Street, New York, New York] Vincenzo Gemito (Naples 1852 - 1929 Naples), A Head of a Moor Boy, Graphite and Black Chalk on Ivory Coloured Paper, 454×344 mm. The Drawing is Preparatory for a Terracotta Now in the Museo Nazionale di San Martino, Naples.
Attributed works:
[Piero Corsini Inc., 162 East 63rd Street, New York, New York] Christ Crowned with Thorns (Circa 1582/1585), by Paolo Caliari Called il Veronese. Oil on Canvas, 755 × 570 mm.
Attributed works:
[Sotheby's, 1334 York Avenue, New York, New York] Bartolomé Esteban Murillo 1617-1682. The Madonna and Child. Signed: Bartolome Murillo f. Pen and Brown Ink and Wash. 168 by 141mm. Estimate: $35,000-50,000
Attributed works:
[Sotheby's, 1334 York Avenue, New York, New York] Edgar Degas 1808-1879. Sketchbook Sheet with Studies of a Female Head & Dancer. Signed with Stamp, Black, White, Violet and Green Chalk. 478 by 313mm. Estimate: $120,0005-180,000
Attributed works:
[Sotheby's, 1334 York Avenue, New York, New York] Jan Gossaert Called il Mabuse 1478-1536. The Holy Family, Pen and Brown Ink on Vellum. 155 by 127mm. Estimate: $100,000-150,000
Attributed works:
[Thomas Le Claire Master Drawings, Elbchaussee 156, Hamburg, Germany] Alexander von Humboldt, 1769 - 1859. Self-Portrait of the Artist, 1814. Signed and Dated at the Lower Right: Alex.H. von mir selbst im spiegel, Paris 1814. 350 × 265 mm.
Attributed works:
[W.M. Brady & Co., Inc., 3 East 76th Street, New York, New York] Eugène Delacroix. Charenton-Saint-Maurice 1798-1863 Paris. Vue des falaises en Normandie. Stamped with the Artist's Initials, Lower Left, E. D. (Lugt 838a); Also, Inscribed in a Later Hand on the Old Backing Board, Eugène Delacroix. La Falaise de Fécamp-Watercolor Heightened with White over Traces of Black Chalk, 6 × 8 Inches (152 × 203 mm)
Attributed works:
[W.M. Brady & Co., Inc., 3 East 76th Street, New York, New York] Le Bougeoir, 1879, by François Bonvin. Black Chalk on Buff-Coloured Paper, 151 × 205 mm. Master Drawings, 1770 - 1900. January 16th - February 26th.
Attributed works:
[Wildenstein & Co., London, UK] La Musicienne by Marc Chagall, 1978. Exhibition of Marc Chagall, Ends January 31st.
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