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101 articles
Exhibition Review
Late Michelangelo
07/2024 | 1456 | 166
Pages: 716–23
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Reviewer:
Elam, Caroline (Elam, Caroline; E., C.; E., C. M.)
Subjects
artists:
Michelangelo / Venusti, Marcello / Condivi, Ascanio
dates:
2020-2030
subjects:
Italian drawing / Italian art / Renaissance art / Sketches / Studies (visual works) / Correspondence / Poetry / Christian iconography / Late works / Cartoons (working drawings) / Colonna, Vittoria / Cavalieri, Tommaso de'
subjects:
Architectural drawings
Reviewed Items
subjects:
Michelangelo: the last decades, British Museum, (2nd May–28th July). | :
Illustrations
Attributed works:
1. Christ on the Cross, by Michelangelo. c.1543. Black chalk on paper, 36.8 by 26.8 cm. (British Museum, London).
Attributed works:
10. Crucifixion with two figures, by Michelangelo. c.1558–63. Black chalk and lead white on paper, 27.8 by 23.4 cm. (Ashmolean Museum, Oxford; exh. British Museum, London).
Attributed works:
2. Crucifixion, by Marcello Venusti. c.1545–60. Oil on panel, 88.9 by 28.8 cm. incl. frame, not shown here. (Campion Hall, Oxford; exh. British Museum, London).
Attributed works:
3. Annunciation, attributed to Michelangelo. c.1545–60. Black chalk on paper, 38.3 by 29.7 cm. (Morgan Library and Museum, New York; exh. British Museum, London).
Attributed works:
4. Annunciation, by Marcello Venusti. c.1545–60. Oil on wood, 45 by 30 cm. (Galleria Corsini, Rome; exh. British Museum, London).
Attributed works:
5. Study for the Porta Pia, by Michelangelo. 1561. Stylus, black chalk and brown wash, with lead white, on several conjoined pieces of paper, 44.2 by 28.2 cm. (Casa Buonarroti, Florence; exh. British Museum, London).
Attributed works:
6. Epifania, by Michelangelo. c.1550–53. Black chalk on 26 conjoined sheets, 234.6 by 173.7 cm. (British Museum, London).
Attributed works:
7. Epifania, by Ascanio Condivi. c.1550–53. Oil on panel, 240 by 187 cm. (Casa Buonarroti, Florence; exh. British Museum, London).
Attributed works:
8. Crucifixion with the Virgin and St John the Evangelist, by Michelangelo. c.1558–63. Black chalk and lead white on paper, 41.2 by 28.5 cm. (British Museum, London).
Attributed works:
9. Crucifixion with the Virgin and St John the Evangelist, by Michelangelo. c.1555–63. Black chalk and lead white on paper, 41 by 27.8 cm. (British Museum, London).
Book Review
Jean-Baptiste Greuze et ses têtes d’expression: La fortune d’une genre
05/2023 | 1442 | 165
Pages: 569-571
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Reviewer:
Laing, Alastair (Laing, Alastair)
Subjects
artists:
Greuze, Jean-Baptiste
subjects:
French art / Faces / Expression / Busts / Emotion / Studies (visual works) / Women
Reviewed Items
subjects:
Jean-Baptiste Greuze et ses têtes d’expression: La fortune d’une genre By Yuriko Jackall. 320 pp. incl. 29 col. + 45 b. & w. ills. (CTHS and INHA, Paris, 2022), €38. ISBN 978–2–7355–0939–3. | :
Illustrations
Attributed works:
3. A woman (Madame Greuze) with a furtrimmed hood drawn over her head, detail from La Dame de Charité, by Jean Baptiste Greuze, above a sketch of the painting, by Jean Massard. 1772. Etching and engraving, 23.7 by 15.8 cm. (British Museum, London).
Article
Newly attributed drawings by Botticelli
04/2023 | 1441 | 165
Pages: 358-365
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Author:
Rinaldi, Furio (Rinaldi, Furio)
Subjects
artists:
Botticelli, Sandro
dates:
1470-1479 / 1480-1489 / 1480-1519
media:
Silverpoints / Gouaches
subjects:
Italian art / Renaissance art / Florentine art / Drawings / Attributions / Figure studies / Studies (visual works) / Life drawings / Workshops (Organisations)
Illustrations
Attributed works:
1. Study for a standing man (St Sebastian), by Sandro Botticelli. c.1473–74. Metalpoint (silver?) and white gouache on ochre prepared paper, 18.4 by 9.3 cm. (Musée du Louvre, Paris).
Attributed works:
10. Detail of Fig.12, showing the face of the third onlooker on the right.
Attributed works:
11. Head of a man in near profile looking left, here attributed to Sandro Botticelli. c.1468–70. Traces of black chalk, metalpoint (lead?) heightened with white and grey wash, on yellow-ochre prepared paper, 13.2 by 11 cm. (Christ Church Picture Gallery, Oxford).
Attributed works:
12. Adoration of the Magi, by Sandro Botticelli, showing the face of an onlooker. c.1470–75. Tempera and oil on poplar panel, 68 by 102 cm. (National Gallery of Art, Washington).
Attributed works:
13. Head of a veiled woman, by Fra Filippo Lippi. c.1452. Silverpoint and white gouache, retouched with pen and brown ink and red chalk, on ochre-prepared paper, 30 by 20.5 cm. (Gabinetto Disegni e Stampe degli Uffizi, Florence).
Attributed works:
2. Study of two standing figures and a right hand, by Sandro Botticelli. c.1475. Silverpoint and white gouache on mauve-lilac prepared paper, 16.5 by 10 cm. (Palais des Beaux-Arts, Lille).
Attributed works:
3. Two partial studies of a profile, here attributed to Sandro Botticelli. c.1475. Metalpoint (lead?) and white gouache on yellowochre prepared paper, 18.9 by 7.1 cm. (Gabinetto dei Disegni e Stampe delle Uffizi, Florence).
Attributed works:
4. Detail of the Cestello Annunciation, by Sandro Botticelli, showing the face of the Archangel Gabriel. 1489. Tempera on panel, 150 by 156 cm. (Gallerie degli Uffizi, Florence).
Attributed works:
5. Standing man turned to the right, here attributed to Sandro Botticelli. c.1475. Metalpoint (lead?) and white gouache on yellow-ochre prepared paper, 18.9 by 7.1 cm. (recto of Fig.3). (Gabinetto dei Disegni e Stampe delle Uffizi, Florence).
Attributed works:
6. Study for a standing draped figure turned to the left, by Sandro Botticelli. Metalpoint (lead?) and white gouache on ochre prepared paper, 18.3 by 8.3 cm. (© RMN-Grand Palais; Musée du Louvre; Stéphane Maréchalle).
Attributed works:
7. Virgin and Child with the young St John the Baptist, by Sandro Botticelli. c.1468–70. Tempera and gold on poplar panel, 90.7 by 67 cm. (Musée du Louvre, Paris; Tarker; Bridgeman Images).
Attributed works:
8. Head of a woman looking down to the left, here attributed to Sandro Botticelli. c.1468–70. Metalpoint (lead?) heightened with white and light grey wash on yellow-ochre prepared paper, 13.4 by 10.7 cm. (Christ Church Picture Gallery, Oxford).
Attributed works:
9. Detail of Fig.7, showing the face of the Virgin.
Short Notice
Giulio Cesare Procaccini’s earliest known drawing and his contacts with Aurelio Luini
04/2023 | 1441 | 165
Pages: 413-417
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Author:
Tantardini, Lucia (Tantardini, Lucia)
Subjects
artists:
Procaccini, Giulio Cesare / Luini, Aurelio
museums and institutions:
Teylers Museum, Haarlem, Netherlands
subjects:
Italian drawings / Studies (visual works) / Attributions / Lombard (Italian)
Illustrations
Attributed works:
10. Lamentation over the dead Christ with St Francis and Mary Magdalene, by Camillo Procaccini. c.1587. Red chalk on white paper, 53.6 by 35.5 cm. (Museo Diocesano, Milan).
Attributed works:
2. Studies of heads, figures, animals and figure compositions, by Aurelio Luini. 1560–70. Pen and brown ink on light tan paper, partly squared in black chalk, 30.9 by 19.5 cm. (Teylers Museum, Haarlem).
Attributed works:
3. Studies of heads and a seated figure, by Giulio Cesare Procaccini. 1600–05. Red and black chalk, with framing lines, 16.7 by 18.3 cm. (Location unknown; formerly private collection).
Attributed works:
4. Miscellaneous studies, here attributed to Giulio Cesare Procaccini. c.1590. Pen and brown ink on cream laid paper, 27.6 by 18.4 cm. (Private collection).
Attributed works:
5. Studies of the head of a woman, by Aurelio Luini. c.1591. Pen and brown ink on white paper turned yellow, with traces of blue pigment, 13.4 by 9.7 cm. (Gabinetto Disegni e Stampe degli Uffizi, Florence).
Attributed works:
6. A satyr and two men pulling two women (verso of Fig.5), by Giulio Cesare Procaccini. c.1591–95. Pen and brown ink and black chalk on white paper turned yellow. 13.4 by 9.7 cm. (Gabinetto Disegni e Stampe degli Uffizi, Florence).
Attributed works:
7. Detail of St Thecla Altarpiece, by Aurelio Luini. 1591–92. Oil on canvas, approx. 370 by 180 cm. (Milan Cathedral).
Attributed works:
8. Susannah and the Elders, by Giulio Cesare Procaccini. 1600–10. Pen and brown ink, 20.5 by 13.5 cm. (Museum of Fine Arts, Budapest).
Attributed works:
9. Study for the dead Christ, by Aurelio Luini. c.1587–90. Pen and brown ink on cream paper, 21 by 30 cm. (Location unknown).
Book Review
Study Heads (Corpus Rubenianum Ludwig Burchard, 20.2)
04/2023 | 1441 | 165
Pages: 476-477
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Reviewer:
Sancho Lobis, Victoria (Sancho Lobis, Victoria)
Subjects
art literature:
Catalogues
artists:
Rubens, Peter Paul / and workshop
subjects:
Flemish painting / Studies (visual works) / Oil sketches / Sketches / Attributions
works:
Corpus Rubenianum
Reviewed Items
works:
Study Heads (Corpus Rubenianum Ludwig Burchard, 20.2) By Nico Van Hout. 2 vols, 680 pp. incl. 150 col. + 340 b. & w. ills. (Brepols, Turnhout, 2021), £212.50. ISBN 978–1–912554–65–2. | :
Illustrations
Attributed works:
4. Reconstruction of the original support of Head study of a young man, looking down to the left (private collection); and Head study of a young man, looking up (Musée du Louvre, Paris), both by Peter Paul Rubens, with indication of the horizontal joint and the saw lines.
Article
Delacroix in Morocco and Andalusia: rediscovered notebooks and drawings
03/2023 | 1440 | 165
Pages: 226-257
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Author:
Hannoosh, Michèle (Hannoosh, Michèle)
Subjects
artists:
Delacroix, Eugène
dates:
1830-1839
museums and institutions:
Musée du Louvre, Paris, France / Musée Condé, Chantilly, France / Library of Congress, Washington, United States / Sotheby's, Paris, France
places:
Morocco / Andalusia / Tangier / Cádiz (province) / Seville / Meknès
subjects:
French art / Drawings / Sketchbooks / Notebooks / Studies (visual works) / Sketches
Illustrations
Attributed works:
1. Scenes in Meknes, by Eugène Delacroix. 1832. Ink and watercolour on paper, 19.3 by 12.7 cm. (Meknes notebook, fol.26v; Musée du Louvre, Paris; © RMN-Grand Palais; Michel Urtado).
Attributed works:
10. Woman of Tangier hanging laundry, by Eugène Delacroix. 1833. Lithograph, 19.3 by 25.7 cm. (Yale University Art Gallery, New Haven).
Attributed works:
11. Mule-drivers of Tetuan, by Eugène Delacroix. 1832. Watercolour on paper, 25.2 by 32.5 cm. (Musée archéologique municipal, Laon).
Attributed works:
12. Mule-drivers of Tetuan, by Eugène Delacroix. 1833. Lithograph, 28.7 by 38.9 cm. (Clark Art Institute, Williamstown; Bridgeman Images).
Attributed works:
13. Study of muledrivers, by Eugène Delacroix. 1832. Graphite on paper, 16.4 by 10.3 cm. (Aubry sketchbook, fol.20v; private collection).
Attributed works:
14. Study for ‘Mule-drivers of Tetuan’, by Eugène Delacroix. 1832. Graphite and pen on paper, 19.5 by 30.9 cm. (Musée du Louvre, Paris; © RMN-Grand Palais; Agence Bulloz).
Attributed works:
15. Study of Arab men, by Eugène Delacroix. 1832. Watercolour and graphite on laid paper, 21.1 by 28.9 cm. (National Gallery of Art, Washington).
Attributed works:
16. Studies of Arab men, by Eugène Delacroix. 1832. Graphite on paper, each page 16.4 by 10.3 cm. (Aubry sketchbook, fols.16v and 17r; private collection).
Attributed works:
17. Study of doors, by Eugène Delacroix. 1832. Graphite and watercolour on paper, 16.4 by 10.3 cm. (Aubry sketchbook, fol.15r; private collection).
Attributed works:
18. Woman in a mantilla, by Eugène Delacroix. 1832. Watercolour over graphite on cream wove paper, 22 by 17 cm. (Location unknown, formerly in a private collection; from L’Art expressif au XIXe siècle français, Paris 1960).
Attributed works:
19. Interior of a building in Seville, by Eugène Delacroix. 1832. Watercolour and graphite on paper, 20.6 by 16.4 cm. (Aubry sketchbook, fols.29v–30r; private collection).
Attributed works:
2. Front cover of Eugène Delacroix’s ‘English sketchbook’. 1825. 12 by 19.5 cm. (Musée national Eugène Delacroix, Paris).
Attributed works:
20. Le picador, by Eugène Delacroix. Watercolour and graphite on paper, 28.8 by 21.9 cm. (Musée du Louvre, Paris; © RMN-Grand Palais; Michel Urtado).
Attributed works:
21. Bullfighters, by Eugène Delacroix. 1832(?). Graphite on paper, 18.1 by 22.4 cm. (Musée du Louvre, Paris; © RMN-Grand Palais; Gérard Blot).
Attributed works:
22. Picador, by Antonio Carnicero. 1787–90. Hand-coloured etching, 17.7 by 28 cm. (From Colección de las principales suertes de una corrida de toros, pl.III; British Museum, London).
Attributed works:
23. Detail of a sketch of Sidi Kasem (fol.15r), by Eugène Delacroix. 1832. Graphite on paper. (Meknes notebook, fols.14v–15r; Musée du Louvre, Paris; © RMN-Grand Palais; Michel Urtado).
Attributed works:
24. Sketch of a horse slipping, by Eugène Delacroix. 1832. Graphite on paper, 19.3 by 12.7 cm. (Meknes notebook, fol.13v; Musée du Louvre, Paris; © RMN-Grand Palais; Michèle Bellot).
Attributed works:
25. View of Sidi Kasem, by Eugène Delacroix. 1832. Graphite on paper, 6.1 by 17.6 cm. (Roux sketchbook, fols.11v–12r; Orientalist Museum, Doha).
Attributed works:
26. View of Sidi Kasem, by Eugène Delacroix. 1832. Graphite on paper, 6.1 by 17.6 cm. (Roux sketchbook, fols.12v–13r; Orientalist Museum, Doha).
Attributed works:
27. View en route to Zerhoun?, by Eugène Delacroix. 1832. Watercolour and graphite on paper, 9.5 by 16 cm. (Musée du Louvre, Paris; © RMN-Grand Palais; Michel Urtado).
Attributed works:
28. Study of figures in Morocco, by Eugène Delacroix. 1832. Graphite and brush on paper, 18.3 by 18.3 cm. (Morgan Library and Museum, New York).
Attributed works:
29. Study of horsemen, by Eugène Delacroix. 1832. Graphite and watercolour on paper, 15.8 by 21.2 cm. (Louvre sketchbook 1757, fol.22r; Musée du Louvre, Paris; © RMN-Grand Palais; Michel Urtado).
Attributed works:
3. Dominican convent, Cadiz, by Eugène Delacroix. 1832. Watercolour and graphite on paper, 9.5 by 15.2 cm. (Musée du Louvre, Paris; © RMN-Grand Palais; Michel Urtado).
Attributed works:
30. Study of horsemen, by Eugène Delacroix. 1832. Graphite and watercolour on paper, 15.8 by 21.2 cm. (Louvre sketchbook 1757, fol.23r; Musée du Louvre, Paris; © RMN-Grand Palais; Michel Urtado).
Attributed works:
31. Arab cavalry practicing a charge, by Eugène Delacroix. 1833. Oil on canvas, 60.5 by 74.5 cm. (Städel Museum, Frankfurt).
Attributed works:
32. Botzaris attacks the Turkish camp, by Eugène Delacroix. 1862. Oil on canvas, 65 by 73 cm. (Toledo Museum of Art).
Attributed works:
33. Scenes in Meknes, by Eugène Delacroix. 1832. Ink and watercolour on paper, each page 19.3 by 12.7 cm. (Meknes notebook, fols.24v–25r; Musée du Louvre, Paris; © RMN-Grand Palais; Michèle Bellot).
Attributed works:
34. Scenes in Meknes, by Eugène Delacroix. 1832. Ink and watercolour on paper, each page 19.3 by 12.7 cm. (Meknes notebook, fols.25v and 26r; Musée du Louvre, Paris; © RMN-Grand Palais; Gérard Blot).
Attributed works:
35. Sheet of studies from Meknes, by Eugène Delacroix. 1832. Ink and watercolour on paper, 20.4 by 25.7 cm. (Library of Congress, Washington).
Attributed works:
4. Christopher Columbus and his son at La Rábida, by Eugène Delacroix. 1838. Oil on canvas, 90.3 by 118 cm. (National Gallery of Art, Washington; Bridgeman Images).
Attributed works:
5. Study of a monk, by Eugène Delacroix. 1832. Graphite on paper, 16.4 by 10.3 cm. (Aubry sketchbook, fol.34r; private collection).
Attributed works:
6. Study of a monk, by Eugène Delacroix. 1832. Graphite on paper, 16.4 by 10.3 cm. (Aubry sketchbook, fol.31r; private collection).
Attributed works:
7. Woman of Tangier hanging laundry, by Eugène Delacroix. 1832. Graphite on paper, 18 by 23.1 cm. (Musée du Louvre, Paris; © RMNGrand Palais; Michel Urtado).
Attributed works:
8. Study of a doorway and Study of a woman hanging laundry, by Eugène Delacroix. 1832. Graphite and ink on paper, each page 16.4 by 10.3 cm. (Aubry sketchbook, fols.8v and 9r; private collection).
Attributed works:
9. A woman bathing and her Moorish servant, by Eugène Delacroix. 1832. Watercolour and graphite on white wove paper, 16 by 18.3 cm. (Fogg Museum, Harvard Art Museums, Cambridge MA).
Article
A pastel ‘Study for a head’ by Boltraffio in the Biblioteca Ambrosiana, Milan
03/2022 | 1428 | 164
Pages: 266-269
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Author:
Allegri, Agostino (Allegri, Agostino)
Author:
Mazzotta, Antonio (Mazzotta, Antonio)
Subjects
artists:
Boltraffio, Giovanni Antonio / Leonardo da Vinci
dates:
1500-1509
media:
Studies (visual works) / Drawings / Pastels
museums and institutions:
Pinacoteca Ambrosiana, Milan, Italy
subjects:
Attributions / Databases / Catalogues
subjects:
Italian drawings / Renaissance art
Illustrations
Attributed works:
1. Study for the portrait of a poet, by Giovanni Antonio Boltraffio. c.1500–02. Coloured chalk and pastel on prepared paper, 51.5 by 39.5 cm. (Biblioteca Ambrosiana, Milan).
Attributed works:
2. Detail of St Barbara, by Giovanni Antonio Boltraffio. c.1502. Oil on panel, 172 by 113.5 cm. (Gemäldegalerie, Berlin).
Attributed works:
3. Study for a head, here attributed to Giovanni Antonio Boltraffio. c.1500–02. Coloured chalk and pastel on prepared paper, 25.7 by 25.8 cm. (Biblioteca Ambrosiana, Milan).
Attributed works:
4. Study for a female head, by Giovanni Antonio Boltraffio. c.1500–02. Coloured chalk and pastel on prepared paper, 26.4 by 29.5 cm. (Biblioteca Ambrosiana, Milan).
Attributed works:
5. Studies for a portrait of a woman, by Giovanni Antonio Boltraffio. c.1500–02. Coloured chalk and pastel on prepared paper, 57.3 by 40.7 cm. (Biblioteca Ambrosiana, Milan; Bridgeman Images).
Exhibition Review
True to Nature: Open-Air Painting in Europe 1780–1870
03/2022 | 1428 | 164
Pages: 298-300
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related names
Reviewer:
Olsson, Carl-Johan (Olsson, Carl-Johan)
Subjects
dates:
2020-2030
dates:
1780-1829 / 1830-1859 / 1860-1869
museums and institutions:
Frits Lugt Collection, Fondation Custodia, Paris, France
subjects:
Plein-air oil-sketches / Studies (visual works) / Landscapes (visual works)
Reviewed Items
subjects:
True to Nature: Open-Air Painting in Europe 1780–1870 Fondation Custodia, Paris 3rd December 2021–3rd April 2022 | :
Illustrations
Attributed works:
18. The oak and the reed, by Achille Etna Michallon. 1816. Oil on canvas, 43.5 by 53.5 cm. (Fitzwilliam Museum, Cambridge; exh. Fondation Custodia, Paris).
Attributed works:
19. Olive trees near Tivoli, by Janus La Cour. 1869. Oil on canvas, 37.4 by 60.5 cm. (Fondation Custodia, Paris).
Attributed works:
20. Landscape in the Haute- Savoie, with an artist working in the open air, by Vilhelm Kyhn. 1850. Oil on paper, 42 by 33.3 cm. (Private collection; exh. Fondation Custodia, Paris).
Article
Study for ‘Worn out’: a newly discovered Van Gogh drawing
10/2021 | 1423 | 163
Pages: 926-933
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Author:
Meedendorp, Teio (Meedendorp, Teio)
Subjects
artists:
Gogh, Vincent van
subjects:
Dutch art / Drawings / Studies (visual works) / discoveries
works:
Study for 'Worn out' by Van Gogh
Illustrations
Attributed works:
1. Worn out, by Vincent van Gogh. Around 24th November 1882. Carpenter’s pencil on watercolour paper, traces of squaring and fixative, 50.4 by 31.6 cm. (Van Gogh Museum, Amsterdam; Vincent van Gogh Foundation).
Attributed works:
2. Study for ‘Worn out’, by Vincent van Gogh. Around 24th November 1882. Carpenter’s pencil on watercolour paper, traces of squaring and fixative, 48.8 by approx. 30 cm. (Private collection).
Attributed works:
3. Verso of Fig.1, Labourer in a field, by Vincent van Gogh. Pencil.
Attributed works:
4. Sorrow, by Vincent van Gogh. Between 6th and 11th November 1882. Lithograph on wove paper, 38.9 by 29.2 cm. (Van Gogh Museum, Amsterdam; Vincent van Gogh Foundation).
Attributed works:
5. At eternity’s gate, by Vincent van Gogh. 27th November 1882. Lithograph on wove paper, 50 by 34.2 cm. (Van Gogh Museum Amsterdam; Vincent van Gogh Foundation).
Attributed works:
6. Sorrowful old man, by Vincent van Gogh. November–December 1882. Carpenter’s pencil, black lithographic crayon, wash and white opaque watercolour on watercolour paper, 44.5 by 47.1 cm. (Kröller- Müller Museum, Otterlo).
Attributed works:
7. Worn out, by Vincent van Gogh. September–October 1881. Pen and ink and watercolour on laid paper, 23.5 by 31 cm. (P. and N. de Boer Foundation, Amsterdam).
Attributed works:
8. London sketches – Sunday afternoon, 1 p.m. waiting for the public house to open, by E.G. Dalziel. Wood engraving, 22.4 by 30.1 cm. (From the Graphic, 10th January 1874; Van Gogh Museum, Amsterdam; Vincent van Gogh Foundation).
Attributed works:
9. Sorrowing old man (‘At eternity’s gate’), by Vincent van Gogh. May 1890. Oil on canvas, 81.8 by 65.5 cm. (Kröller-Müller Museum, Otterlo).
Article
A drawing attributed to Adam Elsheimer in the Biblioteca Nacional de España, Madrid
06/2021 | 1419 | 163
Pages: 508-513
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Author:
Chenel, Álvaro Pascual (Chenel, Álvaro Pascual)
Author:
García-Toraño Martínez, Isabel (García-Toraño Martínez, Isabel)
Author:
Rebollo, Ángel Rodríguez (Rebollo, Ángel Rodríguez)
Subjects
artists:
Elsheimer, Adam / Goudt, Hendrick
buildings:
Petworth House, Petworth, Sussex, Great Britain
museums and institutions:
Biblioteca Nacional, Madrid, Spain
subjects:
German art / Studies (visual works) / Drawings / Tobias / Attributions / Prints
Illustrations
Attributed works:
1. Tobias and the angel, by Adam Elsheimer. 1605. Oil on silvered copper, 9 by 7 cm. (Petworth House, West Sussex; photograph © National Trust Images/Derrick E. Witty).
Attributed works:
10. Tobias and the angel, by John Smith after Adam Elsheimer. c.1685. Mezzotint, 12.1 by 16 cm. (British Museum, London).
Attributed works:
2. Tobias and the angel, here attributed to Adam Elsheimer and dated c.1605–10. Pen, ink and wash with red chalk on paper, 15.2 by 19 cm. (Biblioteca Nacional de España, Madrid).
Attributed works:
3. The small Tobias, by Adam Elsheimer. 1607–08. Oil on copper, 12.1 by 19 cm. (Historisches Museum, Frankfurt).
Attributed works:
4. The small Tobias, by Adam Elsheimer. 1607–08. Etching, 9 by 14 cm. (Rijksmuseum, Amsterdam).
Attributed works:
5. The small Tobias, by Hendrik Goudt after Adam Elsheimer. 1608. Engraving, 11.3 by 18 cm. (Biblioteca Nacional de España, Madrid).
Attributed works:
6. The large Tobias, by Hendrik Goudt after Adam Elsheimer. 1613. Engraving, 25.9 by 25.2 cm. (Biblioteca Nacional de España, Madrid).
Attributed works:
7. The large Tobias, by Hendrik Goudt after Adam Elsheimer. 1613. Pen and brown ink on parchment, 19.2 by 25 cm. (Morgan Library and Museum, New York).
Attributed works:
8. The denial of St Peter, by Adam Elsheimer. c.1600–05. Pen and brown ink on paper, 12.4 by 16.7 cm. (Städel Museum, Frankfurt).
Attributed works:
9. Ceres changes Stellio into a lizard, by Adam Elsheimer. 1605–08. Gouache and pen and brown ink on paper, 11.6 by 6.8 cm. (National Gallery of Art, Washington).
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