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5 articles
Obituary
Peter Bloch (1925-94)
05/1995 | 1106 | 137
Pages: 321
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related names
Author:
Theuerkauff, Christian (Theuerkauff, Christian; Theuerkauff, C.)
Subjects
art literature:
Bloch, Peter
dates:
1990-1999
subjects:
Obituaries / Art historians
Short Notice
Eine augsburgische 'Fortuna-Abundantia'
07/1982 | 952 | 124
Pages: 422+425-427+429
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Author:
Theuerkauff, Christian (Theuerkauff, Christian; Theuerkauff, C.)
Subjects
dates:
1500-1549
museums and institutions:
Alte Nationalgalerie, Berlin, Germany
places:
Germany / Berlin
subjects:
Fortuna / Iconography
subjects:
German sculpture / Wood sculpture
Illustrations
Attributed works:
30. Fortuna, Attributed to Lucas van Leyden, or Antwerp School. c. 1530. 31 by 20 cm. (Musée des Beaux-Arts, Strasbourg).
Attributed works:
31. Allegory of Heavenly and Earthly Justice, by Sebastian Loscher, Augsburg. Dated 1536. 19.1 by 14.2 cm. (Preussischer Kulturbesitz, Staatliche Museen, Berlin).
Attributed works:
32. Abundantia, by the Master of the Budapest Abundantia. Augsburg. c. 1530-40. Bronze, Height 28.2 cm. (The Cleveland Museum of Art, Ohio).
Western art unattributed:
29. Fortuna-Abundantia. Augsburg. c. 1520-30. Limewood, Height 55 cm. (Preussischer Kulturbesitz, Staatliche Museen, Berlin).
Short Notice
Some Works of Leonhard Kern
03/1968 | 780 | 110
Pages: 146-149
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Author:
Theuerkauff, Christian (Theuerkauff, Christian; Theuerkauff, C.)
Subjects
artists:
Kern, Leonhard
dates:
1600-1649
places:
Germany
subjects:
German sculpture / Attributions
subjects:
Baroque / Statuettes / Early works
subjects:
Ivories
Illustrations
Attributed works:
43. Abraham Leading Isaac to the Sacrifice, Attributed to Leonhard Kern. c.1615-20 (?). Walnut; Height, 30 cm. (Skulpturenabteilung, Berlin.)
Attributed works:
44. Abraham Leading Isaac to the Sacrifice, Attributed to Leonhard Kern. c.1620-30. Ivory; Height, 30 cm. (Kunsthistorisches Museum, Vienna.)
Attributed works:
45. Abraham Leading Isaac to the Sacrifice, Attributed to Leonhard Kern. c.1615-20 (?). Ivory; Height, 29.5 cm. (Kunstmuseum, Düsseldorf; On Loan from Binder Collection.)
Attributed works:
46. Abraham and Isaac, Attributed to Leonhard Kern. c.1630-35 (?). Ivory; Height, 29 cm. (Victoria and Albert Museum.)
Attributed works:
47. Sacrifice of Isaac, by Leonhard Kern. Signed with Initials. c.1630-40 (?). Ivory; Height, 25.4 cm. (Victoria and Albert Museum.)
Attributed works:
48. Diana with Dogs, by Jörg Petle. c.1623-4 (?). Ivory; Height, 21 cm. (Kunsthistorisches Museum, Vienna.)
Attributed works:
49. Diana with Putto and Two Dogs, Attributed to Leonhard Kern. Second Quarter of the Seventeenth Century. Ivory; Height, 22 cm. (Národní Gallery, Prague.)
Attributed works:
50. Diana with Putto and Dog, by a Follower of, or from the Circle of, Leonhard Kern. Mid-Seventeenth Century. Ivory; Height, 30.5 cm. (Hermitage, Leningrad.)
Attributed works:
51. David with the Head of Goliath, Attributed to Leonhard Kern. c.1630-5 (?). Ivory; Height, 22.5 cm. (Hessisches Landesmuseum, Darmstadt.)
Article
Unrecognized Ivory Carvings by Jacob Dobbermann
02/1966 | 755 | 108
Pages: 72-78
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Author:
Theuerkauff, Christian (Theuerkauff, Christian; Theuerkauff, C.)
Subjects
artists:
Dobbermann, Jacob
artists:
Spranger, Bartholomaeus
artists:
Dieussart, François
dates:
1650-1699
museums and institutions:
Victoria and Albert Museum, London, Great Britain
patrons:
House of Hesse-Cassell
places:
Germany / Brandenburg / Kassel
subjects:
German sculpture / Ivories / Attributions
subjects:
Visual sources
subjects:
Venus / Iconography
subjects:
Portraits / Aristocracy / Patronage
subjects:
Classical mythology
Illustrations
Attributed works:
19. 'Hommage à Vénus', Here Attributed to Jacob Dobbermann. Signed with Initials. Ivory Relief, 13.4 by 11.5 cm. (Victoria and Albert Museum.)
Attributed works:
20. Homage to Venus, by Jan Muller after a Drawing by Bartholomaus Spranger. Engraving, 24.6 by 19.6 cm.
Attributed works:
21. Equestrian Portrait of King Frederick IV, Here Attributed to Jacob Dobbermann. Signed with Initials. Ivory Relief (Oval). (Danish Royal Collection, Schloss Rosenborg, Copenhagen.)
Attributed works:
22. Education of Cupid by the Nymphs, Here Attributed to Jacob Dobbermann. Ivory on ebony Base; Total Height, 22.5 cm. (Liebieghaus, Frankfurt-Am-Main.)
Attributed works:
23. Octagonal Ornamental Vase, Here Attributed to Jacob Dobbermann. Ivory; Height, 24.5 cm. (Herzog-Anton-Ulrich Museum, Brunswick.)
Attributed works:
24. Virgin, Here Attributed to Jacob Dobbermann. Signed with Initials. Ivory; Height, 24.3 cm. (Staatliche Kunstsammlungen, Cassel.)
Attributed works:
25. Frederick William, Electoral Prince of Brandenburg, Here Attributed to Jacob Dobbermann. Signed with Initials. Ivory; Height, 22 cm. (Victoria and Albert Museum.)
Attributed works:
26. Henry IV of France, Here Attributed to Jacob Dobbermann. Signed with Initials. Ivory; Height, 22.8 cm. (Victoria and Albert Museum.)
Attributed works:
27. Ecclesiastical Dignitary (? Bishop), Here Attributed to Jacob Dobbermann. Signed with Initials. Ivory; Height, 21.9 cm. (Private Collection, London.)
Article
A Signed Ivory Tankard by Ignaz Elhafen
07/1962 | 712 | 104
Pages: 288-291
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related names
Author:
Theuerkauff, Christian (Theuerkauff, Christian; Theuerkauff, C.)
Subjects
artists:
Elhafen, Ignaz
dates:
1650-1749
places:
Germany / Austria / Vienna
subjects:
Rape of the Sabines
subjects:
German sculpture / Ivories / Tankards
subjects:
Austrian sculpture
subjects:
Roman iconography
Illustrations
Attributed works:
16. Rape of the Sabine Women, by Ignaz Elhafen. ?Signed with Initials. Ivory Relief. (Collection Prince Fürstenberg, Donaucschingen.)
Attributed works:
17. Rape of the Sabine Women. Engraving by Pietro Aquila after Pietro da Cortona.
Attributed works:
18. Rape of the Sabine Women, by Ignaz Elhafen. Signed with Initials. Drum of Ivory Tankard, with Silver-Gilt Mounts Bearing Vienna Hall-Mark of 1792. Height, 21 cm.; Lower Diameter, 14 cm.; Height of Drum, 14.5 cm. (Victoria and Albert Museum.)
Attributed works:
19. Another View of the Ivory Tankard Reproduced in Fig. 18. [Rape of the Sabine Women, by Ignaz Elhafen.]