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332 articles
Article
Two paintings by Artemisia Gentileschi in the Potsdam collection of Frederick the Great
02/2025 | 1463 | 167
Pages: 115–125
related names
Author:
Windt, Franziska (Windt, Franziska)
Subjects
Illustrations
Attributed works:
1. Lucretia and Tarquinius, by Artemisia Gentileschi. Second half of the 1620s/1630. Oil on canvas, 261 by 222.5 cm. (© Stiftung Preußische Schlösser und Gärten Berlin-Brandenburg, Potsdam (SPSG); photograph W. Pfauder).
Attributed works:
10. X-ray photograph of Fig.1. (© SPSG; photograph A. Steuerlein; processing W. Pfauder).
Attributed works:
11. Detail of Fig.10, showing the head of Tarquinius. (© SPSG; photograph A. Steuerlein; processing W. Pfauder).
Attributed works:
12. Detail of Fig.1, showing the head of Tarquinius.
Attributed works:
13. Detail of Fig.10, showing Tarquinius’ stocking. (© SPSG; photograph A. Steuerlein; processing W. Pfauder).
Attributed works:
14. Madonna and Child, by Artemisia Gentileschi. ?1616–19. Oil on canvas, 116.5 by 86.5 cm. (Galleria Spada, Rome; MiC, Direzione Musei Statali della Città di Roma, Photographic Archive).
Attributed works:
15. X-ray photograph of Fig.14. (MiC, Direzione Musei Statali della Città di Roma, Photographic Archive).
Attributed works:
16. Madonna with cherries, by Artemisia Gentileschi. ?1610–12. Oil on canvas, 118 by 86 cm. (Galleria Palatina, Palazzo Pitti, Florence; courtesy Gabinetto Fotografico delle Gallerie degli Uffizi).
Attributed works:
17. Suffer the little children to come unto me, by Artemisia Gentileschi. 1625–26. Oil on canvas, 134.6 by 97.7 cm. (Basilica di S. Carlo Borromeo al Corso, La Venerabile Arciconfraternita dei Santi Ambrogio e Carlo, Rome).
Attributed works:
18. Detail of Fig.17, showing the faces of the children.
Attributed works:
19. Detail of Fig.1, showing the face of Lucretia.
Attributed works:
2. Gallery of the New Palace in Sanssouci, Potsdam. Photograph, 1995. (© SPSG; photograph R. Handrick).
Attributed works:
3. Bathsheba in the bath, by Artemisia Gentileschi. Second half of the 1630s. Oil on canvas, 261 by 223 cm. (© SPSG; photograph W. Pfauder).
Attributed works:
4. Display of the paintings in the New Palace, Potsdam, since 1768. From left to right: Suicide of Lucretia, by Guido Reni; Fig.1; Judgment of Paris, by Luca Giordano; Rape of the Sabine Women, by Luca Giordano; Fig.3; and Diogenes in the barrel, attributed to Guido Reni.
Attributed works:
5. Detail of Fig.3, showing Artemisia Gentileschi’s technique with no overlaps of painted features.
Attributed works:
6. Bathsheba in the bath, by Artemisia Gentileschi. c.1635. Oil on canvas, 286 by 219 cm. (Galleria Palatina, Palazzo Pitti, Florence).
Attributed works:
7. Composition of Fig.6, shown in white lines and superimposed over Fig.3. (Drawing by B. Jackisch).
Attributed works:
8. Bathsheba in the bath, by Artemisia Gentileschi. ?.c.1640–45. Oil on canvas, 288 by 228 cm. (Private collection).
Attributed works:
9. Suicide of Lucretia, by Artemisia Gentileschi. 1620s. Oil on canvas, 92.9 by 72.7 cm. (J. Paul Getty Museum, Los Angeles).
Article
‘Une pièce fort singulière’: the rediscovery of Gian Lorenzo Bernini’s ‘Andromeda and the sea monster’
11/2024 | 1460 | 166
Pages: 1101–1122
related names
Author:
Clemente, Maichol (Clemente, Maichol)
Subjects
dates:
Illustrations
Attributed works:
1. Andromeda and the sea monster, here attributed to Gian Lorenzo Bernini. c.1616–17. Marble, 53 by 34 by 24 cm. (Private collection; photograph Tony Fisher).
Attributed works:
10. Detail of Fig.1. (Photograph Tony Fisher).
Attributed works:
11. Detail of Fig.1. (Photograph Tony Fisher).
Attributed works:
12. Detail of Fig.8. (Photograph Mauro Magliani).
Attributed works:
13. Detail of the Bust of Antonio Coppola, by Pietro Bernini with Gian Lorenzo Bernini. 1612. Marble. (Museo di Arte Sacra di San Giovanni dei Fiorentini, Rome; photograph Domenico Ventura).
Attributed works:
14. Detail of Fig.1. (Photograph the author).
Attributed works:
15. Detail of Fig.26. (Photograph Mauro Magliani).
Attributed works:
16. Detail of a putto, by Gian Lorenzo Bernini. 1618. Marble. (Barberini Chapel, Sant’Andrea della Valle, Rome; photograph Mauro Magliani).
Attributed works:
17. Detail of the Virgin Mary from the relief of the Assumption, by Pietro Bernini. 1607–10. Marble. (Baptistery, S. Maria Maggiore, Rome; photograph Mauro Magliani).
Attributed works:
18. Anima Beata, by Gian Lorenzo Bernini. c.1619. Marble, 41.5 by 29 by 24 cm. (Spanish Embassy to the Holy See, Rome; photograph Domenico Ventura).
Attributed works:
19. Bacchanal: faun teased by children, by Pietro and Gian Lorenzo Bernini. c.1615–16. Marble, 132.4 by 73.7 by 47.9 cm. (Metropolitan Museum of Art, New York).
Attributed works:
2. View of the back of Fig.1. (Photograph Tony Fisher).
Attributed works:
20. Detail of Fig.19.
Attributed works:
21. Detail of Fig.1. (Photograph Tony Fisher).
Attributed works:
22. Detail of Fig.1. (Photograph Tony Fisher).
Attributed works:
23. Detail of Fig.1. (Photograph Tony Fisher).
Attributed works:
24. Detail of Fig.25.
Attributed works:
25. Boy with a dragon, by Gian Lorenzo (and Pietro?) Bernini. c.1616. Marble, 55.9 by 52 by 41.5 cm. (J. Paul Getty Museum, Los Angeles).
Attributed works:
26. St Lawrence on the gridiron, by Gian Lorenzo Bernini. c.1616–17. Marble, 66 by 108 cm. (MiC – Galleria degli Uffizi, Florence; photograph Mauro Magliani).
Attributed works:
27. Detail of Fig.26, rotated 90 degrees. (Photograph Mauro Magliani).
Attributed works:
28. Detail of Fig.1. (Photograph Tony Fisher).
Attributed works:
29. Detail of Fig.26, rotated 90 degrees. (Photograph Mauro Magliani).
Attributed works:
3. Jean-Baptiste Colbert, Minister of Louis XIV, by Claude Lefebvre. 1666. Oil on canvas, 130 by 96 cm. (Musée et Domaine National de Versailles et de Trianon; Bridgeman Images).
Attributed works:
30. Detail of Fig.1. (Photograph Tony Fisher).
Attributed works:
31. St Sebastian, by Gian Lorenzo Bernini. 1617. Marble, 98 by 42 by 49 cm. (Private collection, on loan to Museum Thyssen- Bornemisza, Madrid).
Attributed works:
32. Detail of Fig.2. (Photograph Tony Fisher).
Attributed works:
33. Detail of Fig.1. (Photograph Tony Fisher).
Attributed works:
34. Detail of Fig.31.
Attributed works:
35. Detail of Fig.31.
Attributed works:
36. Detail of Fig.31.
Attributed works:
37. Detail of Fig.1. (Photograph Tony Fisher).
Attributed works:
38. Detail of Fig.1. (Photograph Tony Fisher).
Attributed works:
39. Detail of the back of Fig.31, rotated 180 degrees.
Attributed works:
4. Letter from Elpidio Benedetti to Jean-Baptiste Colbert, 19th March 1682. (Archives Nationales, Paris, Contrôle général des finances, G/7/551, fol.9).
Attributed works:
40. Detail of Fig.31.
Attributed works:
41. Detail of Fig.1. (Photograph Tony Fisher).
Attributed works:
42. Detail of Fig.1. (Photograph Tony Fisher).
Attributed works:
43. Detail of a Putto, by Gian Lorenzo Bernini. 1618. Marble. (Barberini Chapel, Sant’Andrea della Valle, Rome; photograph Mauro Magliani).
Attributed works:
44. Detail of Fig.47.
Attributed works:
45. Detail of Fig.46.
Attributed works:
46. Neptune and Triton, by Gian Lorenzo Bernini. 1622–23. Marble, height 182.2 cm. (Victoria and Albert Museum, London; Bridgeman Images).
Attributed works:
47. Rear view of Rape of Proserpina, by Gian Lorenzo Bernini. 1621–22. Marble, height without base 255 cm. (MiC – Galleria Borghese, Rome).
Attributed works:
5. Side view of Fig.1. (Photograph Tony Fisher).
Attributed works:
6. Side view of Fig.1. (Photograph Tony Fisher).
Attributed works:
7. Side view of Fig.8. (Photograph Mauro Magliani).
Attributed works:
8. Andromeda, by Pietro Bernini. c.1615. Marble, 105 by 52.5 by 40 cm. (Accademia Carrara, Bergamo; photograph Mauro Magliani).
Attributed works:
9. Detail of Fig.8. (Photograph Mauro Magliani).
Exhibition Review
Careers by Design: Hendrick Goltzius and Peter Paul Rubens
09/2024 | 1458 | 166
Pages: 953-56
related names
Reviewer:
Meier, Hans Jakob (Meier, Hans Jakob)
Subjects
dates:
Reviewed Items
subjects:
Careers by Design: Hendrick Goltzius and Peter Paul Rubens Staatliche Graphische Sammlung, Munich 13th June–15th September | :
Illustrations
Attributed works:
11. Wedding of Cupid and Psyche, by Hendrick Goltzius after Bartholomeus Spranger. 1587. Engraving, 43 by 84.5 cm. (Staatliche Graphische Sammlung, Munich).
Attributed works:
12. Judith beheading Holofernes, by Cornelis Galle I after Rubens. c.1616. Engraving, 54 by 38 cm. (Staatliche Graphische Sammlung, Munich).
Attributed works:
13. Fall of the damned, Pieter Soutman after Rubens. 1642. Etching, 56.9 by 41.7 cm. (Staatliche Graphische Sammlung, Munich).
Exhibition Review
Medieval and Baroque gallery Slovak National Gallery, Bratislava
09/2024 | 1458 | 166
Pages: 946-9
related names
Reviewer:
Opacic, Zoë (Opacic, Zoë)
Subjects
dates:
places:
Reviewed Items
subjects:
Medieval and Baroque gallery Slovak National Gallery, Bratislava From 23rd June 2023 | :
Illustrations
Attributed works:
1. Bridging, Slovak National Gallery, Bratislava, designed by Vladímir Dedeček. 1969–77.
Attributed works:
2. Installation view of the Sacred Art gallery at the Slovak National Gallery, Bratislava, 2023. (Courtesy Slovak National Gallery, Bratislava).
Attributed works:
3. Nativity of Christ, attributed to Hans Kamensetzer. 1485–87. Wood, 206 by 118 by 57.5 cm. (Slovak National Gallery, Bratislava).
Attributed works:
4. Installation view of the Sacred Art gallery at the Slovak National Gallery, Bratislava, 2023, showing Iconoclasm/ Disconnected Relations, by Ján Zelinka. 2010. Concrete, 150 by 120 by 220 cm.
Exhibition Review
Fischer von Erlach: Entwurf einer historischen Architektur
04/2024 | 1453 | 166
Pages: 403–405
related names
Reviewer:
Weinzettl-Pozsgai, Martin (Weinzettl-Pozsgai, Martin)
Subjects
dates:
museums and institutions:
Reviewed Items
subjects:
Fischer von Erlach: Entwurf einer historischen Architektur Wien Museum, Vienna 1st February–28th April | :
Illustrations
Attributed works:
14. Mausoleum of Hadrian in Rome, by Johann Bernhard Fischer von Erlach. 1712. Pen and ink. (National and University Library Zagreb; exh. Wien Museum, Vienna).
Attributed works:
15. Installation view of Fischer von Erlach: Entwurf einer historischen Architektur at the Wien Museum, Vienna, 2024. (photograph Werner Feiersinger).
Attributed works:
16. Mausoleum of Hadrian in Rome, after Johann Bernhard Fischer von Erlach. Print, 29.4 by 41.6 cm. (From Entwurff einer Historischen Architektur, Vienna 1721, II, plate 8; Wien Museum, Vienna).
Obituary
Paolo Portoghesi (1931–2023)
10/2023 | 1447 | 165
Pages: 1165–1166
related names
Author:
Hopkins, Andrew (Hopkins, Andrew)
Subjects
Illustrations
Attributed works:
1. Paolo Portoghesi, photographed in 2012. (dpa picture alliance; Alamy Stock Photo).
Attributed works:
2. A colonnade in the Rome Mosque and Cultural Islamic Centre, by Paolo Portoghesi, Vittorio Gigliotti and Sami Mousawi, designed from 1974 and built in 1984–95. (© Andrea Jemolo; Bridgeman Images).
Exhibition Review
Medieval, Renaissance and Baroque galleries
10/2023 | 1447 | 165
Pages: 1130-1133
related names
Reviewer:
Lloyd, Stephen (Lloyd, Stephen)
Subjects
dates:
Reviewed Items
subjects:
Medieval, Renaissance and Baroque galleries Walker Art Gallery, Liverpool From 29th July | :
Illustrations
Attributed works:
10. Room 2 at the Walker Art Gallery, National Museums Liverpool, showing Madonna and Child in glory, by Bartolomé Esteban Murillo. 1673. Oil on canvas, 236 by 169 cm. (Photograph Pete Carr).
Attributed works:
8. Room 4 at the Walker Art Gallery, National Museums Liverpool. (Photograph Pete Carr).
Attributed works:
9. Room 3 at the Walker Art Gallery, National Museums Liverpool, showing Allegory of painting and music, by Giovanni Andrea Sirani. c.1650. Oil on canvas, 94.5 by 124.5 cm. (Photograph Pete Carr).
Book Review
Disegni, argenti e argentieri dall’Archivio Barberini (Studi e Testi, 542–543)
07/2023 | 1444 | 165
Pages: 806–807
related names
Reviewer:
Montagu, Jennifer (Montagu, Jennifer)
Subjects
patrons:
Reviewed Items
subjects:
Disegni, argenti e argentieri dall’Archivio Barberini (Studi e Testi, 542–543) By Francesca Barberini and Micaela Dickmann. 2 vols, 960 pp. incl. 167 col. ills. (Biblioteca Apostolica Vaticana, 2021), €150. ISBN 978–88–210–1058–3. | :
Book Review
Il Mobile a Roma dal Rinascimento al Barocco
01/2023 | 1438 | 165
Pages: 95-96
related names
Reviewer:
Jervis, Simon (Jervis, Simon; J., S.; J., S. S.)
Subjects
places:
Reviewed Items
subjects:
Il Mobile a Roma dal Rinascimento al Barocco By Alvar González-Palacios. 507 pp. incl. 253 col. + 126 b. & w. ills. (Ugo Bozzi Editore, Rome, 2022), €33. ISBN 978–88–7003–067–9. | :
Illustrations
Attributed works:
4. Cabinet by Giacomo Herman. 1669–78, on an early 18th-century giltwood console table. Ebony veneer, mounted with lapis lazuli, jasper, gilt bronze and 14 gouache miniature paintings depicting views of Rome, and incorporating a clock by Giovanni Wenderlino Hessler and a virginal by Giovanni Battista Mambriani, dated 1676, 284 by 172 by 72.5 cm. (Private collection).
Exhibition Review
Der Maler als Zeichner – der Zeichner als Maler: 300 Jahre Johann Heinrich Tischbein d. Ä.
01/2023 | 1438 | 165
Pages: 77-79
related names
Reviewer:
Ludwig, Heidrun (Ludwig, Heidrun)
Subjects
dates:
Reviewed Items
subjects:
Der Maler als Zeichner – der Zeichner als Maler: 300 Jahre Johann Heinrich Tischbein d. Ä. Schloss Wilhelmshöhe, Kassel 28th October 2022– 5th February 2023 | :
Illustrations
Attributed works:
13. Self-portrait, by Johann Heinrich Tischbein the Elder. c.1752–55. Oil on canvas, 97.5 by 79.3 cm. (Schloss Wilhelmshöhe, Museumslandschaft Hessen Kassel).
Attributed works:
14. Landgravine Philippine of Hesse-Kassel (1745–1800) and Selim Schwartz (?), by Johann Heinrich Tischbein the Elder. c.1774–76. Oil on canvas, 65.3 by 53.4 cm. (Private collection; exh. Schloss Wilhelmshöhe, Museumslandschaft Hessen Kassel).
Attributed works:
15. Portrait study of Selim Schwartz (?), by Johann Heinrich Tischbein the Elder. c.1774. Graphite, black and red chalk on paper, 20 by 15.8 cm. (Graphische Sammlung, Schloss Wilhelmshöhe, Museumslandschaft Hessen Kassel).
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