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9 articles
Exhibition Review
Anni Albers. Tate Modern, London
01/2019 | 1390 | 161
Pages: 74-77
related names
Reviewer:
Darwent, Charles (Darwent, Charles)
Subjects
artists:
dates:
media:
Illustrations
Attributed works:
22. Knot, by Anni Albers. 1947. Gouache on paper, 43.2 by 51 cm. (Josef and Anni Albers Foundation, Bethany CT; © 2018 Josef and Anni Albers Foundation, Bethany CT; exh. Tate Modern, London).
Attributed works:
23. Intersecting, by Anni Albers. 1962. Pictorial weaving, cotton and rayon, 40 by 41.9 cm. (Josef Albers Museum Quadrat Bottrop; © 2018 Josef and Anni Albers Foundation, Bethany CT; exh. Tate Modern, London).
Attributed works:
24. Eclat, by Anni Albers. 1974. Silkscreen on woven fabric, 30 by 45 cm. (Josef and Anni Albers Foundation, Bethany CT; © 2018 The Josef and Anni Albers Foundation, Bethany CT; exh. Tate Modern, London).
Exhibition Review
Camille Henrot. Paris
01/2018 | 1378 | 160
Pages: 59-60
related names
Reviewer:
Parton, John (Parton, John)
Subjects
dates:
subjects:
Reviewed Items
subjects:
Days are Dogs at the Palais de Tokyo, Paris | :
Illustrations
Attributed works:
35. Still from Saturday, by Camille Henrot. 2017. (Courtesy the artist; exh. Palais de Tokyo, Paris).
Attributed works:
36. The evolution of kings, by Maria Loboda. 2017. (Courtesy the artist and Maisterravalbuena, Madrid; exh. Palais de Tokyo, Paris).
Exhibition Review
Conceptual art and the photograph, 1964–1977. Chicago
03/2012 | 1308 | 154
Pages: 226-227
related names
Reviewer:
Quiles, Daniel R. (Quiles, Daniel R.)
Subjects
dates:
print:
Reviewed Items
subjects:
Light Years: Conceptual Art and the Photograph, 1964–1977 | institution: Art Institute of Chicago
Illustrations
Attributed works:
70. Muybridge I, by Sol LeWitt. 1964. Painted wood, photographs and flashing lights, 24.1 by 243.8 by 26.7 cm. (LeWitt Collection, Chester CT; exh. Art Institute of Chicago).
Attributed works:
71. Un piccolo film (A small film), by Emilio Prini. 1968/95. Gelatin silver prints and wooden frames, dimensions variable. (Kunst­museum Liechtenstein, Vaduz; exh. Art Institute of Chicago).
Attributed works:
72. Installation view of Passer-by, by Braco Dimitrijevi. 1971. Gelatin silver print, 44 by 56 cm. (Museum Moderne Kunst, Stiftung Ludwig, Vienna; exh. Art Institute of Chicago).
Attributed works:
73. Detail of 100 boots, by Eleanor Antin. 1971–73. Fifty-one photolithographic postcards, 11.1 by 17.8 cm. each. (Art Institute of Chicago).
Publication Received
Jerwood. The Foundation and the Founders
06/2011 | 1299 | 153
Pages: 416
related names
Reviewer:
Blood, Anne (Blood, Anne)
Subjects
museums and institutions:
Reviewed Items
subjects:
Jerwood. The Foundation and the Founders | author: Sturgis, Matthew
Book Review
Spaces of Experience: Art Gallery Interiors from 1800 to 2000
02/2011 | 1295 | 153
Pages: 114-115
related names
Reviewer:
Caiger-Smith, Martin (Caiger-Smith, Martin)
Subjects
dates:
print:
Reviewed Items
subjects:
Spaces of Experience: Art Gallery Interiors from 1800 to 2000 | author: Klonk, Charlotte
Illustrations
Western art unattributed:
38. Installation view of The Alfred J. Barr, Jr Painting and Sculpture Galleries, Museum of Modern Art, New York. 2004.
Article
A substitute for history: the origins and exhibition of Rachel Whiteread’s ‘Untitled (Room 101)’, 2003
11/2010 | 1292 | 152
Pages: 736-743
related names
Author:
Lawrence, James (Lawrence, James)
Subjects
dates:
museums and institutions:
places:
places:
Illustrations
Attributed works:
45. Broadcasting House, 2–22 Portland Place, London W1. 1932. Designed by George Val Myer and Francis James Watson-Hart. (Photograph by Janet Hall, 1995; RIBA Library Photographs Collection).
Attributed works:
46. Untitled (Room 101), by Rachel Whiteread. 2003. Jesmonite and mixed media, 300 by 500 by 643 cm. (Centre Georges Pompidou, Paris; photographed by Mike Bruce in 2003 in the Cast Courts of the Victoria and Albert Museum, London; courtesy of Gagosian Gallery, London).
Attributed works:
48. Interior of Room 101 at Broadcasting House prior to demolition. 2003. (Photograph by Jeremy Young).
Attributed works:
49. Interior of Room 101 at Broadcasting House prior to the casting of Untitled (Room 101). 2003. (Photograph by Rachel Whiteread).
Attributed works:
50. Installation view of Untitled (Room 101) in the Cast Courts of the Victoria and Albert Museum, London, showing the cast windows. 2003. (Photograph by Mike Bruce; courtesy of Gagosian Gallery, London).
Attributed works:
52. Ghost, by Rachel Whiteread. 1990. Plaster on steel frame, 269 by 355.5 by 317.5 cm. (National Gallery of Art, Washington; photograph by Mike Bruce; courtesy of Gagosian Gallery, London).
Attributed works:
54. House, by Rachel Whiteread. 1993, demolished 1994. Concrete. (Photograph by John Davies).
Attributed works:
55. Detail of Fig.46 showing damaged masonry. (Photograph by Mike Bruce; courtesy of Gagosian Gallery, London).
Attributed works:
56. Untitled (Room 101), by Rachel Whiteread. 2003. Collage, 29.7 by 42 cm. (Courtesy of the artist).
Attributed works:
57. Installation view of Untitled (Room 101) at the V. & A. 2003. (Photograph by Mike Bruce; courtesy of Gagosian Gallery, London).
Attributed works:
58. Untitled (Room 101) in the exhibition Rachel Whiteread: Walls, Doors, Floors and Stairs at Kunsthaus Bregenz. 2005. (Photograph by Markus Tretter).
Western art unattributed:
47. Plan of the first floor of Broadcasting House showing original uses. (Drawing courtesy of MJP Architects Ltd.; annotations by the author).
Western art unattributed:
51. 486 Archway Road, London N6. c.1979. (Photograph by Mark Wainwright).
Western art unattributed:
53. 193 Grove Road, London E3, prior to the casting of House. 1993. (Photograph by John Davies).
Short Notice
Dan Flavin: site specific installations in the Netherlands, 1966-68
10/2003 | 1207 | 145
Pages: 721-724
related names
Author:
Feldman, Paula (Feldman, Paula)
Subjects
artists:
dates:
places:
Illustrations
Attributed works:
An artificial barrier of blue, red and blue flourescent light (for Flavin Starbuck Judd), by Dan Flavin. 1968. Flourescent light fixtures with blue and red lamps, 66 by 1419.9 by 22.9 cm. (Panza Collection, Solomon R. Guggenheim Museum, New York).
Attributed works:
An artificial barrier of green flourescent light (to Trudie and Enno Develing), by Dan Flavin. 1968-69. Green flourescent light, 127 by 990 cm. (National Gallery of Canada, Ottawa).
Attributed works:
Greens crossing greens (for Piet Mondrian who lacked green), by Dan Flavin. 1966. Flourescent light fixtures with green lamps, 133.4 by 584.8 by 303.6 cm. (Panza Collection, Solomon R. Guggenheim Museum, New York).
Attributed works:
Installation view of An artificial barrier of blue, red and blue flouresent light (for Flavin Starbuck Judd), by Dan Flavin, at Minimal Art, Gemeentemuseum, The Hague, 1968.
Attributed works:
Installation view of flourescent light, by Dan Flavin, at the Green Gallery, New York, 1964.
Attributed works:
Installation view of Greens crossing greens (for Piet Mondrian who lacked green), by Dan Flavin, at Kunst-Licht-Kunst, Stedeliijk Van Abbemuseum, Eindhoven, 1966.
Attributed works:
Statement for '"greens crossing greens" (to Piet Mondrian who lacked green) of May 17, 1966', by Dan Flavin. Handwritten text on paper, 14.5 by 21 cm. (Kröller-Muller Museum, Otterlo; previously Visser Collection).