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9 articles
Exhibition Review
Rachel Whiteread. London
02/2018 | 1379 | 160
Pages: 155-158
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Reviewer:
Archer, Michael (Archer, Michael)
Subjects
artists:
Whiteread, Rachel
dates:
2010-2019
media:
Sculpture
museums and institutions:
Tate Britain, London, Great Britain / National Gallery of Art, Washington, United States
places:
Great Britain / London / United States / Washington DC
subjects:
British sculpture / Casts (sculpture) / Public sculpture / Minimalism / Post-minimalism
Illustrations
Attributed works:
23. Chicken shed, by Rachel Whiteread. 2017. Concrete, 216 by 229 by 278 cm. (Courtesy of the artist; © Rachel Whiteread; exh. Tate Britain, London).
Attributed works:
24. Untitled (One hundred spaces), by Rachel Whiteread. 1995. Resin, various dimensions (Pinault Collection, Venice; © Rachel Whiteread; exh. Tate Britain, London).
Attributed works:
25. Due Porte, by Rachel Whiteread. 2016. Resin, 247 by 124 by 8 cm. (Galleria Lorcan O’Neill, Rome; © Rachel Whiteread).
Article
A substitute for history: the origins and exhibition of Rachel Whiteread’s ‘Untitled (Room 101)’, 2003
11/2010 | 1292 | 152
Pages: 736-743
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Author:
Lawrence, James (Lawrence, James)
Subjects
artists:
Whiteread, Rachel
dates:
2000-2009
museums and institutions:
Victoria and Albert Museum, London, Great Britain / British Broadcasting Corporation, Great Britain
museums and institutions:
Centre Georges Pompidou, Paris, France
places:
England / London
places:
France / Paris
print:
Whiteread, Rachel
subjects:
Installations (exhibitions) / Exhibitions / Sculpture / Mixed media
subjects:
Commissions / Collections, Public
Illustrations
Attributed works:
45. Broadcasting House, 2–22 Portland Place, London W1. 1932. Designed by George Val Myer and Francis James Watson-Hart. (Photograph by Janet Hall, 1995; RIBA Library Photographs Collection).
Attributed works:
46. Untitled (Room 101), by Rachel Whiteread. 2003. Jesmonite and mixed media, 300 by 500 by 643 cm. (Centre Georges Pompidou, Paris; photographed by Mike Bruce in 2003 in the Cast Courts of the Victoria and Albert Museum, London; courtesy of Gagosian Gallery, London).
Attributed works:
48. Interior of Room 101 at Broadcasting House prior to demolition. 2003. (Photograph by Jeremy Young).
Attributed works:
49. Interior of Room 101 at Broadcasting House prior to the casting of Untitled (Room 101). 2003. (Photograph by Rachel Whiteread).
Attributed works:
50. Installation view of Untitled (Room 101) in the Cast Courts of the Victoria and Albert Museum, London, showing the cast windows. 2003. (Photograph by Mike Bruce; courtesy of Gagosian Gallery, London).
Attributed works:
52. Ghost, by Rachel Whiteread. 1990. Plaster on steel frame, 269 by 355.5 by 317.5 cm. (National Gallery of Art, Washington; photograph by Mike Bruce; courtesy of Gagosian Gallery, London).
Attributed works:
54. House, by Rachel Whiteread. 1993, demolished 1994. Concrete. (Photograph by John Davies).
Attributed works:
55. Detail of Fig.46 showing damaged masonry. (Photograph by Mike Bruce; courtesy of Gagosian Gallery, London).
Attributed works:
56. Untitled (Room 101), by Rachel Whiteread. 2003. Collage, 29.7 by 42 cm. (Courtesy of the artist).
Attributed works:
57. Installation view of Untitled (Room 101) at the V. & A. 2003. (Photograph by Mike Bruce; courtesy of Gagosian Gallery, London).
Attributed works:
58. Untitled (Room 101) in the exhibition Rachel Whiteread: Walls, Doors, Floors and Stairs at Kunsthaus Bregenz. 2005. (Photograph by Markus Tretter).
Western art unattributed:
47. Plan of the first floor of Broadcasting House showing original uses. (Drawing courtesy of MJP Architects Ltd.; annotations by the author).
Western art unattributed:
51. 486 Archway Road, London N6. c.1979. (Photograph by Mark Wainwright).
Western art unattributed:
53. 193 Grove Road, London E3, prior to the casting of House. 1993. (Photograph by John Davies).
Exhibition Review
Rachel Whiteread Drawings. Los Angeles, Dallas and London
09/2010 | 1290 | 152
Pages: 626-627
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Reviewer:
Craft, Catherine (Craft, Catherine)
Subjects
artists:
Whiteread, Rachel
dates:
2010-2019
museums and institutions:
Tate Britain, London, Great Britain / Hammer Museum, Los Angeles, United States / Nasher Sculpture Center, Dallas, United States
places:
London / England / Dallas / Los Angeles / United States
print:
Whiteread, Rachel
subjects:
Reviews / Exhibitions / Drawings
Reviewed Items
subjects:
Rachel Whiteread Drawings | institution: Hammer Museum , institution: Nasher Sculpture Center , institution: Tate Britain
Illustrations
Attributed works:
66. Untitled (Double mattress yellow), by Rachel Whiteread. 1991. Pencil, ink, acrylic and watercolour on graph paper, 29.5 by 42 cm. (Private collection; exh. Tate Britain, London).
Attributed works:
67. Stairs, by Rachel Whiteread. 1995. Correction fluid on black paper, 29.5 by 21 cm. (Private collection; exh. Tate Britain, London).
Advertisements
Advertisements April 2009 (front)
04/2009 | 1273 | 151
Pages: s.p.
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Subjects
advertisements:
Sims Reed & Fogg Limited, London, Great Britain
advertisements:
Galerie Bernard Steinitz, Paris, France
advertisements:
Christopher Mendez, London, Great Britain
advertisements:
Fine Art Society, London, Great Britain
advertisements:
Pratt Contemporary Art, Sevenoaks, Great Britain
advertisements:
Marlborough Graphics Gallery, London, Great Britain
advertisements:
Agnew's, London, Great Britain
advertisements:
David Case Fine Art, Diss, Great Britain
advertisements:
Redfern Gallery, London, Great Britain
advertisements:
Walter Feilchenfeldt (dealer), Zürich, Switzerland
advertisements:
Galerie Fetzer, Sontheim and der Brenz, Germany
advertisements:
Andrew Edmunds (dealer), London, Great Britain
advertisements:
Wolseley Fine Arts, London, Great Britain
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Ingleby Gallery, Edinburgh, Great Britain
advertisements:
Bonhams, London, Great Britain
advertisements:
Yale Center for British Art, New Haven, United States
advertisements:
Kunsthaus Lempertz, Cologne, Germany
advertisements:
Hazlitt, Gooden & Fox, London, Great Britain
advertisements:
Margot Gordon, New York, United States
advertisements:
Royal Academy of Arts, London, Great Britain
advertisements:
London Original Print Fair
advertisements:
Galerie Canesso, Paris, France
advertisements:
Tomasso Brothers Fine Art, Leeds, Great Britain
advertisements:
Simon Dickinson, London, Great Britain
advertisements:
Daniel Katz Ltd (dealers), London, Great Britain
advertisements:
Didier Aaron, Inc, New York, United States
advertisements:
Whitfield Fine Art, London, Great Britain
advertisements:
Peter Finer (antique arms), London, Great Britain
advertisements:
Otto Naumann, New York, United States
artists:
Nicholson, Ben / Frith, William Powell / Master of Attel, act. 1470-1480
artists:
Hogarth, William / Holloway, Edgar A. / Whiteread, Rachel
artists:
Andrews, Sybil / Hirst, Damien / Lichtenstein, Roy
artists:
Pacheco, Ana Maria / Rego, Paula / Nicholson, Ben
artists:
Rembrandt van Rijn / Sickert, Walter / Scully, Sean
artists:
Quinn, Marc / Bonito, Giuseppe / Boulle, André-Charles, I, 1642-1732
museums and institutions:
Royal Holloway, University of London , London, Great Britain
subjects:
Advertisements
Illustrations
Attributed works:
[Agnew’s. 8 Grafton Street. London. Ben Nicholson (1894-1982). 1940-1942 (Painting) Gouache, 9x9 in (23 x 23 cm)]
Attributed works:
[Andrew Edmunds. London. Gin Lane and Beer Street (detail), by William Hogarth. 1751. Etching and engraving on paper, 39 by 32.6 cm]
Attributed works:
[Bernard Steinitz. 9, Rue du Cirque – 77, Rue du Faubourg Saint-Honoré. Paris. Rare cabinet à hauteur d'appui with Ceres and Bacchus inspired marquetry panels in pewter, ebony and amaranth. Supporting an exceptional pair of paragon marble busts featuring young Moors. Marquetry panels by André-Charles Boulle (1642-1732), late 17th century. Cabinet, France, second half of 18th century. Busts, Venice, 17th century.]
Attributed works:
[Bonhams. 101 New Bond Street. London. Illustrated: Victor Pasmore R.A. (1908-1998). Linear projection. Oil, collage and wood relief on panel. 62.5 x 62.5 cm (24 1/2 x 24 1/2 in)]
Attributed works:
[Christopher Mendez. London. Peasant with hands behind his back, by Rembrandt van Rijn. 1631. Bartsch 135, fourth state. Etching and engraving, 5.6 by 4.5 cm]
Attributed works:
[David Case Fine Art. Norfolk. Tampere mirror, by Sean Scully. 2003. Etching and aquatint, 32 by 28 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Giuseppe Bonito. Castellammare di Stabia, 1707 - Naples, 1789. Huntsmen at Rest. Oil on canvas, 167 x 234 cm (65 3/4 x 92 1/8 cm)]
Attributed works:
[Galerie Fetzer. Sontheim an der Brenz. Amière-saison en Nouvelle Angleterre, by Roy Lichtenstein. 1992. Etching and aquatint in colours, 27.9 by 37.5 cm]
Attributed works:
[Ingleby Gallery. Edinburgh. Untitled, by Rachel Whiteread. 2008. From the 'Billboard for Edinburgh' series. Edition of 50, signed numbered and dated by the artist. Archival digital inkjet print, 25.4 by 33.9 cm (image size): 38.2 by 45.8 cm. (paper image)]
Attributed works:
[Kunstaus Lempertz, 3 Neumarkt. Cologne. Master of Attel (active in Munich 1470/1480). Crowning with Thorns. Deposition. Ascension of Christ. Pentecost. Oil on panel, 125 x 116 cm (each)]
Attributed works:
[London Original Print Fair. Royal Academy of Arts. Burlington Gardens. London. Marc Quinn, detail from Untitled 4, from Portraits of Landscapes.]
Attributed works:
[Marlborough Graphic, London. Spider, by Paula Rego. 2008-09. Edition of 35. Etching and aquatint, 63 by 49 cm.]
Attributed works:
[Pratt Contemporary Art. Kent. A modern bestiary: Dachsund, by Ana Maria Pacheco. Screenprint, 24 by 19.5 cm]
Attributed works:
[Redfern Gallery. London. Ploughing pasture, by Sybil Andrews. 1955. Linocut, 29.1 by 37.5 cm]
Attributed works:
[Sims Reed Gallery, London. Flumequine, by Damien Hirst. 2007. Each signed in pencil and numbered from an edition of 75. Etching printed in colours, 139.7 by 107.5 cm]
Attributed works:
[The Fine Art Society. London. Noctes Ambrosianae, by Walter Sickert. c. 1908. Etching and aquatint, printed in black ink on wove paper, 22.8 by 25.8 cm]
Attributed works:
[Wolseley Fine Arts. Horefordshire. Self portrait no. 9 the turban, by Edgar Holloway. 1937. Etching, 12.6 by 10.2 cm]
Attributed works:
[Yale Centre for British Art. 1080 Chapel Street. New Haven, CT. William Powell Frith, The Railway Station (detail), 1862, oil on canvas. Courtesy of Royal Holloway, University of London.]
Publication Received
The Art of Rachel Whiteread.
07/2005 | 1228 | 147
Pages: 501
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Reviewer:
Cork, Richard (Cork, Richard)
Subjects
artists:
Whiteread, Rachel
dates:
1980-1989 / 1990-2009
print:
Whiteread, Rachel
subjects:
British sculpture
subjects:
Essays
Reviewed Items
subjects:
The Art of Rachel Whiteread. | editor: Townsend, Chris
Exhibition Review
Rachel Whiteread. London
01/1999 | 1150 | 141
Pages: 50
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Reviewer:
Godfrey, Tony (Godfrey, Tony)
Subjects
artists:
Whiteread, Rachel
dates:
1990-1999
places:
England / London
private galleries:
Anthony d'Offay, London, Great Britain
subjects:
Exhibitions / Reviews
Illustrations
Attributed works:
65. Untitled (Book Corridors), by Rachel Whiteread. 1997-98. Plaster, Polystyrene, Steel and Wood, 222 by 427 by 523 cm. (Anthony d'Offay Gallery, London).
Attributed works:
66. Untitled (Elongated Plinths), by Rachel Whiteread. 1998. Plastic and Urothane Foam, 67.3 by 376.6 by 221 cm. (Anthony d'Offay Gallery, London).
Exhibition Review
Rachel Whiteread. Liverpool and Madrid
12/1996 | 1125 | 138
Pages: 837-838
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Reviewer:
Batchelor, David (Batchelor, David)
Subjects
artists:
Whiteread, Rachel
dates:
1990-1999
museums and institutions:
Tate Liverpool, Liverpool, Great Britain
museums and institutions:
Palacio de Velázquez, Madrid, Spain
places:
England / Liverpool / Madrid / Spain
subjects:
Reviews / Exhibitions
Illustrations
Attributed works:
66. Untitled (One Hundred Spaces), by Rachel Whiteread. 1995. Resin, 100 Units, Size According to Installation. Installation View, as Shown at Carnegie Museum of Art, Pittsburgh. (Exh. Tate Gallery, Liverpool).
Attributed works:
67. Untitled (Five Shelves), by Rachel Whiteread. 1996. Plaster, Five Units, 28 by 95 by 22.5 cm. (Each) (Private Collection; Exh. Tate Gallery, Liverpool).
Attributed works:
68. Untitled (Orange Bath), by Rachel Whiteread. Rubber and Polystyrene, 80 by 207 by 110 cm. (Exh. Tate Gallery, Liverpool).
Exhibition Review
Rachel Whiteread. Philadelphia
04/1995 | 1105 | 137
Pages: 273-274
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Reviewer:
Cooke, Lynne (Cooke, Lynne)
Subjects
artists:
Whiteread, Rachel
dates:
1990-1999
museums and institutions:
Institute of Contemporary Art, University of Pennsylvania, Philadelphia, United States
places:
United States / Philadelphia
subjects:
Exhibitions / Reviews
Illustrations
Attributed works:
79. Slab (Plug), by Rachel Whiteread. 1994. Rubber, 20 by 76 by 200 cm. (Private Collection, Switzerland; Exh. Institute of Contemporary Art, Philadelphia).
Attributed works:
80. Untitled (Room), by Rachel Whiteread. 1993. Plaster, 275 by 300 by 350 cm. (Museum of Modern Art, New York; Exh. Institute of Contemporary Art, Philadelphia).
Exhibition Review
Rachel Whiteread's 'House'. London
12/1993 | 1089 | 135
Pages: 837-838
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related names
Reviewer:
Shone, Richard (Shone, Richard; S., R.; Shone, Richard)
Subjects
artists:
Whiteread, Rachel
dates:
1990-1999
places:
England / London
subjects:
Reviews / Exhibitions / Public sculpture
Illustrations
Attributed works:
55. House, by Rachel Whiteread. 1993. Concrete. Installed November 1993, at Globe Road, Bow, East London.