• MENU
logo logo white logo sticky

Burlington Contemporary is the Burlington Magazine’s free online platform for reviews and research on international contemporary art.

By using this website you agree to our Cookie policy
  • MENU
logo logo white logo sticky

Search

content
A TO Z
clear all
5 articles
Short Notice
J. A. D. Ingres: The Apotheosis of Flaxman
11/1979 | 920 | 121
Pages: 721-725+731
Subscribe to read
related names
Author:
Symmons, Sarah (Symmons, Sarah)
Subjects
artists:
Ingres, Jean-Auguste-Dominique
artists:
Flaxman, John
artists:
Reveil, Etienne Achille
dates:
1790-1829
places:
France
subjects:
French painting / Drawings
subjects:
British sculpture / Influence
subjects:
Prints / Illustrations
subjects:
Classicism / Classical mythology
Illustrations
Attributed works:
55. Homère Déifié, by Ingres. Signed. Black Chalk, Pen and Ink Wash, 21 by 31 cm. (Musée du Louvre, Paris).
Attributed works:
56. Dieu le Père jetant le démon dans les ténèbres, by Ingres. Pencil, 38.7 by 44.5 cm. (Musée Ingres, Montauban).
Attributed works:
57. Antiochus and Stratonice, by Ingres. Pencil and Brown Wash, 29 by 40 cm. (Musée du Louvre, Paris).
Attributed works:
58. Illustration to Canto 4 of Dante's Inferno, by John Flaxman. Engraving.
Attributed works:
59. Jupiter and Thetis, Illustration to Homer's Iliad, by John Flaxman. Engraving
Attributed works:
60. Jupiter and Thetis, by George Romney. Pen and Ink over Pencil, 20.5 by 23.8 cm. (Fitzwilliam Museum, Cambridge).
Attributed works:
61. Jupiter and Thetis, by Ingres. Signed and Dated 1811. 327 by 260 cm. (Musée Granet, Aix-en-Province).
Attributed works:
62. Jupiter and Thetis, by Ingres. Pencil, 32.5 by 24.2 cm. (Musée Ingres, Montauban).
Attributed works:
63. The Dream of Ossian, by Ingres. Pen and Water-Colour, 28.2 by 23.8 cm. (Private Collection, Montauban).
Attributed works:
64. Woman and Two Children, by Ingres. Pen and Pencil, 12.2 by 7.1 cm. (Musée Ingres, Montauban).
Attributed works:
65. Drawing for Countess Spencer Monument, Figure of Charity, by John Flaxman. Pen and Brown Wash, 19 by 14 cm. (Henry E. Huntington Library and Art Gallery, San Marino, Calif.).
Attributed works:
66. Study for the Frieze on the Temple of Homère Déifié, by Ingres. Pencil, 38 by 52 cm. (Musée Ingres, Montauban).
Attributed works:
67. Achilles and Briseis, Illustration to Homer's Iliad, by John Flaxman. Engraving.
Attributed works:
68. The Council of the Gods, Illustration to Homer's Iliad, by John Flaxman. Engraving.
Article
The Spirit of Despair: Patronage, Primitivism and the Art of John Flaxman
10/1975 | 871 | 117
Pages: 644-651
Subscribe to read
related names
Author:
Symmons, Sarah (Symmons, Sarah)
Subjects
artists:
Flaxman, John
dates:
1750-1849
patrons:
Hervey, Frederick Augustus, Fourth Earl of Bristol, 1730–1803
places:
England / Italy / Rome
sources:
Cockerell, Charles Robert, 1788-1863
subjects:
British sculpture / Patronage
subjects:
Athamas
subjects:
Chatterton, Thomas
Illustrations
Attributed works:
19. The Massacre of the Innocents, by Nicolas Poussin. Canvas, 147 by 171 cm. (Musée Condé, Chantilly).
Attributed works:
20. Fury of Athamas, by John Flaxman. 1790-94. (The National Trust, Ickworth, Suffolk).
Attributed works:
22. Copy of Thirteenth-Century Last Judgement, by John Flaxman. c.1792. Black Chalk, 16.5 by 23.5 cm. From Flaxman Sketchbook No.832/8, f.59 Recto. (Fitzwilliam Museum, Cambridge).
Attributed works:
23. The Lake of Pitch. Engraving from John Flaxman's Illustrations to Dante, Plate 24, Canto 22, 1807 Edition, Engraved by Thomas Piroli.
Attributed works:
24. A Procession of Saints, by John Flaxman. Pen, Ink, and Wash, 47 by 66 cm. c.1783. Mount 832/1 g, from Large Flaxman Album. (Fitzwilliam Museum, Cambridge).
Attributed works:
25. Figure Drawing, by Thomas Stothard. Ink and Wash, from Stothard Album No.3689 n. p. (Fitzwilliam Museum, Cambridge).
Attributed works:
26. Chatterton Drawing, by John Flaxman. Black Chalk, 18.8 by 15.3 cm. c.1782. (British Museum).
Attributed works:
27. The Nightmare, by Fuseli. Canvas, 101 by 124.5 cm. 1781. Exh. 1782. (Institute of Arts, Detroit).
Attributed works:
28. Chatterton Taking the Poison from the Spirit of Despair, by John Flaxman. 1782. Pen and Brown Wash, 27 by 32 cm. (British Museum).
Attributed works:
29. Self Portrait, by John Flaxman. 1779. Pen, Brush with Brown Ink, 40 by 36 cm. (The Grammar School, Halesowen).
Western art unattributed:
21. Gaul Killing Himself and His Wife. c.240-200 B. C. (Terme Museum, Rome).
Short Notice
Géricault, Flaxman and 'Ugolino'
10/1973 | 847 | 115
Pages: 669+671-672
Subscribe to read
related names
Author:
Symmons, Sarah (Symmons, Sarah)
Subjects
artists:
Géricault, Théodore
artists:
Flaxman, John
dates:
1800-1849
places:
France
sources:
Dante Alighieri
subjects:
Ugolino della Gherardesca
subjects:
French painting / British sculpture / Sources
subjects:
Copies
subjects:
Drawings
Illustrations
Attributed works:
43. Plate 31 from Flaxman's Odyssey. Engraving
Attributed works:
44. Studies after Flaxman's Odyssey and Iliad, by Théodore Géricault. From the Zoubaloff Sketchbook. (Cabinet des Dessins, Musée du Louvre, R. F.6072.)
Attributed works:
45. Ugolino in Prison with His Children, by Théodore Géricault. c. 1815-16. Drawing. (Musée Bonnat, Bayonne.)
Attributed works:
46. The Death of Ugolino, by John Flaxman. Completed 1793, Published 1802. Engraving.
Attributed works:
47. Study for The Raft af the Medusa, by Théodore Géricault. Drawing. (Musée des Beaux-Arts, Rouen.)
Attributed works:
48. Plate II from Flaxman's Iliad. Engraving.
Article
French Copies after Flaxman's Outlines
09/1973 | 846 | 115
Pages: 591-599
Subscribe to read
related names
Author:
Symmons, Sarah (Symmons, Sarah)
Subjects
artists:
Flaxman, John
artists:
David, Jacques-Louis
artists:
Géricault, Théodore
dates:
1750-1849
places:
England / France / Paris
sources:
Homer / Iliad
subjects:
British sculpture / Drawings / Copies
subjects:
French painting
subjects:
Classicism
Illustrations
Attributed works:
35. Pulpit, by Donatello, 'North' or 'Left' Side. (S. Lorenzo, Florence.)
Attributed works:
36. Copy by John Flaxman after Donatello Pulpit Illustrated in Fig. 35. From sketchbook. No. B.2.c. p.30. (Victoria and Albert Museum.)
Attributed works:
37. The Funeral of Hector. Engraving from John Flaxman's Iliad.
Attributed works:
38. Warriors, by Jacques-Louis David. From Sketchbook. (Musée des Beaux-Arts, Lille.)
Attributed works:
39. Achilles Contending with the Rivers. Engraving from John Flaxman's Iliad.
Attributed works:
40. The Fight for the Body of Patroclus. Engraving from John Flaxman's Iliad.
Attributed works:
41. Les Sabines, by Jacques-Louis David. (Musée du Louvre.)
Attributed works:
42. The Shield of Achilles, by John Flaxman. Drawing. (Henry E. Huntington Library and Art Gallery, San Marino, California.)
Attributed works:
43. Achilles by the Bed of Patroclus. Engraving from John Flaxman's Iliad.
Attributed works:
44. Achilles by the Bed of Patroclus, by Théodore Géricault. Pencil Drawing. (Musée Bonnat, Bayonne.)
Attributed works:
45. The Departure of Briseis from the Tent of Achilles. Engraving from John Flaxman's Iliad.
Attributed works:
46. Achille Déplore L'Enterrement de Briseis, by François Rude. Pen and Ink, 21.5 by 37 cm. (Musée des Beaux-Arts, Dijon.)
Attributed works:
47. Achille Déplore l'enterrement de Briseis, by François Rude. Plaster Relief. (Musée Rude, Dijon.)
Attributed works:
48. Ulysses on the Hearth Presenting Himself to Alcinous and Arete. Engraving from John Flaxman's Odyssey.
Attributed works:
49. Ulysses on the Hearth Presenting Himself to Alcinous and Arete, by Antoine Gros. From Sketchbook, R. F. 29955, f.26. Pen and Brown Ink over Chalk, 16.3 by 22.5 cm. (Cabinet des Dessins, Musée du Louvre.)
Attributed works:
50. Studies of Horses, and Study after a Plate from Flaxman's Odyssey, by Antoine Gros. From Sketchbook, R. F. 29955, f.20. Pen and Brown Ink over Chalk, 16.3 by 22.5 cm. (Cabinet des Dessins, Musée du Louvre.)
Attributed works:
51. Study after Flaxman's Odyssey, by Antoine Gros. From Sketchbook, R. F.29955, f.28v. Pen and Brown Ink over Chalk, 16.3 by 22.5 cm. (Cabinet des Dessins Musée du Louvre.)
Attributed works:
52. Study from Sketchbook, by Antoine Gros, R. F.29955, f.14. Pen and Brown Ink over Chalk. 16.3 by 22.5 cm. (Cabinet des Dessins, Musée du Louvre.)
Attributed works:
53. Study after Flaxman's Odyssey, by Antoine Gros. From Sketchbook, R. F.29955, f.28. Pen and Brown Ink over Chalk, 16.3 by 22.5 cm. (Cabinet des Dessins, Musée du Louvre.)
Article
John Flaxman and Francisco Goya: Infernos Transcribed
09/1971 | 822 | 113
Pages: 506+508-512
Subscribe to read
related names
Author:
Symmons, Sarah (Symmons, Sarah)
Subjects
artists:
Flaxman, John
artists:
Goya y Lucientes, Francisco José de
dates:
1780-1829
places:
England / Spain
sources:
Dante Alighieri
sources:
Homer
sources:
Aeschylus
subjects:
British sculpture / Visual sources
subjects:
Spanish painting
subjects:
Literature in art
Illustrations
Attributed works:
14. The Hypocrites with Caiaphas, by William Blake. Pen, Pencil and Water-Colour, 37.3 by 52.7 cm. (Tate Gallery.)
Attributed works:
15. Hypocrites, by John Flaxman. Illustration to Dante, Inferno, Canto 23. Engraved by Thomas Piroli, 1807 ed., Plate 25.
Attributed works:
16. Hypocrites, by John Flaxman. Flaxman Sketchbook No.736*F.57R. Pen, Pencil and Ink, 19.2 by 13.7 cm. (Fitzwilliam Museum, Cambridge.)
Attributed works:
17. Tres Parejas de Encapuchados, by Francisco Goya. (Biblioteca Nacional, Madrid.)
Attributed works:
18. The Salutation, by John Flaxman. Illustration to Dante, Purgatorio, Canto 10. Engraved by Thomas Piroli, 1807 ed., Plate 14.
Attributed works:
19. La Soumission Religieuse, by Francisco Goya. Indian Ink, 17 by 22.5 cm. (Private Collection.)
Attributed works:
20. Cinco Figuras de Hombres, by Francisco Goya. (Biblioteca Nacional, Madrid.)
Attributed works:
21. Camino de los Infiernos, by Francisco Goya. Brush and Black Wash over Black Chalk, 19 by 26.8 cm. (Biblioteca Nacional, Madrid.)
Attributed works:
22. The Lake of Pitch, by John Flaxman. Illustration to Dante, Inferno, Canto 22. Engraved by Thomas Piroli, 1807 ed., Plate 24.
Attributed works:
23. Por Que?, by Francisco Goya. Etching from Los Desastres de la Guerra, No. 32.
Attributed works:
24. Enterrar y Callar, by Francisco Goya. Etching, 16 by 23.5 cm. From Los Desastres de la Guerra, No. 18.
Attributed works:
25. The Pit of Disease, by John Flaxman. Illustration to Dante, Inferno, Canto 29. Engraved by Thomas Piroli, 1807 ed., Plate 31,