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36 articles
Article
The ‘fortuna critica’ of the ‘Maiden of Lille’
05/2020 | 1406 | 162
Pages: 404-411
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Author:
Riviale, Laurence (Riviale, Laurence)
Subjects
artists:
Raphael / Leonardo da Vinci / Sargent, John Singer / Wicar, Jean Baptiste Joseph / Henner, Jean-Jacques / Carpeaux, Jean-Baptiste
collectors and dealers:
Gurlitt, Fritz
dates:
1830-1909 / 1900-1999
media:
Wax / Terracotta / Polychromy / Sculpture / Photographs / Engravings
museums and institutions:
Palais des Beaux-Arts, Lille, France
places:
Lille
subjects:
Attributions / Attributions, tentative / Attributions, former / Copies / Reproductions / Dating / Casts (sculpture) / Beauty / Symbols / Nationalism
subjects:
Critical Reception / Restoration (process) / Personification
works:
Maiden of Lille
Illustrations
Attributed works:
1. Study of a bust at Lille, by John Singer Sargent. c.1877. Oil on mahogany panel, 30.7 by 20.6 cm. (Private collection).
Attributed works:
10. The Maiden of Lille, by Arthur Mayeur. Drawing reproduced on the cover of Lille et la région du nord en 1909, Lille 1909.
Attributed works:
2. The ‘Maiden of Lille’ in the Wicar galleries at the Palais des Beaux-Arts, Lille, c.1892. (Palais des Beaux-Arts, Lille).
Attributed works:
4. The Maiden of Lille, by Aurelio Micheli. c.1909. Plaster, wax and polychromy. (Letter Stiftung, Cologne).
Attributed works:
5. Jean-Jacques Henner’s studio in Paris, with a plaster cast of the ‘Maiden of Lille’ from the Kaiser Friedrich Museum, Berlin. Detail of a photograph, c.1900. (Courtesy Henner Museum, Paris).
Attributed works:
6. Wolfgang Gurlitt’s music room at 113 Potsdamer Strasse, Berlin. Photograph, c.1920. (Bildindex der Kunst und Architektur, Deutsches Dokumentationszentrum für Kunstgeschichte, Bildarchiv Foto Marburg). 
Attributed works:
7. The display of old-master drawings in the Royal Library at Windsor Castle. Photograph by James Russell and Sons, 1910. (Manley family collection). 
Attributed works:
8. The plaster-cast room at the Museum of Fine Arts, Copley Square, Boston. Photograph, 1902. (Museum of Fine Arts, Boston).
Attributed works:
9. The Maiden of Lille, in the Musée Wicar, Lille. Photograph by Robert Jefferson Bingham, 1864. (Palais des Beaux-Arts, Lille).
Western art unattributed:
3. The Maiden of Lille. Possibly seventeenth or eighteenth century. Beeswax, terracotta and glass, 44.5 by 30.3 by 19.5 cm. (Palais des Beaux- Arts, Lille; photograph the author).
Letter
Letters: A portrait of Gaspar de Crayer
08/2019 | 1397 | 161
Pages: 620
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Subjects
artists:
Jordaens, Jacob / Dyck, Anthony van
subjects:
Attributions / Attributions, former / Attributions, tentative
Illustrations
Attributed works:
1. Portrait of Gaspar de Crayer, by Jacob Jordaens. c.1642–50. Oil on canvas, 67 by 54.5 cm. (Private collection).
Exhibition Review
Theodoor van Loon: A Caravaggist Painter Between Rome and Brussels. Centre for Fine Arts, Brussels (BOZAR)
01/2019 | 1390 | 161
Pages: 65-67
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Reviewer:
Papi, Gianni (Papi, Gianni)
Subjects
artists:
Loon, Theodoor van / Vermiglio, Giuseppe / Finson, Louis / Tanzio da Varallo / Borgianni, Orazio / Bassetti, Marcantonio / Brugghen, Hendrick ter / Serodine, Giovanni / Tournier, Nicolas / Manfredi, Bartolomeo
dates:
2010-2019
media:
Paintings
museums and institutions:
BOZAR, Brussels, Belgium
places:
Belgium / Brussels
subjects:
Flemish painting / Naturalism / Caravaggism / Altarpieces / Dating / Attribution / Attributions / Attributions, former / Attributions, tentative / Restoration (process) / Style / Influence / Visual sources / Exhibition catalogues
Illustrations
Attributed works:
10. David triumphant, by Theodor van Loon. 1607–09. Canvas, 168.5 by 122 cm. (Private collection; exh. Centre for Fine Arts, Brussels).
Attributed works:
11. Christ and the woman taken in adultery, here attributed to Bartolomeo Manfredi. 1619–20. Canvas, 120 by 184.5 cm. (Royal Museums of Fine Arts of Belgium, Brussels; exh. Centre for Fine Arts, Brussels).
Attributed works:
12. St Elizabeth of Hungary, by Theodor van Loon. 1613–15. Canvas, 207 by 143 cm. (Monastery of the Discalced Carmelites, Brussels; exh. Centre for Fine Arts, Brussels).
Article
Montemezzano in Lancashire
01/2017 | 1366 | 159
Pages: 25-28
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Author:
Pozzolo, Enrico Maria dal (Pozzolo, Enrico Maria dal)
Subjects
artists:
Montemezzano, Francesco
dates:
1590-1609
places:
England / Lancashire
subjects:
Jesus Christ: Lamentation / Identification / Provenance / Biographies / Attribution / Attributions, tentative / Italian painting / Venetian / Churches
Illustrations
Attributed works:
24. Lamentation with three donors, by Francesco Montemezzano. c.1590s (Gemäldegalerie, Staatliche Museen zu Berlin)
Attributed works:
25. Lamentation, by Francesco Montemezzano. c.1590s (Private collection, Padua)
Attributed works:
26. Lamentation, by Francesco Montemezzano. c.1590s (Tambov Regional Art Gallery)
Attributed works:
27. Lamentation over the dead Christ, decent from the Cross, by Francesco Montemezzano (St John the Baptist, Tunstall; photograph Simon Gillespie Studio, London)
Attributed works:
28. Giacomo Regazzoni receives the privilege of adding the Tudor rose to his coat of arms from Mary Tudor, by Francesco Montemezzano. 1583 (Palazzo Regazzoni-Flangini-Billia, Sacile)
Article
A painting ‘without a history’: new light on a hitherto ‘Unidentified miracle’ in the National Gallery of Ireland
05/2016 | 1358 | 158
Pages: 336-344
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Author:
O'Donnell, Jessica (O'Donnell, Jessica)
Subjects
artists:
Novelli, Pietro, 1603-1647
artists:
Ribalta, Francisco
collectors and dealers:
Whatman, James, the Younger, 1741-1798
dates:
1630-1639
museums and institutions:
National Gallery of Ireland, Dublin, Ireland
subjects:
Collections, Public / Identification / Provenance / Religious art / Christian iconography / Collections, Private / Attributions, tentative / Attributions, former
subjects:
Italian painting
Illustrations
Attributed works:
10. The fountain of life, from the circle of Giovan Bernardo Lama. Late sixteenth century (Chiesa di S. Giovanni Evangelista a Porta S. Gennaro, Naples)
Attributed works:
12. Drawing of Fig.5 when in the collection of James Whatman at 6 Carlton Gardens, London, in a sketchbook by George Scharf. 1857 (Heinz Archive and Library, National Portrait Gallery, London)
Attributed works:
13. The arrangement of the paintings by 'Ancient Masters' in the Manchester Art Treasures exhibition, in a sketchbook by George Scharf. 1857 (Heinz Archive and Library, National Portrait Gallery, London)
Attributed works:
14. S. Francesco di Paola, by Pietro Novelli. c.1635 (Museo Diocesano, Palermo)
Attributed works:
15. A miracle of St Francis Xavier, by Pietro Novelli. c.1631-32 (Gesù Nuovo, Casa Professa, Naples)
Attributed works:
5. A miracle of S. Francesco di Paola, here attributed to Pietro Novelli. c.1630-35? (National Gallery of Ireland, Dublin)
Attributed works:
6. St Francis of Paola, by Luca Giordano. c.1692 (Fundación Casa Ducal de Medinaceli, Hospital Tavera, Toledo)
Attributed works:
7. The vision of St Francis of Paola, by Bartolomé Esteban Murillo. c.1670 (J. Paul Getty Museum, Los Angeles)
Attributed works:
8. Plate 14/1 from A. Baratta: La vita e miracoli del gloriosissimo Padre Santo Francesco di Paola fondatore dell'ordine dei Minimi. Con le Rimi di Don Orazio Nardino Cosentino, Naples 1622 (Biblioteca Nazionale di Napoli 'Vittorio Emanuele III')
Attributed works:
9. Plate 49/1 from A. Baratta: La vita e miracoli del gloriosissimo Padre Santo Francesco di Paola fondatore dell'ordine dei Minimi. Con le Rimi di Don Orazio Nardino Cosentino, Naples 1622 (Biblioteca Nazionale di Napoli 'Vittorio Emanuele III')
Western art unattributed:
11. Plans of walls showing positions of paintings at the Whatman house, Vinters, Kent. c.1845 (Kent History & Library Centre, Maidstone, Whatman MSS, U289/F29)
Article
A newly identified drawing by Denys Calvaert in the Uffizi
03/2016 | 1356 | 158
Pages: 189-193
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Author:
Vaccaro, Mary (Vaccaro, Mary)
Subjects
artists:
Calvaert, Denys
artists:
Carracci, Annibale
dates:
1600-1649
museums and institutions:
Galleria degli Uffizi, Florence, Italy / Gabinetto Disegni e Stampe degli Uffizi, Florence, Italy
subjects:
Drawings / Collections, Public / Identification / Attributions, tentative / Composition (artistic arrangement)
Illustrations
Attributed works:
29. Inscription, detail of Fig.32
Attributed works:
30. Inscription, detail of the Marriage at Cana, by Denys Calvaert. 1598 (National Gallery of Scotland)
Attributed works:
31. A young woman, by Denys Calvaert. c.1600 (Galleria Estense, Modena)
Attributed works:
32. A young woman, here attributed to Denys Calvaert. 1618 (Gabinetto dei Disegni e delle Stampe degli Uffizi, Florence)
Attributed works:
33. Kneeling figure seen from behind, verso of Fig.32, here attributed to Denys Calvaert. c.1607 (Gabinetto dei Disegni e delle Stampe degli Uffizi, Florence)
Attributed works:
34. Virgin and Child, by Denys Calvaert. c.1590 (Gabinetto dei Disegni e delle Stampe degli Uffizi, Florence)
Attributed works:
35. St Francis receiving the Christ Child from the Virgin, by Denys Calvaert. 1607 (Bob Jones University Museum and Gallery, Greenville)
Attributed works:
36. St Francis receiving the Christ Child from the Virgin, by Denys Calvaert. c.1607 (Art Institute of Chicago)
Attributed works:
37. St Francis receiving the Christ Child from the Virgin, by Denys Calvaert. c.1607 (Staatsgalerie, Stuttgart)
Book Review
‘Questo libro fu di Andrea Palladio’: Il Codice Destailleur B dell’Ermitage, O. Lanzarini and R. Martines
01/2016 | 1354 | 158
Pages: 042
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Reviewer:
Campbell, Ian (I. C.) (Campbell, Ian (I. C.))
Subjects
collectors and dealers:
Destailleur, Hippolyte
museums and institutions:
Hermitage Museum, Saint Petersburg, Russia
subjects:
Architectural drawings / Albums / Antiquity / Collections, Private / Collections, Public / Catalogues
subjects:
Attribution / Attributions, tentative
Article
John Collett’s ‘Temple Bar’ and the discovery of a ­preparatory study
07/2015 | 1348 | 157
Pages: 460-464
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Author:
Flynn, Hayley (Flynn, Hayley )
Author:
Moore, Peter (Moore, Peter)
Subjects
artists:
Collet, John
buildings:
Osterley Park, London, Great Britain
dates:
1770-1779
museums and institutions:
National Trust
museums and institutions:
Courtauld Institute of Art, London, Great Britain
places:
London
subjects:
British painting / Topographical views / Studies (visual works) / Copies / Watercolours
subjects:
Attributions, tentative
Illustrations
Attributed works:
15. Temple Bar, by John Collett. 1770s (Private collection, on loan to Osterley Park, National Trust)
Attributed works:
16. Sooty Dun the Devil's Mealman, published by Matthew Darly. 1772 (British Museum, London)
Attributed works:
17. The milkmaid's garland, or Humours of May Day, by Francis Hayman. 1741-42 (Victoria and Albert Museum, London)
Attributed works:
18. A view of Somerset House with St Mary's Church in the Strand, London, published by John Bowles. 1753-70 (British Museum, London)
Attributed works:
19. Covent Garden Piazza and Market, by Samuel Scott. c.1756 (Museum of London)
Attributed works:
20. Covent Garden Piazza and Market, by John Collett. c.1771-80 (Museum of London)
Attributed works:
21. Temple Bar in the Strand, London, by John Collett (formerly attributed to Thomas Malton I). Mid-eighteenth century (Courtauld Gallery, London)
Attributed works:
22. View of Temple Bar from the Strand, by Thomas Malton the Younger. Published as an illustration in T. Malton: A Picturesque Tour through the Cities of London and Westminster, London 1792 (British Museum, London)
Western art unattributed:
14. Unused Child & Co. cheque with illustration of Temple Bar. Eighteenth century (British Museum, London)
Western art unattributed:
23. Fleet Street and Temple Bar, by an anonymous artist. c.1770-1810 (British Museum, London)
Article
William Holman Hunt’s first idea for ‘The hireling shepherd’?
07/2014 | 1336 | 156
Pages: 460-463
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Author:
Grieve, Alastair (Grieve, Alastair; Grieve, A. I.; Grieve, Alistair; Grieve, Alastair Ian)
Subjects
artists:
Hunt, William Holman / Millais, John Everett / Collins, Charles Alston, 1828-1873
dates:
1850-1859
museums and institutions:
Manchester Art Gallery, Manchester, Great Britain
subjects:
Visual sources / Pre-Raphaelite / Attributions, tentative / Drawings / Collections, Private / Provenance / Collections, Public / Composition (artistic arrangement)
Illustrations
Attributed works:
48. The hireling shepherd, by William Holman Hunt (City of Manchester Art Galleries)
Attributed works:
49. Young pipe players, here attributed to William Holman Hunt (Dr Dennis T. Lanigan collection; image courtesy of Maas Gallery, London)
Attributed works:
50. Picnic scene, by John Everett Millais (Ashmolean Museum, Oxford)
Attributed works:
51. Drawing related to Convent thoughts, by Charles Allston Collins (British Museum, London)
Attributed works:
52. The Lady of Shalott, by William Holman Hunt (National Gallery of Victoria, Melbourne; Felton Bequest)
Attributed works:
53. The three ages of Man, by Titian (Scottish National Gallery, Edinburgh; Bridgewater Loan)
Book Review
The Badia of Florence: Art and Observance in a Renaissance Monastery, A. Leader
07/2014 | 1336 | 156
Pages: 465
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Reviewer:
Nethersole, Scott (Nethersole, Scott)
Subjects
artists:
Angelico, Fra / Strozzi, Zanobi
buildings:
Badia Fiorentina, Florence, Italy
subjects:
Funerary structures / Cloisters / Frescoes / Attribution / Attributions, tentative
Illustrations
Western art unattributed:
55. The cloister of the Badia, Florence, towards the west, showing fresco scenes 8-10
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