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15 articles
Article
Klimt 2012: the 150th anniversary exhibitions in Vienna
08/2012 | 1313 | 154
Pages: 570-577
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Author:
Clegg, Elizabeth (Clegg, Elizabeth)
Subjects
artists:
Klimt, Gustav
dates:
2010-2019 / 1860-1929
museums and institutions:
Wien Museum, Vienna, Austria / Albertina, Vienna, Austria / J. Paul Getty Museum, Los Angeles, United States / Leopold Museum, Vienna, Austria / Kunsthistorisches Museum, Vienna, Austria / Künstlerhaus Wien, Vienna, Austria / Secession Pavilion, Vienna, Austria / Österreichisches Theater­museum, Vienna, Austria / Österreichische Galerie Belvedere, Vienna, Austria / Museo Correr, Venice, Italy
museums and institutions:
MAK Vienna, Vienna, Austria / Gustav Klimt-Zentrum, Salzkammergut, Austria
places:
Vienna / Austria
places:
Italy / Venice / United States / Los Angeles
places:
Salzkammergut
print:
Klimt, Gustav
subjects:
Austrian painting / Exhibitions / Anniversaries
Reviewed Items
subjects:
Beethoven Frieze | institution: Secession Pavilion
subjects:
Erwartung und Erfüllung: Entwürfe zum Mosaikfries im Palais Stoclet | institution: Österreichisches Museum für angewandte Kunst
subjects:
Gegen Klimt: Die ‘Nuda Veritas’ und ihr Verteidiger Hermann Bahr | institution: Österreichisches Theater­museum
subjects:
Gustav Klimt | institution: Kunsthistorisches Museum
subjects:
Gustav Klimt | institution: Künstlerhaus Wien
subjects:
Gustav Klimt / Josef Hoffmann: Pioniere der Moderne | institution: Museo Correr , institution: Österreichische Galerie Belvedere
subjects:
Gustav Klimt: Die Zeichnungen | institution: Albertina , institution: J. Paul Getty Museum
subjects:
Klimt persönlich: Bilder – Briefe – Einblicke | institution: Leopold Museum
subjects:
Klimt. Die Sammlung des Wien Museums | institution: Wien Museum
Illustrations
Attributed works:
41. The auditorium at the Altes Burgtheater, by Gustav Klimt. 1888/89. Watercolour and gouache with gold highlighting on paper, 91.2 by 103 cm. (Wien Museum, Vienna).
Attributed works:
42. Portrait of a lady in cape and hat, by Gustav Klimt. 1897/98. Black and red chalk on paper, 44.6 by 31.8 cm. (Albertina, Vienna).
Attributed works:
43. Standing dancer in profile with head turned to the left, by Gustav Klimt. 1916/17. Graphite on paper, 49.6 by 32.4 cm. (Albertina, Vienna).
Attributed works:
45. The park at Schönbrunn, by Gustav Klimt. 1916. Canvas, 110 by 110 cm. (Private collection, Graz; exh. Leopold Museum, Vienna).
Attributed works:
46. Hermann Bahr in his study with Klimt’s ‘Nuda Veritas’, by Aura Hert­wig. 1906. Silver gelatin print on cardboard, 16.5 by 10.5 cm. (Öster­reichisches Theatermuseum, Vienna).
Attributed works:
47. Rosebush and butterflies, by Gustav Klimt. One of seven segments of the cartoon for the mosaic frieze for the western wall of the dining room of the Palais Stoclet, Brussels. 1910–11. Black chalk, graphite, red crayon, gouache, platinum, gold, silver and bronze leaf, gold, silver and bronze powder and zinc white on tracing paper, 195 by 120 cm. (MAK – Museum für angewandte Kunst/Gegenwartskunst, Vienna).
Western art unattributed:
44. Postcard showing interior of the basilica of S. Vitale, Ravenna, with message in pencil, sent by Gustav Klimt to Emilie Flöge, 2nd December 1903. 14 by 9 cm. (Private collection; exh. Leopold Museum, Vienna).
Exhibition Review
History in French manuscripts. Los Angeles
03/2011 | 1296 | 153
Pages: 210-211
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Reviewer:
Inglis, Erik (Inglis, Erik)
Subjects
dates:
2010-2019
museums and institutions:
J. Paul Getty Museum, Los Angeles, United States
places:
United States / Los Angeles
print:
Illuminated manuscripts
subjects:
Reviews / Exhibitions / Illuminated manuscripts / Manuscripts / French / History / History paintings
Reviewed Items
subjects:
Imagining the Past in France: History in Manuscript Painting, 1250–1500 | institution: J. Paul Getty Museum
Illustrations
Attributed works:
117. The trial of Jean, duc d’Alençon, by Jean Fouquet. c.1459–60. From G. Boccaccio: Des cas des nobles hommes et femmes, transl. L. de Premierfait. Tempera colours and gold on parchment, 39.8 by 29.5 cm. (Bayerische Staatsbibliothek, Munich, MS Cod. Gall. 6, fol.2v; exh. J. Paul Getty Museum, Los Angeles).
Attributed works:
118. The performance of a crusade play at Charles V’s feast, by the Master of the Coronation of Charles VI Illuminator. c.1375–80. From the Grandes Chroniques de France. Tempera colours and gold on parchment, 35 by 24 cm. (Bibliothèque nationale de France, Paris, MS fr. 2813, fol.473v; exh. J. Paul Getty Museum, Los Angeles).
Western art unattributed:
119. Alexander exploring underwater. Northern France, c.1290–1300. From the Roman d’Alexandre. Tempera colours and gold on parchment, 26 by 18.8 cm. (Staatliche Museen zu Berlin, Kupferstichkabinett, MS 78 C 1, fol.67; exh. J. Paul Getty Museum, Los Angeles).
Article
Drawings by Rembrandt and his pupils
02/2011 | 1295 | 153
Pages: 97-102
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Reviewer:
Royalton-Kisch, Martin (Royalton-Kisch, Martin; Kisch, Martin Royalton-)
Subjects
artists:
Rembrandt van Rijn
artists:
followers of / school of / students of / circle of
dates:
2000-2009 / 2010-2019 / 1620-1629 / 1630-1639 / 1630-1669
museums and institutions:
J. Paul Getty Museum, Los Angeles, United States
places:
Los Angeles
print:
Rembrandt van Rijn
subjects:
Drawings / Dutch / Exhibitions
Reviewed Items
subjects:
Drawings by Rembrandt and His Pupils. Telling the Difference | institution: J. Paul Getty Museum
Illustrations
Attributed works:
24. Lot and his family departing from Sodom. School of Rembrandt van Rijn. c.1638–39. Pen and brown ink, brush and brown wash, 22 by 23.5 cm. (Albertina, Vienna).
Attributed works:
25. Bust of an old man looking left, here attributed to Rembrandt van Rijn. c.1629–30. Red and black chalk on paper, 13.7 by 11.6 cm. (Private collection, The Hague).
Attributed works:
26. Study of a man’s head and shoulders, by Jan Lievens. c.1630. Red and black chalk on paper, 17 by 13.5 cm. (British Museum, London).
Attributed works:
27. Christ as a gardener appearing to Mary Magdalene, by ?Carel Fabritius. c.1640. Pen and brown ink with white gouache, 15.4 by 14.6 cm. (Rijksmuseum, Amsterdam).
Attributed works:
28. Farmhouse and a haystack, by Rembrandt van Rijn. c.1652. Pen and brown ink, brush and grey-brown wash, gouache white heightening, 11.6 by 20.2. (Trustees of the Chatsworth Settlement, Chatsworth).
Attributed works:
29. Farmhouse and a haystack, by Rembrandt van Rijn. c.1652. Pen and brown ink, with brown wash and white heightening on grey-brown paper, 14.3 by 27 cm. (Lugt collection, Institut Néerlandais, Paris).
Attributed works:
30. Seated female nude. School of Rembrandt van Rijn. c.1661. Pen and brown ink, with wash, brown and white hightening on paper, 29.2 by 17.5 cm. (Rijks­museum, Amsterdam).
Attributed works:
31. Seated female nude, by Rembrandt van Rijn. c.1660. Pen and brown ink, brown wash and white gouache on paper, 21.1 by 17.7 cm. (Art Institute of Chicago, Clarence Buckingham collection).
Exhibition Review
Gérôme. Los Angeles, Paris and Madrid
09/2010 | 1290 | 152
Pages: 642-643
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related names
Reviewer:
Plotek, Ariel (Plotek, Ariel)
Subjects
artists:
Gérôme, Jean-Léon
dates:
2010-2019
museums and institutions:
J. Paul Getty Museum, Los Angeles, United States / Musée d'Orsay, Paris, France / Museo Thyssen-Bornemisza, Madrid, Spain
places:
United States / Paris / Spain / Madrid / Los Angeles / France
print:
Gérôme, Jean-Léon
subjects:
Reviews / Exhibitions
Reviewed Items
subjects:
The Spectacular Art of Jean-Léon Gérôme | institution: J. Paul Getty Museum , institution: Musée d'Orsay , institution: Museo Thyssen-Bornemisza
Illustrations
Attributed works:
94. The death of Caesar, by Jean-Léon Gérôme. 1859–67. Canvas, 85.5 by 145.5 cm. (Walters Art Museum, Baltimore; exh. J. Paul Getty Museum, Los Angeles).
Attributed works:
95. The snake charmer, by Jean-Léon Gérôme. c.1870. Canvas, 83.4 by 122.1 cm. (Sterling and Francine Clark Art Institute, Williamstown; exh. J. Paul Getty Museum, Los Angeles).
Exhibition Review
Leonardo and sculpture. Atlanta and Los Angeles
08/2010 | 1289 | 152
Pages: 570-571
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Reviewer:
Butterfield, Andrew (Butterfield, Andrew)
Subjects
artists:
Leonardo da Vinci
dates:
2010-2019
museums and institutions:
J. Paul Getty Museum, Los Angeles, United States
places:
Los Angeles / United States
print:
Leonardo da Vinci
subjects:
Reviews / Exhibitions / Sculpture
Reviewed Items
subjects:
Leonardo da Vinci and the Art of Sculpture | institution: High Museum of Art , institution: J. Paul Getty Museum
Illustrations
Attributed works:
73. Beheading of St John the Baptist, by Andrea del Verrocchio. From the altar in the Florentine Baptistery. 1477–78. Silver, 30.8 by 41.9 cm. (Museo dell’Opera del Duomo, Florence; exh. J. Paul Getty Mus­eum, Los Angeles).
Attributed works:
75. Studies for the Trivulzio monument, by Leonardo da Vinci. c.1508–10. Pen and ink on paper, 29.2 by 30 cm. (Royal Library, Windsor Castle; exh. J. Paul Getty Museum, Los Angeles).
Western art unattributed:
74. Equestrian statue, possibly of early nineteenth-century French manufacture. Bronze, 62.2 by 53.3 by 53.3 cm. (Museum of Fine Arts, Budapest; exh. J. Paul Getty Museum, Los Angeles).
Exhibition Review
Bernini and Baroque portrait sculpture. Los Angeles, Ottawa and Florence
03/2009 | 1272 | 151
Pages: 194-196
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Reviewer:
McPhee, Sarah (McPhee, Sarah)
Subjects
artists:
Bernini, Gian Lorenzo
dates:
2000-2009
museums and institutions:
National Gallery of Canada, Ottawa, Canada / J. Paul Getty Museum, Los Angeles, United States / Museo Nazionale del Bargello, Florence, Italy
places:
United States / Los Angeles / Ottawa / Italy / Florence / Canada
print:
Bernini, Gian Lorenzo
subjects:
Reviews / Exhibitions
Reviewed Items
subjects:
Bernini and the Birth of Baroque Portrait Sculpture | institution: J. Paul Getty Museum , institution: Museo Nazionale del Bargello , institution: National Gallery of Canada
Illustrations
Attributed works:
73. Portrait of Cardinal Alessandro Damasceni Peretti Montalto, by Gian Lorenzo Bernini. 1622–23. Marble, 79 cm. high. (with socle). (Kunsthalle, Hamburg; exh. National Gallery of Canada, Ottawa).
Attributed works:
74. Portrait of the dwarf in the service of the Duke of Créquy, by François du Quesnoy. 1633–34. Marble, 49 cm. high. (with socle). (Galleria Nazionale d’Arte Antica, Palazzo Barberini, Rome; exh. National Gallery of Canada, Ottawa).
Attributed works:
75. Portrait of Costanza Bonarelli, by Gian Lorenzo Bernini. 1636–38. Marble, 72 cm. high. (Museo Nazionale del Bargello, Florence; exh. National Gallery of Canada, Ottawa).
Attributed works:
76. Portrait of Maria Cerri Capranica, here attributed to the circle of Algardi. c.1640. Marble, 90 cm. high. (J. Paul Getty Museum, Los Angeles; exh. National Gallery of Canada, Ottawa).
Exhibition Review
French bronzes, Renaissance to Revolution. Paris, New York and Los Angeles
02/2009 | 1271 | 151
Pages: 120-121
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Reviewer:
Wengraf, Patricia (Wengraf, Patricia)
Subjects
dates:
2000-2009 / 1500-1799
museums and institutions:
Metropolitan Museum of Art, New York, United States
places:
United States / New York
print:
Bronzes
subjects:
Exhibitions / Reviews / French sculpture / Bronzes
Reviewed Items
subjects:
Bronzes français de la Renaissance au Siècle des lumières | institution: J. Paul Getty Museum , institution: Metropolitan Museum of Art , institution: Musée du Louvre
Illustrations
Attributed works:
48. Head of Henry IV, attributed to Matthieu Jacquet, called Grenoble. c.1605. Bronze, 31.8 cm. high. (Musée du Louvre, Paris; exh. Metropolitan Museum of Art, New York)
Attributed works:
49. Venus and Adonis, by Robert Le Lorrain. C.1704. Bronze, 48 cm. high. (Mobilier national, Paris; exh. Metropolitan Museum of Art, New York)
Exhibition Review
Taking Shape
01/2009 | 1270 | 151
Pages: 52-53
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Reviewer:
Robinson, Alicia (Robinson, Alicia)
Subjects
dates:
2000-2009
museums and institutions:
Temple Newsam House, Leeds, Great Britain / J. Paul Getty Museum, Los Angeles, United States
places:
United States / Los Angeles / Leeds / England
print:
Decorative arts
print:
Sculpture
subjects:
Reviews / Exhibitions / Sculpture / Decorative arts / Collections, Public
Reviewed Items
subjects:
Taking Shape: Finding Sculpture in the Decorative Arts | institution: Henry Moore Institute , institution: J. Paul Getty Museum
Illustrations
Attributed works:
61. Side table, design attributed to Johann Paul Schor. Rome, c.1670. Gessoed and gilt poplar, 170 by 225 by 85 cm. (J. Paul Getty Museum, Los Angeles; exh. Henry Moore Institute, Leeds).
Attributed works:
62. Girandole (one of a pair), possibly designed by Matthias Lock; made by James Pascall. c.1774. Gilt pine and iron, 211 by 152 by 53.5 cm. (Temple Newsam, Leeds Museums and Galleries; exh. Henry Moore Institute, Leeds).
Western art unattributed:
60. Pair of decorative figures. Paris, 1738–49. Silver (1738–50) and bronze (1745–49), the lacquered painting attributed to Guillaume Martin and Etienne-Simon Martin. Each 22.8 by 11.4 by 15.2 cm. (J. Paul Getty Museum, Los Angeles; exh. Henry Moore Institute, Leeds).
Exhibition Review
Merian. Los Angeles
08/2008 | 1265 | 150
Pages: 573-574
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Reviewer:
Honig, Elizabeth Alice (Honig, Elizabeth Alice)
Subjects
artists:
Merian, Maria Sibylla
dates:
2000-2009
museums and institutions:
J. Paul Getty Museum, Los Angeles, United States / Rembrandthuis, Amsterdam, Netherlands
places:
United States / Netherlands / Los Angeles / Amsterdam
print:
Merian, Maria Sibylla
subjects:
Reviews / Exhibitions
Reviewed Items
subjects:
Maria Sibylla Merian and Daughters: Women of Art and Science | institution: J. Paul Getty Museum , institution: J. Paul Getty Museum , institution: Rembrandthuis
Illustrations
Attributed works:
64. Pomegranate tree, split fruit and painted lady, by Maria Sibylla Merian. c.1665. Watercolour on vellum, 46 by 30.8 cm. (Bibliothèque nationale de France, Paris; exh. J. Paul Getty Museum, Los Angeles).
Attributed works:
65. Gumbo-limbo tree with white witch moth and cocoon and caterpillar of hawkmoth, by Maria Sibylla Merian, from the Suriname Insect Book, 1730. Hand-coloured transfer print, 52 by 36 cm. (Huntington Library, San Marino; exh. J. Paul Getty Museum, Los Angeles).
Exhibition Review
California Video. Los Angeles
06/2008 | 1263 | 150
Pages: 433-434
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related names
Reviewer:
Bedford, Christopher (Bedford, Christopher)
Subjects
dates:
2000-2009
museums and institutions:
J. Paul Getty Museum, Los Angeles, United States
places:
United States / Los Angeles
print:
Video art
subjects:
Reviews / Exhibitions / Video / Videos / American (United States of America) / California
Reviewed Items
subjects:
California Video: Artists and Histories | institution: J. Paul Getty Museum
Illustrations
Attributed works:
85. Continuous only, by Diana Thater. 2006. Nine-monitor video wall, video-wall processor, DVD player, DVD and existing architecture, dimensions variable. (J. Paul Getty Museum, Los Angeles).
Attributed works:
86. I Will Not Make Any More Boring Art, by John Baldessari. 1971. Single-channel video, black and white, sound, 32 min., 21 sec. (J. Paul Getty Museum, Los Angeles).
Attributed works:
87. Marks, by Skip Arnold. 1984. Live video performance at MP/TV, Los Angeles, 23rd January 1984. Colour, sound, 13 min. (J. Paul Getty Museum, Los Angeles).
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