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237 articles
Book Review
Le Décor Impressionniste: Aux sources des Nymphéas La Peinture Impressionniste et la décoration
12/2024 | 1461 | 166
Pages: 1272–5
related names
Reviewer:
Orton-Hatzis, Anna (Orton-Hatzis, Anna)
Reviewer:
Pissarro, Joachim (Pissarro, Joachim)
Subjects
art literature:
dates:
museums and institutions:
Reviewed Items
subjects:
10. Installation view of ‘Le Décor Impressionniste: Aux sources des Nymphéas’, at the Musée de l’Orangerie, Paris, 2022, showing a reconstruction of the original arrangement of paintings by Paul Cezanne in the ‘grand salon’, the Jas de Bouffan, Aix-en-Provence. (Photograph © OPM). | :
subjects:
La Peinture Impressionniste et la décoration By Marine Kisiel. 380 pp. incl. numerous col. ills. (Les éditions Le Passage, Paris, 2021), €35. ISBN 978–2–8474–2439–3. | :
Illustrations
Attributed works:
10. Installation view of ‘Le Décor Impressionniste: Aux sources des Nymphéas’, at the Musée de l’Orangerie, Paris, 2022, showing a reconstruction of the original arrangement of paintings by Paul Cezanne in the ‘grand salon’, the Jas de Bouffan, Aix-en-Provence. (Photograph © OPM).
Attributed works:
11. Le Déjeuner: panneau décoratif, by Claude Monet. 1873. Oil on canvas, 160 by 201 cm. (Musée d’Orsay, Paris; Bridgeman Images).
Attributed works:
12. Parterre de marguerites, by Gustave Caillebotte. 1892–93. Oil on canvas, 205 by 115 cm. (Musée des impressionnismes, Giverny).
Exhibition Review
Impressionism: Franco-German Encounters
04/2023 | 1441 | 165
Pages: 445-447
related names
Reviewer:
zelger, franz (zelger, franz; Zelger, Franz)
Subjects
dates:
museums and institutions:
Reviewed Items
subjects:
Impressionism: Franco-German Encounters Hamburger Kunsthalle 29th October 2021– 31st December 2023 | :
Illustrations
Attributed works:
11. View of the Köhlbrand, by Lovis Corinth. 1911. Oil on canvas, 114.5 by 135 cm. (Hamburger Kunsthalle).
Attributed works:
12. Terrace of the Restaurant Jacob in Nienstedten on the river Elbe, by Max Liebermann. 1902. Oil on canvas, 70 by 100 cm. (Hamburger Kunsthalle).
Attributed works:
13. Morning ride in the Bois de Boulogne, by Pierre-Auguste Renoir. 1873. Oil on canvas, 261.5 by 226 cm. (Hamburger Kunsthalle).
Article
Cut from the same cloth: a composite canvas by Paul Cezanne
12/2022 | 1437 | 164
Pages: 1224-1233
related names
Author:
Aebi, Kiko (Aebi, Kiko)
Author:
Haddad, Abed (Haddad, Abed)
Subjects
collectors and dealers:
dates:
Illustrations
Attributed works:
1. Still life with apples, by Paul Cezanne. c.1878. Oil on canvas, 19 by 27 cm. (Fitzwilliam Museum, Cambridge, lent by the Provost and Fellows of King’s College, Cambridge, Keynes Collection).
Attributed works:
10. Study of heads, by Pierre-August Renoir. 1890s. Oil on canvas, 46 by 38 cm. (Barnes Foundation, Philadelphia).
Attributed works:
2. Glass and apples, by Paul Cezanne. 1879–80. Oil on canvas. 31.5 by 40 cm. (Rudolf Staechelin, Basel).
Attributed works:
3. Female nude (Leda), by Paul Cezanne. c.1887. Oil on canvas stretched on pasteboard, 44 by 62 cm. (Von der Heydt- Museum, Wuppertal).
Attributed works:
4. Reconstituted study sheet of drawings by Paul Cezanne, subsequently divided into three separate compositions: Sheet of studies, including a Skull (left), A historical or Biblical scene (The rape of Lucretia) (top right), and A historical or Biblical scene (bottom right). (From W. Feilchenfeldt, J. Warman and D. Nash: The Paintings, Watercolors and Drawings of Paul Cezanne, www.cezannecatalogue.com).
Attributed works:
5. Image of Glass with apples (right) and Still life with apples (left) unframed and in their original configuration, revealing contiguous brush strokes across both pictures. (© Museum of Modern Art, New York, 2022; photograph the authors).
Attributed works:
6. X-ray radiograph of Glass with apples (right) and Still life with apples (left). (Fondation Beyeler, Riehen, and Fitzwilliam Museum, Cambridge).
Attributed works:
7. MA-XRF maps of Glass with apples (right) and Still life with apples (left), showing the distribution of iron (Fe), calcium (Ca), zinc (Zn), copper (Cu), cobalt (Co), chromium (Cr) and mercury (Hg). (© Museum of Modern Art, New York, 2022; photograph the authors).
Attributed works:
8. Lead L-series (Pb-L) MA-XRF map of Glass with apples (right) and Still life with apples (left), with inset details magnifying holes along the edge of the original canvas. (© Museum of Modern Art, New York, 2022; photograph the authors).
Attributed works:
9. Five apples, by Paul Cezanne. 1877–78. Oil on canvas, 12.7 by 25.5 cm. (Private collection).
Exhibition Review
Renoir: Rococo Revival
11/2022 | 1436 | 164
Pages: 1150-1153
related names
Reviewer:
Bailey, Colin B. (Bailey, Colin B.; Bailey, Colin)
Subjects
art literature:
museums and institutions:
Reviewed Items
subjects:
Renoir: Rococo Revival Edited by Alexander Eiling, Juliane Betz and Fabienne Ruppen. 328 pp. incl. 350 col. + b. & w. ills. (Hatje Cantz, Berlin, 2022), £50. ISBN 978–3–7757–5134–6. | :
Illustrations
Attributed works:
12. Installation view of Renoir: Rococo Revival at the Städel Museum, Frankfurt, 2022, showing The promenade, by Auguste Renoir. 1870. Oil on canvas, 81.3 by 64.8 cm. (J. Paul Getty Museum, Los Angeles).
Attributed works:
13. After the luncheon, by Auguste Renoir. 1879. Oil on canvas, 100.5 by 81.3 cm. (Städel Museum, Frankfurt).
Attributed works:
14. The swing, by Auguste Renoir. 1876. Oil on canvas, 92 by 73 cm. (Musée d’Orsay, Paris).
Exhibition Review
Julie Manet: An Impressionist Heritage
03/2022 | 1428 | 164
Pages: 305-307
related names
Reviewer:
Thomson, Belinda (Thomson, Belinda)
Subjects
artists:
museums and institutions:
Reviewed Items
subjects:
Julie Manet: An Impressionist Heritage Musée Marmottan Monet, Paris 19th October 2021–20th March 2022 | :
Illustrations
Attributed works:
27. Julie Manet or Child with cat, by Pierre- Auguste Renoir. 1887. Oil on canvas, 65.5 by 53.5 cm. (Musée d’Orsay, Paris; exh. Musée Marmottan Monet, Paris).
Attributed works:
28. Julie Manet writing, by Ernest Rouart. Undated. Oil on canvas, 116.7 by 89.2 cm. (Private collection; exh. Musée Marmottan Monet, Paris).
Attributed works:
29. Portraits of Jeannie at the piano and Paule listening to her, by Julie Manet. 1899. Oil on canvas, 90 by 90 cm. (Private collection; exh. Musée Marmottan Monet, Paris).
Exhibition Review
The Morozov Collection: Icons of Modern Art
02/2022 | 1427 | 164
Pages: 204-206
related names
Reviewer:
Blakesley, Rosalind P. (Blakesley, Rosalind P.)
Subjects
dates:
patrons:
Reviewed Items
subjects:
The Morozov Collection: Icons of Modern Art Fondation Louis Vuitton, Paris 22nd September 2021– 22nd February 2022 | :
Illustrations
Attributed works:
23. Ivan Abramovitch Morozov, Moscow, 1910, by Valentin Serov. 1910. Tempera on cardboard, 63.5 by 77 cm. (State Tretyakov Gallery, Moscow; exh. Fondation Louis Vuitton, Paris).
Attributed works:
24. The cork or Country inn (La Guinguette), by Édouard Manet. c.1878. Oil in canvas, 72.4 by 92 cm. (Pushkin State Museum of Fine Arts, Moscow; exh. Fondation Louis Vuitton, Paris).
Attributed works:
25. Bathers, by Paul Cézanne. 1892–94. Oil on canvas, 26 by 40 cm. (Pushkin State Museum of Fine Arts, Moscow; exh. Fondation Louis Vuitton, Paris).
Book Review
Orientalist Lives: Western Artists in the Middle East, 1830–1920 Journey to the Maghreb and Andalusia, 1832
08/2020 | 1409 | 162
Pages: 720-721
related names
Reviewer:
Humphreys, Andrew (Humphreys, Andrew)
Subjects
collectors and dealers:
subjects:
Reviewed Items
subjects:
Journey to the Maghreb and Andalusia, 1832 By Eugène Delacroix, translated by Michèle Hannoosh. 216 pp. incl. 8 b. & w. ills. (Penn State University Press, Pennsylvania, 2019), £27.95. ISBN 978–0–271–08334–6. | :
subjects:
Orientalist Lives: Western Artists in the Middle East, 1830–1920 By James Parry. 304 pp. incl. 105 col. ills. (The American University in Cairo Press, Cairo, 2018), £45. ISBN 978–977–416–835–2. | :
Illustrations
Attributed works:
6. The offering, by Ludwig Deutsch. 1897. Oil on panel, 61.5 by 80 cm. (Private collection).
Article
Fruit of love: Van Dyck’s ‘James Stuart, Duke of Richmond’ in the Louvre and its afterlife
06/2020 | 1407 | 162
Pages: 492-501
related names
Author:
Sanzsalazar, Jahel (Sanzsalazar, Jahel)
Subjects
art literature:
dates:
museums and institutions:
Illustrations
Attributed works:
1. James Stuart, 4th Duke of Lennox and future 1st Duke of Richmond, by Anthony van Dyck. Here dated to 1637. Oil on canvas, 107 by 84 cm. (Musée du Louvre, Paris; RMN Grand-Palais, Paris).
Attributed works:
10. The quince, by Pierre Eskrich, from Emblemes d’Alciat, Lyon 1549. Engraving, 19 by 13 cm. (Biblioth que national de France, Paris).
Attributed works:
11. Mary Villiers, Lady Herbert of Shurland, by Anthony van Dyck. c.1636– 37. Oil on canvas, 101 by 83.8 cm. (Timken Museum of Art, San Diego).
Attributed works:
12. James Stuart, 4th Duke of Lennox and future 1st Duke of Richmond, attributed to Auguste Renoir after Anthony van Dyck. Oil on canvas, 116 by 89 cm. (Private collection).
Attributed works:
13. James Stuart, 4th Duke of Lennox and future 1st Duke of Richmond, by Thomas Couture after Anthony van Dyck. Pencil on paper, 9.1 by 12.2 cm. (Musée du Louvre, Paris, album RF 9106, fol.33; RMN Grand-Palais, Paris).
Attributed works:
14. Self-portrait in a white shirt, by Henri Fantin-Latour. 1859. Oil on canvas, 101 by 83.5 cm. (Musée de Grenoble).
Attributed works:
2. James Stuart, 4th Duke of Lennox and future 1st Duke of Richmond, by Anthony van Dyck. Here dated before 1637. Oil on canvas, 99.7 by 160 cm. (Kenwood House, London; Bridgeman Images).
Attributed works:
3. James Stuart, 4th Duke of Lennox and future 1st Duke of Richmond, by Anthony van Dyck. Here dated after 1637. Oil on canvas, 215.9 by 127.6 cm. (The Metropolitan Museum of Art, New York).
Attributed works:
4–6, left to right, details of Figs 1, 2 and 3, showing the face of James Stuart.
Attributed works:
7. James Stuart, 4th Duke of Lennox and future 1st Duke of Richmond, after Anthony van Dyck. After 1637. Oil on canvas, diameter 59.8 cm. (Location unknown).
Attributed works:
8. James Stuart, 4th Duke of Lennox and future 1st Duke of Richmond, by the studio of Anthony van Dyck. After 1637. Oil on canvas, 101.5 by 75 cm. (Private collection, formerly at Ickworth House, Suffolk;   RKD; Courtesy Sotheby's, New York).
Attributed works:
9. James Stuart, 4th Duke of Lennox and future 1st Duke of Richmond, after Anthony van Dyck. After 1637. Oil on canvas, 101.5 by 81 cm. (Antony House, Cornwall;   National Trust Images).
Book Review
Enchanted Ground: André Breton, Modernism and the Surrealist Appraisal of Fin-de-Siècle Painting. By Gavin Parkinson
01/2020 | 1402 | 162
Pages: 81-83
related names
Reviewer:
Richardson, Michael (Richardson, Michael)
Subjects
art literature:
Reviewed Items
styles:
Enchanted Ground: André Breton, Modernism and the Surrealist Appraisal of Fin-de-Siècle Painting By Gavin Parkinson. 352 pp incl. 15 col. + 113 b. & w. ills. (Bloomsbury, London and Oxford, 2018), £102. ISBN 978–1–5013–3725–3. | :
Illustrations
Attributed works:
7. Be in love and you will be happy, by Paul Gauguin. 1889. Wood relief, 95 by 72 by 6.4 cm. (Museum of Fine Arts, Boston).
Article
Paul Durand-Ruel and James Duncan of Benmore
07/2018 | 1384 | 160
Pages: 558-571
related names
Author:
WATSON, Andrew M. (WATSON, Andrew M.)
Subjects
art literature:
media:
Illustrations
Attributed works:
1. Landscape with figures (‘La toilette’), by Camille Corot. 1859. Canvas, 150 by 89.5 cm. (Private collection, Paris).
Attributed works:
10. A eunuch’s dream, by Jean Lecomte du Nouÿ. 1874. Panel, 39.3 by 65.4 cm. (Cleveland Museum of Art).
Attributed works:
11. The Death of Sardanapalus, by Eugène Delacroix. 1827. Canvas, 392 by 496 cm. (Musée du Louvre).
Attributed works:
12. The triumph of Ariadne, by Hans Makart. 1874. Canvas, 784 by 476 cm. (Upper Belvedere, Vienna).
Attributed works:
13. The Bay of Naples (morning), by Auguste Renoir. 1881. Canvas, 59.7 by 81.3 cm. (The Metropolitan Museum of Art, New York).
Attributed works:
15. Diana surprised, by Jules Joseph Lefèbvre. 1879. Canvas, 279 by 371.5 cm. (Museo Nacional de Bellas Artes, Argentina).
Attributed works:
4. Morning, by Théodore Rousseau. 1865. 200 by 136 cm. Whereabouts unknown. (From Catalogue de tableaux modernes composant la collection de M. Duncan de Londres, Hôtel Drouot, Paris 15th April 1889, no.29).
Attributed works:
5. Evening, by Théodore Rousseau. 1865. 200 by 136 cm. Whereabouts unknown. (From Catalogue de tableaux modernes composant la collection de M. Duncan de Londres, Hôtel Drouot, Paris 15th April 1889, no.30).
Attributed works:
6. Interior of a Dominican convent in Madrid, by Eugène Delacroix. 1831. Canvas, 130.2 by 161.9 cm. (Philadelphia Museum of Art).
Attributed works:
7. The sheepshearers, by Jean François Millet. c.1857–61. Canvas, 41.2 by 28.5 cm. (The Art Institute of Chicago).
Attributed works:
8. Crossing the ford, evening by Camille Corot. c. 1868.Canvas. 99 by 135 cm. (Musée des Beaux-Arts de Rennes).
Attributed works:
9. The wood-gatherers, by Pierre Billet. 1874. Canvas, 113 x 148 cm. (Private collection).
Attributed works:
Fig.14. Night, by William-Adolphe Bouguereau. 1883. Canvas, 208.3 by 107.3 cm. (Hillwood Estate, Museum & Gardens, Washington).
Western art unattributed:
2. The Duncan family, showing James Duncan far right. c.1870–75. Photograph, 14.5 by 17.2 cm. (Private collection).
Western art unattributed:
3. Benmore House. Argyllshire. Duncan’s picture gallery is on the right. c.1889–90. Photograph, 13.3 by 20.6 cm (Private collection).
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