71. The Romans building a fort at Mancenion, A.D. 80, by Ford Madox Brown. 1880. Gambier Parry process of spirit fresco, 146 by 318 cm. (Mural painting in Manchester Town Hall).
Attributed works:
72. Lucy Madox Brown, by Ford Madox Brown. 1849. Oil on board, 15.8 cm. diameter. (Private collection; exh. Manchester City Art Gallery).
Attributed works:
73. An English autumn afternoon, Hampstead – Scenery in 1853, by Ford Madox Brown. 1852–55. Canvas, 72.4 by 134.6 cm. (Birmingham Museums and Art Gallery; exh. Manchester City Art Gallery).
42. Diego and Frida (I), by Frida Kahlo. 1929–44. Oil on wood with painted shell frame, 26 by 18.5 cm. (Private collection; exh. Manchester City Art Gallery).
Attributed works:
43. Portrait of space, by Lee Miller. 1937. Photograph, 30 by 27.8 cm. (Lee Miller Archives, Chiddingly, East Sussex; exh. Manchester City Art Gallery).
57. The light of the world, by William Holman Hunt. 1851–52. Oil and gold leaf on canvas, framed with arched top, 122 by 60.5 cm. (Keble College, Oxford; exh. Manchester City Art Gallery).
Attributed works:
58. The Lady of Shalott, by William Holman Hunt. 1886–1905. Oil over tempera on mahogany panel, 44.5 by 34.1 cm. (Manchester City Art Gallery).
Attributed works:
59. The shadow of death, by William Holman Hunt. 1870–73. Oil over tempera on canvas, 214.2 by 168.2 cm. (Manchester City Art Gallery).
51. The dead Christ mourned, by Annibale Carracci. c.1604. Canvas, 92.8 by 103.2 cm. (National Gallery, London; exh. Manchester Art Gallery)
Attributed works:
52. John, 1st Lord Byron, by William Dobson. c.1645. Canvas, 142 by 120 cm. (Tabley House Collection Trust, Knutsford; exh. Manchester Art Gallery)
Attributed works:
53. Parade shield (‘The Cellini shield’), attributed to Eliseus Libaerts. c.1562–63. Blued iron overlaid with silver and gold, diameter 58.5 cm. (The Royal Collection; exh. Manchester Art Gallery)
70. A meeting of connoisseurs, by John Bourne. 1807. Watercolour on paper, 41.3 by 55.5 cm. (Victoria and Albert Museum, London; exh. Manchester Art Gallery).
Attributed works:
71. Thomas Williams, a sailor, by John Downman. 1815. Black chalk and stump on paper, 31.5 by 28.5 cm. (Tate, London; exh. Manchester Art Gallery).
Attributed works:
72. Slaves waiting for sale, Richmond, Virginia, by Eyre Crowe. 1861. 73.6 by 99 cm. (Collection of Teresa Heinz; exh. Manchester Art Gallery).
Attributed works:
73. The secret of England's greatness, by Thomas Jones Barker. 1863. 167.6 by 213.8 cm. (National Portrait Gallery, London; exh. Manchester Art Gallery).