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84 articles
Letter
Sebastiano Casser
03/2022 | 1428 | 164
Pages: 228
related names
Author:
Cannon-Brookes, Peter (Cannon-Brookes, Peter; Brookes, Peter Cannon; Cannon-Boookes, Peter)
Subjects
Illustrations
Attributed works:
1. Self portrait, attributed to Sebastiano Casser. c.1635. Oil on canvas, 111.8 by 103 cm. (Birmingham Museum and Art Gallery; © Birmingham Museums Trust).
Article
‘Opaque with a vengeance’: Burne-Jones’s later watercolours, 1880–98
02/2019 | 1391 | 161
Pages: 128-139
related names
Author:
Mann, Fiona (Mann, Fiona)
Subjects
places:
Illustrations
Attributed works:
1. Detail of Fig.7.
Attributed works:
10. Star of Bethlehem, by Edward Burne-Jones. 1887–91. Watercolour and bodycolour with scraping on ten sheets of J. Whatman Turkey Mill Kent paper dated 1882 or 1883 on stretcher, 256 by 386.8 cm. (Birmingham Museums and Art Gallery; photograph © Birmingham Museums Trust; Bridgeman Images)
Attributed works:
11. Detail of Sir Edward Burne-Jones, by Barbara Sotheby, printed by Frederick Hollyer. 27th July 1890. Platinum print, 33.3 by 25.7 cm. (National Portrait Gallery, London; Bridgeman Images).
Attributed works:
12. Fall of Lucifer, by Edward Burne-Jones. 1894. Gouache and gold paint and gold leaf on joined sheets of wove paper, laid down on canvas and stretched over wooden panel, 245 by 118 cm. (Private collection).
Attributed works:
2. Preliminary design for the Graham Piano, by Edward Burne-Jones. 1878–79. Metalpoint (probably silverpoint), 10.2 by 17.8 cm. (Victoria and Albert Museum, London).
Attributed works:
3. Study for King Cophetua and the beggar maid, by Edward Burne-Jones. 1883. Black, red and white chalk on pink wove paper, 45.9 by 30.3 cm. (Harvard Art Museums/Fogg Museum; © President and Fellows of Harvard College, Cambridge MA).
Attributed works:
6. Record of Burne-Jones’s order for long Japanese brushes, 30th November 1889, ledger of Charles Roberson. (Roberson Archive, Order Book, Long Acre Branch, Hamilton Kerr Institute, MS 422-1993, p.343, by permission of the Syndics of the Fitzwilliam Museum, University of Cambridge; © Hamilton Kerr Institute; photograph Chris Titmus).
Attributed works:
7. Full-scale cartoon of King Cophetua and the beggar maid, by Edward Burne-Jones. c.1883. Bodycolour, watercolour, coloured chalks and pastel with gold medium on paper, 290 by 132 cm. (Birmingham Museum and Art Gallery; photograph © Birmingham Museums Trust; Bridgeman Images).
Attributed works:
8. Cupid’s hunting fields, by Edward Burne-Jones. 1885. Gouache with watercolour and gold and silver paints on ivory wove paper, laid down on linen canvas, 99.5 by 76.9 cm. (Art Institute of Chicago).
Attributed works:
9. The baleful head, by Edward Burne-Jones. 1885. Watercolour and bodycolour on paper laid on linen canvas, 153.7 by 129 cm. (Southampton City Art Gallery; Bridgeman Images).
Western art unattributed:
4. Pencil leads, from A.W. Faber Price-List, London 1897. (William Jenkins Architecture and Art Library, University of Houston).
Western art unattributed:
5. Wax crayons or Faber’s Creta Laevis coloured pencil collection in box, from A.W. Faber Price-List, London 1897. (William Jenkins Architecture and Art Library, University of Houston).
Exhibition Review
Andy Warhol
04/2015 | 1345 | 157
Pages: 283-284
related names
Reviewer:
Bracewell, Michael (Bracewell, Michael)
Subjects
artists:
dates:
subjects:
Illustrations
Attributed works:
56. Installation image from Transmitting Andy Warhol, Tate Liverpool, showing Exploding plastic inevitable, by Andy Warhol (Tate Liverpool)
Attributed works:
57. Debbie Harry: Rockbird. Album sleeve by Andy Warhol (The Andy Warhol Foundation for the Visual Arts, New York; exh. Tate Liverpool)
Attributed works:
58. Time magazine cover of Michael Jackson, by Andy Warhol. 19th March 1984
Attributed works:
59. Installation image of the upper gallery of Love is Enough at Modern Art Oxford, showing (left) Shirley Temple (unknown photographer); and (right) Marilyn Tapestry (Andy Warhol) hung on William Morris wallpaper
Exhibition Review
Photorealism
03/2014 | 1332 | 156
Pages: 183-185
related names
Reviewer:
Anfam, David (Anfam, David)
Subjects
dates:
subjects:
Illustrations
Attributed works:
32. Schaefer beer, by Robert Cunningham (Louis K. Meisel Gallery, New York; exh. Birmingham Museums and Art Gallery)
Attributed works:
33. Queen, by Audrey Flack (Collection of Susan P. and Louis K. Meisel, New York; exh. Birmingham Museums and Art Gallery)
Attributed works:
34. Plum delicious, by Peter Maier (Private collection; exh. Birmingham Museums and Art Gallery)
Exhibition Review
Catlin’s American Indian portrait. London and Birmingham
08/2013 | 1325 | 155
Pages: 572-573
related names
Reviewer:
Vaizey, Marina (Vaizey, Marina)
Subjects
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
47. Shón-ka, The Dog, Chief of the Bad Arrow Points Band, by George Catlin (Smithsonian American Art Museum, Washington; exh. Birmingham Museum and Art Gallery)
Attributed works:
48. Medicine man, performing his mysteries over a dying man, by George Catlin (Smithsonian American Art Museum, Washington; exh. Birmingham Museum and Art Gallery)
Exhibition Review
Pre-Raphaelite drawings. Birmingham and Sydney
06/2011 | 1299 | 153
Pages: 423-424
related names
Reviewer:
Harrison, Colin (Harrison, Colin)
Subjects
dates:
print:
subjects:
subjects:
Reviewed Items
subjects:
The Poetry of Drawing: Pre-Raphaelite Designs, Studies and Watercolours | institution: Art Gallery of New South Wales , institution: Birmingham Museum and Art Gallery
Illustrations
Attributed works:
62. Dante Gabriel Rossetti, by William Holman Hunt. 1853. Coloured chalks on cream paper, 28.6 by 25.9 cm. (Manchester City Galleries; exh. Birmingham Museum and Art Gallery).
Attributed works:
63. Cascade de la folie, Chamonix, by John Ruskin. 1849. Pen, ink, watercolour and bodycolour on paper, 46.1 by 37.3 cm. (Birmingham Museum and Art Gallery).
Attributed works:
64. ‘Oh, wha’s that in the hollow, so pale, I quake to follow?’, by Edward Robert Hughes. 1893. Watercolour with gum and scratching out on paper, 63.2 by 93.3 cm. (Royal Watercolour Society, London; exh. Birmingham Museum and Art Gallery).
Exhibition Review
David Cox. New Haven and Birmingham
05/2009 | 1274 | 151
Pages: 333-334
related names
Reviewer:
Green, Richard (Green, Richard)
Subjects
dates:
subjects:
Reviewed Items
subjects:
Sun, Wind, and Rain: The Art of David Cox | institution: Birmingham Museum and Art Gallery , institution: Yale Center for British Art
Illustrations
Attributed works:
59. Sun, wind and rain, by David Cox. 1845. Watercolour over traces of graphite and black chalk with scratching-out on wove paper, 46.4 by 60.5 cm. (Birmingham Museum and Art Gallery).
Attributed works:
60. Porte St-Denis, Paris, by David Cox. c.1829. Watercolour over graphite on wove paper, 36.5 by 25.8 cm. (Private collection, courtesy of Andrew Wyld; exh. Birmingham Museum and Art Gallery).
Exhibition Review
Ford Madox Brown drawings
11/2008 | 1268 | 150
Pages: 781-782
related names
Reviewer:
Treuherz, Julian (Treuherz, Julian)
Subjects
dates:
places:
subjects:
Reviewed Items
subjects:
Ford Madox Brown: The Unofficial Pre-Raphaelite | institution: Birmingham Museum and Art Gallery
Illustrations
Attributed works:
73. The prisoner of Chillon: study of a corpse, by Ford Madox Brown. 1856. Pencil on paper, 16.5 by 28 cm. (Birmingham Museums and Art Gallery).
Attributed works:
74. Chaucer at the court of Edward III: study of a man in medieval hood, by Ford Madox Brown. 1847. Black chalk on paper, 20.9 by 17 cm. (Birmingham Museums and Art Gallery).
Exhibition Review
Arts Council collection. London and Birmingham
12/2006 | 1245 | 148
Pages: 864-865
related names
Reviewer:
Moorhouse, Paul (Moorhouse, Paul)
Subjects
dates:
places:
print:
Reviewed Items
subjects:
How to Improve the World, 60 Years of British Art | institution: Birmingham Museum and Art Gallery , institution: Hayward Gallery
Illustrations
Attributed works:
65. Wild talents, by Susan Hiller. 1997. Video and laser disk installation, dimensions variable. (Arts Council Collection; exh. Hayward Gallery, London).
Attributed works:
66. Movement in squares, by Bridget Riley. 1961. Tempera on board, 123.2 by 121.3 cm. (Arts Council Collection; exh. Hayward Gallery, London).
Attributed works:
67. Untitled 1995, by Anish Kapoor. Polished stainless steel mirror, 140 by 93 by 85 cm. (Arts Council Collection; exh. Hayward Gallery, London).
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