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31 articles
Exhibition Review
Van Eyck and the Pre-Raphaelites. London
03/2018 | 1380 | 160
Pages: 244-246
related names
Reviewer:
Duffy, Stephen (Duffy, Stephen)
Subjects
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Illustrations
Attributed works:
17. Mariana, by John Everett Millais. 1851. Panel, 59.7 by 49.5 cm. (Tate, London).
Attributed works:
18. Portrait of Giovanni (?) Arnolfini and his wife (‘The Arnolfini portrait’), by Jan van Eyck. 1434. Panel, 82.2 by 60 cm. (National Gallery, London).
Attributed works:
19. ‘Take your son, Sir!’, by Ford Madox Brown. 1851–52, enlarged and reworked 1856–57. Canvas, 70.5 by 38.1 cm. (Tate, London).
Exhibition Review
Ford Madox Brown. Manchester and Ghent
01/2012 | 1306 | 154
Pages: 56-57
related names
Reviewer:
Barringer, Tim (Barringer, Tim)
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dates:
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Reviewed Items
subjects:
Ford Madox Brown: Pre-Raphaelite Pioneer | institution: Manchester Art Gallery , institution: Museum voor Schone Kunsten
Illustrations
Attributed works:
71. The Romans building a fort at Mancenion, A.D. 80, by Ford Madox Brown. 1880. Gambier Parry process of spirit fresco, 146 by 318 cm. (Mural painting in Manchester Town Hall).
Attributed works:
72. Lucy Madox Brown, by Ford Madox Brown. 1849. Oil on board, 15.8 cm. diameter. (Private collection; exh. Manchester City Art Gallery).
Attributed works:
73. An English autumn afternoon, Hampstead – Scenery in 1853, by Ford Madox Brown. 1852–55. Canvas, 72.4 by 134.6 cm. (Birmingham Museums and Art Gallery; exh. Manchester City Art Gallery).
Book Review
Ford Madox Brown: A catalogue raisonné
08/2011 | 1301 | 153
Pages: 545-546
related names
Reviewer:
MacCulloch, Laura (MacCulloch, Laura)
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dates:
Reviewed Items
subjects:
Ford Madox Brown: A catalogue raisonné | author: Bennett, Mary
Publication Received
Work. Ford Madox Brown’s Painting and Victorian Life
04/2009 | 1273 | 151
Pages: 251
related names
Reviewer:
Treuherz, Julian (Treuherz, Julian)
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Reviewed Items
subjects:
Work. Ford Madox Brown’s Painting and Victorian Life | author: Walker, John A.
Exhibition Review
Ford Madox Brown drawings
11/2008 | 1268 | 150
Pages: 781-782
related names
Reviewer:
Treuherz, Julian (Treuherz, Julian)
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Reviewed Items
subjects:
Ford Madox Brown: The Unofficial Pre-Raphaelite | institution: Birmingham Museum and Art Gallery
Illustrations
Attributed works:
73. The prisoner of Chillon: study of a corpse, by Ford Madox Brown. 1856. Pencil on paper, 16.5 by 28 cm. (Birmingham Museums and Art Gallery).
Attributed works:
74. Chaucer at the court of Edward III: study of a man in medieval hood, by Ford Madox Brown. 1847. Black chalk on paper, 20.9 by 17 cm. (Birmingham Museums and Art Gallery).
Book Review
Men at Work: Art and Labour in Victorian Britain.
09/2005 | 1230 | 147
Pages: 624
related names
Reviewer:
Funnell, Peter (Funnell, Peter)
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dates:
print:
subjects:
Reviewed Items
subjects:
Men at Work: Art and Labour in Victorian Britain. | author: Barringer, Tim
Book Review
The Art of Ford Madox Brown
10/1998 | 1147 | 140
Pages: 697
related names
Reviewer:
Treuherz, Julian (Treuherz, Julian)
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dates:
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Reviewed Items
subjects:
The Art of Ford Madox Brown | author: Bendiner, Kenneth
Article
'Urgent Private Affairs': Millais's 'Peace Concluded, 1856'
08/1991 | 1061 | 133
Pages: 499-506
related names
Author:
Hancher, Michael (Hancher, Michael)
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Illustrations
Attributed works:
14. Peace Concluded, 1856, by John Everett Millais. 1856. 116.8 by 66 cm. (Institute of Arts, Minneapolis).
Attributed works:
15. Study for Peace Concluded, by John Everett Millais. 1856? 22.9 by 17.8 cm. (British Museum, London).
Attributed works:
16. The Order of Release, 1846, by John Everett Millais. 1853. 102.9 by 73.7 cm. (Tate Gallery, London).
Attributed works:
18. Cover for The Newcomes by William Makepeace Thackeray, Nos.23 and 24 (August 1855), Illustrated by Richard Doyle. (Beinecke Rare Book and Manuscript Library, Yale University).
Attributed works:
19. Detail of Fig. 14. [Peace Concluded, 1856, by John Everett Millais. 1856. 116.8 by 66 cm. (Institute of Arts, Minneapolis).]
Attributed works:
20. Detail of Fig. 14. [Peace Concluded, 1856, by John Everett Millais. 1856. 116.8 by 66 cm. (Institute of Arts, Minneapolis).]
Attributed works:
21. Death of Major Peirson, by James Heath, after John Singleton Copley. 1796. 57.1 by 77.5 cm. (National Army Museum, London).
Attributed works:
23. Detail of Fig. 14. [Peace Concluded, 1856, by John Everett Millais. 1856. 116.8 by 66 cm. (Institute of Arts, Minneapolis).]
Attributed works:
24. Detail of Fig. 14. [Peace Concluded, 1856, by John Everett Millais. 1856. 116.8 by 66 cm. (Institute of Arts, Minneapolis).]
Attributed works:
25. Dream of Fair Women (Queen Eleanor of Castile), by Dalziel after John Everett Millais. Wood Engraving in Poems, by Alfred Tennyson, London [1857], p.161. (Beinecke Rare Book and Manuscript Library, Yale University).
Western art unattributed:
17. The Times, 31st March 1856, First Edition, Detail of p.9. (Sterling Memorial Library, Yale University).
Western art unattributed:
22. Crimean War Medal with Ribbon and Clasps. (National Army Museum, London).
Letter
Letters [on the Flood in Venice and Ford Madox Brown]
05/1987 | 1010 | 129
Pages: 321-322
related names
Author:
Clarke, Ashley (Clarke, Ashley)
Author:
Coutts, Howard (Coutts, Howard)
Subjects
dates:
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Illustrations
Attributed works:
63. Waiting: An English Fireside of 1854-55, by Ford Madox Brown. Panel, 30.5 by 20 cm. (Walker Art Gallery, Liverpool).
Attributed works:
64. The Bride's Inkstand, Designed by John Bell. 1846-48. Reproduced from 'Summerly's Art Manufactures' in Fifty Years of Public Works of Sir Henry Cole, K. C. B., London 1884, p. 182.
Attributed works:
65. Design for a Fish Plate and Sauce Boat, by Luke Limner (J. Leighton) from Comic Art Manufactures, 1848. (Victoria & Albert Museum, London, Department of Prints and Drawings).
Short Notice
'Waiting: An English Fireside of 1854-5': Ford Madox Brown's First Modern Subject Picture
12/1986 | 1005 | 128
Pages: 903-904
related names
Author:
Bennett, Mary (Bennett, Mary)
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dates:
places:
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subjects:
Illustrations
Attributed works:
64. Waiting: An English Fireside of 1854-5, by Ford Madox Brown. 30.5 by 20 cm. (Walker Art Gallery, Liverpool).
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