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43 articles
Short Notice
Fresh betrayal: a revised chapter in the early history of the Pre-Raphaelites
04/2024 | 1453 | 166
Pages: 389–391
related names
Author:
Beckham, Susie (Beckham, Susie)
Subjects
dates:
Illustrations
Attributed works:
1. The girlhood of Mary Virgin, by Dante Gabriel Rossetti. 1848–49. Oil on canvas, 83.2 by 65.4 cm. (Tate).
Attributed works:
2. Rienzi vowing to obtain justice for the death of his young brother, by William Holman Hunt. 1849. Oil on canvas, 83 by 117 cm. (National Gallery, London; Bridgeman Images).
Attributed works:
3. Detail of Fig.4, showing the initials ‘PRB’ carved into the bench in the lower-right corner of the painting.
Attributed works:
4. Isabella, by John Everett Millais. 1849. Oil on canvas, 103 by 142.8 cm. (National Museums, Liverpool).
Article
The ‘visual turn’ in copyright history and its relevance to art history
12/2021 | 1425 | 163
Pages: 1148-1157
related names
Author:
Cooper, Elena (Cooper, Elena)
Subjects
Illustrations
Attributed works:
1. Photograph of Bianca by William Holman Hunt accompanying the copyright application dated 24th October 1906. (National Archives, London, COPY1/324).
Attributed works:
2. Photograph of The light of the world by William Holman Hunt accompanying the copyright application dated 20th January 1904. (National Archives, London, COPY1/211).
Attributed works:
3. Photograph of The Lady of Shalott by William Holman Hunt accompanying the copyright application dated 9th June 1905. (National Archives, London, COPY1/230).
Attributed works:
4. Photograph of The ship by William Holman Hunt accompanying the copyright application dated 24th October 1906. (National Archives, London, COPY1/324).
Attributed works:
5. Photograph of Master Hilary – the tracer by William Holman Hunt accompanying the copyright application dated 9th November 1906. (National Archives, London, COPY1/325).
Attributed works:
6. Master Hilary – the tracer, by William Holman Hunt. 1885(?), 1886–87. Oil on canvas, 122.2 by 66 cm. (Private collection; Bridgeman Images).
Supplement
Recent acquisitions at the Fine Arts Museums of San Francisco
12/2021 | 1425 | 163
Pages: 1221-1236
related names
Compiler:
Campbell, Thomas P. (Campbell, Thomas P.)
Subjects
subjects:
Illustrations
Attributed works:
1. Penumbra, by Frank Bowling (British, b.Guyana, 1934). 1970. Acrylic and spray paint on canvas, 227 by 697.9 cm. © 2021 Artists Rights Society (ARS), New York / DACS, London. Foundation purchase, Phyllis C. Wattis Fund for Major Accessions; inv. no.2019.72.
Attributed works:
12. Moritz-Wilhelm, Duke of Saxe-Zeitz, by Willem van Mieris (Dutch, 1662–1747). 1705. Oil on copper panel, 10.8 by 8.3 cm. Bequest of Margaret Kaplan; inv. no.2020.32.2.
Attributed works:
13. Madame de Narbonne, by François-Hubert Drouais (French, 1727–75). 1769. Oil on canvas, 71.1 by 55.9 cm. Gift of Lady Alexander of Weedon in honour of Martin Chapman; inv. no.2020.2.
Attributed works:
14. An evening landscape, by Samuel Palmer (British, 1805–81). c.1880. Transparent and opaque watercolour over graphite on paper, 21 by 44.1 cm. Foundation purchase, Phyllis C. Wattis Fund for Major Accessions; inv. no.2020.3.
Attributed works:
15. Isabella and the pot of basil, by William Holman Hunt (English, 1827–1910). 1867–68. Oil on canvas, 60.6 by 38.7 cm. Museum purchase, Yvonne Cappeller 1992 Trust Fund, Grover A. Magnin Endowment Bequest Income Fund, Roscoe and Margaret Oakes Endowment Income Fund and generous donations from Lucy Young Hamilton, Margaret and William R. Hearst III, Jessica and Jason Moment, Lisa Sardegna and David Carrillo, and Diane B. Wilsey; inv. no.2021.31.
Attributed works:
15. Isabella and the pot of basil, by William Holman Hunt (English, 1827–1910). 1867–68. Oil on canvas, 60.6 by 38.7 cm. Museum purchase, Yvonne Cappeller 1992 Trust Fund, Grover A. Magnin Endowment Bequest Income Fund, Roscoe and Margaret Oakes Endowment Income Fund and generous donations from Lucy Young Hamilton, Margaret and William R. Hearst III, Jessica and Jason Moment, Lisa Sardegna and David Carrillo, and Diane B. Wilsey; inv. no.2021.31.
Attributed works:
16. The birthday, by William Holman Hunt (English, 1827–1910). 1868. Oil on canvas, 102.9 by 72.7 cm. Museum purchase, Roscoe and Margaret Oakes Endowment Income Fund and Grover A. Magnin Endowment Bequest Income Fund; inv. no.2019.33.
Attributed works:
17. Baluster vase and cover with AR monogram, attributed to Johann Caspar Ripp (1681–1726). Meissen Factory (est.1710), Meissen, c.1725–30. Hard-paste porcelain with underglaze blue decoration, 41.3 by 21.5 cm. Gift of Malcolm D. Gutter; inv. no.2015.66a–b.
Attributed works:
20. Figure. Luba artist, Democratic Republic of Congo, 19th century. Wood, metal and fibre, 26 by 5.1 by 4.8 cm. Gift of Richard Schelle; inv. no.2019.1.
Attributed works:
21. Rêve au coin du feu (Dreaming by the fireside), model by Camille Claudel (French, 1864–1943), executed by François Pompon (French, 1855–1933). 1899. Marble, 22.2 by 31.8 by 24.8 cm. Gift of Marie-Joséphe de Touzalin Dunaway; inv. no.2018.88.
Attributed works:
23 22 24 22. in pursuit of Venus [infected], by Lisa Reihana (New Zealander, b.1964). 2015–17. Ultra HD video, colour, 7.1 sound, duration 64 minutes, 250 by 400 cm. Fine Arts Museums of San Francisco and Los Angeles County Museum of Art, acquired jointly with funds provided by the Phyllis C. Wattis Fund for Major Accessions, the Fine Arts Museums Foundation and the Los Angeles County Museum of Art Collectors Committee; inv. no.2019.21. Image courtesy the artist, New Zealand at Venice and Artprojects.
Attributed works:
23. Jar, by Maria Martinez (American, San Ildefonso, 1887–1980) and Julian Martinez (American, San Ildefonso, 1879–1943). c.1930–39. Earthenware, 17.8 by 22.9 by 22.9 cm. Gift of Ardelle Southworth; inv. no. 2017.11. Courtesy www.antiqueamericanindianart.com.
Attributed works:
24. Basket, by Elizabeth Hickox (American and Karuk / Wiyot, 1872–1947). c.1915. Wild grape root, myrtle shoots, maidenhair fern and porcupine quills, 15.9 by 18.7 cm. Purchased with funds from the friends of AOA, the AOA Docent Fund and in memory of Leroy C. Cleal; inv. no.2019.65a–b.
Attributed works:
25. Sky cathedral’s presence I, by Louise Nevelson (American, 1899–1988). 1959–62. Painted wood and found objects, 271.8 by 305.1 by 54.6 cm. Foundation purchase, Phyllis C. Wattis Fund for Major Accessions; inv. no.2017.50. © Estate of Louise Nevelson / Artists Rights Society (ARS), New York.
Attributed works:
26. Black and white one-stroke waterfall, by Pat Steir (American, b.1940). 1992. Oil on canvas, 440.7 by 230.5 cm. Foundation purchase, Phyllis C. Wattis Fund for Major Accessions; inv. no.2018.30. Courtesy the artist.
Attributed works:
27. Katsura, by Kay Sekimachi (American, b.1926). 1971. Dyed nylon monofilament; 4-layer and tubular weaves on an 8-harness loom, 109.2 by 38.1 by 33 cm. Foundation purchase, George and Dorothy Saxe Endowment Fund; inv. no.2016.7. Courtesy the artist.
Attributed works:
28. Untitled (Compass series), by Jay DeFeo (American, 1929–89). 1979. Charcoal and oil pastel on paper, 35.6 by 27.9 cm. Foundation purchase, Phyllis C. Wattis Fund for Major Accessions; inv. no.2016.6.1. © Jay DeFeo Foundation / Artists Rights Society (ARS), New York.
Attributed works:
29. Him and her hold the root, by Lonnie Holley (American, b.1950). 1994. Rocking chairs, pillow and root, 115.6 by 185.4 by 77.5 cm. Museum purchase, and gift of the Souls Grown Deep Foundation from the William S. Arnett Collection; inv. no.2017.1.27. © Lonnie Holley / Artists Rights Society (ARS), New York.
Attributed works:
30. Blood and meat: survival for the world, by Thornton Dial (American, 1928–2016). 1992. Braided carpet rope, metal, electrical wire, screen, textile, enamel paint and Splash Zone compound on plywood, 165.1 by 241.3 by 27.9 cm. Museum purchase, American Art Trust Fund, and gift of the Souls Grown Deep Foundation from the William S. Arnett Collection; inv. no.2017.1.7. © 2021 Estate of Thornton Dial / Artists Rights Society (ARS), New York.
Attributed works:
31. Carolina interior, by Romare Bearden (American, 1911–88). 1970. Collage of various papers, fabric, paint, ink and graphite on paperboard, 33 by 40 cm. Museum purchase, Phyllis C. Wattis Fund for Major Accessions; inv. no. 2019.4. © Romare Bearden Foundation / Licensed by VAGA at Artists Rights Society (ARS), New York.
Attributed works:
32. Quilt, by Rosie Lee Tompkins (American, 1936–2006) and Irene Bankhead (American, b.1925). 1996. Velvet, velveteen, velour, faux fur, panne velvet, backed with cotton gauze; pieced, quilted, 188 by 148.6 cm. Museum Purchase, Textile Arts Council Endowment Fund; inv. no.2019.53.1. Courtesy the Estate of Rosie Lee Tompkins (Effie Mae Howard).
Attributed works:
33. Lincoln, Lonnie, and me – a story in 5 parts, by Carrie Mae Weems (American, b.1953). 2012. Video installation and mixed media, 335.3 by 457.2 by 1066.8 cm. Museum purchase, in honour of the Friends of New Art; inv. no.2017.49. © Carrie Mae Weems; courtesy the artist and Jack Shainman Gallery, New York.
Attributed works:
34. Birth hood, by Judy Chicago (American, b.1939). 1965–2011. Sprayed automotive lacquer on car hood, 109 by 109 by 10.9 cm. Foundation purchase, Wattis Endowment Income Fund; inv. no.2020.26.2. © Judy Chicago / Artists Rights Society (ARS), New York.
Attributed works:
35. Jacket, by Junya Watanabe (Japanese, b.1961) for Comme des Garçons (Japanese, est.1973). Fall 2015, Ready-to-wear. Polyester knit (jersey). Gift of Norah and Norman Stone; inv. no.2020.18.8.
Attributed works:
36. Woman’s evening jacket, by Vivienne Westwood (British, b.1941). Spring / Summer 2007. Cotton, metallic thread, sequins, rhinestones, onyx, coral; complex weave, embroidery (chain, buttonhole, and couched stitches) and stones. Gift of Christine Suppes in honour of Jill D’Alessandro; inv. no.2017.75.17. Woman’s evening gown and belt, by Vivienne Westwood (British, b.1941). Spring / Summer 2013. Silk, cotton; satin, printed plain-weave lining. Gift of Christine Suppes in honour of Jill D’Alessandro; inv. no.2017.75.16a–b.
Attributed works:
37. Exomind (Deep water), by Pierre Huyghe (French, b.1962). 2017/2020. Concrete cast with wax hive and bee colony, 72 by 60 by 79 cm. Foundation purchase, Wattis Acquisition Endowment Fund. Courtesy the artist and Marian Goodman Gallery.
Attributed works:
38. Outstretched, by Wangechi Mutu (Kenyan, b.1972). 2019. Paper pulp, wood glue, charcoal, pigment and feathers, 91 by 162 by 75 cm. Museum purchase, Jay D. and Clare C. McEvoy Endowment Income Fund; inv. no.2021.32. © Wangechi Mutu.
Attributed works:
39. White guise, by Alison Saar (American, b.1956). 2018–19. Colour woodcut, relief printing and paint on shellac-stained mulberry paper, 139.7 by 69.9 cm. Museum purchase, Achenbach Foundation for Graphic Arts Endowment Fund; inv. no.2019.60.Courtesy the artist and LA Louver; photograph Jorge Bachmann.
Attributed works:
6. Frame depicting the Five Senses and the Doria coat-of-arms, by Balthasar Martines (active Genoa, 16th century). c.1565–1575. Embossed silver, silver gilt and enamelled gold with modern mirror, 33.5 by 25.5 cm. Museum purchase, European Decorative Arts Trust Fund, Gift of Bank of America by exchange; inv. no.2020.25.
Attributed works:
7. Vanitas, by Andrés Deleito (Spanish, active 1656–63). c.1660. Oil on canvas, 107 by 155.5 cm. Museum purchase, Roscoe and Margaret Oakes Endowment Income Fund; inv. no.2018.3.
Attributed works:
8. St Matthew with two angels (design for a lunette), by Bernardino di Betto di Biagio, called Pintoricchio (Italian, c.1456–1513). c.1485–90. Pen and brown ink and brown wash over traces of black chalk, ruling and compass work on laid paper, 24.9 by 28.9 cm. Foundation purchase, Phyllis C. Wattis Fund for Major Accessions; inv. no.2021.1.
Attributed works:
9. Lansdowne vase, by Giovanni Battista Piranesi (Italian, 1720–78). Rome, c.1770. Marble with ancient fragments, 49.5 by 39.4 by 28.1 cm. Gift of Joseph and Deborah Goldyne; inv. no.2020.39.1a–b.
Non-western art unattributed:
10. Charger. Iranian, Safavid period, possibly Mashhad, 17th century. Stone paste with underglaze blue decoration, diameter 39.4 cm. Gift of Phoebe Cowles; inv. no.2014.61.
Non-western art unattributed:
18. Man’s haori (jacket). Japan, c.1931. Stencil-printed silk (kata yuzen), 109.2 by 127 cm. Gift of Erik Jacobsen; inv. no.2015.84.15.
Non-western art unattributed:
19. Ritual vessel (aduno koro). Dogon artist, Mali, early 20th century. Wood, 41.9 by 132.7 by 23.5 cm. Gift of the Robert T. Wall Family; inv. no.2019.98.Photograph © Don Tuttle Photography 2010.
Non-western art unattributed:
2. Statuette of Seneb. Egyptian, Middle Kingdom, mid-Dynasty 12, c.1897–1839 BC. Painted wood (probably sycamore), height 27.6 cm. Estate of Virginia B. Landensohn; Ms Lisa Sardegna and Mr David A. Carrillo; Martin I. and Margaret J. Zankel and Herbert and Jan West; The Chickering Endowment; Friends of Ian White; The Michael Taylor Trust; Volunteer Council Acquisition Fund; Diane B. Wilsey; Charlotte and Rolf Scherman; Ancient Art Council; Dr and Mrs Bernard von Bothmer; Teresa Keller Tilden and Douglas Tilden; Sheila Wishek, in memory of Cathleen A. Keller; Ancient Art Trust Fund; Richard Benefield and John Kunowski; Gretchen Turner; Colin B. Bailey and Alan P. Wintermute; Elizabeth D. Moyer, PhD, and Michael C. Powanda, PhD; Rajnikant and Helen Desai, Eunice Baek and Thomas Garrity; Tim and Peggy Brown; Phoebe Cowles; Mrs George Hopper Fitch; Maurice W. Gregg; Anthony and Susan Hardy; Skot Jonz; Peter and Lindsay Joost; Arielle Kozloff in honour of Renée Dreyfus; Millicent and Megan Rutherford, John Klopacz and Richard Wilson, and Donald and Louise Heyneman in memory of John Rutherford; Françoise and Andrew Skurman; and additional donors; inv. no.2014.45.
Non-western art unattributed:
3. Relief with Ptolemy I Soter making an offering. Egyptian, Ptolemaic period, reign of Ptolemy I Soter, 305–282 BC, Limestone, height 33 cm. Museum purchase, Roscoe and Margaret Oakes Endowment Income Fund; Chickering Endowment Income Fund; You Lan Tang through the Ancient Art Council in honour of Dr Renée Dreyfus; Friends of Ian White Unrestricted Endowment Income Fund; Vivien Grey Gift for Unrestricted Acquisitions; Docent Council Commemorative Fund, Docent Training Class of 2018 and memorial funds from various Docents in memory of Ellen Harden, Clara Morrissey and Pauline Schwartz; Anthony and Susan Hardy; Volunteer Council Art Acquisition Fund; Diane B. Wilsey; Francesca Deering Howe and Thomas Carr Howe Endowment Income Fund; Lindsay and Peter Joost; Koret Foundation; Dr and Mrs Bernard von Bothmer in honour of Dr Dietrich von Bothmer; Berkeley Greek Club in memory of Professors Frederic Amory, J.K. Anderson, Gary Holland and Louis A. MacKay; Ancient Art Acquisition Fund; Mrs William Hamilton; Teresa Keller Tilden and Douglas Tilden; Gretchen Turner; Sheila Wishek; Elizabeth D. Moyer, PhD, and Michael C. Powanda, PhD; John Klopacz and Richard Wilson; Ellen Werner in memory of Klaus Werner; Laura Abbott in memory of J.K. Anderson; Eunice Baek and Thomas Garrity; Kathryn A. Burg; Phoebe Cowles and Robert Girard; Charlotte Scherman in memory of Dr Rolf Scherman; Jerry Wehage and Murray Storton in memory of Allen Branco; and additional donors and tribute funds; inv. no.2019.70.
Non-western art unattributed:
4. Codex-style plate with K’awiil, serpent, and other figures. Maya artist, Petén, Northern Guatemala, 680–750. Earthenware, diameter 30.5 cm. Gift of Gail and J. Alec Merriam; inv. no.2014.95.3.
Non-western art unattributed:
5. Architectural panel in the shape of a mihrab. Timurid, western Central Asia, second half of 14th century. Carved and glazed terracotta, height 55.5 cm. Museum purchase, Vivian Grey Fund for Unrestricted Acquisitions, and Friends of Ian White Restricted Endowment Income Fund; inv. no.2018.61.
Western art unattributed:
11. Talleyrand State Bed. France, probably Paris, c.1805. Carved and gilded wood with modern silk damask and passementerie, and an iron support, 356 by 208 by 163 cm. Museum purchase, Art Trust Fund in memory of Xavier Bonnet; inv. no.2019.61.
Short Notice
A lost portrait by F.G. Stephens
07/2020 | 1408 | 162
Pages: 598-601
related names
Author:
Wilkes, Robert (Wilkes, Robert)
Subjects
dates:
museums and institutions:
patrons:
Illustrations
Attributed works:
11. Charles Bridger, by Frederic George Stephens. 1855. Oil on canvas, approx. 12 by 8.2 cm. (Photograph Tate Archives).
Attributed works:
12. Dorothy Mary Stephens (The artist’s stepmother), by Frederic George Stephens. c.1852. Oil on canvas, approx. 52 by 38 cm. (Repr. in J.B. Manson: Frederick George Stephens and the Pre-Raphaelite Brothers, London 1920, pl.4).
Attributed works:
13. Septimus Stephens (The artist’s father), by Frederic George Stephens. 1852–53. Oil on canvas, approx. 52 by 38 cm. (Repr. in J.B. Manson: Frederick George Stephens and the Pre-Raphaelite Brothers, London 1920, pl.3).
Attributed works:
14. The flight of Madeline and Porphyro during the drunkenness attending the revelry (The eve of St Agnes), by William Holman Hunt. 1848. Oil on canvas, 75 by 113 cm. (Guildhall Art Gallery, City of London Corporation; Bridgeman Images).
Attributed works:
15. John Key, by William Holman Hunt. c.1846– 47. Oil on canvas, 35.6 by 30.5 cm. (Tate).
Attributed works:
16. Dorothy Mary Stephens, by Frederic George Stephens. c.1850–52. Graphite on paper, 19.4 by 17.5 cm. (Tate).
Exhibition Review
Van Eyck and the Pre-Raphaelites. London
03/2018 | 1380 | 160
Pages: 244-246
related names
Reviewer:
Duffy, Stephen (Duffy, Stephen)
Subjects
dates:
media:
places:
Illustrations
Attributed works:
17. Mariana, by John Everett Millais. 1851. Panel, 59.7 by 49.5 cm. (Tate, London).
Attributed works:
18. Portrait of Giovanni (?) Arnolfini and his wife (‘The Arnolfini portrait’), by Jan van Eyck. 1434. Panel, 82.2 by 60 cm. (National Gallery, London).
Attributed works:
19. ‘Take your son, Sir!’, by Ford Madox Brown. 1851–52, enlarged and reworked 1856–57. Canvas, 70.5 by 38.1 cm. (Tate, London).
Article
William Holman Hunt’s first idea for ‘The hireling shepherd’?
07/2014 | 1336 | 156
Pages: 460-463
related names
Author:
Grieve, Alastair (Grieve, Alastair; Grieve, A. I.; Grieve, Alistair; Grieve, Alastair Ian)
Subjects
dates:
Illustrations
Attributed works:
48. The hireling shepherd, by William Holman Hunt (City of Manchester Art Galleries)
Attributed works:
49. Young pipe players, here attributed to William Holman Hunt (Dr Dennis T. Lanigan collection; image courtesy of Maas Gallery, London)
Attributed works:
50. Picnic scene, by John Everett Millais (Ashmolean Museum, Oxford)
Attributed works:
51. Drawing related to Convent thoughts, by Charles Allston Collins (British Museum, London)
Attributed works:
52. The Lady of Shalott, by William Holman Hunt (National Gallery of Victoria, Melbourne; Felton Bequest)
Attributed works:
53. The three ages of Man, by Titian (Scottish National Gallery, Edinburgh; Bridgewater Loan)
Exhibition Review
Holman Hunt
01/2009 | 1270 | 151
Pages: 51-52
related names
Reviewer:
Wilton, Andrew (Wilton, Andrew)
Subjects
dates:
subjects:
Reviewed Items
subjects:
Holman Hunt and the Pre-Raphaelite Vision | institution: Art Gallery of Ontario , institution: Manchester Art Gallery , institution: Manchester Art Gallery , institution: Minneapolis Institute of Arts
Illustrations
Attributed works:
57. The light of the world, by William Holman Hunt. 1851–52. Oil and gold leaf on canvas, framed with arched top, 122 by 60.5 cm. (Keble College, Oxford; exh. Manchester City Art Gallery).
Attributed works:
58. The Lady of Shalott, by William Holman Hunt. 1886–1905. Oil over tempera on mahogany panel, 44.5 by 34.1 cm. (Manchester City Art Gallery).
Attributed works:
59. The shadow of death, by William Holman Hunt. 1870–73. Oil over tempera on canvas, 214.2 by 168.2 cm. (Manchester City Art Gallery).
Short Notice
Ancient Jewish coins in the work of William Holman Hunt
04/2008 | 1261 | 150
Pages: 252-255
related names
Author:
Hardwick, Nicholas (Hardwick, Nicholas)
Subjects
dates:
Illustrations
Attributed works:
49. Study for a picture from a Bethlehem woman (Study for the Virgin in ‘The triumph of the innocents’), by William Holman Hunt. 1877. Black, red, yellow and white chalks on paper, 54.6 by 38.1 cm. (National Museums Liverpool,Walker Art Gallery)
Attributed works:
50. The triumph of the innocents, by William Holman Hunt. 1876–87. Canvas on panel, 157.5 by 247.7 cm. (National Museums Liverpool, Walker Art Gallery)
Attributed works:
51. The bride of Bethlehem, by William Holman Hunt. 1879–84. Oil over gesso on canvas, backed on panel, 50.8 by 41.3 cm. (Private collection, England; courtesy of Nevill Keating Pictures)
Non-western art unattributed:
52. Back view of a Palestinian woman’s ceremonial marriage cap, fringed front and back with ancient and modern coins, with side flaps and chain also with coins attached. c.1845. Gold metal, metal, wool, silk and cotton, 31.4 by 21.9 by 18.6 cm. (Pitt Rivers Museum, University of Oxford)
Non-western art unattributed:
53. Coin, O. Anchor, R. Star. Hasmonaean Dynasty, Alexander Jannaeus. 103–76 bc. Bronze, diam. 1.4 cm. (Nicholson Museum, University of Sydney, inv. no.NM2004.514)
Book Review
William Holman Hunt: A Catalogue Raisonné
10/2007 | 1255 | 149
Pages: 709
related names
Reviewer:
Warner, Malcolm (Warner, Malcolm)
Subjects
dates:
Reviewed Items
subjects:
William Holman Hunt: A Catalogue Raisonné | author: Bronkhurst, Judith
Advertisements
Advertisements June 2005 (Front)
06/2005 | 1227 | 147
Pages: i-xxii
Subjects
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Adrian Sassoon, London. The International Ceramics Fair & Seminar. 16-19 June 2005. The Park Lane Hotel, London W1. A very rare Sévres soft-past porcelain Cuvette à Masques. Painted by Jean-Louis Morin after engravings of paintings by David Teniers the Younger. 1762. Height: 17.8 cm. Width: 33.1 cm. Depth: 18.2 cm.]
Attributed works:
[Agnew, LTD, 43 Old Bond Street, London, W.1. Drawings in London. 2-8 July 2005. My son Cyril by William Holman Hunt, O.M.R.W.S. (1827-1910). Silverpoint on prepared paper, 25.4 by 19.9 cm.]
Attributed works:
[Angela Grafin von Wallwitz. Munich. An extremely rare art deco porcelain turkey. Modelled and signed by Andrea Pedersen, Royal Copenhagen Porcelain Factory, 1910-14. Marks: Three waves in underglaze blue, incised model no. 1222, incised modeller's mark 'APedersen'. Height: 66 cm. Width: 55cm.]
Attributed works:
[Bazaart, London. The International Ceramics Fair & Seminar. 16-19 June 2005. The Park Lane Hotel, London W1. A large maiolica plate, painted by Carlo Antonio Grue, depicting The Triumph of Galatea, after the painting by Annibale Carracci in the Palazzo Farnese in Rome. Castelli, c.1690. Diameter: 47cm.]
Attributed works:
[Ben Elwes. 45 Maddox Street. London W1S 2PE. PAUL-JEAN FLANDRIN (French. 1811-1902). A Study of an African's Head. Oil on canvas. 9 5/8 x 7 7/8 inches (24.5 x 20 cm)]
Attributed works:
[C. G. Boerner. 15 Duke Street, St. James’s London, SW1Y 6DB. Drawings in London. 2-8 July 2005. Three soldiers, by Salvator Rosa (1615-1673). Black chalk, pen and brown ink, brown wash. 122 by 94 mm]
Attributed works:
[C. G. Boerner. Kasernenstrasse 13, 40213 Dusseldorf. 23 East 73rd Street, New York. Johann Christian Reinhart (1761-1847) View into a Forest, 1780s. Pen and ink over pencil with grey wash and watercolour, 183 x 230 mm. Signed at lower left C Reinhart f.]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. A Paris (Dihl & Guérhard) ormolu-mounted porcelain still life plaque painted by Coste, circa 1800. 19 3/16 in. (48.8 cm) x 15 15/16 in (39.9 cm) overal. £40,000-60,000]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Andrea d'Angiolo, called Andrea del Sarto. (Florence 1486-1530). Head of Saint Joseph with a subsidiary of his features (recto); Two studies of legs (verso). Black and red chalk, the verso in red chalk, watermark acorn (Briquet 7435 [Florence 1430], on Giorgio Vasari's mount. 14 3/4 x 8 3/4 in (373 x 225 mm.) A study for the Zanobi Bracci Holy Family now in the Palazzo Pitte, Florence.]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. TIZIANO VECELLIO, CALLED TITIAN. (Pieve di Cadore c. 1485/1490-1576 Venice). The Mater Dolorosa. Signed '.TITIANVS.F' (UPPER RIGHT). Oil on panel. 28 x 22 3/8 in (71.1 x 56.7 cm.)]
Attributed works:
[Christopher Wood, London. The Grosvenor House Art / Antiques Fair. Grosvenor House, Park Lane, London W1. 16-22 June 2005. Blanche, by George Frederic Watts. O.M. R.A. (1817-1904). Oil on Canvas, 68.5 by 50 cm.]
Attributed works:
[Connaught Brown, 2 Albemarle Street, W.1. Drawing in London. 2-8 July 2005. Rencontre de Jacob et Rachel, by Marc Chagall (1887-1985). Watercolour, 377 by 267 mm]
Attributed works:
[Connaught Brown, 2 Albemarle Street, W.1. EDUARD VUILLARD (1868-1940). Study for Portrait de Madame Lecomte, 1932. Pastel. Stamped with signature. 9 1/4 x 6 1/4 inches / 23.5 x 15.9 cm.]
Attributed works:
[Daniel Katz, Ltd. London Sculpture Week. 16-24 June 2005. French peasant woman breast-feeding (Paysanne Française), by Aimé-Jules Dalou (Paris, 1838-1902). Marble. Height: 92 cm.]
Attributed works:
[David Jones Fine Art (UK), LTD. Exhibiting at Derek Johns Ltd, 12 Duke Street, St. James’s, SW1Y. Andrea DEL SARTO. Florence 1486-1530 Florence. Study for the head of a child. Black chalk, Illegible inscription at lower right in black chalk and black ink, 156 x 144 cm.]
Attributed works:
[David Jones Fine Art (UK), LTD. Exhibiting at Derek Johns Ltd, 12 Duke Street, St. James’s, SW1Y. Drawings in London, 2-8 July 2005. Saint Francis of Paola by Lazzaro Tavarone (1556-1641). Pen and brown ink with wash, 28 by 42 cm.]
Attributed works:
[Didier Aaron. 12 Ryder Street, S.W.1. Drawings in London. 2-8 July 2005. A lion hunt (one of a pair), by Philibert-Beboit de la Rue (1718-1780). c. 1750-55. With monograms: ŒL.R., Pen and brown ink and brown wash, 39 by 55 cm.]
Attributed works:
[Errol Manners, London. The International Ceramics Fair & Seminar. 16-19 June 2005. The Park Lane Hotel, London W1. A Niederrhein incised slip-ware Charger. Decorated with Friedrich Wilhelm, Crown Prince of Prussia. Dated 1781. Signed: 'Hendrich Dencken'. Diameter: 42 cm.]
Attributed works:
[Galerie Canesso. 8 rue Rossini, Paris. Antonio TRAVI. Genoa-Sestri Ponenete, 1608-Genoa, 1665. Coastal Landscape with ruins and Fishermen. Oil on canvas, 125 x 177 cm (49 1/4 x 69 11/16 in) Initialled at lower right with the letters 'AT' entwined.]
Attributed works:
[Galerie Normand. 35, rue de Lille, 75007 Paris. ALEXANDRE-GABRIEL DECAMPS. 1803-1860. The walls of Jericho. Signed with monogram 'DC'. Oil on canvas, 25 x 34 cm (9 3/4 x 13 1/2in).]
Attributed works:
[Gallery Fichter. Arndtstasse 49. D-60325. Frankfurt/Main. JULIUS SCHNOR VON CAROLSFELD. (German, 1794 Lipsia-Dresden 1872). Ink over pencil on paper, from the collection of Prince John George of Saxony. Monogrammed and dated: "18 JSC 57 d. 18 September", 21,7 x 25,9 cm]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. 17 East 76th Street, New York. Edward Burra, 1905-1976. The Bar, circa 1931. Watercolour and gouache. 29 3/4 x 21 1/2 inches.]
Attributed works:
[Hazlitt, Gooden & Fox. 38 Bury Street, St. James’s London. SW1Y 6BB. François Boucher 1703-1770, by Charles-Nicolas Cochin (1715-1790). Pencil. Diameter: 115 mm.]
Attributed works:
[Johnny van Haeften Ltd. 13 Duke Street, St. James’s, London SW1Y 6DB. Marten van Cleve (1527-Antwerp-1581). The Wedding Dance. On panel. 29 1/2 x 41 1/8 in. 74.9 x 105.7 cm]
Attributed works:
[Lowell Libson. 3 Clifford Street, New Bond Street, London, W1S 2LF. Drawings in London. 2-8 July 2005. The weir at Machynlleth, by Cornelius Varley (1781-1873). Pencil, 23.3 by 36.5 cm.]
Attributed works:
[Martin F. Bonham-Carter, Ltd, London. The International Ceramics Fair & Seminar. 16-19 June 2005. The Park Lane Hotel, London. Sévres flaring lattice pattern cup and saucer by Charles-Louis Méreaud. 1768. Blue lozenge and diamond shapes forming a gilt geometric pattern around reserve of flowers. Cup height: 6.8 cm. Saucer diameter: 14.5cm.]
Attributed works:
[Moretti. 43 New Bond Street, London W1S 2SA. Piazza Ottaviani 17/r, 50123 Florence. FRANCESCO SQUARCIONE (attr.to). Padua, c. 1395-1468. Madonna and Child surrounded by cherubs, Panels, 67.6 x 40.3 cm]
Attributed works:
[Nevill Keating Tollemache. London Sculpture Week. 16-24 June 2005. Eternal Spring, by Auguste Rodin (1840-1917) Barbidienne cast. Conceived in 1898 and cast in 1918. Bronze with green patina. Height: 24.4 cm.]
Attributed works:
[Pelham galleries, London. The Grosvenor House Art & Antiques Fair. The Grosvenor House, Park Lane, London, W1. 16-22 June 2005. The Hume sofas (one of a pair). Designed by Robert Adam, London, 1780, The carving attributed to Sefferin Nelson. Height: 109 cm. Width: 132 cm. Depth: 72.5 cm]
Attributed works:
[Peter Petrou, London. The Grosvenor House Art & Antiques Fair. The Grosvenor House, Park Lane, London W1. 16-22 June 2005. A magnificent pietre dure top (one of a pair), manufactured and stamped by Darmain & Sons, Malta. Breccia marble engraved and inlaid with panels of rosso breccia and other varieties. 157 by 93 cm]
Attributed works:
[Rafael Valls. 11 Duke Street, St. James’s, London. The Grosvenor House Art & Antiques Fair. The Grosvenor House, Park Lane, London W1. 16-22 June 2005. A still life of flowers including roses, tulips, irises, and other flowers, all in a gilded vase resting on a marble ledge, by Nicolaes Lachtropius (active 1656-1700). Oil on canvas, 66.5 by 53.3 cm.]
Attributed works:
[Robert Bowman Gallery. London. London Sculpture Week. 16-24 June 2005. Saint George, by Sir Alfred Gilbert, RA (1854-1934). Bronze, dark brown patination. Height: 46.5 cm]
Attributed works:
[Selective Art, sa. Via Prevedina 3, CH-6834. Switzerland. ANTONIO ROSSELLINO. Madonna with Child. Poluchromed stucco in original aedicular frame. 15th century. H: 95 cm. L: 64.5 cm.]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. Drawing in London. 2-8 July 2005. King David and three of his followers, by Cavalier d'Arpino (1568-1640).]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. Franz Xaver Messerschmidt, Austrian, 1736-1783. An important alabaster character head, later called rescued from drowing. 40 cm. 15 3/4 in. Estimate: £600,000-800,000.]
Attributed works:
[The Fine Art Society, Ltd. 148 New Bond Street, London, W.1. London Sculpture Week. 16-24 June 2005. Statue of Peter Pan, by George Frampton (1860-1928). Conceived in 1911. Bronze. Height: 300 cm.]
Attributed works:
[Thomas Williams Fine Art, Ltd. 22 Old Bond Street, W.1. Drawings in London. 2-8 July 2005. Cupid reclining in a landscape at the foot of the altar of love, by Jean Baptiste Greuze (1725-1805). Pen and grey ink and wash over pencil, 30.7 by 36.8 cm.]
Attributed works:
[Trinity Fine Art, London. London Sculpture Week. 16-24 June 2005. Pietà, by Antonio Raggi (1628-1686). Terracotta finished with white slip wash. Height: 65 cm. Width: 54 cm. Depth: 45 cm.]
Attributed works:
[Trinity Fine Art. 39 Bruton Street. London, W.1. Drawings in London. 2-8 July 2005. An Arab hunter, by Ferdinand-Victor-Eugène Delacroix (1798-1863). Black lead, pen and brown ink, watercolour, 19.4 by 15.9 cm]
Attributed works:
[Trinity Fine Art. 39 Bruton Street. London, W.1. WILLIAM HOLMAN HUNT, O.M., R.W.S. (London 1827-London 1910). The Artist's Wife, Edith Holman Hunt. Silverpoint on prepared paper, 255 x 197 mm. Signed in monogram, inscribed and dated: July 1877 Jerusalem.]
Attributed works:
[Wolseley Fine Arts. 12 Needham Road, Westbourne Grove, London, W.11 2RP. André Dunoyer de Segonzac 1884-1974, Still-life with Apples, c. 1950, watercolour 35 x 48.2 cm]
Attributed works:
[Wolseley Fine Arts. 27 Cork Street, W.1. Drawings in London. 2-8 July 2005. La Place Vintimille l'hiver, by Edouard Vuillard (1868-1940). c. 1910. Pastel on blue paper, 252 by 148 mm.]
Attributed works:
[Wolseley Fine Arts. Exhibiting at Gallery 27, 27 Cork Street, W.1. Drawings in London. 2-8 July 2005. Stevenstift in Leiden, by Max Liebermann (1847-1935). Charcoal on paper, 11.5 by 19.5 cm.]
Non-western art unattributed:
[Angela Grafin von Wallwitz. Postfach 101546, D-80089 Munich. Chinese Porcelain Dish. In 'Famille Verte' Style. Circa 1700. Marks: None. Measurements: L 40 cm x H 29.5 cm. Condition: One chip to rim.]
Non-western art unattributed:
[Ben Janssens Oriental Art, London. The Grosvenor House Art & Antiques Fair. The Grosvenor House, Park Lane, London W1. 16-22 June 2005. Limestone torso of a Bodhisattva. China, Northern Qi dynasty, 550-577. Height: 103 cm.]
Non-western art unattributed:
[Helen Girton Antiques, Buckingham. Japan, Arita c. 1700-20, Dutch decorated c. 1730. A rare large octagonal soup plate, made in Arita, Japan, and outside decorated in Holland in the Kakiemon taste. Mark: Incised numeral 2 or letter Z. Diameter: 23.2 cm.]
Non-western art unattributed:
[John Eskenazi, Ltd. London Sculpture Week 16-24 June. South India, Tamil Nadu. Parvati. Chola Period, late 10th-eary 11th century. Bronze. Height: 76 cm.]
Non-western art unattributed:
[Rossi & Rossi. London Sculpture week. 16-24 June 2005. Buddha Amitabha (the Buddha of Infinite Light). Mongolia, late 17th-early 18th century. Gilt copper. Heigh: 30 cm]
Non-western art unattributed:
[Rupert Wace Ancient Art. London Sculpture Week. 16-24 June 2005. Syrian green stone figure of a female. Neolithic, 7th-6th millennium BC. Variegated green and brown stone. Height: 6.4 cm.]
Western art unattributed:
[Angela Grafin von Wallwitz. Postfach 101546, D-80089 Munich. A very Rare Ansbach faience Dish. After a Chinese'Famille Verte' Original. Circa 1730-1740. Marks: None. Measurements: L 44.5 x H 33 cm. Condition: Minor chips to rim.]
Western art unattributed:
[Bonhams. 101 New Bond Street. London W1S 1SR. An important Regencé brown tortoiseshell and brass marquetry. Toilet Mirro. Estimate: £30,000-50,000]
Western art unattributed:
[Dragesco Cramoisan, France. The International Ceramics Fair & Seminar. 16-19 June 2005. The Park Lane Hotel, London W1. A pair of Sévres hard-paste biscuit bust of Louis XVI and Marie-Antoniette. 1785-90.]
Western art unattributed:
[Mallett, 40 New Bond St., London. The Grosvenor House Art & Antiques Fair. Grosvenor House, Park Lane, London W1. 16-21 June 2005. One of an extremely rare pair of late 18th-century laburnum and ash Windsor armchairs. English or Scottish, c. 1770. Height: 106 cm. Width: 75 cm]
Western art unattributed:
[Martin F. Bonham-Carter, Ltd. 27 Ansdell Street, Kensington. London W8 5BN. Sèvres 'fond violet damassé' bases. 1843. Height: 15 ins (36 cm). Height: 6 1/4 ins (15.8 cm). Width: 5 1/2 ins (14cm). Marks: blue printed LP monogram.]
Western art unattributed:
[Patricia Wengraf, Ltd. PO Box 31067, London SW1W 9FJ. Apollo Reclining. North Italian, Sixteenth Century. Gilt bronze statuette. H. 13.4 cm, W. 10.5 cm, L. 24 cm.]
Western art unattributed:
[Robyn Robb. London. An extremely rare Worcester jug of 'scratch cross' type superbly painted in oriental style with an amusing scene of two crane-like birds fighting over an eel. c. 1754. Mark: two incised lines. Height: 17.6 cm.]
Western art unattributed:
[Sam Fogg, Ltd. London Sculpture Week. 16-24 June 2005. Figural capital, Saint Pons-de-Thomières, Languedoc. French. 2nd half of the 12th century.]
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