By using this website you agree to our Cookie policy

Search

6 articles
Short Notice
Image of a connoisseur: an unknown portrait of Pierre Jean Mariette
10/2023 | 1447 | 165
Pages: 1106–1100
related names
Author:
Friedenthal, Antoinette (Friedenthal, Antoinette)
Subjects
dates:
subjects:
Illustrations
Attributed works:
1. Portrait of a man, here identified as Pierre Jean Mariette, by an anonymous artist (perhaps Jean Mariette?). 1740s. Gouache on ivory, 3.4 by 2.8 cm. (Victoria and Albert Museum, London).
Attributed works:
2. Pierre Jean Mariette, by Charles-Nicolas Cochin. 1756. Lead point on paper, diameter 11 cm. (Fondation Custodia, Paris).
Attributed works:
3. Pierre Jean Mariette, by Jean-Baptiste Massé. 1735. Black chalk, stumped, with red and white chalks and perhaps some wash on paper, 18.8 by 14.6 cm., mount 47.8 by 36.3 cm. (Ashmolean Museum, Oxford).
Attributed works:
4. Detail of Fig.1.
Attributed works:
5. Jean Mariette, by Antoine Pesne. 1723. Oil on canvas, 113 by 93 cm. (Musée Carnavalet, Paris).
Attributed works:
6. Pierre II Mariette, by Franz Ertinger. Black chalk on paper, 16.8 by 12.8 cm. (Fondation Custodia, Paris).
Attributed works:
7. Pierre I Mariette, by Jean Mariette after François de Poilly with a handwritten inscription ‘Petrus Mariette. Iconum mercator Parisiis’ by Pierre Jean Mariette. Etching, 4 by 3.1 cm. (Albertina, Vienna).
Article
Nicolas Pineau as a designer of ornament prints
09/2022 | 1434 | 164
Pages: 864-873
related names
Author:
Laurenti, Aurora (Laurenti, Aurora)
Subjects
artists:
dates:
Illustrations
Attributed works:
1. Designs for table and consoles, by Jean Mariette, after Nicolas Pineau. c.1707–09. Etching, 20.5 by 26 cm. (From the series Nouveaux Desseins de Pieds de Tables et de Vases et Consoles de sculpture en bois Inventés par le Sieur Pineau sculpteur / a Paris chez Mariette rue S.Jacques aux colonnes d’Hercules, pl.1, in J. Mariette : Architecture à la mode, Paris 1709; Bibliothèque de l’Institut National d’Histoire de l’Art, Paris, collections Jacques Doucet; 4 est 420).
Attributed works:
10. Detail of Fig.9, showing rocailles with gadroons.
Attributed works:
11. ‘Agraffe en cartel’, by Jacques-François Blondel, after Nicolas Pineau, c. 1737. Etching. (From J.-F. Blondel and C.-A. Jombert: De la distribution des maisons de plaisance et de la décoration des édifices en général, pl.39, II Paris 1738, Paris, INHA, Collection Jacques Doucet, 4 RES 2 (2)).
Attributed works:
12. ‘Couronnement de Cheminée varié de deux façons, convenable pour une Chambre de parade’, by Jacques-François Blondel, after Nicolas Pineau. c.1737. Etching. (From J. Mariette and A.-C. d’Aviler: Cours d’Architecture, pl. 59d, Paris, 1738, ETH-Bibliothek Zürich, Rar 6836).
Attributed works:
13. Design for a chimneypiece, by Nicolas Pineau. c.1737. Red chalk on paper, 42.8 by 25.3 cm. (Musée des Arts Décoratifs, Paris, inv. no.29115).
Attributed works:
2. Designs for table and consoles, by Jean Mariette, after Nicolas Pineau. c.1707–09. Etching, 20.5 by 26 cm (From the series Nouveaux Desseins de Pieds de Tables et de Vases et Consoles de sculpture en bois Inventés par le Sieur Pineau sculpteur / a Paris chez Mariette rue S.Jacques aux colonnes d’Hercules, pl.6, in J. Mariette: Architecture à la mode, Paris 1709; Bibliothèque de l’Institut National d’Histoire de l’Art, Paris, collections Jacques Doucet; 4 est 420).
Attributed works:
3. Designs for torchères, by Jean Mariette, after Nicolas Pineau. c.1707–09. Etching, 20.5 by 26 cm. (From the series Nouveau desseins de Plaques, Consoles, Torcheres, et Médailliers de l’invention du S.r Pineau Sculpteur / A Paris chez JMariette rue S.Jacques aux Colonnes d’Hercules, pl.4; Bibliothèque de l’Institut National d’Histoire de l’Art, Paris, Jacques Doucet collections; RES 50).
Attributed works:
4. Three designs for cartouches by Antoine Herisset, after Nicolas Pineau. 1710–16? Etching, 28.7 by 22 cm. (From the series [Cartouches] a Paris chez Mariette rue S. Jacques aux colonnes d’Hercules, pl.1; Paris, INHA, Jacques Doucet collection, FOL EST 452).
Attributed works:
5. ‘Dessin de porte pour le cabinet de Samajesté [sic]’, by Nicolas Pineau. c.1718. Pencil, black and red chalk on paper, 25 by 13.5 cm. (Musée des Arts Décoratifs, Paris, inv. no.29124).
Attributed works:
6. Designs for chimneypieces, by Nicolas Pineau. c.1720–25? Black chalk on paper, 32 by 20.8 cm. (Musée des Arts Décoratifs, Paris, inv. nos.29098A and 29098B).
Attributed works:
7. ‘Dessein de Cheminée et de Lambris de l’invention du S.r Pineau’, by Jacques-François Blondel, after Nicolas Pineau. Engraving, 35.5 by 22.5 cm. (From the series Dessein de Cheminée pour un Cabinet dont la decorazion variée du Lambris est des plus riches / Mariette exc., pl.5, in J. Mariette: Architecture Françoise, III, Paris 1738; Ecole Nationale Supérieure des Beaux-Arts, Paris; Les 1803).
Attributed works:
8. ‘Decoration de Cheminée, accompagnee d’un riche lambris, propre pour une Gallerie/ A Paris chez Mariette rue S. Jacques aux Colonnes d’Hercules’, by Jacques-François Blondel after Nicolas Pineau. Engraving, 33 by 23 cm. (From the series Decoration de Cheminée pour un grand Apartement, pl.2, in J. Mariette: Architecture Françoise, III, Paris 1738; Paris, INHA, Jacques Doucet collection, FOL EST 452).
Attributed works:
9. ‘Décoration intérieure du côté de l’entrée de la galerie de l’Hôtel de Villars Le Roux invenit / Blondel sculpsit’, by Jacques-François Blondel after Nicolas Pineau. 1746. Etching, 33.7 by 23.5 cm. (From Plans et Décorations intérieures De La Galerie de l’Hôtél de Villars [. . .]; Paris, INHA, Collection Jacques Doucet, EST 469).
Article
Prince Eugene of Savoy’s Rembrandt drawings: a newly discovered provenance
05/2022 | 1430 | 164
Pages: 450-461
related names
Author:
Friedenthal, Antoinette (Friedenthal, Antoinette)
Subjects
Illustrations
Attributed works:
1. Young woman at her toilet, by Rembrandt. Pen and brown ink with brown and grey wash on paper, 23.4 by 18 cm. (Albertina, Vienna).
Attributed works:
10. Lot and his family leaving Sodom guided by an angel, attributed to Rembrandt or his school. Pen and brown ink with brown wash on paper, 22.6 by 23.5 cm. (Albertina, Vienna).
Attributed works:
11. Prince Eugene of Savoy in the gallery of the art dealer Jan Pietersz Zomer, by Pieter van den Berge. 1709–10. Pen and ink and watercolour on paper, 23.6 by 40.8 cm. (Rijksprentenkabinet, Amsterdam).
Attributed works:
12. Seated woman with a child eating on her lap, by Rembrandt. c.1635. Black chalk on paper, 16.5 by 13.1 cm. (Albertina, Vienna).
Attributed works:
2. Christ among the doctors, by Adam Bartsch after Rembrandt. 1782. Etching, 22.2 by 27.3 cm. (plate). (Albertina, Vienna).
Attributed works:
3. Studies, by Adam Bartsch after Rembrandt. 1783. Etching, 29.2 by 32.3 cm. (plate). (Albertina, Vienna).
Attributed works:
4. Cottages before a stormy sky in sunlight, by Rembrandt. Pen and brown ink with brown and grey wash, heightened with white, on paper, 18.2 by 24.5 cm. (Albertina, Vienna).
Attributed works:
5. Landscape with a drawbridge and a cottage at the right, by Johann Daniel Laurentz after Rembrandt. 1756. Etching, 16.2 by 28.9 cm. (Kupferstichkabinett, Berlin).
Attributed works:
6. An elephant, by Rembrandt. 1637. Black chalk on paper, 23.3 by 35.4 cm. (Albertina, Vienna).
Attributed works:
7. The city hall in Amsterdam during its demolition, by Rembrandt. c.1647. Black chalk on paper, 11.3 by 16.1 cm. (Albertina, Vienna).
Attributed works:
8. View over Het IJ with sailing boats at anchor, by Rembrandt. Black chalk on paper, 10.4 by 18 cm. (Albertina, Vienna).
Attributed works:
9. Het Molentje, seen from the Amsteldijk, by Rembrandt. Pen and brown ink with brown wash heightened with white on paper, 9.6 by 21.3 cm. (Albertina, Vienna).
Exhibition Review
Jacques-François Blondel, an Enlightenment Architect in Metz. The Arsenal, Metz
07/2018 | 1384 | 160
Pages: 584-586
related names
Reviewer:
Cellauro, Louis (Cellauro, Louis)
Reviewer:
Richaud, Gilbert (Richaud, Gilbert)
Subjects
dates:
places:
Illustrations
Attributed works:
13. Plan of the new buildings and roads constructed in Metz since 1764, from Cours d’architecture, ou traité de la décoration, distribution & construction des bâtiments by J.F. Blondel, Paris, 1773, IV, pl.50. (BibliothèquesMédiathèques, Metz; exh. The Arsenal, Metz).
Western art unattributed:
11. Jacques-François Blondel. 1770. Pencil and red chalk, 10.1 by 7.5 cm. (Musée Carnavalet, Paris; exh. The Arsenal, Metz).
Western art unattributed:
12. The west porch of Metz Cathedral, by JacquesFrançois Blondel. Photographed c.1900. From Cahier Tornow, VII B1 Metz, Unité départementale de l’Architecture et du patrimoine; exh. The Arsenal, Metz).
Book Review
Catalogues de la Collection d’Estampes de Jean V, Roi de Portugal
07/2007 | 1252 | 149
Pages: 497-499
related names
Reviewer:
Delaforce, Angela (Delaforce, Angela)
Subjects
print:
print:
Reviewed Items
subjects:
Catalogues de la Collection d’Estampes de Jean V, Roi de Portugal | author: Mariette, Pierre-Jean
Article
Mansart Studies v: The Church of the Minimes
03/1965 | 744 | 107
Pages: 123-132
related names
Author:
Braham, Allan (Braham, Allan; Braham, A. J.; Braham, Mr.)
Author:
Smith, Peter (Smith, Peter)
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
29. The Church of the Minimes. Perspective View of the Church before 1657. Engraving by Jean Marot.
Attributed works:
30. The Church of the Minimes. The Surviving Pavilion Façade.
Attributed works:
31. The Church of the Minimes. Perspective View of the Façade Purporting to Show Mansart's Project (See Note 3). Engraving by Jean Marot.
Attributed works:
32. The Church of the Minimes. Elevation of the Central Part of the Façade as Built. Engraving by Mariette.
Attributed works:
33. The Church of the Minimes. Part Plan and Details of the Orders of the Façade. Engraving by Mariette.
Attributed works:
34. The Church of the Minimes. Plan Project for the Façade. Drawing by François Mansart (See Note 12).
Attributed works:
35. The Church of the Minimes. Plan Project for the Façade. Drawing by François Mansart (See Note 15).
Attributed works:
36. The Church of the Minimes. Detail of Fig.35 Showing the Flap Open. [The Church of the Minimes. Plan Project for the Façade. Drawing by François Mansart]
Attributed works:
37. The Church of the Minimes. Plan of the Drum and Bell-Towers of Mansart's Project. Drawing. (Nationalmuseum, Stockholm, THC 2562).
Attributed works:
38. The Church of the Minimes. Section Through the Nave Showing the Rear Elevation of Mansart's Project. Drawing. (Nationalmuseum, Stockholm, THC 8126).
Attributed works:
39. The Church of the Minimes. Plan of the First Floor of Mansart's Project. Drawing. (Nationalmuscum, Stockholm, THC 1727)
Attributed works:
40. The Church of the Minimes. Front Elevation of Mansarts's Project. Drawing. (Nationalmuseum, Stockholm, THC 8124).
Attributed works:
41. The Church of the Minimes. Elevation Study of the Drum. Drawing by François Mansart; Verso of Fig.35.
Attributed works:
42. The Church of the Minimes. Half Plan of the Façade as Built. Drawing. (Nationalmuseum, Stockholm, THC 5772).
Western art unattributed:
28. The Church of the Minimes. Detail of the Gomboust Plan of Paris (1652).
Western art unattributed:
A. The Church of the Minimes. Ground Floor Plan of the Monastery before 1657, Based on a Drawing in the Archives Nationales (NIII Seine 434).
Western art unattributed:
B. The Church of the Minimes. First Floor Plan of the Monastery, Detail, Showing the Façade as Built. (Bibliothèque Nationale, Estampes, Hd 195 II).
Western art unattributed:
C. The Church of the Minimes. Diagrammatic Plan of the Dome in Mansart's Project, Based on Figs.37 and 40.