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13 articles
Book Review
South-East Marylebone (Survey of London, 51 and 52). Edited by Philip Temple, Colin Thom and Andrew Saint
02/2019 | 1391 | 161
Pages: 171-172
Exhibition Review
William Chambers. London
01/1997 | 1126 | 139
Pages: 56-57
related names
Reviewer:
Colvin, Howard (Colvin, Howard; Colvin, Howard Montagu; Colvin, H. M.)
Subjects
dates:
museums and institutions:
places:
subjects:
Illustrations
Attributed works:
85. Section of a Design of York House, by William Chambers. 1759. Pen and Grey Ink with Water-Colour, 46 by 63 cm. (Royal Institute of British Architects, London; Exh. Courtauld Gallery, London).
Attributed works:
86. Chimney-Piece in the Gallery at the Palais-Royal, by William Chambers after Gilles Marie Oppenord. From the Franco-Italian Album, No.46, fol.8v. 39 by 57 cm. (Open). (Victoria and Albert, Museum London; Exh. Courtauld Gallery, London).
Attributed works:
87. Astronomical Clock, Made by Christopher Pinchbeck the Younger with John Merigeot and John Monk, Designed by William Chambers. Tortoiseshell and Ormolu Case, 73 cm. High (Royal Collection, Buckingham Palace; Exh. Courtauld Gallery, London).
Advertisements
Advertisements June 1995 (front)
06/1995 | 1107 | 137
Pages: i-xxxii
Subjects
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[ Artemis Group, David Garritt Limited, 15Duke Street St. James, London ] Rembrandt Harmensz. van Rijn. Portrait of Jan Asselyn. Etching, Drypoint and Burin. Size: 219 × 167 mm.
Attributed works:
[ Arturo Cuellar, Bürglistrasse 18, Zurich ] Claude Gellée dit Le Lorrain (1600 - 1682). "View of an Imaginary Port". France, Circa 1640 - 1645. Pen and Sepia Ink with Sepia Wash over Traces of Black Chalk 5¼ × $7frac{3}{4}$ Inches (13.4 × 19.8 cm)
Attributed works:
[ Asprey, 165-169 New Bond Street, London ] An Important Pair of George III Neo-Classical Soup Tureens with Covers and Liners, after a Design by Sir William Chambers, One by Daniel Smith and Robert Sharp, 1771, the Other by Robert Sharp, 1794, 13″ Long, 336 ozs. The Arms Are Those of William, 4th Earl Fitzwilliam.
Attributed works:
[ Christie's, 8 King Street, St. James, London ] Rembrandt Harmensz. van Rijn (1606-1669). The Sense of Touch: The Stone Operation on Panel 8½×7in. (21.6×17.7cm.)
Attributed works:
[ Colnaghi, 14 Old Bond Street, London ] Jean-Baptiste Perronneau Paris 1715 - 1783 Amsterdam. Portrait of Jean-Baptiste Antoine Le Moyne. Pastel: 431 × 350 cms (17 × $13frac{3}{4}$ ins)
Attributed works:
[ Compagnia di Belle Arti, Via Olmetto 17, Milan ] Giulio Cesare Procaccini (Bologna 1574 - Milan 1625). Resurrection. Oil on Panel, 76.3 × 55.7 cm
Attributed works:
[ Cover ] Toilet Mirror by Joseph-Germain Dutalis. Silver-gilt, 87 x 118cm.
Attributed works:
[ Dover Street Gallery, 13 Dover Street, London ] Pietro Fabris, (Active in Naples 1754 - 1804). The Tarantella with Merry-Makers at Mergellina with a Distant View of Posillipo. Oil on Canvas, 72.5 × 99.3 cms
Attributed works:
[ Galerie Francois Antonovich, Le Louvre des Antiquaires, 2 Place du Palais Royal, Paris ] The Judgement of Solomon and Samson and the Lion. Two Reliefs by Martin Desjardins (van den Bogaert). (Breda 1640 - Paris 1694), Sculptor to Louis XIV. Dimensions: 0.78 × 1.20m, for each relief. Limestone.
Attributed works:
[ Galerie Sanct Lucas, Palais Pallavicini, Josefsplatz 5, Vienna ] Jean-Michel Picart Canvas. Anvers 1600 - Paris 1682. 51 × 64 cms
Attributed works:
[ Hazlitt, Gooden & Fox, 38 Bury Street St James, London ] Louis-Léopold Boilly, 1761-1845. Study of a Young Girl. Black Chalk, Estompé, 26.7 × 21.5 cm
Attributed works:
[ National Portrait Gallery, St. Martins Place, London ] Jane Patterson, Raphael
Attributed works:
[ Partridge Fine Arts PLC, 144-146 New Bond Street, London ] Silver-Gilt Made for William Beckford of Fonthill Abbey (1760-1844), a Pair of Mounted Chinese Porcelain Coffee Pots, James Aldridge, 1820, a Mounted Agate Cup and Cover, Circa 1820, and a Pair of Candlesticks, John Scofield, 1791
Attributed works:
[ S. J. Shrubsole, 104 East 57th Street, New York ] Important James I Antique English Parcel-Gilt, Pineapple Cup & Cover, One of Only Four Known. Date: London 1610. Maker's Mark: IE a Crescent with Three Pellets below Height: 15½ Inches; Weight: 30ozs., 4 dwts.
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] Francisco José Goya y Lucientes, Fuente de Todos 1746-1828 Bordeaux. Sorting the Bulls, Inscribed on the Reverse 5 and 9, Oil on tin Plate, 42.6 by 32cm. Estimate on Request.
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] Johann Heinrich Fuseli, R. A. (1741-1825). Edgar, Feigning Madness, Approaches King Lear. Pen and Black Ink and Brown and Grey Washes over Pencil, Recto; Verso-A Study for Balaam Blessing the People of Israel 62.5 cm. by 96 cm.; $24frac{5}{8}$ by $37frac{3}{4}$ in. Estimate £180,000-£240,000
Attributed works:
[ The Grosvenor House Art & Antiques Fair ] Dirck Hals (1591 - Haarlem - 1656). An Elegant Company Feasting in an Arbour. Signed. Netherlands. Height: $19frac{3}{4}$ in (50 cm) Width: 28 in (71 cm). Painted Circa 1615. Oil on Panel.
Attributed works:
[ The Grosvenor House Art & Antiques Fair ] Willem Van Aelst (Delft 1627 - c. 1683 Amsterdam). A Still Life with a Basket of Peaches and a Blue Velvet Cloth on a Marble Ledge. Signed and Dated 1650. Oil on Canvas. Height: $14frac{3}{4}$ in (37.5 cm) Width: 19½ in (49.5 cm)
Attributed works:
[ The Grosvenor House Art & Antiques Fair, London ] Philip van der Linden Van Dyck. Portrait of a Gentleman of the Hoste or Henley Family in Chinese Dress Holland, 1723. Framed: Height: 87 in (221 cm) Width: $55frac{3}{4}$ in (142 cm). 1723. Oil on Canvas.
Non-western art unattributed:
[ Grace Wu Bruce Inc , 701 Universal Trade Centre, 3 Arbuthnot Road, Hong Kong ] A Very Fine Pair of Huanghuali Wood Yokeback Side Chairs. Chinese, Ming Dynasty, Late 16th to Early 17th Century. Height 111 cm ($43frac{11}{16}$ in). Width 51.5 cm (20¼ in). Depth 42 cm (16½ in).
Non-western art unattributed:
[ The Chinese Porcelain Company, 475 Park Avenue at 58th Street, New York ] A Fine Mirror Painting, Circa 1760 (One of a Pair), 71.12 × 55.8 cm (28 × 22 in).
Non-western art unattributed:
[ The Grosvenor House Art & Antiques Fair ] Antique Chinese Snuff Bottle. Glass Red Overlay with Fish Amidst Bubbles. 18th Century.
Western art unattributed:
[ Brimo de Laroussilhe, 7 quai Voltaire, Paris ] Ivory Panel from a Polyptych. Byzantium, Late 10th Century. Ivory (Obverse and Reverse) with Traces of Inscriptions h. 0,12: 1.0.056
Western art unattributed:
[ C. John, 70 South Audley Street, London ] A Highly Decorative Eastern European Bessarabian Carpet with a Design of Stylised Floral Sprays on a Dark Brown Field, Very Finely Woven in the Tapestry Manner. Circa 1880. Wool. Length 385 cm (152 in). Width 251 cm (99 in).
Western art unattributed:
[ Charles Ratton & Guy Ladrière, 14 rue de Marignan and 11 quai Voltaire, Paris ] French Circular Silver Cup of a Set of Six - Paris, Early 15th Century Rim and Foot Gilded, Center Decorated with Enamelled Coat of Arms of the Families Orgemont - Paillard
Western art unattributed:
[ Cinq Antiquaires a Paris ] A Louis XVI Pair of Jardinieres Carved and Painted Wood Height: 85 in - 216 cm.
Western art unattributed:
[ M. Turpin, 27 Bruton Street, London ] A Fine Giltwood Side Table with a Breche Violette top in the Manner of Mathias Lock, the Frieze Carved with Bows above a Band of Fluting, the Apron Richly Carved with Strapwork Scrolls and Shells. Each Cabriole Leg Sumounted by a Bearded Mask with Plumes Raised on Hairy Paw Feet. English: Circa 1740 Height 32 ins (81cms). Width 79 ins (201cms). Depth 29 ins (73.5cms)
Western art unattributed:
[ Norman Adams Limited, 8-10 Hans Road, Knightsbridge, London ] A Pair of Late 18th-Century Marble, Ormolu and Cut Glass Candelabra. Baltic, Circa 1790. Height 81.5 cm (32 in). An Outstanding Pair of Early George III Carved Mahogany Torchères. English, Circa 1760. Height 125 cm (49 in). Width 59 cm (23 in).
Western art unattributed:
[ Philip Antrobus, 11 New Bond Street, London ] Fine Victorian Suite of Necklace, with Detachable Pendant, Hangle, Broooch and Earrings in Gold and Diamonds.
Western art unattributed:
[ The Grosvenor House Art & Antiques Fair ] A Brass Mounted Mahogany Games Table. Russian - Early 19th Century. Height: $29frac{3}{4}$ in (75.5 cm) Width: $40frac{3}{4}$ in (103.5 cm) Diameter: 20½ in (52 cm).
Western art unattributed:
[ The Grosvenor House Art & Antiques Fair ] A Very Rare Queen Anne Red Lacquer Kneehole Desk. England. Height: $28frac{3}{4}$ in (73 cm). Width: $37frac{3}{4}$ in (96 cm). Circa 1710.
Advertisements
Advertisements February 1989 (front)
02/1989 | 1031 | 131
Pages: i-xxxii
Subjects
advertisements:
advertisements:
artists:
Illustrations
Attributed works:
Detail of the Façade of the Oratorio di S. Filipo Neri, Rome, Designed by Francesco Borromini
Attributed works:
Sir Matthew Digby Wyatt Architect 1820-1877 Travel Sketch, 1846 Watercolour over Pencil 21 × 14 Inches
Attributed works:
[Austin/Desmond Fine Art, 15A Bloomsbury Square, London] John Copnall Star Painting no. XXIII. 62½ × 62½ in.
Attributed works:
[Bourne Fine Art, 14 Mason's Yard, Duke Street, London - 4 Dundas Street Edinburgh] John Duncan RSA, (1866-1945). Still Waters
Attributed works:
[C. G. Boerner Dusseldorf, Kasernenstrasse 13; 61 East 77 Street New York] Albrecht Dürer. Woodcut. 1523. 213 × 300 mm. Bartsch 53. Meder 184a (Of e). Watermark: High Crown (Meder 20). From the Collection of W. A. Ackermann (Lugt 791).
Attributed works:
[Chelsea Antiques Fair, London] A Fine George II Silver Kettle on Lampstand by John Chartier, London 1735. Courtesy of Steppes Hill Farm Antiques.
Attributed works:
[Colnaghi, 14 Old Bond Street, London - 21 East 67th Street, New York] Hans Leu the Younger, Zürich 1490-Kappel 1531. St. John the Baptist Indicating the Virgin and Child. Oil and Gold on Panel: 102 × 63 cms
Attributed works:
[David Koetser Gallery] Philips Wouwerman 1619 - Haarlem - 1668. "A Stag Hunt" Canvas: 85 × 125 cm. Signed in Monogram Extensive provenance available
Attributed works:
[Didier Aaron 32 East 67th Street New York] Louis Gauffier (1762-1801). Achilles Recognized by Ulysses. Signed and Dated 1790 Oil on Canvas: 9¼ × 13 Inches
Attributed works:
[Foire des Antiquaires du Belgique, Brussels] An Extraordinary Clock by Galle, in the Shape of a Teapot. Empire. Gilded and Patinated Bronze.
Attributed works:
[Galerie Maurice Garnier, 6 avenue Matignon Paris] Bernard Buffet Don Quichotte et les Moulins a Vent. 248 × 500 cm
Attributed works:
[Gebr. Douwes Fine Art, 38 Duke Street, St James's London] Melchior d'Hondecoeter (1636 - Amsterdam - 1695). On Canvas: 82 × 65 cm. Fully Signed
Attributed works:
[Hancocks, 1 Burlington gardens, London] A Large and Unusual Pair of Candlesticks, with Cast and Applied Figures and Dolphin Feet, by the Celebrated Art Silversmith & Jeweller John Paul Cooper (1868-1933). London 1929.
Attributed works:
[Henry Sotheran Limited, 80 Pimlico Road London ] Jean-Joseph Godefrey [Jean Godefroy?] (Active 2nd Quarter of 18th Century). Project for a Fountain. Pen, Ink and Grey Wash. 47.5 × 33 cms. On 18th Century Laid Paper, Watermarked 'Blauw'. Signed Verso and Inscribed below 'Prix d'Architecture remporté par Jean-Joseph Godefroy de Dernetal, en 1763′.
Attributed works:
[Johnny van Haeften, 13 Duke Street St James's London] , Paulus Moreelse 1571 - Utrecht - 1638. Pan Playing His Pipes. Signed in Monogram On Panel - (73 × 57.8 cm)
Attributed works:
[Marlborough Fine Art (London) Ltd. 6 Albemarle Street London] Frank Auerbach (B. 1931) Primrose Hill 1978. Oil on Canvas 36 × 48in/91.5 × 122cm. [Current Exhibition: Andrzej Jackowski 15/2/1989]
Attributed works:
[Musee de Grenoble, Laurent de La Hyre] Mercure et Hersé (Détail). Musée départemental des Vosges, Epinal
Attributed works:
[Newhouse Galleries, 19 East 66th Street New York ] Johan Georg Platzer (1704-1761). 'Assumption of the Virgin'. Signed at Base of Altar Oil on Copper, 56½ × 31 Inches
Attributed works:
[Noortman 40-41 Old Bond Street London Vrijthof 49 Maastricht] Floris van Schooten Active 1605-1655. 'A Still Life'. Panel: 40 × 56 cm. Signed [Old masters - Barbizon School Impressionists & Post Impressionists Paintings]
Attributed works:
[Paul Mitchell, 99 New Bond Street London] Sir William Chambers Detail from Sheet of Four Neo-Classical Frame Designs
Attributed works:
[Richard L. Feigen & Company, 6 Ryder Street, London] Eugene Delacroix, 'Christ on the Sea of Galilee,' Circa 1841. Oil on Canvas, 18 by 21½ Inches (45.7 × 54.6 cm)
Attributed works:
[Salander-O'Reilly Galleries, Inc. 22 east 80 Street, New York] John Constable, R. A. A View of Dedham Vale, 1802 and 1828. Oil on Paper Laid on Canvas, 19 × 23¼ Inches
Attributed works:
[Sotheby's London, 34-35 New Bond Street] Vilhelm Hammersho̵i (Danish 1864-1916), Sunshine in the Drawing Room III, Signed on the Reverse of the Original Canvas, Oil on Canvas. 54 by 66cm (21¼ by 26in). Estimate: £150,000-200,000
Attributed works:
[Sotheby's New York, 1334 York Avenue] John Frederick Lewis, R. A., A Kibab Shop, Scutari, Asia Minor, Signed J. F. Lewis and Dated 1858, Oil on Panel, 52 by 76cm (20½ by 30in). Estimate: $1,000,000-1,500,000 (£560,000-830,000) [19th c. European Paintings, Drawings and Sculpture including the Napoleonic collection of Mr Wallace C. Yost, New York 22 February 1989]
Attributed works:
[Sotheby's Sporting d'Hiver, Place du Casino, Monte Carlo] An Important Marble Bust of Jacques-Rolland Moreau, Conseiller du Roi, by Jean-Louis Lemoyne (1665-1755), Signed J.-L. Lemoyne. Fecit, I. R. Moreau 1712, 93cm High Overall (36½in). Estimate: FF 1,500,000-2,000,000 (£150,000-200,000) [Fine Furniture and Works of Art]
Attributed works:
[Stephen Mazoh & co. Inc. 43 East Street, New York] Pablo Picasso, Le sculpteur et son modèle. Oil on Canvas. (22.2 × 34.9 cm.) 1931. Signed and Dated Upper Left 'Picasso XXXI'
Attributed works:
[The European Fine Art Fair Maastricht] Owl with Three Mice. Bronze, Austria Circa 1620. Attributed to Caspar Gras. H. 14 cm.
Attributed works:
[The European Fine Art Fair Maastricht] Young Girl in the Fields. Carpentier Evariste, Kuurne 1845-Liège 1922. Oil on Canvas: 62 × 75 cm. Signed Bottom Right.
Attributed works:
[W. M. Brady and Co. 3 east 76th Street, New York] Hippolyte-Jean Flandrin (Paris 1809-1864 Rome), Profile of the Lyric Actor Alexis Champagne. Black Chalk and Charcoal Heightened with White. (470 × 307 cm). Drawn in 1840
Non-western art unattributed:
[Ming Furniture Ltd. 4400 N. Federal Hwy, 116 Boca Raton, Florida, USA] Ming Dynasty Huanghuali Wood Three-Drawer Altar Coffer with Dragon Design - Circa 16th c. Length 63″ (159 cm.)
Western art unattributed:
[Foire des Antiquaires du Belgique, Brussels] A Pair of Rare Bird Cages in Patinated Copper. English 19th Century. Height: 164 cm.
Western art unattributed:
[Foire des Antiquaires du Belgique, Brussels] Bacchus. Marble. Rome. 2nd or 3rd Century
Western art unattributed:
[Sixth Park Lane Arms Fair, The Park Lane Hotel Piccadilly, London] A Crossbowman's Pavise, German circa. 1480. From an Exhibition of Crossbows and Shields to Be Staged at the Fair by The Royal Armouries, H. M. Tower of London.
Western art unattributed:
[The European Fine Art Fair Maastricht] Birth of the Mother of God. Russian Icon, Moscow School, Early 16th Century, 40½ × 33½ cm.
Western art unattributed:
[The European Fine Art Fair Maastricht] The Descent from the Cross. Brussels Tapestry, 16th Century. Signed CM - Cornelius Mattens (1575-1614). H. 125 cm × W. 125 cm.
Advertisements
Advertisements November 1986 (Front)
11/1986 | 1004 | 128
Pages: i-xl
Subjects
advertisements:
advertisements:
Illustrations
Attributed works:
Boy bitten by a Lizard, by Caravaggio. 66 by 49.5 cm. (National Gallery, London).
Attributed works:
[Agnew, 43 Old Bond Street, London] Sir Henry Raeburn. Sir William Maxwell of Calderwood. Canvas 96 × 60 ins
Attributed works:
[Alan Jacobs Gallery, 8 Duke Street, London] Jan Van Noordt. Active Amsterdam 1644-76 "The Labourer Offering Shelter to the Levite and His Concubine in Gibea". Oil on Canvas 65 × 90 cms
Attributed works:
[Bob P. Harboldt & Co., de Lairessestraat, Amsterdam] Willem van de Velde II (1633-1707). Pen and Brown Ink 169 × 259 mm
Attributed works:
[C.G. Boerner, Kasernenstraße 13, Dusseldorf] Michael Willmann (1630 Königsberg-Kloster Leubus 1706) The Virgin in Glory. Etching. 1675. Nagler 10 II. Wiese-Kloss (Breslau 1930) 142.
Attributed works:
[Central Museum, Agnietenstraat 1, Utrecht & Herzog Anton Ulrich-Museum, Museumstraße, Braunschweig] Dutch painting in a new light Hendrick ter Brugghen and his contemporaries. Centraal Museum Utrecht 14.11.1986-12.1.1987, Herzog Anton Ulrich-Museum 12.2-12.4.1987. The most comprehensive display yet seen of Hendrick ter Brugghen & the Utrecht Caravaggisti showing the new artistic tendencies in Utrecht during the early 17th century and a balanced selection of stylistically related paintings by other Dutch painter of that period.
Attributed works:
[Clarendon Gallery, 8 Vigo Street, London] John Devoto. (Fl. 1708-1752) Zeus Transforming Lycaon into a Wolf Oil on Canvas 44¼ × 35 in
Attributed works:
[Colnaghi, 14 Old Bond Street, London] Benedetto Gennari. Cento 1633-Bologna 1715 Toilet of Venus Canvas 182 × 146 cms.
Attributed works:
[David Koester Gallery, 37 Talstrasse, Zurich] Dirck van Delen. Oil on Copper: 26 × 34 cm, Signed + Dated 1629
Attributed works:
[Edition PVA, Pfälzische Verlagsanstalt, Postfach, Landau] Professor Dr. Werner Sumowski, University of Stuttgart, has attended to the art of Rembrandt, his pupils and his precursors for thirty years now. He enjoys an international reputation as a Rembrandt research worker of rank and as leading expert on the Rembrandt School. Besides books, his bibliography comprises numerous publications in specialized journals at home and abroad. Successive publication of the twelve volumes of his edition of drawings by the Rembrandt School began in 1979.
Attributed works:
[F. Dörling, Neuer Wall 40, Hamburg] Sheperds Group with Sheep and Dog by J. Ch. Haselmeyer. Ludwigsburg, about 1766. H. 22,6 cm.
Attributed works:
[Faustus Fine Art Ltd, 90 Jermyn Street, London] Rembrandt van Ryjn Self Portrait Leaning on a Stone Sill. 1639. Etching B21. The Second State with the Hat Band Completed.
Attributed works:
[Finarte, P.tta Bossi 4, Milan] G. B. Tiepolo, Iphigenia's Sacrifice, Pen-and-Ink Drawing, Brown Ink Washed, Pencil, 432 mm × 555 mm.
Attributed works:
[Foire Internationale L'estampille, La Conciergerie, Paris] Bleu de Nuit, par B. Louttre. Gravure sur bois. Tirage 60 ex. 1984.
Attributed works:
[Foire Internationale L'estampille, La Conciergerie, Paris] L'Echange, par Jean Miotte. Lithographie originale. 1953.
Attributed works:
[Foire Internationale L'estampille, La Conciergerie, Paris] Le miracle des Longues Aiguilles, par Leonor Fini, 45cm × 38cm. 1982.
Attributed works:
[Foire Internationale L'estampille, La Conciergerie, Paris] Les masques, par Michel Duport. Gravure sur bois.
Attributed works:
[Foire Internationale L'estampille, La Conciergerie, Paris] Profil Grec, par G. Braque. Ref Dora Vallier Page 298.
Attributed works:
[Foire Internationale L'estampille, La Conciergerie, Paris] Sam Francis. Lithographie originale. 76cm × 56cm.
Attributed works:
[Foire Internationale L'estampille, La Conciergerie, Paris] Suite Vollard 1933, par P. Picasso. Eau forte et aquatinte Ref Bloch No. 189 "Sculptures et vase de Fleurs".
Attributed works:
[Frau Theano Staehlin Kunsthandel in co-operation with Saddey & Ellenes Fine Art Ltd, Freiestrasse 110, Zurich] Carlo Maratta. 1625-1713 Madonna with Christchild Oil on Canvas 77 × 60 cm.
Attributed works:
[Galerie d'Arenberg, 14 rue aux Laines, Brussels] Léon Cogniet (Paris 1794-1880) Scène du Massacre des Innocents Signed and Dated 1824 Oil on Canvas, 265 × 225cm
Attributed works:
[Galerie Gerda Bassenge, Erdener Strasse, Berlin] Subtitle: Caspar David Friedrich (1774 Griefswald-1840 Dresden). The Ruins of the Monastery Heiligenkreuz near Meissen. Pen and Brown Ink, Brown Wash. 10.2 × 11.2 cm. Dated: 9th Sept. 1800.
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London] An Old Bearded Man (Probably St Jerome) Pen and Wash, 22 × 25 cm
Attributed works:
[Heim, 59 Jermyn Street, London] Ciro Ferri (Rome 1634-1689) Moses and the Daughters of Jethro Oil on Canvas 119 × 164.5 cm
Attributed works:
[Henry's Auktionshaus, An der Fohlenweiden 28-30, Mutterstadt] Paul Signac (1863 - 1935), "Scenery from Southern France", Oils/Wood, with Signature at Bottom on the Left Side, 34,5 × 44 cm. Origin: M. Knoedler Gallery, New York, Bernard M. Douglas Collection, New York. Rembrandt Harmensz van Rijn (1606-1669) "The Circumcision of Christ", oils/wood, 55 × 85,5 cm. Origin: Prince Zampiere Collection, Bologna, Reichsgraf von Kaunitz Collection. Expertises: Prof. Dr. Leo van Puyvelde, dated 19.9.63, Prof. Dr. H. Zimmermann, dated 1.12.63, Prof. Dr. Joseph Kronig, dated 4.5.64, Prof. Ed. Fischer, dated 11.5.63, Dr. Ernst Wengenmayr, dated 17.11.59, Adolf Bangel, dated 25.11.59. Henri de Toulouse-Lautrec (1864 - 1901), "Parisian Balloon-Salesgirl with Family", oils/canvas, with monogram at bottom of the right side, 117 × 81,5 cm. Origin: Maurice Joyant Collection, Paris, André Velmar Collection, New York. Evidence: Erik M. Von Buelow, dated 23.8.1976. Henri Matisse (1869 - 1954), "View out of the Window of Nizza Harbour", oils/canvas, with signature at bottom ot the right side, 48 × 51,4 cm, painted in 1938. Origin: André Maurice Gallery, Paris, Mont Cenis Gallery, Paris, Lyman Allen Museum, New London (Connecticut). This painting was exhibited to Francois Daulte, Paris.
Attributed works:
[IDC Microform Publishers, PO Box 11205, Leiden] A. Dürer, Vier Bücher von menschlicher Proportion. Nürnberg, 1528. 356 pp.
Attributed works:
[Johnny van Haeften, 13 Duke Street, London] Paulus Moreelse. (1571 - Utrecht - 1638) A Shepherdess Wearing a Straw Hat, Holding Flowers and a Crook. On Canvas. 28¼ × 23¼ Inches.
Attributed works:
[Marlborough Fine Art Ltd, 6 Albermarle Street, London] Portrait of Maximilien Luce 1890 Pen, Brush, Brown Ink and Pencil on Card 10⅝ x 8⅝in/22 × 27cm
Attributed works:
[Mes Audap-Godeau-Solanet, 32 rue Drouot, Paris] Gabriel de Saint Aubin "La récompense du poète". Canvas Signed and Dated 1759-0,96 m × 1,30 m.
Attributed works:
[Mes Laurin-Guilloux-Buffetaud-Tailleur, 12 rue Drouot, Paris] G. Caillebotte. Bateaux sur la Seine à Argenteuil. Oil on Canvas, Signed and Dated 1892. 73 × 60 cm.
Attributed works:
[Morton Morris & Company, 32 Bury Street, London] Rembrandt: A Sheet of Studies
Attributed works:
[Paul Mitchell Limited, 99 New Bond Street, London] Sir William Chambers Detail from Sheet of Four Neo-Classical Frame Designs
Attributed works:
[Phillips, 7 Blenheim Street, London] "Enfant au bord d'un bassin," by Henri Martin.
Attributed works:
[Phillips, 7 Blenheim Street, London] Pieter Brueghel III, 1589-1638/39, "The Feast of Saint Catherine", on Panel, 74 cm × 106 cm.
Attributed works:
[Richard L. Feigen & Company, 113 East 79th Street, New York] Cecco Bravo, "Balaam and the Ass" Oil on Canvas, 89.1 by 74.9 cm.
Attributed works:
[S Franses Ltd, 82 Jermyn Street, London] Le Sommeil de Renaud a Very Important Louis XV Gobelins Tapestry. Designed by Charles Antoine Coypel with Borders Designed by P. J. Perrot. Woven in the Atelier of Michel Audran between 1749 and 1753. Coloured Wools and Silks 20 Warp Threads to the inch. Dimensions: 21ft 9in × 13ft 7in (6.62m × 4.14m)
Attributed works:
[Sotheby's Place du Casino Monaco] Philippe de Champaigne, Saint Augustine, Oil on Canvas, 79 by 62.5cm. Estimate: £100,000-£120,000.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] An English White Marble Portrait Roundel, Probably of Sarah Brooke, Signed Chantrey 1821, In contemporary Marquetry Frame and Case, Roundel: 37.5cm. Estimate: £8,000-12,000.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] Christen Ko̵bke, A Portrait of Dr Kettil Henning (1812-44), Oil on Canvas, 33.5 by 25.5cm. Estimate: £40,000-60,000.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] Jean Honoré Fragonard, Sultana on an ottoman, Oil on Canvas, 103 by 80cm. Estimate: £80,000 - 100,000.
Attributed works:
[The Building Centre with the Lingard Gallery, 26 Store Street, London] William Walcot - Interior with Figure of Brittania 1925 Watercolour over Pencil 30 × 22½ Inches.
Attributed works:
[The Leicestershire Museum & Art Gallery, New Walk, Leicester] Renoir "Nude" on Loan from the Tate Gallery
Attributed works:
[Trafalgar Galleries, 35 Bury Street, London] Giacomo Cerutti. (Milan 1698 1767) A Young Man Wearing a Red and Blue Jacket and Tricorn Hat Oil on Canvas, 24 ¾ × 18¼in. (63 × 46cm.)
Attributed works:
[Wheelock & Whitney & Company, 123 East 62nd Street, New York] Studio of Daniel Rabel. Influences 1627 Pen and Ink and Watercolour 324 × 211 mm.
Western art unattributed:
[Mes Audap-Godeau-Solanet, 32 rue Drouot, Paris] Rare Gilted Wood Mirror of the Regence Period with Red and Gold Lacquer and Chinese Decor. H 1,94 m × W 1 m.
Short Notice
Furnishing for the Casino at Marino, Co. Dublin: A Chimney-Piece Made in Florence for Lord Charlemont
09/1986 | 1002 | 128
Pages: 670-672+675
related names
Author:
O'Connor, Cynthia (O'Connor, Cynthia)
Subjects
artists:
dates:
places:
Illustrations
Attributed works:
28. Design for a Chimney-Piece, by William Chambers. Published in His 'Treatise on Civil Architecture', 1759.
Short Notice
Sir William Chambers and John Yenn: Designs for Silver
01/1986 | 994 | 128
Pages: 30-35
related names
Reviewer:
Young, Hilary (Young, Hilary; Y., H.)
Subjects
artists:
dates:
places:
subjects:
subjects:
Illustrations
Attributed works:
35. Design for a Soup Tureen, by John Yenn, Probably after Sir William Chambers. c. 1771. Pen and Water-Colour, 28.6 by 45.5 cm. (Victoria and Albert Museum).
Attributed works:
36. Soup Tureen, by Sebastian and James Crespel. London 1771-72. Silver, Diameter 31 cm. (Private Collection).
Attributed works:
37. Design for a Soup Tureen, by John Yenn, Probably after Sir William Chambers. c. 1770. Pen and Water-Colour, 27.2 by 38 cm. (Victoria and Albert Museum).
Attributed works:
38. Design for a Sauce Boat, by John Yenn, Probably after Sir William Chambers. c. 1770. Pen and Water-Colour, 24.1 by 34.3 cm. (Victoria and Albert Museum).
Attributed works:
39. Design for a Candlestick, by John Yenn, Probably after Sir William Chambers. c. 1770. Pen and Water-Colour, 38.2 by 24.2 cm. (Victoria and Albert Museum).
Attributed works:
40. Design for a Ewer, by John Yenn, Probably after Sir William Chambers. c. 1770. Pen and Water-Colour, 39.2 by 21.9 cm. (Victoria and Albert Museum).
Attributed works:
41. Design for a Tureen, by John Yenn, Probably after Sir William Chambers. c. 1770. Pen, Pencil and Wash, 21.7 by 29.5 cm. (Victoria and Albert Museum).
Attributed works:
42. Design for a Tureen, by John Yenn, Probably after Sir William Chambers. c. 1770. Pen and Water-Colour, 20.4 by 29.4 cm. (Victoria and Albert Museum).
Attributed works:
43. Design for a Candelabrum, by Sir William Chambers. c. 1770. Pencil, 34.7 by 23.5 cm. (Drawings Collection, Royal Institute of British Architects).
Attributed works:
44. Tureen, by John Romer. London 1771-2. (The Stand by Thomas Heming, London 1780-81.) Silver, Height 26.5 cm. (The Jackson Collection, National Museum of Wales).
Advertisements
Advertisements April 1984 (back)
04/1984 | 973 | 126
Pages: s.p.
Subjects
subjects:
Illustrations
Attributed works:
[Christie's, 8 King Street, London, UK] George III Mahogany, Sandalwood and Boxwood Fitted Medal Cabinet, 14ft 7in Wide by 12ft High.
Article
The Future of the Courtauld Institute
10/1983 | 967 | 125
Pages: 584-586
related names
Author:
Lasko, Peter (Lasko, Peter)
Subjects
dates:
places:
Illustrations
Attributed works:
1. The Main Portico of Somerset House: The Future Entrance to the Courtauld Institute Galleries?
Book Review
Sir William Chambers
03/1973 | 840 | 115
Pages: 189-190
related names
Reviewer:
Irwin, David (Irwin, David; Irwin, David G.)
Subjects
dates:
places:
Reviewed Items
subjects:
Sir William Chambers | author: Harris, John
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