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02/2024 | 1451 | 166
Pages: i-xii
Subjects
Illustrations
Attributed works:
Anders Zorn, Gods-Kari oil on canvas, 92 x 60 cm, signed and dated: Zorn 1916 [Amells].
Attributed works:
ANDRÉS DE MELGAR (Sahagún, circa 1501–Santo Domingo de la Calzada, circa 1555) Descent from the Cross Oil on panel 152.5 x 110.4 cm [Caylus]
Attributed works:
From ‘The smoking mother’, by Laure Prouvost. 2023. (Commissioned for Burlington Contemporary Journal 9). [Burlington Contemporary]
Attributed works:
Great gold cup Luigino Vigandon, Genf, 1957 [Dr Fischer Fine Art Auctions]
Attributed works:
Important carousel „egg“ made of gold, email, gemstones, Manfred Wild, 21st century [Dr. Fischer Fine Art Auctions]
Attributed works:
Johann Heinrich FÜSSLI (1741–1825) Amanda/Rezia throws herself with Huon into the sea, Fatime is held back by force 1804/1805 Oil on canvas 61 × 45 cm [Artcurial]
Attributed works:
Ladybug, Karl Fabergé, Master Oskar Pihl, 1896-1897 [Dr. Fischer Fine Art Auctions]
Attributed works:
LIPPO VANNI. Sienese, active 1344-1376 A predella panel: the Marriage of the Virgin Siena, c.1345 Tempera on wood panel 24.6 x 28.5 cm Provenance: Collection of Walter Savage Landor (1775-1864), Villa Gherardesca, Fiesole. [Brimo de Laroussilhe]
Attributed works:
Mary Beale (1633-1699) Portrait of a Young Boy seated in a Landscape, 1680s Oil on canvas 50 x 40 in. (127 x 101.6 cm) [Phlip Mould]
Attributed works:
Vase „Bacchantes“ René Lalique (design), Lalique, Paris, 1927 [Dr. Fischer Fine Art Auctions]
Attributed works:
Vase „Pezzato‘‘ Fulvio Bianconi (design), Venini, Murano, 1950 [Dr. Fischer Fine Art Auctions]
Exhibition Review
Fuseli and the Modern Woman: Fashion, Fantasy, Fetishism
01/2023 | 1438 | 165
Pages: 79-81
related names
Reviewer:
Salatino, Kevin (Salatino, Kevin)
Subjects
artists:
dates:
Reviewed Items
subjects:
Fuseli and the Modern Woman: Fashion, Fantasy, Fetishism Courtauld Gallery, London 14th October 2022–8th January 2023 | :
Illustrations
Attributed works:
16. Sophia Fuseli, her hair in large rolls, with pink gloves, in front of a brown curtain, by Henry Fuseli. 1790. Graphite, brush and watercolour, heightened with white opaque watercolour on paper, 31.6 by 19.7 cm. (Kunsthaus Zürich; exh. Courtauld Gallery, London).
Attributed works:
17. Woman in a sculpture gallery, by Henry Fuseli. 1798. Pen and black ink, brush and watercolour on paper, over graphite, heightened with white opaque watercolour, 41 by 24.7 cm. (Kupferstichkabinett, Staatliche Kunstsammlungen Dresden; exh. Courtauld
Attributed works:
18. Kallipyga, by Henry Fuseli. c.1790–92? Pen and brown ink, 16.3 by 9.4 cm. (Private collection; exh. Courtauld Gallery, London).
Exhibition Review
Füssli: Entre rêve et fantastique. Musée Jacquemart-André, Paris
12/2022 | 1437 | 164
Pages: 1280-1282
related names
Reviewer:
Solkin, David H. (Solkin, David H.)
Subjects
artists:
dates:
museums and institutions:
Reviewed Items
subjects:
Füssli: Entre rêve et fantastique Musée Jacquemart-André, Paris 16th September 2022– 23rd January 2023 | :
Illustrations
Attributed works:
21. Incubus escaping, leaving behind two women, by Henry Fuseli. c.1785–94. Oil on canvas, 86.4 by 110.5 cm. (Private collection; exh. Musée Jacquemart- André, Paris).
Attributed works:
22. David Garrick and Hannah Pritchard as Macbeth and Lady Macbeth after the assassination of King Duncan, by Henry Fuseli. 1768. Pen and watercolour, heightened with white, 32.3 by 39.4 cm. (Kunsthaus Zürich; exh. Musée Jacquemart- André, Paris).
Attributed works:
23. Lady Macbeth seizing the daggers, by Henry Fuseli. 1812. Oil on canvas, 101.6 by 127 cm. (Tate Britain, London; exh. Musée Jacquemart- André, Paris).
Exhibition Review
Im Herzen wild: Die Romantik in der Schweiz
04/2021 | 1417 | 163
Pages: 361-364
related names
Reviewer:
van der Meij, Lorenz (van der Meij, Lorenz)
Subjects
art literature:
museums and institutions:
places:
styles:
subjects:
Reviewed Items
subjects:
Im Herzen wild: Die Romantik in der Schweiz Edited by Jonas Beyer and Esther Braun-Kalberer. 288 pp. incl. 200 col. ills. (Zürcher Kunstgesellschaft / Kunsthaus Zürich and Prestel, Munich, London and New York, 2020), €49. ISBN 978–3– 7913–5988–5. | :
Illustrations
Attributed works:
12. Passage of Mount St Gotthard from the centre of Teufels Broch (Devil’s Bridge), by J.M.W. Turner. 1804. Watercolour on paper, 101 by 68 cm. (Abbot Hall Art Gallery, Lakeland Arts; The Morse Bequest, 1972; exh. Kunsthaus Zürich).
Attributed works:
13. Summit in the clouds, by Alexandre Calame. 1861. Charcoal and graphite, heightened with white chalk and gouache on blue paper, 15.9 by 23.7 cm. (Musées d’art et d’histoire, Geneva; exh. Kunsthaus Zürich).
Attributed works:
14. The three witches, by Henry Fuseli. 1783. Oil on canvas, 65 by 91.5 cm. (Kunsthaus Zürich).
Exhibition Review
Passion and Fervour
03/2021 | 1416 | 163
Pages: 275-278
related names
Reviewer:
Stiegemann, Christoph (Stiegemann, Christoph)
Subjects
dates:
subjects:
Reviewed Items
works:
Passion and Fervour LWL – Museum für Kunst und Kultur, Münster 9th October 2020– 14th February 2021 | :
Illustrations
Attributed works:
10. Study for a self-portrait, by Henry Fuseli. 1780s. Black-andwhite chalk with ink inscription, 27 by 19.4 cm. (Victoria and Albert Museum, London; exh. LWL – Museum für Kunst und Kultur, Münster).
Attributed works:
8. The fruit of love, from the series Love Scenes, by Pauwels Franck, called Paolo Fiammingo. 1585– 89. Oil on canvas, 158.7 by 257.3 cm. (Kunsthistorisches Museum, Vienna; exh. LWL – Museum für Kunst und Kultur, Münster).
Attributed works:
9. Pietà, by Berlinde de Bruyckere. 2007–08. Wax, cushions, wood, iron and epoxy, 126 by 90 by 188 cm. (Private collection; © Berlinde De Bruyckere; courtesy the artist and Hauser & Wirth; exh. LWL – Museum für Kunst und Kultur, Münster; photograph Mirjam Devriendt).
Exhibition Review
Henry Fuseli. Chicago
03/2018 | 1380 | 160
Pages: 243-244
related names
Reviewer:
Pullins, David (Pullins, David)
Subjects
artists:
dates:
media:
Illustrations
Attributed works:
15. Ugolino and his sons starving to death in the tower, by Henry Fuseli. 1806. Pen and black ink and wash on paper, 63.9 by 52.2 cm. (Art Institute of Chicago).
Attributed works:
16 . Nude male figures bearing the bodies of their dead companions, by James Jefferys. c.1779. Pen and black ink and red-brown wash on paper, 35.5 by 56.4 cm. (Art Institute of Chicago).
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Advertisements May 2012 (front)
05/2012 | 1310 | 154
Pages: s.p.
Subjects
advertisements:
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advertisements:
museums and institutions:
subjects:
Illustrations
Attributed works:
[Bassenge. Erdener str. 5A. 14193 Berlin. Germany. Jan Lievens (1607 Leiden - 1674 Amsterdam). Landscape with Bathing Nymphs. Oil on canvas. 56.5 x 58 cm. 1655/1660]
Attributed works:
[Charly Bailly. 10 rue de l’Hotel-de-Ville. Geneva. Francisco de Zurbaran (Fuente de Cantos 1598 - 1664 Madrid). The Mystic Marriage of Saint Catherine of Alexandria, 1660-62. Oil on canvas, 121 by 102.7 cm]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Francis Cotes, R.A. (London 1726-1770). Portrait of Sir William Earle Welby, 1st Bt., and his first wife Penelope, playing chess (detail). Oil on canvas, 53 1/4 x 60 in. (135. x 152.5 cm)]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. John Constable, R.A. (1776-1837). Storm clouds over Hampstead (detail). Oil on milboard. 16 x 27 1/4 in. (40.6 x 69.2 cm)]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Girolamo Mazzola Bedoli. Viadana, near Mantua, c.1500 - Parma, 1569. Portrait of a Man. Oil on canvas, 82 x 65.5 cm (32 1/4 x 25 3/4 in)]
Attributed works:
[Guy Peppiatt Fine Art. River wide House. 6 Manson’s Yard. Duke St., St. James’s. London David Roberts, R.A. (1790-1864). The Giralda, Seville. Watercolour over pencil, 35 by 24.5 cm. (13 3/4 by 9 3/4in)]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. Barbara Hepworth 1903-1975. Two Forms Pierced. 1961-2. White alabaster. Height: 11 inches; 29.2 cm. Unique]
Attributed works:
[Lowell Libson. 3 Clifford Street, New Bond Street, London, W1S 2LF. Edward Dayes 1763-1804. The Triumph of Beauty. Oil on canvas. 50 x 36 inches. 1270 x 915 mm. Painted in 1799-1800. Exhibited: London, Royal Academy, 1800, no. 93]
Attributed works:
[Martyn Gregory. 34 Bury Street, St. James’s. London. Henry Fuseli, R.A. (1741-1825). A male nude figure, seated. Pen and brown ink, 8 1/2 x 7 ins. Verso: Studies of lovers, a kneeling female figure, and a chequerboard, pen and brown ink]
Attributed works:
[Martyn Gregory. 34 Bury Street, St. James’s. London. Jacques-Laurent Agasse (1767-1849). A wooded landscape. Pencil and watercolour, 20 1/2 x 24 1/2 ins. Verso: Studies of horses, pencil, pen and ink.]
Attributed works:
[Richard L. Feigen & Company. 34 East 69th Street. New York, NY 10021. Samuel Palmer - The Shearers ca. 1827-29. (Shoreham). Oil and tempera on panel, 20 3/8 by 28 inches.]
Attributed works:
[Rogallery. 47-15 36th Street. Lic NY. Lot 512. Alex Katz. Maine Cow. Sculpture, 2007]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church Street. London. J.M.W. Turner. The Bridge at Vernon, from Vernonnet]
Attributed works:
[Yale Center for British Art. 1080 Chapel Street, New Heaven. Connecticut. Nikolaus von Heideloff, "Afternoon Dresses" from Gallery of Fashion (detail), October 1798, hand-colored aquatint. Yale Center for British Art, Paul Mellon Collection]
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Advertisements October 2009 (front)
10/2009 | 1279 | 151
Pages: s.p.
Subjects
advertisements:
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advertisements:
artists:
subjects:
Illustrations
Attributed works:
[Agnew’s. 8 Grafton Street. London. Bartolomeo Schedoni (1578-1615). The Holly Family with the infant St. John Baptist. Oil on walnut, 13 7/8 x 10 ins (35.5 x 25.5 cm)]
Attributed works:
[August Laube, Zurich. Old bearded man in a high fur cap, with eyes closed, by Rembrandt van Rijn (1606-69). Etching.]
Attributed works:
[C. & J. Goodfriend, New York. Standard bearer in a landscape, Heinrich Aldegrever (1502-58/61). 1540. Engraving, 118 by 77 cm]
Attributed works:
[Charles Ratton & Guy Ladrière. 14 rue de Marignan, 75008 Paris. Anton Maria Vassallo. Genoa 1617/1618 - Milan 1680. Medea rejuvenating Esone. Oil on canvas, 60 x 81 cm]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Domenico Zampieri, il Domenichino. Saint John the Evangelist. Oil on canvas, 102 x 78 1/2 in. (259x199.4 cm)]
Attributed works:
[Courtesy of Hill-Stone, Inc, New York. Evening thou bringest all, by Henry Fuseli (1741-1825). 1802. Pen lithograph, 22.3 by 31.5 cm]
Attributed works:
[David Tunick, New York. Engraved passion, by Albrecht Durer (1471-1528). 1507-12 (1513 for no.16, Meder 18). Complete set of sixteen engravings, each 11.7 x 7.4 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Pietro Faccini. Bologna, c. 1575/1576 - 1602. Portrait of Virginio Guicciardini. Oil on canvas, 90 x 80,5 cm (39 x 31 11/16 in)]
Attributed works:
[Hazlitt, Gooden & Fox. 38 Bury Street, St. James’s London. SW1Y 6BB. Francesco Monti (1685-1768). A Sketch for a ceiling. Oil on canvas, 39.5 x 57 cm (15 1/2 x 22 1/2 in)]
Attributed works:
[Joseph Friedman Ltd. Sir Thomas Lawrance, P.R.A. (1769-1830). John Philip Kemble as Cato (1812). Oil on canvas. 104 x 70 1/2 in (254 x 177.8 cm)]
Attributed works:
[Kunstaus Lempertz, 3 Neumarkt. Cologne. Giovanni Bettista Tiepolo (1696-1770). Presentation of the Rosary. Oil on cardboard, 72x34 cm. Modelletto for the ceiling of the Gesuati church in Venice.]
Attributed works:
[Paul McCarron Fine Prints and Drawings. New Jersey. Five butterflies, by Wenceslaus Hollar (1607-77). 1646. Etching, 8.1 by 11.9 cm]
Attributed works:
[Paul Prouté, Paris. Le coiffeur, programme from "Le Théatre Libre", by Henri Toulouse Lautrec (1864-1901). 1893. Lithograph, 22.4 by 16.1 cm.]
Attributed works:
[Pia Gallo, New York. Westminster Bridge, by Felix Buhot, (1847-98). 1884. Etching and drypoint, 28 by 39.4 cm]
Attributed works:
[Sims Reed, London. Le Lézard aux plumes d'or, by Joan Mirò. 1971. Edition of 150. Lithograph printed in colours.]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. Sir Anthony Van Dyck. Self Portrait.]
Attributed works:
[Steinitz. 9, Rue du Cirque – 77, Rue du Faubourg Saint-Honoré. Paris. Exceptional pair of boxwood and ebony consoles attributed to Andrea Brustolon (1662-1732). Italy, Venice, early 18th century. Height: 88 cm (34 1/2 in). Width: 99 cm (39 in). Depth: 56 cm (22 in).]
Attributed works:
[The Burlington Magazine. 14-16 Duke's Road. London. Detail of the monument of Mary Victoria and George Nathaniel Curzon, by Bertram Mackennal. 1907-13. Serravezza marble on black marble plinth. c. 200 by 160 by 130 cm. (All Saint's Church, Kadlestone, Derbyshire.)]
Attributed works:
[The Burlington Magazine. 14-16 Duke's Road. London. Madonna della Misericordia, attributed to Bartolomeo Bon and workshop. c. 1440-41. Istrian stone with traces of paint and gilding. 251.5 by 208.3 cm (Victoria and Albert Museum, London.)]
Attributed works:
[The Burlington Magazine. 14-16 Duke's Road. London. Scandal relief, by Charles Sargeant Jagger. 1930. Bronze, 161 by 149 cm (Victoria and Albert Museum)]
Attributed works:
[The Fine Art Society, London. Returning to the trenches, by C.R.W. Nevison (1889-1946). Edition of 75. Drypoint, 51.2 by 76.8 cm]
Attributed works:
[The International Art Fair for FIne Prints. The Park Avenue Armory. New York. Augustin Hirschvogel (1503-1553), Courtyard of a Castle. Etching. 1546.]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Giambologna (1529-1608). Prometheus. Gilt bronze.]
Exhibition Review
Fuseli. Zürich and London
05/2006 | 1238 | 148
Pages: 364-365
related names
Reviewer:
Bindman, David (Bindman, David)
Subjects
artists:
dates:
museums and institutions:
places:
print:
subjects:
Reviewed Items
subjects:
Füssli: The Wild Swiss | institution: Kunsthaus Zürich
Illustrations
Attributed works:
58. A philosopher in a moonlit churchyard, by Philippe Jacques de Loutherbourg. 1790. Canvas, 86.3 by 68.5 cm. (Yale Center for British Art, New Haven; exh. Tate Britain, London).
Attributed works:
59. Macbeth consulting the vision of the armed head, by Henry Fuseli. Exh. 1793. Canvas, 167.7 by 134.3 cm. (Folger Shakespeare Library, Washington; exh. Tate Britain, London).
Attributed works:
60. The nightmare, by Henry Fuseli. Exh. 1782. Canvas, 101.6 by 126.7 cm. (Detroit Institute of Arts; exh. Tate Britain, London).
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