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10 articles
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Advertisements June 1998 (front)
06/1998 | 1143 | 140
Pages: i-xxxii
Subjects
advertisements:
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subjects:
Illustrations
Attributed works:
Antoni Gaudi, Tempia Explatorio de la Sagrada Familia, Barcelona, under Construction Since 1881.
Attributed works:
Unexecuted Design for the Decoration of a Wall of the Egyptian Room in the Villa Borghese, Rome, Attributed to Tomaso Conca, c.1778-79. Water-Colour over Graphite, 34 by 49.8 cm.;
Attributed works:
Vincent van Gogh, Self Portrait with Bandaged Ear, 1889. (The Courtauld Gallery, London)
Attributed works:
[Anthony Mould Ltd, 173 New Bond Street, London, UK] Thomas Gainsborough RA (1727-1788). Two Children in a Landscape. Oil on Canvas, 60 × 48 Inches
Attributed works:
[Blairman & Sons Ltd, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] China Cabinet, Designed by Ernest Gimson, c.1901. Mahogany with Chequered Mouldings. 213.3 × 119.6 × 57 cm.
Attributed works:
[Christie's, 8 King Street, London, UK] Joseph Vernet (1714-1789) A Mediterranean Harbour with the Artist, His Daughter. Emilie Chalgrin, His Son, Carle Vernet, and His Daughter-in-Law. Fanny Moreau on a Stone Pier Signed and Dated 'j. Vernet./F.1788' Oil on Canvas, 34¼ × $44frac{7}{8}$ in. (87 × 114 cm.) Estimate: £150,000-250,000
Attributed works:
[Christie's, 8 King Street, London, UK] Sir Anthony van Dyck (1599-1641). Portrait of Lady Lucy Percy, Countess of Carlisle (1599-1660). Oil on Canvas, 85 3/4 × 55¼ in. (217.9 × 140.3 cm.)
Attributed works:
[Christopher Wood, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Cabinet in the Gothic Style, Designed by Benjamin Green, Made by Jobson, Stephenson and Smith, 1834.
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Bartholomeus Breenbergh Deventer 1598. Amsterdam 1657 Portrait of a Young Man with a Letter. Oil on copper: 24.1 × 19.4 cm Monogrammed and dated at centre: BB. f Ao 1641. Inscribed at centre right: AT 20
Attributed works:
[Douwes Fine Art, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] A Wooded Landscape with Diana and her Attendants, by Alexander Keirincx, Signed and Dated 1636, with Figures by Cornelis van Poelenburgh.
Attributed works:
[Grosvenor Antiques, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Nymph and Zephyr, by W. F. Woodington after Richard Westmacott, 1843. Bronze, 41 × 13.5 cm.
Attributed works:
[H. Blairman & Sons, Ltd., 119 Mount Street, London, UK] Writing Cabinet Designed by Ernest Gimson (1864-1919). Bordered with Ebony and Veneered with Burr Elm. English (Sapperton), Circa 1904. Height: 49 in. Width: 31½ in. Depth: 17¼ in. (Maximum).
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London, UK] Eugene Isabey (1803-1886). La Tempête Watercolour and Gouache, 28.4 × 39.3 cm With the Atelier Stamp (Lugt Suppl. 1401b)
Attributed works:
[Hill-Stone Incorporated, Park Avenue, New York, New York] Hendrick Goltzius. Muhlbrecht 1558 - 1617 Haarlem. Judith with the Head of Holofernes. Engraving, after Spranger; c.1585. Bartsch 272, Hollstein 317, the First State of Two.
Attributed works:
[Johnny Van Haeften, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] A Shepherd, by Jan van Bijlert. Signed. 83 × 64.5 cm.
Attributed works:
[Kate de Rothschild, Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Charles-Joseph Natoire. 1700 Nimes - Castel Gandolfo 1777. Cattle near the Colosseum 235 by 340 mm
Attributed works:
[Kate De Rothschild, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] The Resurrection, by Luca Cambiaso. Pen and Black ink with Brown Wash, 31 × 21.1 cm.
Attributed works:
[Kate Ganz Ltd., New York and London] Jean-François Raffaëlli (1850-1924). Portrait of Albert Clémenceau, 1884. (A Preparatory Sketch for Clémenceau dans une réunion electorale, Exhibited in the Salon of 1885) Oil with Watercolour and Charcoal on Paper Applied to a Wood Board Signed in Oil, Upper Right: J. F. Raffaëlli. 27.0 × 21.5 cms
Attributed works:
[R.S. Johnson Fine Art, 645 North Michigan Avenue, Chicago, USA] Fernand Léger Study for "La Ville". 1919 Gouache 383 × 280 mm.; Initialed "F. L.". Dated "19" and Annotated "Étude Pour la Ville". Lower Right
Attributed works:
[Rafael Valls Limited, 11 Duke Street and 6 Ryder Street, London, UK] Christian Wilhelm Ernst Dietricy (1712-1774) German School. A Portrait of a Lady, Small Three-Quarter Length, Wearing a Red Dress with White Sleeves and Holding a Basket of Flowers. Oil on Panel. 17 5/8 x 12 7/8 Inches (44.7 × 32.7 cms)
Attributed works:
[Rafael Valls Limited, 11 Duke Street and 6 Ryder Street, London, UK] Jean-Baptiste de Saive - (1540-1624) Flemish School. A Market Scene with a Boy Offering Strawberries to a Girl Seated and Surrounded by Flowers. (An Allegory of Spring). Oil on Canvas $40frac{3}{4}$ × 58½ Inches (103.3 × 148.5 cms)
Attributed works:
[Rafael Valls Limited, 11 Duke Street and 6 Ryder Street, London, UK] Tobias Stranover (Active 1684-1731) Hungarian School. A Peacock, Hen and Cock Pheasant in a Landscape. Oil on Canvas. 49½ × 38 3/4 (126 × 98.5 cms)
Attributed works:
[Rafael Valls Limited, 11 Duke Street and 6 Ryder Street, London, UK] Vicente Victoria (1650-1713) Spanish School. An Exceptional Trompe l'oeil with a Standard, Pikes, a Sword, a Musket, Miquelet Pistols and a Drum All Set against a White Wall Background. Oil on Canvas. 64 3/4 × 82½ Inches (164.5 × 209.5 cms)
Attributed works:
[Rafael Valls, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] A Hunting Party in the Grounds of a Country House, by Jan van Huchtenberg. Signed and Dated 1674. 68 × 32 cm.
Attributed works:
[S.J. Phillips, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] A Pair of Silver-Gilt Candlesticks, by Wenzel Jamnitzer, Nuremberg, c.1540. 15.2 cm. High
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] A Highly Important Documented White Marble Bust of Daniel Finch, 2nd Earl of Nottingham Aged about 76 (1647-1730) by Michael Rysbrack (1694-1770) circa 1723, Height., 65cm. Estimate: £400,000-600,000 The Property of G. S. Finch Esq.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Caspar David Friedrich, German (1774-1840). Küstenlandschaft im Mondschein (Coastal Scene by Moonlight). Oil on Canvas 22 by 31cm. 8½ by 2¼in. Estimate: £700,000-900,000 ($1,150,000-1,400,000)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] The Property of a Lady. A Terracotta Bust of Edward Salter (1742-1812), Aged Six by Michael Rysbrack (1694-1770). Signed and Dated Edward Salter Ae(ta)tis 6. 1748, Ml Rysbrack. Fec:t. Height 41.5cm. Estimate: £100,000-150,000
Attributed works:
[Stoppenbach & Delestre, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Danseuse Saluant, un Genou à terre, by Edgar Degas. Signed Lower Right. Pastel and Charcoal, 29 × 23 cm.
Attributed works:
[The Weiss Gallery, 18 Albemarle Street, London, UK] Adriaen Hanneman c.1604-1671. James Stuart, 1st Duke of Richmond and 4th Duke of Lennox (1612-1655)' Oil on Panel: 29¼ × 23¼ ins. (74.3 × 59.1 cm.). Inscribed Upper Left.: Stuart Duke of Richmond Painted Circa 1642/3
Attributed works:
[William Drummond, 8 St. James's Chambers, 2 Ryder Street, London, UK] Self Portrait of the Artist. Daniel Maclise 1806-1870. Irish. Royal Academician Signed with Monogram and Inscribed: "Pictor Hibernicus" Pencil, 7½ × $7 7/8 Inches (19 × 12.5 cms).
Non-western art unattributed:
[C. John, 70 South Audley Street, London, UK] A Fine Persian Sultanabad 'Ziegler' Carpet, Circa 1880 Dimensions: 19′ 8″ × 12′ 2″ (598 cm × 371 cm)
Non-western art unattributed:
[Grace Wu Bruce, 701 Universal Trade Centre, 3 Arbuthnot Road, Hong Kong, China] A Very Fine Pair of Huanghuali Horseshoe Armchairs Chinese, Ming Dynasty, Late 16th to Early 17th Century Height 99.6 cm. (39 3/16 in.). Width 59.2 cm (23 5/16 in.). Depth 45.8 cm (18 in.)
Non-western art unattributed:
[Grace Wu Bruce, Hong Kong. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Small Painting Table, Late 16th-Early 17th Century. Huanghuali Wood, 85.3 × 122 × 73.8 cm.
Western art unattributed:
Ephesos, Marble Replacement Head, 5th Century AD (Selçuk, Ephesos Archaelogical Museum)
Western art unattributed:
Free Case of the Finest Claret with Orders Placed before August 98
Western art unattributed:
Photographed in Coco Chanel's Legendary Apartment in Paris.
Western art unattributed:
Photographed in Coco Chanel's Legendary Apartment in Paris.
Western art unattributed:
[Asprey, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] A Commonwealth Porringer Bearing the Arms of the Burton Family of Derbyshire, 1658. 11.5 × 23 cm. Silver, Marked 'WH' Star above, Pellet in Annulet below.
Western art unattributed:
[Christie's, 8 King Street, London, UK] A Gilt-Bronze Figure of Saint John the Evangelist English or North French, Circa 1180 3$frac{5}{8}$ in. (9.2 cm.) High. Estimate: £200,000-£300,000
Western art unattributed:
[Christie's, 8 King Street, London, UK] A Pair of George II Walnut and Parcel-Gilt Library Open Armchairs, in the Manner of Paul Saunders. Estimate: £100,000-£150,000
Western art unattributed:
[Jeremy, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Regency Ormolu and Ebonised Inkstand, c.1810, Given by George III to His Physician in 1814. 20 by 32.5 × 26 cm.
Western art unattributed:
[Mallett, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] A Mahogany Settee after a Design by William Kent and ?John Linnell, c.1770. 104 × 124 × 51 cm.
Western art unattributed:
[Neumeister Fine Art Auctioneers, Barer Str. 37, D-80799, Muchen, Germany] Five (From a Group of Fifteen) Very Rare Ibex-Hom Carvings. Salzburg, Circa 1700/50. Exhibited, 1990, at the Dommuseum, Salzburg: Geschnitztes Steinbockhorn, Cat. Nos. 156, 33, 86, 136 and 104 (Illustrated above, Clockwise from Upper Left).
Western art unattributed:
[Norman Adams, 8-10 Hans Road, London, UK]A Very Fine George III Purpleheart Pembroke Table. Circa 1775.
Western art unattributed:
[Sam Fogg, 35 St. George Street, London, UK] A Knight from a Manuscript on Chess. Northern Italy. Dated 1409. From the Ludwig and J. Paul Getty Museum Collections
Western art unattributed:
[Sam Fogg, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] A Bishop with Acolytes from a Manuscript of Gratian, England, Possibly London, Circa 1320-30.
Western art unattributed:
[Seago, 22 Pimlico Road, London, UK] An important early nineteenth century Coade Stone statue of "A Nymph unclasping her zone" otherwise known as "Venus attiring herself after her bath" after a carved marble sculpture by Sir Richard Westmacott (1775-1856) exhibited at the Royal Academy in 1828, and thereafter at Castle Howard, Yorkshire. (Destroyed by fire, 1940). A plaster version of the same sculpture may be seen at Sir John Soane's Museum, Lincoln's Inn Fields, in the Picture Room where it has been since the room's construction (1824-5). The present sculpture is interesting not least because the original marble no longer exists but because it demonstrates a hitherto unknown connection between Westmacott and the Coade Manufactory. English, circa 1825. Height: 4ft 6in Photo: Don Wood
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Advertisements November 1997 (front)
11/1997 | 1136 | 139
Pages: i-xxiv
Subjects
artists:
Illustrations
Attributed works:
[ Alex Wengraf ltd, The Old Knoll, Eliot Hill, London ] Jaques-Louis David, (1748-1825) Portrait of a young woman.
Attributed works:
[ Christie's 502 Park Avenue, New York ] Property from the Estate of Gabrielle Oppenheim - Errera. Claude Monet (1840-1926). Waterloo Bridge, soleil voilé. Signed and Dated Bottom Left 'Claude Monet 1903'. Oil on Canvas. $25frac{5}{8}times 39frac{5}{8}$ in. (65.1 × 100.7 cm.). Painted in London. 1903. Estimate: $4,000,000-6,000,000
Attributed works:
[ Christie's, 8 King Square, St. James, London ] The Property of the Estate of the 2nd Viscount Camrose, Sold by Order of the Executors. Luca Carlevarijs (1663-1730). The Molo and the Riva degli Schiavoni, Venice, looking East, with gentlemen, Merchants, Stevedores, Tradesmen and Townsfolk; And The Molo and the Piazzetta, Venice, Looking West, with Gentlemen, Tradesmen and Townsfolk. The Second Signed with Initials 'L. C.' Oil on Canvas, $29frac{7}{8}times 39frac{3}{4}$ in. (76 × 101 cm.). A Pair (2). The Second Illustrated. Estimate: £1,000,000-1,500,000 (For the Pair)
Attributed works:
[ Christie's, 8 King Street, St. James, London ] ]Sold on Behalf of the St Mary and St Nicholas Preservation Trust. A Carved Marble Bust of Henry Herbert. 9th Earl of Pembroke. By Louis François Roubiliac (1702-1762). $24frac{5}{8} text{in.}$ (62.5 cm.) High, the Bust. 32¼ in. (82 cm.) High, Overall. Estimate: £100,000-150,000
Attributed works:
[ Colnaghi, 15 Old Bond Street, London ] Gaetano Gandolfi. 1734 - Bologna - 1802. Finished Study for an Altarpiece with Sts James of the March, John of God and Margaret of Cortona. Oil on Canvas: 50.2 × 31.8 cms ($19frac{3}{4}$ × 12½ ins)
Attributed works:
[ cover ] Suzanne Le Peletier de Saint-Fargeau, by Jacques-Louis David. 1804. 60.5 by 49.5 cm. (J. Paul Getty Museum, Los Angeles).
Attributed works:
[ Dover Street Gallery, 13 Dover Street, London ] Rose Adelaide Ducreux. Portrait of a Lady with Her Daughter in a White Dress and Bonnet, Holding a Posy of Flowers. Oil on Canvas. 195.6 × 130.2 cms.
Attributed works:
[ Galerie Hans, Jungfernstieg 34, Hamburg ] Claude Gellée, Called Claude Lorrain (1600-1682). Woodéd Landscape with the Rest on the Flight into Egypt. Oil on Canvas, 72,7 × 98,1 cm.
Attributed works:
[ Galerie Patrice Bellanger, 198, boulevard Saint - Germain, Paris ] The Sleeping Faun. Original Plaster, 1885.
Attributed works:
[ Hill-Stone, New York ] Frans Crabbe van Espleghem. Malines c. 1480-1552. Christ as the Man of Sorrows. Engraving and Etching; c. 1522-1525. Hollstein 34. Exceedingly Rare; The Second Known Impression.
Attributed works:
[ Johnny Van Haeften, 13 Duke Street, St. James, London ] Jan Victoors (Amsterdam 1620 - 1676 The Indies). On Canvas. 39 × 49½ ins. (99 × 125 cms.)
Attributed works:
[ Olympia London, The National Hall, Olympia Exhibition Centre, Hammersmith Road, London ] Col. Alastair Macdonell of Glengarry by Sir Henry Raeburn (c. 1812), Oil on Canvas, National Gallery of Scotland
Attributed works:
[ Phillips, 101 New Bond Street, London ] Bartolomé Esteban Murillo (1617-1682). "St Joseph and the Sleeping Christ Child", Pen, Brown Ink and Brown Wash over Black Chalk, 163mm × 136mm. Estimate: £7,000-10,000
Attributed works:
[ Phillips, 101 New Bond Street, London ] Claes Molenaer (1630-1676), A Winter Landscape, Signed and Dated 1660, Oil on Canvas, 64.2cm × 88.8cm. Estimate: £50,000-£80,000
Attributed works:
[ R. S. Johnson Fine Art, 645 North Michigan Ave., Chicago ] Mary Cassatt (1844-1926). Sewing in the Conservatory, circa 1895. Pastel, 28 × 20 in., Signed Lower Left
Attributed works:
[ Richard L. Feigen & Company, 49 East 68th Street, New York ] Max Beckmann, Romance, 1948. Ink over Pencil. 37.3 by 32.3 cm. Inscribed and Dated: "A. 12..2.48"/"Romance"
Attributed works:
[ Sotheby's 34-35 New Bond Street, London ] George Gower c. 1540-1596. The Sieve Portrait of Queen Elizabeth I. Oil on Panel. 114.5 by 85.5 cm.; 45 by 33½ in. Estimate: £300,000-500,000
Attributed works:
[ Stoppenbach & Delestre 25 Cork Street, London ] Francois Bonvin (1817-1887). Nature morte au lièvre. Oil on Canvas, 47½ × 36½ ins. (121 × 92.7 cms). Signed and Dated Lower Right: 'F Bonvin 1867'
Attributed works:
[ The Bridgeman Art Library, 17-19 Garway Road, London / 65 East 93rd Street, New York ] Portrait of Georgiana, Lady Greville, c. 1771-72 by George Romney (1734-1802), Courtauld Gallery, London
Attributed works:
[ The Fine Art & Antiques Fair, Olympia, London ] Flower-Piece, by Hendrick Reekers, Signed and Dated 1840. Oil on Panel, 42.5 × 34.5 cm.
Attributed works:
[ The Fine Art & Antiques Fair, Olympia, London ] Madonna and Child, by Ludovico Brea (c. 1450-1522/3), Tempera on Panel, with Integral Frame, 51 × 36 cm.
Attributed works:
[ [ The Fine Art & Antiques Fair, Olympia, London ] Blue, White and Gold, by Arthur Pond Garratt, Signed and Dated 1916. Oil on Canvas, 127 × 102 cm
Non-western art unattributed:
[ British Museum, Great Russell Street, London ] Zulu Bead Necklace and Panel, South Africa, 1960s.
Non-western art unattributed:
[ Grace WuBruce, 701 Universal Trade Centre, 3 Arbuthnot Road, Hong Kong ] Huanghuali Sloping-Stile Wood-Hinged Cabinet, Chinese, Late 16th to Early 17th Century
Western art unattributed:
[ Neumeister, Barer Str. 37, Munich ] An Early Gothic Swabian (Southern Germany) Lime-Wood Sculpture of the Virgin and Child, Circa 1370. H. 70 cm.
Western art unattributed:
[ The Fine Art & Antiques Fair, Olympia, London ] A Group of Jacobite Glasses, c. 1745-80
Western art unattributed:
[ The Fine Art & Antiques Fair, Olympia, London ] Cranberry Overlay Glass Decanters. English 1850 70
Western art unattributed:
[ The Fine Art & Antiques Fair, Olympia, London ] The Deacon Convener's Chair. Oak, Mid Sixteenth-Century Incorporating Earlier Elements
Western art unattributed:
[ The Fine Art & Antiques Fair, Olympia, London ] The Master of Hospital's Chair, Oak, Seventeenth-Century Incorporating Earlier Elements.
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Advertisements June 1997 (front)
06/1997 | 1131 | 139
Pages: i-xxxx
Subjects
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[ Artemis Group, 15 Duke Street, London / 23 East 73rd Street, New York / Kasernenstrasse 13, Dusseldorf ] Thomas Frye, c.1710-1762. Self-Portrait, One of the Set of Life-Sized Character Heads. Mezzotints, the Set of Twelve Plates, c. 1760, Each 480 × 355 mm. Ref: Chaloner Smith 6, 9-19.
Attributed works:
[ Asprey, 165-169 Bond Street, London ] The Merry Cabinet. A Louis XIV Ebony, Tortoiseshell, Ivory and Wood Cabinet on Stand, Attributed to Pierre Gole, Circa 1660. Height 74 Inches (188 cm). Width 56 Inches (142 cm). Depth 20 Inches (51 cm).
Attributed works:
[ Charles Ratton & Guy Ladrière, 14 rue de Marignan and 11 quai Voltaire ] A Piece of Panelling Carried in Relief with a Helmet and Sword; Polychrome and Gilt. 51 × 35.5 cm.
Attributed works:
[ Christie's, 8 King Street, St. James, London ] A Rectangular Gilt-Copper and Enamel Book Cover with a Scene of the Crucifixion. Attributed to Master G. Alpais, Limoges, Late 12th Century. $12frac{7}{8}times 7frac{7}{8}$ in. (32.9 × 20 cm.). Estimate: £200,000-300,000
Attributed works:
[ Colnaghi, 15 Old Bond Street, London ] Agostino Carracci. Bologna 1557 - 1602 Parma. Saint Jerome in Penitence. Black Chalk on Pale Grey-Blue Paper 396 × 303 mm. ($15frac{5}{8}times 11frac{7}{8}$ in.)
Attributed works:
[ Concorde Art Associates ] Raoul Dufy. Le Quai de Honfleur. Signed, 1928. Oil on Canvas, 18 × $21frac{3}{4}$ Inches (45.7 × 55.2 cm.)
Attributed works:
[ cover ] Pompey, Here Attributed to Mattia di Nanni. Intarsiated Wood, 56 by 41.7 cm. (Musée des Beaux-Arts, Montréal)
Attributed works:
[ Daniel Katz Ltd, 59 Jermyn Street, London ] Nessus and Deianira. Attr. to Gianfrancesco Susini (Active 1592 Florence 1646). Bronze Group, Height 41 cm
Attributed works:
[ David Koetser Gallery, Talstrasse 37, Zurich ] Cornelis Dusart. 1660 Haarlem 1704. Peasants Regaling outside an Inn. 'The Jocund Peasants'. Panel, 47.7 × 34.4 cm Signed and Dated, Centre Right, Cordusart 1684.
Attributed works:
[ De Jonckheere, 100 & 108 rue de Faubourg, Saint Honore, Paris ] Herri Met de Bles. Circa 1510 Bouvignes - Ferrare after 1555. The Sermon of Saint John the Baptist. Oil on Panel: 26.4 × 35.9 cm. Signed with the Owl.
Attributed works:
[ Eskenazi, 10 Clifford Street, London ] Marble Standing Figure of Buddha. Northern Qi Period, 550 - 577. Height: 97.0cm
Attributed works:
[ Grosvenor House Art & Antiques Fair, Park Lane, London ] 12. A Fox and Two Cubs, by Joseph Gott, c.1848. Marble, ht. 57 cm.
Attributed works:
[ Grosvenor House Art & Antiques Fair, Park Lane, London ] 14. Cupid and Swan Arising From Reeds, by John Nost the Elder, c.1700. Lead, ht. 87.5 cm.
Attributed works:
[ Grosvenor House Art & Antiques Fair, Park Lane, London ] 18. Champagne Glasses in the Venetian Style, by George Bacchus of Birmingham, 1851, ht. 15 cm.
Attributed works:
[ Grosvenor House Art & Antiques Fair, Park Lane, London ] A Gentleman with His Daughter, by Thomas de Keyser. Copper, 50 by 42 cm.
Attributed works:
[ Grosvenor House Art & Antiques Fair, Park Lane, London ] Shadrach, Meschach and Abednego, by Simeon Solomon, 1863. 32.5 × 22.5 cm.
Attributed works:
[ Grosvenor House Art & Antiques Fair, Park Lane, London ]10. Bouquet of Flowers in an Alabaster Vase, by Anne Vallayer-Coster, 1801. 37.5 × 45 cm.
Attributed works:
[ Hazlitt, Gooden & Fox, 38 Bury Street, St. James, London ] Paul Gavarni 1804-1866. Autoportrait. Black Chalk and Pencil, Heightened with White Gouache, 19 × 12.1 cm. Signed with the Initial and Inscribed: M. M: J:23.1830
Attributed works:
[ Hill - Stone, New York ] Carlo Maratti. Camerano 1625 - 1713 Rome. The Penitent Magdalen Meditating on a Skull. Drawing in Sanguine Chalk.
Attributed works:
[ Johnny Van Haeften, 13 Duke Street St James, London ] Pieter Coecke van Aelst (Aelst 1502 - 1550 Brussels). St. Jerome in the Wilderness. On Panel. 30 × 20 ins. (76 × 51 cm.)
Attributed works:
[ Mallory of Bath, 1-4 Bridge Street, Bath ] Novelty Miniature Silver Watering Can (As a Pepper) by John Foligno, London 1863, Height 3.5 Inches (8cms) Approximately, and a Miniature Silver Wheel Barrow (As a Sweet Meat Dish) by William Comyns, London 1907, Height 5.5 Inches (14cms) Approximately.
Attributed works:
[ Neumeister Fine Art Auctioneers, Barer Str 37, Munich ] Three Examples of Fine 18th c. German Faience to Be Sold at This Auction. A Nuremberg 'Enghalskrug', with 'Hausmalerei' by Justus Alexander Ernst Glüer, Circa 1720/30, H. 34,5 cm. An Ansbach 'Walzenkrug' Dated 1745, H. 27,5 cm (Right) and a Nuremberg 'Walzenkrug', Circa 1725, H. 28 cm. (Both Igo Levi (Luzern) Sale at Weinmüller, Munich 1962, Catalogue Lot Numbers 71 and 130).
Attributed works:
[ Newhouse Galleries, Inc., 19 East 66th Street, New York ] Abraham Janssens van Nuyssen I (c.1573/4 - 1632). Lascivia. Canvas: 46 × 38½ Inches; 116.9 × 97.8 cm.
Attributed works:
[ Olimpia Theodoli, 55 Cambridge Street, London ] Jan Verkolje I (1673-1746). A Spaniel, Running towards the Left. Mezzotint, Hollstein 19, II/II.
Attributed works:
[ Palais des Beaux-Arts, Lille ] Raphaël: Seated Male Nude, Study for the Parnassus. (Drawings Department, Palais des Beaux-Arts, Lille).
Attributed works:
[ Phillips, 101 New Bond Street, London ] Giovanni Battista Tiepolo (1696-1770), "A Standing Man Wearing a Hat", Pen and Brown Ink and Brown Wash, 236mm × 152mm. Estimate: £5,000-£7,000
Attributed works:
[ Phillips, 101 New Bond Street, London ] Jan van Bylert. (1603-1671), "Portrait of Van Wevell of Overyssel", Inscribed with the Sitter's Coat-of-Arms and AE.52, Signed "J. Bylert" and Dated 1639, Oil on Canvas, 76.8cm × 63cm. Estimate: £15,000-£20,000
Attributed works:
[ R. S. Johnson Fine Art, 645 North Michigan Ave., Chicago ] The Master of St. Ildefonso Virgin and Child (Oil on Oak Panel, 378 × 296 mm), Circa 1480.
Attributed works:
[ Richard Green, 33 New Bond Street and 39 Dover Street, London ] Josse de Momper (1564 - 1635) and Jan Brueghel the Elder (1568-1625). A Winter Rural Landscape. Panel: 19½ × 32½ in / 49.5 × 82.5 cm
Attributed works:
[ Sam Fogg, 35 George Street, London ] The Bute Hours. Made for a Nobleman at the Court of Henry VII. London or Windsor, Circa 1500-1520. With 53 Large Miniatures. The Richest English Book of Hours to Survive from This Time.
Attributed works:
[ Sotheby's, 34 - 35 New Bond Street, London ] An Impressive Florentine White Marble Torso of Venus, in the Manner of Giambologna, Circa 1560-1570, Height 90cm
Attributed works:
[ Sotheby's, 34 - 35 New Bond Street, London ] Antonio Canal, Called Canaletto (1697-1786). A View of the South Front of Warwick Castle. Pen and Brown Ink and Grey Wash, 317 by 578mm. Estimate: £200,000-300,000
Attributed works:
[ Sotheby's, 34 - 35 New Bond Street, London ] Gerard ter Borch (1584-1602), The Music Lesson, Oil on Canvas, 66 by 53.5 cm.; 26 by 21 in. Estimate £600,000 - 800,000
Attributed works:
[ The Grosvenor House Art & Antiques Fair, Park Lane, London ] A Calm, by Willem van de Velde the Younger, c.1655. Panel, 50.8 × 45.5 cm.
Attributed works:
[ The Grosvenor House Art & Antiques Fair, Park Lane, London ] A Street Scene with Two Women Conversing, by Jacobus Vrel. Panel, 35.5 × 27.9 cm.
Non-western art unattributed:
[ Grace Wu Bruce, 701 Universal Trade Center, 3 Arbuthnot Road, Hong Kong ] A Pair of Huanghuali Yokeback Armchairs, Chinese, Late 16th to Early 17th Century
Western art unattributed:
[ Cinq Antiquaires a Paris ] A Louis XVI Pair of Jardinieres Carved and Painted Wood. Height: 85 in - 216 cm.
Western art unattributed:
[ Mallett & Son, 141 New Bond Street, London ] A Man's Embroidered Cap for Smart Informal Wear, Decorated with Scrolling Tendrils Worked in Silver Gilt Chain Stitch Threads Enclosing a Colourful Variety of Flowers and Fruits in Silks, the Deep Rim Trimmed with Gold Lace and Spangles. English, Circa 1640. Height: $6frac{3}{4}$ in (17 cm). Diameter: 7 in (18 cm).
Western art unattributed:
[ Mallory of Bath, 1-4 Bridge Street, Bath ] Above Our Premises in Bath. Below, an Example of the Fine Antique Silver for Sale in Our Collection.
Western art unattributed:
[ Norman Adams, 8-10 Hans Road, London ] A Rare Early Example of the Celebrated Weeks' Cabinet in Lustrous West Indian Satinwood. Circa 1795. Width 36¼ ins (92 cms). Depth $21frac{3}{4}$ ins (55.5 cms). Height 91¼ ins (232 cms).
Western art unattributed:
[ Seago, 22 Pimlico Road, London ] A Fine and Rare Early Eighteenth Century Wrought Iron Pedestrian Gate, Repainted in Its Original Colour and Parcel Gilt, with Side Pilasters and Overthrow. English, Circa 1720. Maximum Height: 12 ft. Maximum Width: 7 ft.
Western art unattributed:
[ The Grosvenor House Art & Antiques Fair, Park Lane, London ] A Ceremonial Armchair, c.1815. Gilded Beech, Ht. 121.9 cm.
Western art unattributed:
[ The Grosvenor House Art & Antiques Fair, Park Lane, London ] A Pair of Giltwood Torchères, Würzburg, c.1720. Ht 99 cm.
Western art unattributed:
[ The Grosvenor House Art & Antiques Fair, Park Lane, London ] One of a Set of Hepplewhite Dining-Room Chairs, English, c.1790. Mahogany.
Western art unattributed:
[ The Grosvenor House Art & Antiques Fair, Park Lane, London ] Regency Bronzed and Gilt Chair, English c.1810. Ht 92 cm.
Western art unattributed:
[ The Grosvenor House Art & Antiques Fair, Park Lane, London ] Secretaire Bookcase, English c.1795. Satinwood and Calmander Wood, ht 194.2 cm.
Western art unattributed:
[ The International Fair for America 1997 ] A Major International Fair for the Exhibition and Sale of Important Paintings, Antiques, Silver, Textile Arts, Jewelry, Sculpture, Modern and Contemporary Paintings and Oriental Works of Art. More Than 50 Leading International Dealers from 10 Countries, with a Full Lecture Program.
Western art unattributed:
[ William H. Stokes, The Cloisters, 6/8 Dollar Street, Cirencester, Gloucestershire ] Charles II simulated oak chest of drawers consisting of a box top with lifting lid and false drawer fronts with a drawer below. The whole of the front is decorated with bunned-out and geometrical mouldings and applied split balusters, c.1680. 36 ins × 19½ ins × 31 ins high. Westmorland oak child's chair with carved back and shaped cresting inscribed "LC 1688." 17½ ins × 13 ins × 41½ high. Charles II small oak child's table with turned legs and stretchers, c.1680. 28½ ins × 16½ ins × 23 ins high. Charles II Small Oak Sidetable with Drawer and All-Bobbin Turned Base, c.1680. 29 ins × 21 ins × 28½ ins High. Charles II Small Oak Gateleg Table with Complicated Turnings to the Legs and Stretchers, c.1680. 43 ins × 33½ ins × 28 ins High.
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11/1996 | 1124 | 138
Pages: i-xxiv
Subjects
artists:
subjects:
Illustrations
Attributed works:
[ Arturo Cuellar, Bürglistrasse 18, Zurich ] Jacopo Palma, Called Palma Giovane (1554-1628). Venus and Adonis. Pen and Ink, with Brown Wash Heightened with White and Red 21.2 × 33.8 cm
Attributed works:
[ Bassenge, Erdener Str. 5A, Berlin ] Albrecht Dürer (1471 - 1528, Nuremberg). Saint Eustace. Engraving. C. 1501, Bartsch 57, Meder 60 (b of k). Watermark High Crown (M. 20)
Attributed works:
[ Christie's, 8 King Street, St. James, London ] Giuliano da Rimini (documented 1307-1323). An Altarpiece in three Sections with an extensive inscription on the reverse of the left panel: "Giott/...sono a lavorare/ed in quella chiesa di S./(che?) fu sopressa d..../1807/del/...Diotallevi". Tempera on gold ground panel, shaped tops. Picture surfaces: centre: 75 × $28frac{1}{8}$ in. (190.5 × 71.5 cm.). Left: $60frac{5}{8}times 26frac{3}{8}$ in. (154 × 67 cm.). Right: $61frac{1}{4}times 26frac{3}{8}$ (155.5 × 67 cm.)
Attributed works:
[ Colnaghi, 15 Old Bond Street, London ] Angelica Kauffman, R. A. Coire 1741 - Rome 1807, William Henry Lampton. Oil on Canvas: 86 × 55½ ins (218.5 × 141 cms). Signed and Dated at Lower Right: Angelica Kauffman/PinX: Romae, 1797
Attributed works:
[ Cover ] Portrait of the Actor Willem Bartolsz. Ruyters, by Rembrandt Hermansz. van Rijn. c. 1639. Pen and Brown Iron-Gall Ink, Heightened with White on Paper, Prepared with Yellowish-Brown Wash, 13.9 by 17.4 cm. (Rijksmuseum, Amsterdam)
Attributed works:
[ Dover Street Gallery, 13 Dover Street, London ] Ubaldo Gandolfi (San Matteo 1728 - 1781 Ravenna). The Resurrection of Christ. Oil on Canvas, 77 × 52 cms. Modello for the Fresco of the Same Subject in the Church of San Luca, Bologna
Attributed works:
[ Galerie Eric Coatalem, 93 Faubourg, St. Honoré, Paris ] Gilles Lambert Godecharle (Bruxelles 1750 - 1835). Cupidon. Pierre de France. Height: 160 cm. Signed and Dated 1804
Attributed works:
[ Galerie Hans, Jungfernstieg 34, Hamburg ] Simon de Vlieger (1601 - 1653). A Dutch Flagship Exchaning Salutes and a Galjoot in a Heavy Sea, Signed on Floating Plank Lower, Oil on Panel 44,5 × 60 cm.
Attributed works:
[ Galerie Lingenauber, Schwerinstr. 38, Düsseldorf ] Lorenzo Lotto, Sacra Conversazione - Virgin and Child, SS. Jerome, Peter, Care (?) and Francis Panel 81.5 by 108 cm (32 by 42½ in.), Signed on the Scroll: L. Lotus Fecit
Attributed works:
[ Hill-Stone, New York ] Hendrick Goltzius. Haarlem 1558 - 1617. The Circumcision (The Life of the Virgin). Engraving, in the Style of Dürer; 1594. Strauss 322, Hollstein 12: iii/v. A Berlin Duplicate (Before 1920), Lugt 1606 and Lugt 234.
Attributed works:
[ Neumeister, Barer Str. 37, Munich ] Artus Quellinus the Younger (Saint Trond 1625 - 1700 Antwerpen) Virgin and Child. Late 17th Century. Wood. H. 112 cm.
Attributed works:
[ Noortman, 40-41 Old Bond Street, London ] Jan van Goyen. Leiden 1596 - 1656 The Hague. 'A View of the Haarlemmermeer'. Panel 30.5 × 38.5 cm. Signed with Monogram and Dated 1647
Attributed works:
[ Phillips, 101 New Bond Street, London ] Pieter Brueghel, the Younger, (1564-1637/8) "Le Retour de la Kermesse", Signed, Oil on Panel, 58cm × 84.5cm. Estimate: £700,000-£1,000,000 ($1,092,000-$1,560,000)
Attributed works:
[ R. S. Johnson Fine Art, 645 North Michigan Ave., Chicago ] Circle of Andrea Mantegna (1431-1506): Bacchanal with a Wine Vat, Pen and black ink with brown wash, laid down on a contemporary sheet, 290 × 354 mm. An exceptional drawing which appears to be one of several preparatory studies for the engraving of the same title or related to such preparatory drawing. Originating from the Circle of Andrea Mantegna and apparently executed before the final form of the engraving, this drawing is particularly interesting as evidence of a hitherto unrecorded stage in the design process of the engraving Bacchanal with a Wine Vat.
Attributed works:
[ Richard Green, 33 New Bond Street, London ] Thomas Wyck (Circa 1616-1677). A Maid Peeling Vegetables at a Kitchen Door. Signed. Panel: $14frac{3}{8}times 13$ in / 36.5 × 33 cm
Attributed works:
[ Richard L. Feigen, 49 East 68th Street, New York ] Frans Floris. Arithmetic, Oil on Canvas, 151.4 by 224.16 cm. Signed with Monogram and Dated, Lower Centre: "FF. IV. ET. FA / 1557.".
Attributed works:
[ Rob Smeets, Via Camperio 9, Milan ] The Master of San Martino a Mensola Active Florence End 14th Century. Saint Catherine, Saint George and Saint Jerome. Triptich, Tempera on Goldground, Shaped Tops. Center Panel 130,6×73,3 cm. Left Wing 124,5×56,5 cm. Right Wing 124,7×56 cm
Attributed works:
[ Tate Gallery, Millbank, London ( sponsor BP) ] Edgar Degas, Little Dancer Aged Fourteen, 1880-81
Attributed works:
[ Trafalgar Galleries, 35 Bury Street, St. James, London ] Jusepe (Or Gioseppe) de Ribera, The Martyrdom of St. Laurence. Oil on Canvas, 204 × 154 cm ($80times 60frac{3}{4}$ Inches).
Attributed works:
[ Villa Grisebach Auctions, Fasanenstr. 25, Berlin ] August Macke. Spaziergänger unter Bäumen (Strollers beneath Trees) 1913. Watercolour, Pastel on Paper. 35,5 × 45,5 cm ($14times 17 frac{7}{8}$ in.)
Attributed works:
[ Villa Grisebach Auctions, Fasanenstr. 25, Berlin ] Otto Dix. Selbstbildnis, grinsend, mit aufgestütztem Kopf (Self-Portrait, Grinning, with Propped Head). 1917 Crayon on Paper. 40,1 × 38,9 cm ($15 frac{3}{4}times 15 frac{3}{8}$ in.)
Non-western art unattributed:
[ Grace Wu Bruce, 701 Universal Trade Centre, 3 Arbuthnot Road, Hong Kong ] Six Post Canopy Bed, Huanghuali Wood, Chinese, Late 16th to Early 17th Century
Western art unattributed:
[ H. W. Keil Ltd, Tudor House, Broadway, Worcestershire ] An Excellent Mid 18th-Century Mahogany Gainsborough Armchair with Cabriole Legs and Paw Feet, and Having Good Carved Detail. Circa 1770. Height 3′2″ Width 2′4″ Depth 2′9″
Western art unattributed:
[ William H. Stokes, The Cloisters, 6/8 Dollar Street, Cirencester, Gloucestershire ] Late Elizabethan carved oak cupboard on separate stand with two drawers above the central cupboard and one drawer below. The supports consist of two pairs of carved melon bulbs and the potboard is supported by a lower frieze with bi-cuspidal decoration and original toes beneath. West Country, circa 1600.
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Advertisements June 1996 (front)
06/1996 | 1119 | 138
Pages: i-xliv
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[ Asprey, 165-169 New Bond Street, London ] A Magnificent Pair of Perfume Vases. Chelsea (Gold Anchor Mark) Circa 1760. Height 15 ins (38 cms).
Attributed works:
[ Bassenge Art and book auctions, Erdener Strasse 5A, Berlin - Grunevald ] Adolph von Menzel (1815 Breslau - 1905 Berlin). Portrait of a Young Lady. Pencil Drawing. 31 × 24 cm. Signed and Dated: A. Menzel 31 Juli 1874. Hofgastein.
Attributed works:
[ Charles Ratton & Guy Ladrière, 14 rue de Marignan and 11 quai Voltaire, Paris ] Girolamo della Robbia (1488-1566). Glazed terracotta bust of a Man. Provenance: Château d'Assier, near Figeac, France. Height: 47cm
Attributed works:
[ Christie's, 8 King Street, St James, London ] Michele Marieschi (1710-1743), A Panoramic View of the Bacino di S. Marco Oil on Canvas, 37½ × $70frac{3}{8}$ in. (95.2 × 178.7 cm.)
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 21 East 67th Street, New York ] Hubert Robert. 1733 - Paris - 1808. A Romantic Landscape with a Waterfall and Castle. Oil on Canvas: 124.6 × 194.9 cms
Attributed works:
[ Daniel Katz Ltd, 59 Jermyn Street, London ] Giovanni Francesco Rustici. (Florence 1474 - 1554 Tours). A Rivergod Terracotta Size: 32cm × 31.5 cm
Attributed works:
[ Derek Roberts Fine Antique Clocks, 25 Shipbourne Road, Tonbridge, Kent ] Thomas Tompion No 205, Circa 1697. An Excellent Example of the Work of England's Finest Clockmaker. We Carry an Extensive Collection of Clocks of Most Types, Including Longcase, Bracket, Wall Carriage, Skeleton and Precision Pendulum Clocks.
Attributed works:
[ Hazlitt, Gooden & Fox, 38 Bury Street, St James, London ] Paul Elie Ranson 1864-1909. Vanité. Pen and Ink on Buff Paper, 22 × 24.3 cm. Signed with Initials; with the Nabi Sign Datable Circa 1892
Attributed works:
[ Hill-Stone, New York ] After Pieter Brueghel, the Elder c. 1525 - 1569. Three Men of War in a Tempest, Sailing to the Right. Engraving, by Frans Huys; c. 1570. Bartsch 105, Hollstein 105, the First State of Two before the Removal of Cock's Address. Watermark: Pot, Similar to Briquet 12637 (Datable c. 1561 - 63). A Very Fine Impression Printed in Dark Brown Ink.
Attributed works:
[ Joanna Barnes Fine Arts, 14 Mason's Yard, Duke Street, St. James, London ] Head of Christ by Pierre Puget (1622-1694). Marble H. 40 cm.
Attributed works:
[ Mallett & Son Antiques Ltd, 141 New Bond Street, London ] A Vary Rare Tapestry Sofa Seat by Morris & Co in the Swirling Acanthus Pattern, with Lilies at the Centre. English, Circa 1910. 34 × 98 in (86 × 249 cm)
Attributed works:
[ Mallory of Bath, E. P. Mallory & Son Ltd, 1-4 Bridge Street, Bath ] Pair of Fine Antique Silver Tea Caddies. Engraved Crest below a Barons Coronet. London George III 1818. By Wm Elliott. 25o/s. Approximately $3frac{3}{4}$ × $2frac{3}{4}$ × 3″ (Excluding Baluster Finials).
Attributed works:
[ Museo Thyssen Bornemisza, Madrid ] Paul Gauguin 'Allees et Venues, Martinique'
Attributed works:
[ Olimpia Theodoli, 55 Cambridge Street, London ] Jacques Callot (1592-1635) Cap.Mala Gamba - Cap.Bellavita. Etching. Lieure 393, First State of Two from the Balli di Sfessania
Attributed works:
[ Paul Prouté S. A., 74 rue de Seine, Paris ] Henri Martin (1860 - 1943). Two Standing Men, and a Detail of Feet. Charcoal, 592 × 243 mm, Signed with the Artists Initials Inscribed "pour la Sorbonne".
Attributed works:
[ Phillips, 101 New Bond Street, London ] Charles François Grenier de la Croix, Called Lacroix de Marseilles (Active Circa 1750-1782), A Mediterranean Harbour Scene, Signed and Dated 1759, Oil on Canvas, 97 cm × 137 cm. Estimate: £100,000-£150,000
Attributed works:
[ Phillips, 101 New Bond Street, London ] Claude Gellée, Called Claude Lorrain, (1600-1682). "A River Scene with Figures Loading a Barge", Pen and Brown Ink with Brown and Grey - Brown Wash, 126mm × 91 mm (Shown Actual Size). Estimate: £7,000-£10,000
Attributed works:
[ Richard L. Feigen & Company, 49 East 68th Street, New York ] Jean-Baptiste Camille Corot, Civita Castellana in the Mountains, Circa 1826-1827, Oil on Canvas, 24.8 by 39.2 cm. Lower right: "Vente/Corot"
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] Antonio Canova (1757-1822). The Recently Discovered "Amorino" Commissioned by and Executed in Marble for John David La Touche, Son of the Irish Banker, Rome, 1790, 172cm High (Excluding Base). Estimate on Request.
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] Francisco José Goya y Lucientes. Fuente de Todos 1746-1828 Bordeaux, Death of a Picador. Oil on Tinplate, 43 × 31,9 cm. From the Collection Formed by the British Rail Pension Fund. Estimate: £1,000,000-1,500,000
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] Hans Memling, Seligenstadt c. 1440-1494 Bruges, Mater Dolorosa, Oil on Panel, 52.2 × 37.7cm. Estimate: £600,000-800,000.
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] Pieter de Hooch, Rotterdam 1629-After 1683 Amsterdam. A Maid with a Broom and a Pail in a Sunlit Courtyard, Signed with Initials Lower Right: P. D. H. Oil on Canvas, 48.2 × 42.9cm. From the Fattorini Collection. Estimate on Request.
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] Taddeo Zuccaro, Study of a Woman and Child, Red Chalk, a Separate Study in Pen and Brown Ink, 294 mm × 230 mm. From the Collection at Corsham Court. Estimate: £60,000-80,000.
Attributed works:
[ Tate Gallery Millbank, London (sponsored by BP) ] René Magritte, Man with a Newspaper, 1928
Attributed works:
[ The Grosvenor House Art & Antiques Fair, Park Lane, London ] A Fine Chippendale Period Carved Gilded Looking Glass. English, 1765. Height: 54 in (137 cm) Width: 26½ in (67 cm)
Attributed works:
[ The Grosvenor House Art & Antiques Fair, Park Lane, London ] A magnificent English George III commode in the manner of John Cobb. Executed in selected, faded mahogany, inlaid with oval panels of West Indian satinwood, the panels inlaid with floral marquetry, the sides still retaining the original carrying handles, the sabots to the feet also original. Circa 1765-70. Height: 37 in (97 cm) Width: 45½ in (116 cm) Depth: 24 in (61 cm)
Attributed works:
[ The Grosvenor House Art & Antiques Fair, Park Lane, London ] A Mediterranean Harbour Scene; Morning Claude Joseph Vernet. (1714 Avignon - Paris 1789) Signed and Dated Roma 1745. Oil on Canvas. $34frac{3}{4}$ × 47¼ in (88.2 × 120 cm).
Attributed works:
[ The Grosvenor House Art & Antiques Fair, Park Lane, London ] John Everett Millais (1829-1896). Alexander Munro (Inverness 1825-Cannes 1871). Plaster. Signed with Monogram.
Attributed works:
[ The Grosvenor House Art & Antiques Fair, Park Lane, London ] The Battle between Carnival and Lent Pieter Breughel the Younger. Oil on Canvas. Circa 1564 - Antwerp - 1637/8. 47 × 66½ in (119.5 × 169 cm).
Attributed works:
[ The Hellenic Centre, 16/18 Paddington Street, London ] Machos, Signs of Aproaching Rain, 1961. Oil on Canvas, 74 × 102 cm.
Attributed works:
[ The Matthiesen Gallery, 7-8 Mason's Yard, Duke Street, St James, London ] Giovanni del Biondo. Florence Active c. 1356-1398. The Funeral of St. Benedict. Tempera and Gold on Panel: 32 × 35 cm
Non-western art unattributed:
[ Cover ] The Crucifixion, Detail of a Tablet-Woven Silk Curtain. Ethiopian, c.1730-38. (Royal Ontario Museum, Toronto)
Non-western art unattributed:
[ Grace Wu Bruce, 701 Universal Trade Centre, 3 Arbuthnot Road, Hong Kong ] Huanghuali Wood Qiaotouan Table. w 226.1 cm d 43.2 cm h 82.6 cm. Chinese, Ming Dynasty, Late 16th to Early 17th Century
Non-western art unattributed:
[ Linda Wrigglesworth, 34 Brook Street, London ] 'Undercover in Japan'. Japanese Futon Covers, Furoshiki, Yogi & Fukusa. Edo & Meiji Period, 1700-1912
Non-western art unattributed:
[ Michael Sim, Royal Parade, Chisleyhurst, Kent ] A Chinese Kangxi period vase. Height 12½″. A mid-18th century stick barrometer by John Bird, Sea Quadrant, Strand. One of his instruments is described by Roger Pickering in Philosophical Transactions, Vol.43 No.473, p.5 (1744). From a selection of English and French carriage clocks; makers include Viner and Cole. A Chippendale period mahoganny secretaire, similar in proportions to the recently announced Osterley example. Width 2′ 6″; height 3′ 8″; depth 16″. Circa 1770. John Dwerrihouse, Berkeley Square, London. A neoclassical longcase clock of the model most often associated with Benjamin Vulliamy. The case was made by Joseph Rich, Vulliamy's cabinet maker. circa 1800.
Non-western art unattributed:
[ Sam Fogg, 35 St. George Street, London ] The Life of Mäba's S'eyon. Manuscript on Vellum with 82 Full Page Paintings. Gondar, Ethiopia. Early 18th Century. From the Library of Emperor Tewodros II at Magdala. In 1898 a Full Facsimile of the Manuscript was Published by E. A. Wallis Budge.
Non-western art unattributed:
[ The Grosvenor House Art & Antiques Fair, Park Lane, London ] A Blue and White Porcelain Ewer in the Shape of a Standing Crayfish. Standing on a Base with Flowers. Chinese, Wanli Period (1573-1619) Late 16th Century. Porcelain with Underglaze Decoration in Blue. Height: $6frac{3}{4}$ in
Non-western art unattributed:
[ Wiener Kunst Auktionen, Kärntnerringhof, Kärntner Ring 5-7, Vienna ] Suzani Lakai Embroidery Usbekistan, 2nd Half of 19th Century, Silk on Silk Emproidered, 136 × 176 cm. US$ 9,000 - 12,000
Non-western art unattributed:
[Eskenazi Oriental art, 10 Clifford Street, London ] Bronze Stallion. Late Eastern Zhou - Early Western Han Period, 3rd - 2nd Century BC. Height: 16.3cm
Western art unattributed:
[ Annie Trotter Ancient Art, Stand L22, Grays Mews Antique Market, 1-7 Davies Mews, London ] Cypro-Mycenaean Piriform Storage Jar, 1300-1200 B. C.
Western art unattributed:
[ Aubrey Brocklehurst, 124 Cromwell Road, London ] Fine Quality Tubular Chime Longcase Clock in a Mahogany Veneered Case. Late 19th Century. Height 7′ 9″ (236 cms)
Western art unattributed:
[ C. John, 70 South Audley Street, London ] A Magnificent Brussels Renaissance Tapestry Depicting the Opposing Armies of Scipio and Hannibal. Circa 1600. Silk and Wool. In Excellent Condition. Height 343 cm (135 in). Width 320 cm (126 in).
Western art unattributed:
[ Daniel Katz Ltd, 59 Jermyn Street, London ] Florence, Italy Late 17th Century Laocoön Group Bronze Height 57 cm
Western art unattributed:
[ Douglas Bryan, The old bakery, St. David's Bridge Cranbrook Kent ] A Rare Pine and Oak Court Cupboard with Paint Decoration. Circa 1650. Height: 65″ (165 cm) Width 57″ (145 cm) Depth 20″ (51 cm).
Western art unattributed:
[ Jeanette Hayhurst, 32A Kensington Church Street, London ] A Group of Early 18th-Century English Glasses.
Western art unattributed:
[ Laurie Leigh 32 High Street, Oxford ] English 18th & 19th Century Wine Glasses and Tableware.
Western art unattributed:
[ Mark J. West, 39 B High Street, Wimbledon Village, London ] A Large Crystal Champagne Jug and Two Goblets, Engraved All over with Stars and on One Side with the Crest of the Prince of Wales (The Three Ostrich Feathers and above the Motto 'Ich Dien) and on the Reverse with the Arms of the City of London (A Wing and Cross of St George above the Motto 'Domine nos Dirige). Height (jug) 31.7 cm (12½ in).
Western art unattributed:
[ Norman Adams, 8-10 Hans Road, London ] A Fine Large George II Carved Wood Gilt Mirror of Bold Design. Circa 1735. Height 62 ins (158 cms). Width 36 ins (92 cms).
Western art unattributed:
[ Somerbale Antiques, 6 Radstock Road, Midsomer Norton, Bath ] Fine Beilby Wine Glass. The Ogee Bowl Enamelled in White with the Fruiting Vine Motif. Traces of a Gilt Rim on a Stem with a Double Series Opaque Twist. Plain Conical Foot. Height: 15.2cm. c. 1770
Western art unattributed:
[ Sotheby's, 34-35 New Bond Street, London ] A large and fine gilt copper and cloisonné enamel reliquary chasse commemorating the Martydom, Burial and Ascent of the soul of Saint Thomas à Becket. Limoges, circa 1195, 30.5cm × 29.9cm × 11.4cm. From the Collection formed by the British Rail Pension Fund. Estimate on request.
Western art unattributed:
[ The Grosvenor House Art & Antiques Fair, Park Lane, London ] A George III Satinwood Display Cabinet. English. Circa 1780. Height: 82 in (208 cm) Width: 45 in (114 cm) Depth: 22½ in (57 cm)
Western art unattributed:
[ The Grosvenor House Art & Antiques Fair, Park Lane, London ] A pair of Brighton Pavilion jardinières. A unique pair of hexagonal jardinières, standing on simulated bamboo columns and curved platform bases with painted fretwork in red and green with pink and red hanging bells to the corners. Original paintwork. Wood (beech and pine). English, circa 1802. Height: $33frac{3}{4}$ in (86 cm)
Western art unattributed:
[ The Grosvenor House Art & Antiques Fair, Park Lane, London ] A pair of ovoid-shaped porcelain vases with wide curved necks and mask-headed handles, the spreading foot on square bases and plinths, lavishly decorated with a rare variety of flowers and birds on a white ground. Bearing the blue mark JP en bleu grand feu sous émail. French, circa 1840 Height: 28 in (71 cm) Length: 13 in (33 cm) Depth: 8½ in (21 cm).
Western art unattributed:
[ William H. Stokes, the Cloisters, 6/8 Dollar street, Cirencester, Gloucestershire ] Small English Boarded Chest with Chip-Carved Decoration to the Front. Oak, Early 16th-Century. $28frac{3}{4} text{ins}times 16frac{3}{4}$ ins × 21½ ins High.
Western art unattributed:
[Gerald E. Marsh Antique Clocks Ltd., 32a The Square, Winchester, Hants ] J. S. Chauvet, Paris. A Louis XV longcase clock of superb quality, veneered in tulip wood and king wood with ormolu mounts. The movement with Dead Beat escapement, striking the hours and half hours, the dial indicating the time, seconds, date, month and moon phases. Height: 6 feet 11 inches.
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Advertisements November 1995 (front)
11/1995 | 1112 | 137
Pages: i-xxviii
Subjects
advertisements:
artists:
subjects:
Illustrations
Attributed works:
[ Artemis Group, David Garritt Limited, 15 Duke Street, St James, London ] Rembrandt Harmensz. van Rijn 1606-1669. Nude Woman Seated with Hat beside Her, 1658, Etching Printed on Japan Paper, 196 × 129 mm. B.199
Attributed works:
[ Arturo Cuellar, Bürglistrasse 18, Zurich ] Claude Gellée dit Le Lorrain (1600 - 1682). "View of an Imaginary Port". France, Circa 1640-1645. Pen and Sepia Ink with Sepia Wash over Traces of Black Chalk. 5¼ × $7frac{3}{4}$ Inches (13.4 × 19.8 cm)
Attributed works:
[ Bassenge, Erdener Strasse 5A Berlin - Grunewald ] After Pieter Brueghel the Elder. The Witch of Mallegem. Engraving. Bastelaer 193, Hollstein 193 I-II (Of V). An Unrecorded State before the Letters in the Lower Plate-Margin.
Attributed works:
[ Bruno Scardeoni, Via Nassa 54, Lugano ] Bernardo Strozzi (Genoa, 1581/2 - Venice, 1644). "Saint Ann (?)". Oil on Canvas, 43.5 × 56 cm
Attributed works:
[ Bukowski's, Aresnalsgatan 4, Stockholm ] Giovanni Panini. His School. Oil on Canvas. (128 × 172).
Attributed works:
[ Charles Ratton & Guy Ladrière, 14 rue de Marignan & 11 quai Voltaire, Paris ] A Small Rock Crystal Cup. Byzantine Period. 9.5cm High - 17cm Wide
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 21 East 67th Street, New York ] Theodore Gericault Rouen 1791 - Paris 1824. The Bride of Abydos. Oil on Paper Laid down on Canvas: 17 × 19 cms Stretcher Bears Label with the Following Inscription: Le Gidour (sic) par Gericault donne au duc de Nemours par le general Bro. Scene de pirate. Chateâu d'Eu 1850. Reverse of Canvas Stamped with Number, 15344, and a Crown above a Monogram Reputedly of the Orleans Family.
Attributed works:
[ Compagnia di Belle Arti, Via Olmetto 17, Milan ] Vittore Ghislandi, Called Fra Galgario 1655 - Bergamo - 1743. Portrait of a Gentleman. Oil on Canvas. 100 × 73 cm
Attributed works:
[ Cover ] Virgin and Child with Sts Peter and Paul, by Giuseppe Cesari, Called Il Cavaliere d'Arpino. 1608-09. 174.2 by 119.9 cm. (Nelson-Atkins Museum of Art, Kansas City; Purchase: Nelson Trust [91 14]).
Attributed works:
[ F. Dörling Auctioneers, Neuer Wall 40, Hamburg ] Theodor Hosemann. The Admired Groom. Oil on Canvas. 1869. Signed and Dated.
Attributed works:
[ F. Dörling Auctioneers, Neuer Wall 40, Hamburg ] Tsugouharu Foujita. Filette au fichu. Watercolour and Indian Ink. 1939. Signed and Dated.
Attributed works:
[ Galerie d' Arte Armondi, S. R. L, C.so Palestro, 37/B, Brescia ] The Holy Family with St John the Baptist by Andrea del Brescianino (Siena XVIth c.). Oil on Panel, 104 × 83 cm.
Attributed works:
[ Galerie Francois Antonovich, Le Louvre des Antiquaires, 2 Place du Palais Royal, Paris ] The Judgement of Solomon and Samson and the Lion. Two Reliefs by Martin Desjardins (van den Bogaert) (Breda 1640 - Paris 1694). Sculptor to Louis XIV. Dimensions: 0.78 × 1.20m, for Each Relief. Limestone
Attributed works:
[ Galerie Hans, Jungfernstieg 34, Hamburg ] Giovanni Battista Gaulli, Known as Il Baciccio (1639 - 1709). Marco, Cardinal Gallo. Oil on Canvas, 74 × 59,5 cm.
Attributed works:
[ Hill-Stone, New York ] Lorenzo Sabbatini c. 1530-1576. The Dead Christ Supported by Angels. Etching, after the Painting in Bologna.
Attributed works:
[ Kate Ganz Limited, New York ] Domenico Zampieri, Called Domenichino. Bologna 1581 - Naples 1641. Landscape with Trees, a Town, a Horse and Rider and Some Figures Pen and Brown Ink on Ivory Coloured Paper. $7frac{1}{8}times 4frac{1}{4}$ × 4¼ Inches. 18.1 × 10.8 cms.
Attributed works:
[ Marcello Aldega Margot Gordon, New York ] Jean-Baptiste Wicar, 1762-1834. Black Chalk, White Heightening. 278 × 97mm. Preparatory for La Résurrection du fils de la veuve de Naïm, 1816
Attributed works:
[ Neumeister Fine Art Auctioneers, Barer Strasse 37, Munich ] Abraham Hondius (1625 Rotterdam - 1695 London), Setting-Out with Falcons. Signed and Dated 1654. Oil on Panel. 95 × 124 cm.
Attributed works:
[ Olimpia Theodoli, 55 Cambridge Street, London ] Enea Vico (Parma 1523-1567) Punishment of the Courtesan Who Had Mocked Virgil, after Perino del Vaga. Engraving, 1542. Bartsch 46, Only State
Attributed works:
[ Olympia Fine Art & Antiques Fair, London ] Alfred Lord Tennyson by Samuel Lawrence (Detail), Circa 1840, by Courtesy of the National Portrait Gallery, London.
Attributed works:
[ Paul Prouté S. A., 74 rue de Seine, Paris ] Edouard Manet, Civil War, 1871-1873
Attributed works:
[ Piero Corsini Inc., 162 East 63rd Street, New York ] Jacopo Bellini Venice, c. 1400 - 1470/71. Two Saints, Parts of an Altarpiece, Circa 1440/1450. Tempera and Gold on Panel, Each 89 × 28.5 cm. (Painted Surface: 86.4 × 24 cm.)
Attributed works:
[ R. S. Johnson Fine Art, 645 n. Michigan Ave., Chicago ] Edgar Degas (1834-1917). Ht: 321 mm.; $12frac{5}{8}$ Inches. Femme s'essuyant (Bronze), 1896-1911. No. 43/0 (Ref: Rewald no. LXXII)
Attributed works:
[ Richard L. Feigen & Company, 49 East 68th Street, New York ] Lavinia Fontana, Holy Family with Infant St. John the Baptist and Saint Catherine, Circa 1570-75, Oil on Panel, 85 × 66 cm.
Attributed works:
[ Villa Grisebach, Fasanenstrasse 25, Berlin ] Hermann Max Pechstein. Fisherman. 1909. Oil on Canvas. 96.5 × 71.1 cm. (38 × 28 in.) Monogrammed and Dated. Estimate: DM 350,000-450,000
Attributed works:
[ W. M. Brady & Co., 3 East 76th Street, New York ] Giambattista Tiepolo (Venice 1696-1770 Madrid), Portrait of Giulio Contarini, after the Bust of Alessandro Vittoria. Oil on Paper, 310 × 200 mm (12¼ × $8frac{7}{8}$ Inches). Inscribed Upper Left, Tiziano Vecelli
Non-western art unattributed:
[ Grace Wu Bruce Co., Ltd, 701 Universal Trade Centre, 3 Arbuthnot Road, Hong Kong ] Huanghuali Wine Table, Chinese, Late 16th to Early 17th Century
Non-western art unattributed:
[ J. J. Lally & Co., Oriental Art, 41 East 57 Street, New York ] A Chinese Painted Pottery Figure of a Musicienne. Sui Dynasty (A. D. 581-618). Height $8frac{3}{4}$ Inches (22.2 cm)
Western art unattributed:
[ Donati Arte Classica, Via Nassa 3, Lugano ] Torso of a Young Man. Standing Nude Figure, Wearing a Short Cloak. Roman, 1st-2nd c. A. D. Marble, ht. 38 cm.
Western art unattributed:
[ Trinity Fine Art Ltd & Michael Tollemache Limited, Newhouse Galleries Inc., 19th East 66th Street, New York ] Two Mosan Enamelled Plaques of Christ Blessing. Circa 1160-70, Gilt Copper, 7.4 × 7.4 cms. and 7.2 × 7.2 cms.
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Pages: i-xxxii
Subjects
advertisements:
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subjects:
Illustrations
Attributed works:
[ Artemis Group, David Garritt Limited, 15Duke Street St. James, London ] Rembrandt Harmensz. van Rijn. Portrait of Jan Asselyn. Etching, Drypoint and Burin. Size: 219 × 167 mm.
Attributed works:
[ Arturo Cuellar, Bürglistrasse 18, Zurich ] Claude Gellée dit Le Lorrain (1600 - 1682). "View of an Imaginary Port". France, Circa 1640 - 1645. Pen and Sepia Ink with Sepia Wash over Traces of Black Chalk 5¼ × $7frac{3}{4}$ Inches (13.4 × 19.8 cm)
Attributed works:
[ Asprey, 165-169 New Bond Street, London ] An Important Pair of George III Neo-Classical Soup Tureens with Covers and Liners, after a Design by Sir William Chambers, One by Daniel Smith and Robert Sharp, 1771, the Other by Robert Sharp, 1794, 13″ Long, 336 ozs. The Arms Are Those of William, 4th Earl Fitzwilliam.
Attributed works:
[ Christie's, 8 King Street, St. James, London ] Rembrandt Harmensz. van Rijn (1606-1669). The Sense of Touch: The Stone Operation on Panel 8½×7in. (21.6×17.7cm.)
Attributed works:
[ Colnaghi, 14 Old Bond Street, London ] Jean-Baptiste Perronneau Paris 1715 - 1783 Amsterdam. Portrait of Jean-Baptiste Antoine Le Moyne. Pastel: 431 × 350 cms (17 × $13frac{3}{4}$ ins)
Attributed works:
[ Compagnia di Belle Arti, Via Olmetto 17, Milan ] Giulio Cesare Procaccini (Bologna 1574 - Milan 1625). Resurrection. Oil on Panel, 76.3 × 55.7 cm
Attributed works:
[ Cover ] Toilet Mirror by Joseph-Germain Dutalis. Silver-gilt, 87 x 118cm.
Attributed works:
[ Dover Street Gallery, 13 Dover Street, London ] Pietro Fabris, (Active in Naples 1754 - 1804). The Tarantella with Merry-Makers at Mergellina with a Distant View of Posillipo. Oil on Canvas, 72.5 × 99.3 cms
Attributed works:
[ Galerie Francois Antonovich, Le Louvre des Antiquaires, 2 Place du Palais Royal, Paris ] The Judgement of Solomon and Samson and the Lion. Two Reliefs by Martin Desjardins (van den Bogaert). (Breda 1640 - Paris 1694), Sculptor to Louis XIV. Dimensions: 0.78 × 1.20m, for each relief. Limestone.
Attributed works:
[ Galerie Sanct Lucas, Palais Pallavicini, Josefsplatz 5, Vienna ] Jean-Michel Picart Canvas. Anvers 1600 - Paris 1682. 51 × 64 cms
Attributed works:
[ Hazlitt, Gooden & Fox, 38 Bury Street St James, London ] Louis-Léopold Boilly, 1761-1845. Study of a Young Girl. Black Chalk, Estompé, 26.7 × 21.5 cm
Attributed works:
[ National Portrait Gallery, St. Martins Place, London ] Jane Patterson, Raphael
Attributed works:
[ Partridge Fine Arts PLC, 144-146 New Bond Street, London ] Silver-Gilt Made for William Beckford of Fonthill Abbey (1760-1844), a Pair of Mounted Chinese Porcelain Coffee Pots, James Aldridge, 1820, a Mounted Agate Cup and Cover, Circa 1820, and a Pair of Candlesticks, John Scofield, 1791
Attributed works:
[ S. J. Shrubsole, 104 East 57th Street, New York ] Important James I Antique English Parcel-Gilt, Pineapple Cup & Cover, One of Only Four Known. Date: London 1610. Maker's Mark: IE a Crescent with Three Pellets below Height: 15½ Inches; Weight: 30ozs., 4 dwts.
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] Francisco José Goya y Lucientes, Fuente de Todos 1746-1828 Bordeaux. Sorting the Bulls, Inscribed on the Reverse 5 and 9, Oil on tin Plate, 42.6 by 32cm. Estimate on Request.
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] Johann Heinrich Fuseli, R. A. (1741-1825). Edgar, Feigning Madness, Approaches King Lear. Pen and Black Ink and Brown and Grey Washes over Pencil, Recto; Verso-A Study for Balaam Blessing the People of Israel 62.5 cm. by 96 cm.; $24frac{5}{8}$ by $37frac{3}{4}$ in. Estimate £180,000-£240,000
Attributed works:
[ The Grosvenor House Art & Antiques Fair ] Dirck Hals (1591 - Haarlem - 1656). An Elegant Company Feasting in an Arbour. Signed. Netherlands. Height: $19frac{3}{4}$ in (50 cm) Width: 28 in (71 cm). Painted Circa 1615. Oil on Panel.
Attributed works:
[ The Grosvenor House Art & Antiques Fair ] Willem Van Aelst (Delft 1627 - c. 1683 Amsterdam). A Still Life with a Basket of Peaches and a Blue Velvet Cloth on a Marble Ledge. Signed and Dated 1650. Oil on Canvas. Height: $14frac{3}{4}$ in (37.5 cm) Width: 19½ in (49.5 cm)
Attributed works:
[ The Grosvenor House Art & Antiques Fair, London ] Philip van der Linden Van Dyck. Portrait of a Gentleman of the Hoste or Henley Family in Chinese Dress Holland, 1723. Framed: Height: 87 in (221 cm) Width: $55frac{3}{4}$ in (142 cm). 1723. Oil on Canvas.
Non-western art unattributed:
[ Grace Wu Bruce Inc , 701 Universal Trade Centre, 3 Arbuthnot Road, Hong Kong ] A Very Fine Pair of Huanghuali Wood Yokeback Side Chairs. Chinese, Ming Dynasty, Late 16th to Early 17th Century. Height 111 cm ($43frac{11}{16}$ in). Width 51.5 cm (20¼ in). Depth 42 cm (16½ in).
Non-western art unattributed:
[ The Chinese Porcelain Company, 475 Park Avenue at 58th Street, New York ] A Fine Mirror Painting, Circa 1760 (One of a Pair), 71.12 × 55.8 cm (28 × 22 in).
Non-western art unattributed:
[ The Grosvenor House Art & Antiques Fair ] Antique Chinese Snuff Bottle. Glass Red Overlay with Fish Amidst Bubbles. 18th Century.
Western art unattributed:
[ Brimo de Laroussilhe, 7 quai Voltaire, Paris ] Ivory Panel from a Polyptych. Byzantium, Late 10th Century. Ivory (Obverse and Reverse) with Traces of Inscriptions h. 0,12: 1.0.056
Western art unattributed:
[ C. John, 70 South Audley Street, London ] A Highly Decorative Eastern European Bessarabian Carpet with a Design of Stylised Floral Sprays on a Dark Brown Field, Very Finely Woven in the Tapestry Manner. Circa 1880. Wool. Length 385 cm (152 in). Width 251 cm (99 in).
Western art unattributed:
[ Charles Ratton & Guy Ladrière, 14 rue de Marignan and 11 quai Voltaire, Paris ] French Circular Silver Cup of a Set of Six - Paris, Early 15th Century Rim and Foot Gilded, Center Decorated with Enamelled Coat of Arms of the Families Orgemont - Paillard
Western art unattributed:
[ Cinq Antiquaires a Paris ] A Louis XVI Pair of Jardinieres Carved and Painted Wood Height: 85 in - 216 cm.
Western art unattributed:
[ M. Turpin, 27 Bruton Street, London ] A Fine Giltwood Side Table with a Breche Violette top in the Manner of Mathias Lock, the Frieze Carved with Bows above a Band of Fluting, the Apron Richly Carved with Strapwork Scrolls and Shells. Each Cabriole Leg Sumounted by a Bearded Mask with Plumes Raised on Hairy Paw Feet. English: Circa 1740 Height 32 ins (81cms). Width 79 ins (201cms). Depth 29 ins (73.5cms)
Western art unattributed:
[ Norman Adams Limited, 8-10 Hans Road, Knightsbridge, London ] A Pair of Late 18th-Century Marble, Ormolu and Cut Glass Candelabra. Baltic, Circa 1790. Height 81.5 cm (32 in). An Outstanding Pair of Early George III Carved Mahogany Torchères. English, Circa 1760. Height 125 cm (49 in). Width 59 cm (23 in).
Western art unattributed:
[ Philip Antrobus, 11 New Bond Street, London ] Fine Victorian Suite of Necklace, with Detachable Pendant, Hangle, Broooch and Earrings in Gold and Diamonds.
Western art unattributed:
[ The Grosvenor House Art & Antiques Fair ] A Brass Mounted Mahogany Games Table. Russian - Early 19th Century. Height: $29frac{3}{4}$ in (75.5 cm) Width: $40frac{3}{4}$ in (103.5 cm) Diameter: 20½ in (52 cm).
Western art unattributed:
[ The Grosvenor House Art & Antiques Fair ] A Very Rare Queen Anne Red Lacquer Kneehole Desk. England. Height: $28frac{3}{4}$ in (73 cm). Width: $37frac{3}{4}$ in (96 cm). Circa 1710.
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Pages: i-xl
Subjects
advertisements:
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subjects:
Illustrations
Attributed works:
[ Antiquus, 90-92 Pimlico Road, London ] One of a pair of pen and wash drawings. 54 × 72 cm. Fantasy villa with view of the 'dependance and garden'. Anonymous XVIII century. Filippo Marchionni. Bibliography: Alessandro Albani, patrono delle arti. Architettura, pittura e collezionismo nella Roma del '700. Bonsignori Editore Roma. 1993.
Attributed works:
[ Arturo Cuellar, Bürglistrasse 18, Zurich ] Giovanni Battista Tiepolo (1696-1770). "A Winged Deity and other Figures in the Clouds", Black Chalk, Pen and Brown Ink, Brown Wash, 29.3 × 21 cm.
Attributed works:
[ Bonhams Knightsbridge, Montpelier Street, London ] A magnificent rosewood reneer longcase clock, circa 1830, 7ft high, estimate £2,000-3,000. A Gothic Frame (later painting of St Philomena) designed by I. II. V. Pugin for the de Lisle family chapel at Grace Dieu, Leics, 10ft high, estimate £2,000-1,000. A fine Oak Dining Table attributed to I. II. V. Pugin, circa 1815, 8ft long, estimate £7,000-9,000.
Attributed works:
[ C. G. Boerner, Kasernenstrasse 13, Düsseldorf / 61 East 77th Street, New York ] Camille Corot (1796 Paris - Ville d'Avray 1875). La rencontre au bosquet. Autography. (1871). 572 × 400 mm sheet-size.
Attributed works:
[ Christie's, 8 King Street, St James, London ] The Master of the Carrand Tondo (Active c. 1430), The Madonna of Humility, Tempera on Gold Ground Panel, 28 1/2 × 20 1/4 in. (72.5 × 51.5 cm.). Estimate: £250,000-350,000.
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 108 - 112 Rue du Faubourg St. Honoré, Paris / 21 East 67th Street, New York ] Jean-Étienne Liotard (1702 - 1769). Portrait of the Comte Jean Diodati Black and Red Chalk, with Touches of White Heightening 9¼ × $7frac{3}{4} text{in}$. (23.5 × 18.8 cm.)
Attributed works:
[ cover ] Allegory of Vice, by Correggio. Red Chalk, 27.9 by 19.4 cm. (British Museum, London; Exh. Kunsthistorisches Museum, Vienna)
Attributed works:
[ David Jones, 8 Rue Rossini, Paris ] Giovanni Francesco Barbieri Called Il Guercino (Cento 1591 - 1666 Bologna). A Pair of Hand Studies, Preparatory for Engravings for Guercino's Academy. Pen & Brown Ink over Black Chalk. Indented for Transfer. 134 × 200; 140 × 207
Attributed works:
[ Dover Street Gallery, 13 Dover Street, London ] Allen Jones Janet 22, Oil on canvas, 1965. Signed and Inscribed on the Reverse
Attributed works:
[ Edoardo Testori and Marco Voena, Via Olmetto 17, Milan ] Daniele Crespi (Busto Arsizio 1597 - Milan 1630). The Flight into Egypt Oil on Panel cm. 40.8 × 59.4
Attributed works:
[ Eric Coatalem, 93 rue du Faubourg St. Honoré, Paris ] Jean Baptiste Deshayes Cléobis et Biton. Oil on Canvas 50 × 58.5 cm
Attributed works:
[ Finarte S. A., 7-8 Mason's Yard, Duke Street, St James, London ] G. De Chirico. Les Plaisirs du Poéte, 1913, Oil on Canvas: 69.5 × 96.5 cms
Attributed works:
[ Flavia Ormond Fine Arts Limited, 24 Brechin Place, London ] Aurelio Luini "Milan" (Circa 1530-1593). St. Matthew - Design for Spandrel over Chapel Entrance. Pen and Brown Ink, Brown Wash, Heightened with White, on Blue-Green Paper. 140 × 202mm.
Attributed works:
[ Hazlitt, Gooden & Fox, 38 Bury Street, St James, London ] Pierre-Alexandre Wille 1748-1837. Portrait of Madame Wille, Wearing a Felt Hat over a Lace Cap. Black, Red and White Chalks on Cream Paper, 39.8 × 31.7 cm. Signed and Dated P. A. Wille Filius 1793
Attributed works:
[ Hill-Stone, New York ] Cornelis Dusart 1660-1704. The Violin Player Seated in the Inn. Etching and Roulette; 1685. Bartsch 15, the Second of Two States. Hollstein 15, the Third of Three States. A Very Fine Impression.
Attributed works:
[ Kunsthandel Dr. Robert Keil, Gloriette Gasse 13, Vienna ] Jacopo Palma il Giovane (Venice 1548-1628) God the Father Black Chalk, Squared, Old Mount, 18.5 × 18 cm. Study for the Painting "The Meeting of Joachim and Anna" in San Geremia, Venice; Executed after 1609
Attributed works:
[ Marcello Aldega Margot Gordon, New York City ] Carlo Maratta Camerano 1625-1713 Rome. Red Chalk, Heightened with White, on Blue Paper 272 × 420 mm.
Attributed works:
[ Marlborough Fine Art Ltd, 6 Albemarle street, London ] R. B. Kitaj, Giotto at 70, 1994. Charcoal and Pastel on Paper, 30¼ × 22 in./76.8 × 55.9 cm
Attributed works:
[ Michael Miller Lucy Vivante Fine Arts Inc., 115 East 89th Street, New York ] Piero Buonaccorsi, Called Perino del Vaga. Study for a Scene in the Sala di Psiche in Castel S. Angelo, 1545-46 Pen and Brown Ink, Brush and Brown Wash, 120 × 250 mm, 4 5/8 × 9 15/16 in.
Attributed works:
[ Paul Drey Gallery, 11 East 57th Street, New York ] Domenico Piola, Genoa, 1627-1703. The Penitent Magdalen, Brush, Light and Dark Brown Wash, Heightened with White, on Gray Paper, 340 × 254 mm
Attributed works:
[ Phillips, 101 New Bond Street, London ] "Bandits in a Landscape", Signed T. Grigg, Gouache, 435mm × 635mm. One of a Pair. Estimate: £8,000-£12,000
Attributed works:
[ Phillips, 101 New Bond Street, London ] Girolamo Mazzola-Bedoli, (c. 1500-1569), "Virgin and Child with Infant St. John", 236mm × 183mm. (Photo Courtesy of the Photographic Survey, Courtauld Institute).
Attributed works:
[ Phillips, 101 New Bond Street, London ] Pieter Brueghel, the Younger (1564-1638), "The Wedding Feast", Signed and Dated P. Brueghel 1624, on Panel, 43cm × 56cm. Estimate: £350,000-£450,000
Attributed works:
[ Richard L. Feigen & Company, 6 Ryder Street, St James, London / 49 East 68th Street, New York ] François-Xavier Fabre Portrait of Marquis Don Luigi Grimaldi Leaning on the Tomb of His Fiancée Fanny Grimaldi and Posthumous Portrait of the Marquise Fanny Grimaldi as She Rejoins Her First Husband, the Marquis Giovanni Battista Grimaldi, in His Tomb, 1804 Each, Oil on Canvas, 31½ by $19frac{3}{4}$ Inches (80 by 50cm.) Portrait of the Marquis Signed and Dated: "F. X. F. 1804" Portraitof the Marquise Signed and Dated: "F. X. F.f./1804"
Attributed works:
[ The Grosvenor House Art & Antiques Fair / C. John, 70 South Audley Street, London ] An Exceptional Indian Agra Carpet Finely Woven by the Inmates of Agra Prison, Circa 1880. The Design is Derived from the Traditional Persian Floral Designs of the Late 16th Century. Wool Pile with a Cotton Foundation. Length 439 cm (172½ in). Width 351 cm ($138frac{1}{8}$ in).
Attributed works:
[ The Grosvenor House Art & Antiques Fair, London / Devenish & Company, 929 Madison Avenue, New York ] An exceptionally rare and beautifully figured George II mahogany bureau bookcase in the manner of Thomas Chippendale with unusual applied carved moulding and paterae on the fall front, retaining its original handles and lockplates in the form of rococo cartouches. English, circa 1755. Height 269 cm (106 in). Width 111.8 cm (44 in). Depth 61 cm (24 in).
Attributed works:
[ The Grosvenor House Art & Antiques Fair, London / Johnny Van Haeften Limited, 13 Duke Street, St James, London ] A Still Life of a Bare and Birds on a Table, by Adriaen van Utrecht (1599-Antwerp-1652). Signed and Dated 1647. Oil on Canvas, 70 × 107 cm (27½ × 42 in).
Attributed works:
[ The Grosvenor House Art & Antiques Fair, London / William Drummond, 8 St James Chambers, Ryder Street, London ] The Itinerant Bagpiper by Walter Geikie R. S. A. (1795-1837). Signed and Dated 'W Geikie 1832'. Oil-Paint on Canvas, 30.5 × 25.4 cm (12 × 10 in).
Attributed works:
[ The Grosvenor House Art & Antiques Fair, London ] Francesco Guardi (1712-1793). The Grand Canal, and The Island of San Cristoforo della Pace, Murano, Agnew's. Stand 59
Attributed works:
[ The Grosvenor House Art & Antiques Fair, London ] Peter Brueghel the Younger (Brussels 1564-1637). The Birdnester. 42.5 × 58.1 cm Oil on Panel, Johnny Van Haeften. Stand 61
Attributed works:
[ The Grosvenor House Art & Antiques Fair, London ]The Master B. F. (Binasco) Milan Circa 1510. Jacob and Esau. Tempera and Gold Leaf on Vellum. Signed by the Artist. Italy, 167 × 163mm (6½ × 6½), Circa 1510.
Attributed works:
[ Trinity Fine Art Ltd, 29 Bruton Street, London ] Francesco Guardi View of the Grand Canal with the Church of S. Lucia. Pen, Brown Ink and Brown Wash on White Paper, 285 × 445 mm.
Attributed works:
[ Voena, S. A. S., Via dei Mille 36, Turin ] Charles Dauphin Lorena 1620 ca. ∼ Torino 1677. Bacchus and Arianna. Oil on Canvas, cm. 150 × 220
Attributed works:
[ W. M. Brady & Co., 3 East 76th Street, New York ] Jacques-Louis David (1748-1825). Presumed Portrait of Jean-Baptiste-Robert Lindet (1743-1825). Signed, Left Center, L, David. Pen and Black Ink with Brush and Grey and Brown Washes over Black Chalk Diameter, 7½ inches (190 mm)
Non-western art unattributed:
[ Eskenazi, 10 Clifford Street, London ] Porcelain Dish Painted in Underglaze Blue with Wave and Trellis Patterns, Six Ruyi-Shaped or Cloud Panels and a Central Scene of Cranes, Ducks and Lotus. Yuan Dynasty, Mid 14th Century Diameter: 46.3cm
Non-western art unattributed:
[ J. J. Lally & Co., Oriental Art, 41 East 57 Street, New York ] Turquoise Inlaid Bronze Axe (Qi) Shang Dynasty (12th Century B. C.) Length 7% Inches (19.6 cm)
Non-western art unattributed:
[ The Chinese Porcelain Company, 822 Madison Avenue, New York ] A Very Rare Pair of Cloisonné Figures of Deer Qianlong Period, (1736-1795), Height: 9 Inches (24 cm.)
Non-western art unattributed:
[ The Grosvenor House Art & Antiques Fair, London / Grace Wu Bruce Inc, 701 Universal Trade Centre, 3 Arbuthnot Road, Hong kong ] A Superb Huanghuali Wood Side Table. Chinese Ming Dynasty. W 199.8 cm. D 59.1 cm. H 82 cm.
Western art unattributed:
[ Asprey, 165-169 New Bond Street, London ] A Rare English Silvered Pier Glass. Circa 1685. Height 69 ins. 175 cms.
Western art unattributed:
[ Glass Gallery Michael Kovacek, Spiegelgasse 12, Vienna ] Gold-Ruby Cannikin, Potsdam, Early 18th Century, Mount of Silver-Gilt, Marked "CE" in the Oval. Depressed Globular Form Blown into a Wooden Mould. The Middle of Bowl Considerably Waisted. Two-Piece Silver-Mount with Base and Long Spout, Handle and Cover. On the Base Pontil-Mark. Silver-Mount Slightlymissing at Basal rim. Height 11.8 cm.
Western art unattributed:
[ M. Turpin, 27 Bruton Street, London ] An Extremely Rare George I Wing Armchair in Walnut, the Frame Finely Enriched with Original Gilding. English, Circa 1710.
Western art unattributed:
[ Neumeister Fine Art Auctioneers, Barer Str. 37, Munich ] A Flemish Oak Statuette of the Virgin and Child, Circa 1470/80. 34,5 in. (87 cm).
Western art unattributed:
[ The Grosvenor House Art & Antiques Fair / 8-10 Hans Road, Knightsbridge, London ] A Very Fine Pair of George III Carved Mahogany Card Tables. English, Circa 1780. Height 72 cm (28½ in). Width 91.5 cm (36 in). Depth 45 cm (18 in). Literature: 18th Century English Furniture - The Norman Adams Collection, pp. 322-3, for a Pembroke Table and Card Table by the Same Maker.
Western art unattributed:
[ The Grosvenor House Art & Antiques Fair, London / Kugel, 279 Rue de Saint Honore, Paris ] A Collection of Ormolu Mounted Imperial Porphyry Vases. French, Late 18th and Early 19th Centuries.
Western art unattributed:
[ The Grosvenor House Art & Antiques Fair, London / Richard Philp, 59 Ledbury Road, London ] Crowned Madonna. German, 14th Century. Walnut. Height 43.5 cm (19¼ in).
Western art unattributed:
[ The Grosvenor House Art & Antiques Fair, London ] A Late 18th Century Drum or "Rent" Table with the Very Rare Feature of Circular Pedestal Base, the Top Laid in Vellum Green Leather with Central Hinged Well, the Frieze with Eight Wedge Shaped Drawers, Each One Numbered and Inlaid with Letters of the Alphabet, with Original Brass Handles, with a Cupboard on a Plinth Base. Height: 32in (81 cm) Diameter: 42in (107cm)
Western art unattributed:
[ Wildenstein, 147 New Bond Street, London ] School of Fontainebleau, Pan Pursuing Syrinx (Detail), Pen and Brown Ink with Black Wash, Squared for Transfer 53.8 × 39 cm; One of a Pair.
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09/1993 | 1086 | 135
Pages: i-xxviii
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[ Arno Winterberg, Hildastrasse 12, Heidelberg ] Franz Heinrich, Der Sibyllentempel und die Wasserfälle von Tivoli Watercolour. Signed. 44.4 × 64.4 cm.
Attributed works:
[ Bruno Scardeoni, 54 Via Nassa, Lugano ] The Sacrifice of Isaac, Oil on Canvas 153 by 118 cms. Orazio Riminaldi (Pisa, 1593-1631)
Attributed works:
[ C. G. Boerner, Kasernenstrasse 13, Düsseldorf / 61 East 77th Street, New York ] C. D. Friedrich. Woodcut by Chr. Friedrich. 1801/03. Börsch-Supan/Jähnig 60
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 108 - 112 Rue du Faubourg St Honore, Paris / 21 East 67th Street, New York ] Gaspare Diziani Belluno 1689 - Venice 1767 The Triumphal Entry of Alexander the Great into Babylon. Oil on Canvas, 130 × 202 cms ($50frac{5}{8}$ × 77½ ins)
Attributed works:
[ cover ] Bacchanal with a wine vat, by Andrea Mantegna. Engraving (H.4), 29.9 by 43.7 cm. (The Metropolitan Museum of Art, New York).
Attributed works:
[ De Jonckheere, 100 Rue du Faubourg Saint Honore, Paris ] Ambrosius Bosschaert The Younger (1609 Armenuiden - Utrecht 1645) Still-Life with Flowers, Fruits and Shells, Wood Panel, 66 × 47 cm, Signed, Circa 1634
Attributed works:
[ Dover Street Gallery, 13 Dover Street, London ] Sir Lawrence Alma-Tadema (1836-1912). Nude reclining on a Sofa. Oil on Panel, Inscribed, 38 by 22 cms
Attributed works:
[ Flavia Ormond Fine Arts Ltd, 24 Brechin Place, London ] Jacopo Zucchi (c.1540-1596) Artist-in-Residence at the Medici Court in Rome. A Study for the Decorative Detail of a Frieze in the Villa Medici, Rome, with Armorial Device Belonging to Pope Leo X. Pen and Brown Ink and Wash over Black Chalk. c.1587-88. 143 × 166 mm.
Attributed works:
[ Galerie Koller, Hardturmstrasse 102, Zurich ] Rembrandt Harmensz van Rijn (1606-1669). Diana and Callisto. 1640-1645. Pen and Brown Ink, Brown Wash. 204×295 mm (8×$11frac{5}{8}$ in). Valentiner 596, Benesch 521, Haverkamp Begemann 1961, p. 51, Certificate: Sumowski 1993.
Attributed works:
[ Galerie Lingenauber, Schwerinstrasse 38, Düsseldorf / 27 Boulevard des Italiens, Paris ] Abraham Breughel Antwerp 1631 - 1690 Naples Flowers in a Glass Vase A Pair of Octagonal Canvases 41.5 × 33 cm Each Both Signed
Attributed works:
[ Gallerie D' Arte, C. SO Palestro 37/B, Brescia ] Armondi, The Marlyrdom of St. Sebastian by Anthony Van Dyek (1599-1611). Canvas, 229 × 159 cm. Provenance: Düsseldorf-Mannheim Gallery. Inv. No. 821. According to Erik Larsen (The Paintings of Anthony Van Dyek. Volume II: Luca Verlag Freren 1988: p. 101) a life-size studio repetition of St. Sebastian alone is at the Berlin Castle. An original modello by the artist (parchment on canvas, 60 × 19 cm) which I have recently personally examined, constitutes a first plastic idea for the left side of the composition and is of very high quality.
Attributed works:
[ Gallery kekko, 14 Prince Arthur, Suite 105, Toronto ] Gaetano Gandolfi (1734-1802). Mary Magdalen Washing the Feet of Christ. Black Chalk, Grey Wash, 42.0 × 30.5 cm. Signed and Dated "G. Gandolfi 1798". Final Preparatory Design for the Painting by Gaetano Sold at Sotheby's London, December 1965, lot. 33. The Attribution Was Confirmed by Dr. Donatella Biagi Maino.
Attributed works:
[ Hilmar M. Klemke, Burchardstrasse 26, Münster / 8 Place du Palais Bourbon, Paris] Jacopo Amigoni (Venice ca. 1685-1752 Madrid) Bathsheba Bathing Receives the Message from King David Red Chalk. 152 × 207 mm.
Attributed works:
[ Kate de Rothschild & Didier Aaron, 118 Faubourg Saint - Honore, Paris / 21 Ryder Street, London / 32 East 67th Street, New York ] Giovanni Benedetto Castiglione, Called Il Grechetto (Italian, 1609-1663/1665) Satyr and Bacchante, Executed c.1650, Brush Drawing: 425 × 565 mm.
Attributed works:
[ Marcello Aldega Margot Gordon ] Gian Lorenzo Bernini 1598-1680 Brown Ink, White Paper 211 × 199 mm.
Attributed works:
[ Neumeister, Barer Strasse 37, Munich ] Francesco Trevisani (1656 Capodistria - 1746 Rome) The Madonna and Child with the Infant Saint John. Oil on Canvas. 78,5 × 68,5 cm.
Attributed works:
[ Olimpia Theodoli, 55 Cambridge Street, London ] Francisco Goya y Lucientes Fuente de Todos 1746 - Bordeaux 1828 Tu que no puedes Etching, Burnished Aquatint and Burin from the First Edition of Los Caprichos, 1799.
Attributed works:
[ Paul Proute S. A., 74 rue de Seine, Paris ] Abraham Bloemaert (Dordrecht 1564 + Utrecht 1651) Three Standing Women, One Praying. Black Chalk, Pen in Brown Ink, Light Grey Wash, White Heightening, on Beige Paper. On the Verso: A Standing Woman Seen from the Back and Study of Legs, Counterproof of Sanguine. Watermark: Bishop's Crook of Basel. (Close to Briquet 1329).
Attributed works:
[ Piero Corsini, 162 East 63rd Street, New York ] Giulio Cesare Procaccini Bologna, 1574 - Milan, 1625 Signed: G. C. P. The Betrayal of Christ ca. 1612-1620. Oil on Canvas, 208 × 149 cm. Provenance: Tomas Harris Collection
Attributed works:
[ Piero Corsini, 162 East 63rd Street, New York ] Giulio Cesare Procaccini The Betrayal of Christ Det.: Head of a Soldier
Attributed works:
[ Piero Corsini, 162 East 63rd Street, New York ] Giulio Cesare Procaccini The Betrayal of Christ Det.: Head of Christ
Attributed works:
[ Piero Corsini, 162 East 63rd Street, New York ] Giulio Cesare Procaccini The Betrayal of Christ Det.: Head of Judas
Attributed works:
[ Richard L. Feigen & Company, 6 Ryder Street, St James, London / 49 East 68th Street, New York ] Rudolphe Bresdin (1825-1885) Figures in a Landscape Pen, Black Ink and Black Wash on Cream Paper 4¼ by $3frac{1}{8}$ Inches (10.8 by 7.9 cm.)
Attributed works:
[ Robert Bowman, 15 Kings Road, London ] Auguste Rodin (French 1840-1917) Le Penseur. Signed A. Rodin and Inscribed with Founders Mark, Alexis Rudier Fondeur Paris Bronze, Rich Green, Brown, Orange and Black Patination. Height 37 cm ($14frac{3}{4}$ in)
Attributed works:
[ Sabrina Förster, Poststrasse 3, Düsseldorf ] Jakob Philipp Hackert Prenzlau 1737-1807 San Piero di Careggio Trees in the Chigi Park at Ariccia, 1772 Black Chalk, 390 × 518 mm, Signed and Inscribed "Dans le Parc du Prince Shigi à L'Ariccia 1772". Provenance: Collection Caspari, Frankfurt
Attributed works:
[ Stanza del Borgo, Via G. Puccini 5, Milan ] Salvator Rosa, The Prodigal Son Herding Swine Pen and Brown Ink, 178 × 263, Study for The Prodigal Son Herding Swine in the Hermitage, c.1650
Non-western art unattributed:
[ Grace Wu Bruce, Hong Kong ] A Very Fine Huanghuali Wood Qiaotouan Table. Chinese, Ming Dynasty, Late 16th to Early 17th Century. Height 85.7 cm ($33frac{3}{4}$ in). Width 167.0 cm ($65frac{3}{4}$ in). Depth 35 cm ($13frac{3}{4}$ in). Compare This to the Extremely Similar Example Illustrated in Classic Chinese Furniture by Wang Shixiang, 1986, Plate 107, in the Author's Collection.
Western art unattributed:
[ Charles Ratton & Guy Ladriere, 14 rue de Marignan and 11 quai Voltaire, Paris ] Marble Relief from a Chancel Screen Siena, Italy Circa 800 80 × 170 cm.
Western art unattributed:
[ Galleria Previtali, Via T. Tasso 21, Bergamo ] A Very Rare Brass Dish with a Stylised Image of a Lion Resembling Those Found on Acquamanili. Fifteenth Century. South German. Diameter: 39 cm.
Western art unattributed:
[ Nella Longari, Via Bigli 15, Milan ] "Bolognese Miniaturist" Initial "T" Martyrdom of Saint John the Evangelist Bologna, 1410 - 1420 Circa Tempera on Vellum 150 × 145 mm. Front Cover, 1st Vol.
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Subjects
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Illustrations
Attributed works:
[ Arturo Cuellar, Bürglistrasse 18, Zurich ] Baccio della Porta, Called Fra Bartolomeo (1472-1517), A Farm on a Ridge. Pen and Brown Ink, Watermark Flower (Tulip) with Two Leaves (cf. Briquet 6664, Florence and Catania, 1508) 15 × 25 cm.
Attributed works:
[ Buch-und Grafik-Antiquariat Falk+ Falk, Kirchgasse 28, Zurich ] Bry, Theodor de. America Sammlungen von Reisen noch Ost - und Westindien. Pt. I - VI. 1591-1620. Richly Illustrated with Engraved Maps and Views. Contemp. Vellum. Very Rare!
Attributed works:
[ Charles Ratton & Guy Ladrière, 14 rue de Marignan and 11 quai Voltaire, Paris ] Desiderio da Settignano (Settignano ca. 1430-Florence 1464), Virgin and Child. Marble Relief - 32,5 × 22,5 cm.
Attributed works:
[ Christie's, 8 King Street, St James, London ] Guido Reni (1575-1642): The Penitent Magdalen, 44¼ × 36in. (112.5 × 91.5cm.). Estimate: £800,000-1,200,000. Removed from Wrotham Park
Attributed works:
[ Christie's, 8 King Street, St James, London ] Michelangelo di Ludovico Buonarroti Simoni, Called Michelangelo (1475-1564): The Meeting of the Infant Saint John the Baptist with the Holy Family on the Rest on the Flight into Egypt, Black and Red Chalk, Pen and Brown Ink, over Stylus Indications, 279 × 391 mm.
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 108-112 Rue du Faubourg Saint-Honoré, Paris / 21 East 67th Street, New York ] Giulio Cesare Procaccini, Bologna 1574 - Milan 1625. The Annunciation. Oil on Panel: 123.5 × 95.5 cms
Attributed works:
[ cover ] Salver with Four Reclining Deities, One of a Pair from the Calverley Toilet Service, by William Fowle. 1683-84. Silver. (Victoria and Albert Museum, London).
Attributed works:
[ De Jonckheere, 100 Rue du Faubourg Saint-Honoré, Paris ] David Teniers (1620 Antwerp-Brussels 1690) - The Alchimist - Oil on Canvas: 34,9 × 47,6 cm, Signed and Dated 1652
Attributed works:
[ Dover Street Gallery, 13 Dover Street London ] Alexandre-Marie Colin (1798-1873) An Odalisque. Oil on Canvas. Signed and Dated 1843. 30 by 36.75 cms
Attributed works:
[ Durham Art Gallery, Aykley Heads, Durham ] George Fennel Robson (1788-1833) 'Durham Cathedral from Prebends Bridge'. The Bowes Museum, Durham County Council.
Attributed works:
[ Flavia Ormond Fine Arts Ltd, 24 Brechin Place, London ] Giovanni Battista Gaulli (Called il Baciccio) 1639-1709. A Preparatory Study for the Group of Charity for an Unexecuted Ceiling Fresco for the Sala del Maggior Consiglio in the Ducal Palace, Genoa. Pen and Brown Ink with Grey Wash over Black Chalk, c.1693. 391 × 278 mm.
Attributed works:
[ Galerie Schmit, 396 Rue Saint-Honoré, Paris ] Stanislas Lépine, "Le Port aux Vins au Pont Sully", Panneau, 15,8 × 23,7 cm. Pient vers 1882 - 1885. "Le Bassin de la Villette", Toile, 34 × 68,5 cm. Peint vers 1876 - 1880.
Attributed works:
[ Galleria Salamon, Via San Damiano 2, Milan ] Evaristo Baschenis (Bergamo 1617 - Wien 1677), Musical Instruments. Oil on Canvas; 85 × 105 cms
Attributed works:
[ Hill-Stone, New York ] Carlo Maratti 1625-1713, St. Joseph Holding the Christchild with the Virgin.
Attributed works:
[ Les Enluminures, Le Louvre des Antiquaires, 2 Place du Palais Royal, Paris ] King Louis XII and Queen Anne of Brittany in Prayer (200 × 215mm) Attributed to the Master of Philippe of Guelders. Initial from a Royal Antiphonal (Frontispiece?). Paris, France after 1499
Attributed works:
[ Noortman, 40-41 Old Bond Street, London / Vrijthof 49, Maastricht ] Pieter de Hooch 1629-1684. The Courtyard of a House in Delft. Canvas: 68 × 57.5 cm. Signed and Dated 1658
Attributed works:
[ Phillips, 101 New Bond Street, London ] Ludolf Backhuysen, (1631-Amsterdam-1708), "A View of the Texel with a Man-o-War Lying at Anchor", Oil on Canvas, 55cm × 67.5cm. Estimate: £30,000-£50,000
Attributed works:
[ Richard L. Feigen & Company, 6 Ryder Street, St James, London / 49 East 68th Street, New York ] Sir Thomas Lawrence, Portrait of Thomas Dawson, 1st Viscount Cremorne, c.1780. Oil on Canvas, 241.3 by 144.8 cm.
Attributed works:
[ Sotheby's, 34 - 35 New Bond Street, London ] Pier Jacopo Alari-Bonacolsi Called Antico (c. 1460-1528). The Young Hercules Reading, Manua, circa 1495, Bronze and Gilt Bronze. 9ins (22.9cm) High, Later Carved Wood Base.
Attributed works:
[ Spencer A. Samuels & Co, 52 East 78th Street, New York ] Francesco Salviati, Soldier Fleeing (34.6 × 26 cm) Literature: Francesco Salviati by Luisa Mortari, 1992, Illustration no. 400
Attributed works:
[ The Grosvenor House Antiques Fair, London (C. John, 70 South Audley Street, Mayfair, London) ] A French Beauvais Tapestry, Finely Woven in Silk and Wool. From the Series La Noble Pastorale - The Foundation of Love. From the Workshops of Charron, Circa 1760. Dimensions, 276.7 × 292 cm (109 × 115 in).
Attributed works:
[ The Grosvenor House Antiques Fair, London ( Agnew's) ] Sir Peter Paul Rubens (1577-1640), The Holy Family with the Infant St John the Baptist. Canvas, 57 × 46 in (144.7 × 116.9 cm)
Attributed works:
[ The Grosvenor House Antiques Fair, London ] A Very Fine Miniature Tea and Coffee Set by Paul de Lamerie. Circa 1725. This 17 Piece Set Is the Most Expensive Miniature Set Ever.
Attributed works:
[ The Grosvenor House Antiques Fair, London ] Caspar Netscher, (1639-84). Self Portrait. Oil on Canvas, 18¼ × 14½ in.
Attributed works:
[ The Grosvenor House Antiques Fair, London ] David Bomberg (1890-1957), A View of the Mount of Olives. Oil on Board, 20 × 26 Inches, Signed and Dated 25
Attributed works:
[ The Grosvenor House Antiques Fair, London ] Fernando Yañez de la Almedina (Active 1501-1531 in Valencia), Christ as Salvator Mundi. Oil on Panel 23.5 × 15.3 cm. Circa 1500-1515
Attributed works:
[ The Grosvenor House Antiques Fair, London ] Jenny Lind by Friedrich Heinrich Karl Schmidt-Carlson (1806-87). Signed and Dated 'Schmidt-Carlson Lubeck 1852'. Oil on Metal, 15.5 × 14 cm (6 × 5½ in).
Attributed works:
[ Thomas Gibson Fine Art Ltd, 44 Old Bond Street, London ] Lucas Cranach the Elder, Judith with the Head of Holofernes, c1530. Oil on Limewood Panel. 29½ × 21¼ Inches / 75 × 54 cm
Non-western art unattributed:
[ Eskenazi, 10 Clifford Street, London ] Earthenware Horse Biting at Its Left Knee, Glazed in Cream and Brown with Pink and Red Pigments and Gilding. Tang Dynasty, 8th Century. Height: 54.7cm
Non-western art unattributed:
[ J. J. Lally & Co., 41 East 57 Street, New York ] Archaic Jade Notched Disk, Xuanji Neolithic/Shang Dynasty, 2nd Millennium B. C. Diameter $4frac{3}{8}$ Inches (11.2 cm)
Non-western art unattributed:
[ Syz, 94 Eaton Place, London ] A Shakudo nanako Tsuba Carved in Low Relief, Details Inlaid in Gold and Silver. Unsigned, Mino-Goto School, Mid-Edo Period. 7.5 × 7.2 × 0.5 cm
Non-western art unattributed:
[ The Grosvenor House Antiques Fair, London ] A Chinese Stone Head of a Man. Yuan Dynasty, 1279-1368. An Unusual Stone Head of a Man, Wearing a Hat with a Shaped Crest, His Face and Features Well Defined with a Gentle, Sensitive Smile. Height 28.5 cm.
Non-western art unattributed:
[ The Grosvenor House Antiques Fair, London ] A Fine and Rare Mughal Jade Bowl with Crenellated Rim and S-Curl Handles, the Stone a Green Tone with Russet Markings. Turkestan, 18th Century. Length across the Handles 20 cm (8 in).
Non-western art unattributed:
[ The Grosvenor House Antiques Fair, London ] A Rare Chinese, Porcelain, Oval, White-Glazed, Rococo-Style Tureen and Cover, Modelled from a European Faience Original, Supported on Four Paw Feet Moulded with Irregular Fluted and Ridges; The Sides Set with Scrolling Handles; The Cover Modelled as a Curled Leaf with Spiralling Stem Finial. Early Quianlong Period, 1736-1795. Width: 31½ cm.
Non-western art unattributed:
[ The Grosvenor House Antiques Fair, London ] A Very Fine and Rare Huanghuali Wood Bookcase. Chinese, Late 16th to Early 17th Century. Height 199.3 cm
Non-western art unattributed:
[ The Grosvenor House Antiques Fair, London ] An Ivory Powder Flask. Indian, 17th Century. Length: 25 cm. Width: 5.5 cm.
Western art unattributed:
[ Aronson of Amsterdam, Nieuwe Spiegelstraat 39, Amsterdam ] A Very Rare Dutch Delftware Polychrome Plaque Showing a Musician Playing a Bright Yellow viola da gamba, within a Yellow Border, ca.1760, 27 × 22cm (Without Frame)
Western art unattributed:
[ Asprey, 165 - 169 New Bond Street, London / 725 Fifth Avenue, New York ] The Tatham of Tatham Mazer. A Highly Important Henry VII Mazer Bowl, Maker's Mark W, London 1501, 7″ diameter. This Is the Earliest Recorded Hallmarked Mazer.
Western art unattributed:
[ M. Bascourt, Mechelsesteenweg 17, Antwerp ] Superb marquetry French Cabinet, 2nd. half of the 17th century. Inlay of flowers from different varieties of wood in the Dutch manner, but the ivory jasmine flowers are typically French. Pewter strips with inlay around the central door with Louis XIVth flowers and vase pattern. The sides are also similarly decorated. (Inside three small drawers) 63 × 95 × 39 cm.
Western art unattributed:
[ Perrin, 98 Faubourg Saint-Honoré and 3 Quai Voltaire, Paris ] Suite of Four Stools c.1800. Height: 85 cm. Width: 89 cm. Depth: 47 cm. A rare group of carved and gilded X-form wooden stools The uprights terminate at the top in carved heads of fantastic beasts, whose plumage continues to the level of the seat. A disk decorated with flower petals makes the junction of the uprights. Each stool rests on four claw feet. This series of exceptionally large stools belongs to the world of decorative objects of high fashion at the end of the eighteenth and the beginning of the nineteenth centuries.
Western art unattributed:
[ The Grosvenor House Antiques Fair, London ] A 19th-Century Onyx and Diamond Set Cameo Brooch. English, Circa 1880.
Western art unattributed:
[ The Grosvenor House Antiques Fair, London ] A George III Carved Giltwood Console Table, the Serpentine Fronted Siena Marble Top Resting above a Giltwood Frieze. The Legs Comprising 'C' Scrolls Are United at the Base by a Cartouche-Shaped Stretcher, Supporting a Springer Spaniel, a Partridge and a Musket. English, Circa 1765. Height: 37 in. (94 cm). Width: 50 in. (127 cm). Depth: 24 in. (61 cm).
Western art unattributed:
[ The Grosvenor House Antiques Fair, London ] A Highly Important and Extremely Rare Queen Anne Japanned Bureau Cabinet. Circa 1708. Height: 92 in. Width: 39½ in.
Western art unattributed:
[ The Grosvenor House Antiques Fair, London ] A Pair of Empire Giltwood Armchairs of Assyrian Inspiration. French, Circa 1800. The Musee des Arts Decoratifs in Paris Shows an Armchair That Belonged to the President de L'Assemblee Very Similar to These Armchairs, after a Drawing by the Architect Poyet. Height of Back 92 cm (36¼ in). Height of Seat 43 cm (17 in). Width 70 cm (27½ in). Depth 70 cm (27½ in).
Western art unattributed:
[ The Grosvenor House Antiques Fair, London ] An exceptional George III harewood and marquetry tambour writing table. English, circa 1775. Height 91.5 cm (36 in). Width 82 cm (32½ in). Depth 72 cm (28½ in).
Western art unattributed:
[ The Grosvenor House Antiques Fair, London ] French Faience Lion. Early 18th Century. One of a Pair. Height 73.1 cm ($28frac{3}{4}$ in) and 72.4 cm (28½ in).
Western art unattributed:
[ The Grosvenor House Antiques Fair, London ] The 'Pokrov'. Russian, Third Quarter of the 15th Century.