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6 articles
Exhibition Review
Marine: Ian Hamilton Finlay
09/2021 | 1422 | 163
Pages: 854-856
related names
Reviewer:
Thomas, Greg (Thomas, Greg)
Subjects
dates:
Reviewed Items
subjects:
Marine: Ian Hamilton Finlay City Art Centre, Edinburgh 22nd May–3rd October | :
Illustrations
Attributed works:
19. Marine, by Ian Hamilton Finlay with Patrick Caulfield. 1968. Silkscreen, 51 by 64.2 cm. (City Art Centre, Edinburgh).
Attributed works:
20. Battle of Midway I, by Ian Hamilton Finlay with Ron Costley. 1977. Silkscreen, 64 by 97 cm. (Estate of Ian Hamilton Finlay, Dunsyre; exh. City Art Centre, Edinburgh).
Exhibition Review
Summer exhibitions. London
08/2015 | 1349 | 157
Pages: 556-558
related names
Reviewer:
Spawls, Alice (Spawls, Alice)
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Illustrations
Attributed works:
33. Detail from Remembered words: drive-in, by Roni Horn. 2013 (Hauser & Wirth, London)
Attributed works:
34. Per una situazione, by Paolo Scheggi. 1963 (Cortesi Gallery, London)
Attributed works:
35. Installation view of Silent sticks (Max Mara Art Prixe for Women), by Corin Sworn. 2015 (Whitechapel Gallery, London)
Attributed works:
36. Installation view of Ian Hamilton Finlay | 1789 - 1794. 2015 (Victoria Miro Gallery, London)
Book Review
Midway: Letters from Ian Hamilton Finlay to Stephen Bann 1964–69, S. Bann, ed.
09/2014 | 1338 | 156
Pages: 612
related names
Reviewer:
How , Bryan (How , Bryan)
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dates:
Book Review
Ian Hamilton Finlay: Prints 1963-1997
06/1998 | 1143 | 140
Pages: 402
related names
Reviewer:
Gilonis, Harry (Gilonis, Harry)
Subjects
dates:
Reviewed Items
places:
Ian Hamilton Finlay: Prints 1963-1997 | author: Pahlke, Rosemarie , author: Simig, Pia
Book Review
Ian Hamilton Finlay: A Visual Primer
09/1986 | 1002 | 128
Pages: 686-687
related names
Reviewer:
Spalding, Julian (Spalding, Julian)
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dates:
places:
subjects:
Reviewed Items
subjects:
Ian Hamilton Finlay: A Visual Primer | author: Abrioux, Yves
Supplement
Acquisitions of Nineteenth and Twentieth-Century Art by Museums: Supplement
05/1977 | 890 | 119
Pages: 380
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Illustrations
Attributed works:
106. Portrait of Etienne Pierre, Graf Mejan, by Andrea Appiani. Signed and Dated 1806. Canvas, 98 by 73 cm. (City Museums and Art Gallery, Birmingham). 107. J. A. D. Ingres, by Lorenzo Bartolini. Marble Relief; Diameter, 30.6 cm. (Walker Art Gallery, Liverpool). 108. Study of a Violinist, by Edgar Degas. Black Chalk, 47 by 30.5 cm. (Ashmolean Museum, Oxford). 109. The Emigrant's Last Sight of Home, by Richard Redgrave, R. A. Canvas, 67.75 by 97.75 cm. (Tate Gallery). 110. Portrait of M. Michailov, by K. S. Somov. Signed and Dated 1916. Canvas, 72 by 54 cm. (Ashmolean Museum, Oxford). 111. Study of a Male Nude, by Paul Cézanne. Black Chalk, with Touches of Water-Colour, 48.5 by 29.5 cm. (Ashmolean Museum, Oxford). 112. Photograph of Aldous Huxley, by Dorothy Wilding. (National Portrait Gallery, London).
Attributed works:
113. Landscape, by Gustave Courbet. Signed. c.1862. Black Chalk, 38 by 53 cm. (Cleveland Museum of Art, Dudley P. Allen Fund).
Attributed works:
114. Ophelia among the Flowers, by Odilon Redon. Signed. c.1905-08. Pastel, 64 by 91 cm. (National Gallery, London).
Attributed works:
115. The Tree of Jesse. Stained-Glass Window Designed by Sir Edward Burne-Jones. 1862. (City Museums and Art Gallery, Birmingham).
Attributed works:
116. The Knight's Farewell, by Sir Edward Burne-Jones. Signed and Dated 1858. Pen and Ink on Vellum, 15.7 by 19.5 cm. (Ashmolean Museum, Oxford).
Attributed works:
117. St George and the Dragon, by Gustave Moreau. Signed. 1890. Canvas, 141.5 by 97.1 cm. (National Gallery, London).
Attributed works:
118. Une Semaine de Bonté ou les Sept Eléments Capitaux, by Max Ernst. 1934. Print. (Print Room, British Museum).
Attributed works:
119. If Not... Not, by R. B. Kitai. 1975-76. Canvas, 152.4 by 152.4 cm. (Scottish National Gallery of Modern Art, Edinburgh).
Attributed works:
120. Three Figures and Portrait, by Francis Bacon. Signed and Dated 1975 Canvas, 198 by 147.5 cm. (Tate Gallery).
Attributed works:
121. E. O. W. on the Bed at Earls Court, by Frank Auerbach. 1959. Black and Orange Chalk, 57 by 77.2 cm. (Print Room, British Museum).
Attributed works:
122. Et in Arcadia Ego, by Ian Hamilton Finlay. Marble, 28 by 28 by 7.5 cm. (Scottish National Gallery of Modern Art, Edinburgh).
Attributed works:
123. Le Bougeoir, by Georges Braque. Signed (In 1960). 1911. Canvas, 46 by 38 cm. (Scottish National Gallery of Modern Art, Edinburgh).
Attributed works:
124. Nature Morte, Compotier, by Pablo Picasso. Signed. 1909. Drypoint, 13.1 by 11 cm. (Print Room, British Museum).
Attributed works:
125. Rotation, by Kenneth Martin. 1966. Canvas, 150 by 150 cm. (National Museum of Wales, Cardiff).
Attributed works:
126. Pink Trailer, with Plymouth, by John Salt. Signed and Dated 1974. Canvas, 109 by 161 cm. (Art Gallery and Museum, Wolverhampton).
Attributed works:
127. Study for 'A Treatise on Colour Harmony', by Tom Phillips. 1975. Pen and Coloured Inks, Water-Colour and Collage, 26.9 by 36.6 cm. (Print Room, British Museum).