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26 articles
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Advertisements (front)
09/2018 | 1386 | 160
Pages: i–xxiv
Subjects
subjects:
Illustrations
Attributed works:
[Auktionshaus Heickmann, Chemnitz. CASPAR DAVID FRIEDRICH (1774–1840) Bohemian Landscape. Watercolour. 126 x 208 mm. Dated by the artist "den 16ten May 1828" and entitled "Morgennebel" (Morning fog).]
Attributed works:
[Bonhams, London. JOHN WILLIAM GODWARD, RBA (BRITISH, 1861-1922) Dolce far niente signed and dated ‘J.W.GODWARD.’07’ (lower left) oil on canvas 51.4 x 76.2cm (20 1/4 x 30in). £200,000 - 300,000 *]
Attributed works:
[Bonhams, London. SIR WINSTON SPENCER CHURCHILL O.M., HON. R.A. (1874-1965) The Riviera, a Sketch signed with initials ‘WSC’ (lower right) oil on canvas board 35.4 x 50.8 cm. (13 7/8 20 in.) Painted circa 1930 £100,000 – 150,000*]
Attributed works:
[British Art Fair, London. Apples and pears in a striped bowl, by Matthew Smith (1879–1959). 1952. Canvas, 45 by 61 cm. BROWSE AND DARBY, LONDON]
Attributed works:
[British Art Fair, London. Chariot, by Clive Barker (b.1940). 1974. Chrome-plated brass and bronze, 19 by 23 cm. WHITFORD FINE ART, LONDON]
Attributed works:
[British Art Fair, London. Garden, W6, by Victoria Crowe (b.1945). Oil on board, 58.4 by 71.1 cm. JENNA BURLINGHAM FINE ART, KINGSCLERE, HAMPSHIRE]
Attributed works:
[British Art Fair, London. Helmet head 4, by Henry Moore (1898–1986). 1963. Bronze, 42 by 87 by 52 cm. GOODMAN FINE ART, LONDON]
Attributed works:
[British Art Fair, London. House by a lake, by Ivon Hitchens (1893–1979). 1940. Canvas, 20 by 30 cm. JONATHAN CLARK FINE ART, LONDON]
Attributed works:
[British Art Fair, London. Los Angeles No.1, 2000, by R.B. Kitaj (1932–2007), 2000. Canvas, 121.9 by 121.9 cm. OFFER WATERMAN, LONDON]
Attributed works:
[British Art Fair, London. Pitchfork on green; pitchfork on pink, by Michael Craig-Martin (b.1941). 2003. Acrylic on canvas, 153 by 46 cm. BEAUX ARTS, LONDON]
Attributed works:
[British Art Fair, London. The governess, by Ambrose McEvoy (1878–1927). Canvas, 91.4 by 71.1 cm. MAAS GALLERY, LONDON]
Attributed works:
[British Art Fair, London. Three forms (extra eye), by Barbara Hepworth (1903–75). 1969. Bronze, 22.4 by 20.2 by 15.1 cm. OSBORNE SAMUEL, LONDON]
Attributed works:
[British Art Fair, London. Trio of bowls, by Lucy Rie (1902–1995). Glazed stoneware, various sizes. ASKEW ART, LONDON]
Attributed works:
[Charles Ratton & Guy Ladrière, Paris. ERCOLE SETTI (1530 –Modena –1618) A PROCESSION Pen and brown ink, black chalk, 10.5 x 30 cm]
Attributed works:
[Chiswick Auctions, London. MEDARDO ROSSO (ITALIAN, 1858-1928): ‘BAMBINA RIDENTE’ (BAMBINA CHE RIDE) A wax over plaster head Probably cast by the sculptor’s son, Francesco Rosso, from the original plaster model. Provenance: Sold to the Peridot Gallery, New York in 1959 by the sculptor’s daughter-in-law Clotilde Longoni Rosso. Thence by descent. Estimate £50,000 – 80,000]
Attributed works:
[Christie's, New York. POMPEO BATONI (1708–1787) Portrait of a lady, possibly Alexandrine Eftikhevna Demidoff, née Safonova (1745–1778), halflength, holding a wicker basket with flowers, 1775 (detail) oil on canvas $400,000–600,000]
Attributed works:
[Dulwich Picture Gallery, London. Jusepe de Ribera, Martyrdom of Saint Bartholomew (detail), 1644, Oil on canvas, Museu Nacional d'Art de Catalunya, Barcelona. ©Museu Nacional d'Art de Catalunya, Barcelona. 2018. Photo: Calveras/Mérida/Sagristà.]
Attributed works:
[F. Baulme Fine Arts, Paris. Jan Van Bijlert, Paris and Oenone, oil on canvas, 123.5 x 91 cm, signed, lower left ‘J Bijlert fecit’ Provenance: Collection of the painter Jean-Baptiste Marie Pierre (1714- 1789); thence by descent]
Attributed works:
[Frieze Masters, London. Sebastiano del Piombo, Portrait of a Lady (detail), mid-1520s, The National Gallery, London. On loan from Longford Castle collection. © Private collection. Photography: John Bodkin.]
Attributed works:
[Galerie Michel Descours, Lyon. Pierre Peyron, The Death of Alcestis, or The Heroism of Conjugal Love, oil on canvas, 96 × 107 cm (37.8 × 42.1 in.)]
Attributed works:
[Hazlitt Holland-Hibbert, London. Barbara Hepworth Five Studies of a Girl, 1951 (detail) Oil and pencil on board]
Attributed works:
[La Biennale de Paris. Sailing downwind, by Charles Lapicque (1898–1988). 1952. Canvas, 116 by 89 cm. ART CUÉLLARNATHAN, ZURICH]
Attributed works:
[La Biennale Paris. Angel, attributed to Giuseppe Sanmartino (1720–93). 1750. Terracotta with glass inlay, 38 cm high. GALERIE SISMANN, PARIS]
Attributed works:
[La Biennale Paris. Mantel clock showing allegories of astronomy and history, by Jean-André Lepaute (1720–1789) and Jean-Baptiste Lepaute (1727–1802). c.1770. Chased, patinated and gilt bronze with a marble base, 68 by 80 by 28.5 cm. GALERIE DE LA PENDULERIE, PARIS]
Attributed works:
[La Biennale Paris. Shell VI, by Eva Vlčková. 2018. Glass, 33 cm high. GALERIE CLARA SCREMINI, PARIS]
Attributed works:
[La Biennale Paris. Still life with a basket of fruit, bouquet of flowers and exotic shells, by Balthasar van der Ast (1590–1656). Panel, 75 by 107 cm. GALERIA ANA CHICLANA, MADRID AND PARIS]
Attributed works:
[La Biennale Paris. Theatrum orbis terrarum, by Abraham Ortelius (1527–98). 1603 posthumous edition. Paper, bound in vellum, 46 by 29.7 cm. LIBRAIRIE CAMILLE SOURGET]
Attributed works:
[Peter Finer, London. A Pair of Flintlock Presentation Pistols by Nicholas-Noël Boutet, 1805. PROVENANCE: Private collection, Germany]
Attributed works:
[Robilant + Voena, London. John Chamberlain, Untitled, c. 1963, painted and chromium-plated steel, 54.6 x 48.3 x 58.4 cm. Lucio Fontana, Concetto spaziale, Attese, 1967, water-based paint on canvas, 80 x 65 cm. The Apollo Vescovali, 2nd century AD, marble, 166 cm (height). Andy Warhol, One Multicolored Marilyn (Reversal Series), 1979/86, acrylic and silkscreen ink on canvas, 45.7 x 35.2 cm.]
Attributed works:
[Venator & Hanstein, Cologne. M.E. Bloch. Ichthyologie. 12 parts in 6 vol. Berlin 1785-97. With 432 coloured copperplates.]
Western art unattributed:
[Galerie Sismann, Paris. APOSTLE Limestone, traces of polychromy and gilt Lorraine 1330–1340 H. 90 cm]
Exhibition Review
A century of figurative British painting
05/2018 | 1382 | 160
Pages: 423-425
related names
Reviewer:
Cahill, James (Cahill, James; Cahill, J.)
Subjects
dates:
media:
museums and institutions:
places:
Illustrations
Attributed works:
26. Black nude, by Francis Newton Souza. 1961. Canvas, 181.5 by 121 cm. (Victoria and Albert Museum, London; exh. Tate Britain, London).
Attributed works:
27. The deer park, by Michael Andrews. 1962. Oil on board, 214 by 244.5 cm. (Tate Britain, London; exh. Tate Britain, London).
Attributed works:
28. Reclining figure, by Dorothy Mead. c.1954. Canvas, 92 by 122 cm. (The Sarah Rose Collection; exh. Tate Britain, London).
Exhibition Review
Obsessions: R.B. Kitaj, 1932–2007. Berlin; London and Chichester; Hamburg
05/2013 | 1322 | 155
Pages: 351-353
related names
Reviewer:
Hyman, Timothy (Hyman, Timothy)
Subjects
artists:
dates:
museums and institutions:
subjects:
Illustrations
Attributed works:
53. Reflections on violence, by R.B. Kitaj (Kunsthalle Hamburg; exh. Jewish Museum, Berlin)
Attributed works:
54. If not, not, by R.B. Kitaj (Scottish National Gallery of Modern Art, Edinburgh; exh. Jewish Museum, Berlin)
Advertisements
Advertisements January 2009 (front)
01/2009 | 1270 | 151
Pages: s.p.
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[Bernard Steinitz. 9, Rue du Cirque – 77, Rue du Faubourg Saint-Honoré. Paris. Rare vase mantel clock with revolving dial by Francois Vigier (c. 1708-1789). Movement signed and dated: VIGIER A PARIS 1767. Sèvres porcelain plaques marked to the reverse with a crossed double L and date-letter D for 1756.]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Anonymous Roman. c. 1610-1620. A Deacon Saint (Saint Stephen?). Oil on canvas, 108 x 78,5 cm (42 1/2 x 30 7/8 in)]
Attributed works:
[Galeries Hans. Jungfernstieg, 34 III. D-20354 Hamburg. Pietro Perugino.]
Attributed works:
[Jean-Luc Baroni Exhibiting at: Adam Williams Fine Art. 24 East 80th Street. Allegory of prudence, by Giandomenico Tiepolo (1727-1804). Signed 'Dom. Tiepolo' in brown ink at lower right. Pen and brown ink with brown wash, over an underdrawing in black chalk, 39.4 by 26.4 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Girolamo Francesco Maria Mazzola, called Parmigianino. Parma 1503 - 1540 Casalmaggiore. A Group of Figures standing by a Column, Two Women, one with a Baby, the other with a Child, and a Man in the Background. Pen and brown ink and wash, heightened with white. The sheet made up at all four edges, 151 by 103 mm. (6 x 4 1/2 in)]
Attributed works:
[Lowell Libson Ltd, Exhibiting at: Mitchell-Innes & Nash, 1018 Madison Avenue. The Isle of Elba from the sea, by Alexander Cozens (c. 1717-1786). Pen and ink and grey wash heightened with black chalk, 28 by 44.5 cm]
Attributed works:
[L’Antiquaire & The Connoisseur Inc. 36 East 73rd Street, New York. Ottavio Leoni, called Ottaviano, Il Padovano or Il Paduano (Rome 1578-1630 Rome). Portrait of the Countess Cantalmaggio. Black, red and white chalk on blue gray laid paper. Size: 8 1/2 x 5 3/4 (21.7 x 14.6 cm)]
Attributed works:
[L’Antiquaire & The Connoisseur Inc. 36 East 73rd Street, New York. Two camels, by Giovanni Benedetto Castiglione (1611-1670). Oil and wash on paper, 35.5 by 27 cm]
Attributed works:
[Margot Gordon. Exhibiting at: Shepherd & Derom Galleries. 58 East 79 Street. New York. Three putti in the clouds, by Pietro Testa (1607-50). Inscribed: 'Pietro Testa' lower left. Red chalk, 17.5 by 15.9 cm]
Attributed works:
[Margot Gordon. Shepherd & Derom Galleries. 58 East 79 Street. New York. Allegory of charity, by Bernardo Strozzi (1581-1644). Oil on paper, 31.5 by 27 cm]
Attributed works:
[Margot Gordon. Shepherd & Derom Galleries. 58 East 79 Street. New York. Niccolò Circignani, called Il Pomarancio. Pomarance 1517/24 - after 179 Citta della Pieve. Duel between Heraclius and Khosrau. Pen, black and brown wash, black chalk, 14 3/16 x 10 1/8 inches (360 x 257 mm).]
Attributed works:
[Mary-Anne Martin. 23 East 73rd Street. New York. Study for the figure of 'Song', Creation mural, Bolivar Auditorium, National Preparatory School, Mexico City, by Diego Rivera (1886-1957). Pastel and charcoal on blue paper, 61.7 by 46.5 cm]
Attributed works:
[Mia N. Weiner. Exhibiting at: L’Antiquaire & The Connoisseur. 36 East 73rd Street. New York. Study of a neo-attic relief fragment of a dancing maiden before a candelabrum, by Pietro Testa (1612-1650). Black chalk underdrawing, pen and brown ink and wash, 26.8 by 21 cm]
Attributed works:
[Museo Thyssen-Bornemisza. Madrid. Pieter Jansz. Saenredam. The West Front of the Sint-Mariakerk in Utrecht, 1662. Museo Thyssen-Bornemisza, Madrid.]
Attributed works:
[Nissman, Abromson Ltd, Exhibiting at: Praxis International Art, 25 East 73rd Street. New York. Seated angel, by Bernardino Poccetti (1548-1612). Black chalk with white heightening on blue paper, 30.1 by 21 cm]
Attributed works:
[Stephen Ongpin Fine Art Exhibiting at: Mark Murray, 39 East 72nd Street, Suite 4C. Portrait of Philip Rot, by R. B. Kitaj (1932-2007). 1985. Charcoal on handmade paper, 77.5 by 57 cm]
Attributed works:
[Stiebel Ltd. 252 East 68th Street. New York. Caricature of a man holding a three-cornered hat pointing with his left hand, by Giovanni Battista Tiepolo (1696-1770). Pen and grey wash on white paper, 25 by 14 cm]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Bartholomeus Spranger (1546-1611). Penitant Magdalene. Signed. Currently on loan at Prague Castle Picture Gallery for exhibition "Rudolfine Beauty"]
Attributed works:
[Trinity Fine Art Inc. 23 East 73rd Street. Project for a door of St. Peter's, Rome, by Paolo Posi (1708-1776). Signed and dated on paper 47 by 30 cm]
Attributed works:
[Trinity Fine Art Inc. 23 East 73rd Street. Sicilian, Trapani, mid-eighteenth century. Attributed to the Workshop of Andrea Tipa (1725-1783). The Holy Family with Angels. Alabaster 40 cm (15 3/4 ins) high overall]
Attributed works:
[W/S Fine Art / Andrew Wyld, Exhibiting at: Dickinson, 19 East 66th Street. New York. Storm at sea, by Joseph Mallord William Turner R.A. (1775-1851). Watercolour, 18.3 by 29.1 cm]
Western art unattributed:
[Mia N. Weiner. PO Box 100, Norfolk, CT. Head Study for figure in Murder of Spurius Melius, Palazzo Publico, Siena, ca. 1529.]
Advertisements
Advertisements January 2008 (Front)
01/2008 | 1258 | 150
Pages: [i-xviii]
Subjects
collectors and dealers:
subjects:
Illustrations
Attributed works:
[Christie's Old Master & 19th Century Drawings, sale: 24 January, 2008] François Boucher (1703-1770). A seated female nude. Black, red and white chalk on buff paper, 36.4 by 29.2 cm.
Attributed works:
[Christie's Old Master and 19th Century Drawings, New York, 24 January 2008] Jean-Baptiste Hilair (Audun-Le-Tiche 1753-after 1822 Paris). Portrait of Sultan Ab-dul Hamid I. Signed and dated 'JB. Hilair 1788', bodycolor, 660 x 490 mm. $150,000-250,000.
Attributed works:
[David Tunick, Inc. 19 East 66th Street, 18-26 January, 2008] Circle of Marten van Heemskerck (1498-1574). Bust of a man with elaborate hair, seen in profile. Pen and brown ink, 8.8 by 6 cm.
Attributed works:
[G. Sarti, 137 rue du Faubourg Saint-Honoré, Paris, France] Girolamo Genga (Urbino, circa 1476-1551). The Virgin suckling the Child, with the young St John the Baptist. Circa 1510. Oil on panel, 95 x 73 cm.
Attributed works:
[Galerie Canesso, 26 rue Laffitte, Paris, France] Paolo Gerolamo Piola (Genoa, 1666-1723). Salome with the Head of Saint John the Baptist. Oil on canvas, 132.5 x 102.5 cm
Attributed works:
[Galeries Dominique Hurtebize, Cannes, at Palm Beach Fine Art & Antiques Fair] Maurice de Vlaminck (1876-1958). Les maisons. Signed and dated at bottom right. Oil on canvas, 50 by 65 cm.
Attributed works:
[Hill-Stone Inc., Box 273, Gracie Station, New York] Carl Moser (Austrian, Bolzano 1873-1939 Bolzano). Young Breton Girl. Crayon, pastel and gouache. 1904. A study for the woodcut of the same subject. 273 x 195 mm. 10¾ x 7⅝ inches.
Attributed works:
[Hill-Stone Inc., exhibiting at: Winter Antiques Show, Seventh Regiment Armory, 17-27 January, 2008] Bernardino Gatti, called Sojaro (1495/1500-1576). A draped figure holding a spear, possibly from an Ascension. Drawing in black chalk, pen and brown ink.
Attributed works:
[Hollis Taggart Galleries, New York, at Palm Beach Fine Art & Antiques Fair] Oscar Bluemner (1867-1938). Still life. 1939. Signed and dated on verso: Hans Burkhardt 1939. Oil on canvas, 40.6 by 50.8 cm.
Attributed works:
[Jack Kilgore & Co., 154 East 71st Street, New York. Recent acquisitions January 14 to February 12, 2008. Exhibiting at The European Fine Art Fair, Maastricht, March 7 to 16] Ferdinand Bol (Dordrecht 1616-1680 Amsterdam). The Death of Dido. Oil on canvas, 66½ by 66 inches (169 by 167.5 cm).
Attributed works:
[L'Antiquaire & The Connoisseur Inc., 36 East 73rd Street, 18-26 January, 2008] Giovanni Benedetto Castiglione (1611-1670). Two camels. Oil and wash on paper, 35.5 by 27 cm.
Attributed works:
[Margot Gordon Fine Art, Master Drawings in New York, January 18-February 16, 2008, Shepherd & Derom Galleries, 58 East 79 Street, New York City] Bernardo Strozzi (Genoa 1581-1644 Venice). Allegory of Charity. Oil on paper, 31.5 x 27 cm
Attributed works:
[Mia N. Weiner, exhibiting at: L'Antiquaire and The Connoisseur, 36 East 73rd Street, 18-26 January, 2008] Abraham Bloemaert (1597-1671). A group of figures. Black chalk underdrawing, pen and dark brown ink, brush and brown wash, white gouache heightening, 15.2 by 11.8 cm.
Attributed works:
[Nathalie Motte Masselink, exhibiting at: Kate Ganz USA Ltd. 25 East 73rd Street, 18-26 January, 2008] Bartolomeo Biscaino (1632-1657). St Michael and the fall of the rebel angels. Red chalk on fine laid paper, 17.3 by 15.9 cm. Inscribed in brown ink at lower left: Biscaino, verso: Studies of a Virgin and Child.
Attributed works:
[Noortman Master Paintings, Maastricht, at Palm Beach Fine Art & Antiques Fair] Paul Cézanne. Paysage d'hiver. Oil on canvas, 58.8 by 72.5 cm.
Attributed works:
[Richard Green, London, at Palm Beach Fine Art & Antiques Fair]. Ben Nicholson (1894-1962). Painted relief [west Penwith]. Oil and gesso on carved relief, 52.7 by 84.8 cm. Signed, inscribed and dated 1946 on reverse.
Attributed works:
[Robert Simon Fine Art, Satis House, Tower Hill Road, Tuxedo Park, New York] Lorenzo di Credi (Florence 1459/60-1537). Madonna and Child. Oil on panel, 78 x 58 cm.
Attributed works:
[Sotheby's Old Master Drawings. The Jeffrey E. Horvitz Collection of Italian Drawings, sale: 23 January, 2008] Giovanni Francesco Barbieri, called il Guercino. The head of a man in profile, looking up. Pen and brown ink and wash, 17.8 by 17.8 cm.
Attributed works:
[Sotheby's: The Jeffrey E. Horvitz Collection of Italian Drawings, auction in New York, 23 January 2008] Giovanni Battista Tiepolo. The Head of an Oriental with Large Moustache and a Turban. Estimate $80,000-120,000.
Attributed works:
[The Fine Art Society PLC, exhibiting at: Dickinson, 19 East 66th Street, 18-26 January, 2008] Charles Rennie Mackintosh (1868-1928). Yew blossom. 1915. Watercolour over pencil, 22.6 by 20.3 cm.
Attributed works:
[W.M. Brady & Co., 22 East 80th Street, New York. Old Master Drawings and Oil Sketches, January 22-February 14, 2008] Giovanni Francesco Barbieri, called Il Guercino (Cento 1591-1666 Bologna). A Boy and a Child. Red chalk and stumping, 6⅞ x 7⅞ inches (174 x 200 mm).
Attributed works:
[W.M. Brady Inc., New York, 22 East 80th Street, 22 January-14 February, 2008] John Flaxman RA. Scene from medieval history. Pen and gray ink and gray wash, over black chalk, 47 by 62 cm.
Attributed works:
[W.M.Brady Inc., 22 East 80th Street, 22 January-14 February, 2008] Carlo Maratti (1625-1713). A Triton holding a conch shell. Black and red chalk heightened with white, 310 by 253 cm. Inscribed on the old mount, verso: C. Maratti.
Non-western art unattributed:
[Royal-Athena Galleries, London, at Palm Beach Fine Art & Antiques Fair] Egyptian limestone relief of Sai-Em-Petref, XIXth Dynasty, c.1313-1185 BC. Height: 60 cm. Width: 37 cm.
Western art unattributed:
[Brenske Gallery, Munich, at Palm Beach Fine Art & Antiques Fair] Crete, 1st half 17th century. Birth of Christ. Egg tempera on gesso on wood, 34.7 by 28.9 cm.
Western art unattributed:
[Emanuel von Baeyer, exhibiting at: Stiebel Ltd. 252 East 68th Street, 18-26 January, 2008] French, first half of the eighteenth century. Mackerel. Black chalk, with traces of red chalk and graphite, oiled black chalk. Size of sheet: 11.4 by 31.2 cm.
Western art unattributed:
[Numisart Ancient Art, Maximiliansplatz 15, Munich, Germany, exhibiting at the Palm Beach Fine Art & Antique Fair, February 1-10, 2008] An unique Attic red-figured pelike depicting a bird man actor, circa late 5th century BC.
Western art unattributed:
[Numisart Ancient Art, Munich, at Palm Beach Fine Art & Antiques Fair] A Roman marble portrait head of Menander. Circa 2nd-3rd century AD.
Book Review
Critical Kitaj: Essays on the Work of R. B. Kitaj
05/2001 | 1178 | 143
Pages: 306-308
related names
Reviewer:
Morphet, Richard (Morphet, Richard)
Subjects
artists:
Reviewed Items
artists:
Critical Kitaj: Essays on the Work of R. B. Kitaj | author: Aulich, James , author: Kitaj, R. B. , author: Lynch, John
Exhibition Review
The 'School of London'. Edinburgh and Luxembourg
10/1995 | 1111 | 137
Pages: 702-704
related names
Reviewer:
James, Merlin (James, Merlin; James, Merlin Ingli; Ingli James, Merlin; J., M.)
Subjects
artists:
artists:
artists:
artists:
artists:
dates:
subjects:
Illustrations
Attributed works:
55. Rimbaud, by Frank Auerbach. 1975-76. Board, 107.9 by 107.9 cm. (Tate Gallery, London; Exh. Scottish National Gallery of Modern Art, Edinburgh).
Attributed works:
56. Study for a Self-Portrait, by Francis Bacon. 1963. 165.2 by 142.6 cm. (National Museum and Gallery of Wales, Cardiff; Exh. Scottish National Gallery of Modern Art, Edinburgh).
Attributed works:
57. Lights V: The Pier Pavilion, by Michael Andrews. 1973. Acrylic, 152.4 by 213.3 cm. (Fundación Colección Thyssen-Bornemisza, Madrid; Exh. Scottish National Gallery of Modern Art, Edinburgh).
Article
Kitaj in Retrospect
04/1995 | 1105 | 137
Pages: 242-247
related names
Author:
Podro, Michael (Podro, Michael)
Subjects
artists:
dates:
museums and institutions:
places:
Illustrations
Attributed works:
28. Aureolin, by R. B. Kitaj. 1964. 152.4 by 121.9 cm. (Courtesy Marlborough Fine Art, London).
Attributed works:
29. Little Slum Picture, by R. B. Kitaj. 1968. 76 by 61 cm. (Private Collection).
Attributed works:
30. Germania (The Tunnel), by R. B. Kitaj. 1985. 183.2 by 214 cm. (Private Collection).
Attributed works:
31. The Murder of Rosa Luxemburg, by R. B. Kitaj. 1960. Oil and Collage on Canvas, 153 by 152.4 cm. (Tate Gallery, London).
Attributed works:
32. Nietzsche's Moustache, by R. B. Kitaj. 1962. 122 by 122 cm. (Private Collection).
Attributed works:
33. Go and Get Killed Comrade - We Need a Byron in the Movement, by R. B. Kitaj. 1966. Screenprint, 81.2 by 55.8 cm.
Attributed works:
34. His Last Painting, by R. B. Kitaj. 1987. 99.7 by 62.9 cm. (Private Collection).
Attributed works:
35. The Autumn of Central Paris (After Walter Benjamin), by R. B. Kitaj. 1972-73. 152.4 by 152.4 cm. (Mr and Mrs Francis Lloyd).
Attributed works:
36. Cecil Court, London WC2 (The Refugees), by R. B. Kitaj. 1983-84. 183 by 183 cm. (Tate Gallery, London).
Attributed works:
37. Bad Eyes, by R. B. Kitaj. 1990-92. 61.2 by 51.1 cm. (Marlborough Fine Art, London).
Attributed works:
38. The Wedding, by R. B. Kitaj. 1989-93. 183 by 183 cm. (Tate Gallery, London).
Attributed works:
39. Musique Aux Tuileries, by Edouard Manet. 1862. 76 by 118 cm. (National Gallery, London).
Attributed works:
40. The Waiter, by R. B. Kitaj. 1991. 122.6 by 122.6 cm. (Private Collection, London).
Exhibition Review
R. B. Kitaj. London and Los Angeles
10/1994 | 1099 | 136
Pages: 709-711
related names
Reviewer:
Anfam, David (Anfam, David)
Subjects
artists:
dates:
museums and institutions:
subjects:
Illustrations
Attributed works:
57. The Murder of Rosa Luxemburg, by R. B. Kitaj. 1960. Oil and Collage, 153 by 152.4 cm. (Tate Gallery, London).
Attributed works:
58. The Autumn of Central Paris (After Walter Benjamin), by R. B. Kitaj. 1972-73. 152.4 by 152.4 cm. (Francis Lloyd Collection; Exh. Tate Gallery, London).
Attributed works:
59. Cecil Court, London WC2 (The Refugees), by R. B. Kitaj. 1983-84. 183 by 183 cm. (Tate Gallery, London).
Attributed works:
60. The Orientalist, by R. B. Kitaj. 1976-77. 243.8 by 76.8 cm. (Tate Gallery, London).
Advertisements
Advertisements June 1994 (front)
06/1994 | 1095 | 136
Pages: i-xl
Subjects
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[ Antiquus, 90-92 Pimlico Road, London ] One of a pair of pen and wash drawings. 54 × 72 cm. Fantasy villa with view of the 'dependance and garden'. Anonymous XVIII century. Filippo Marchionni. Bibliography: Alessandro Albani, patrono delle arti. Architettura, pittura e collezionismo nella Roma del '700. Bonsignori Editore Roma. 1993.
Attributed works:
[ Arturo Cuellar, Bürglistrasse 18, Zurich ] Giovanni Battista Tiepolo (1696-1770). "A Winged Deity and other Figures in the Clouds", Black Chalk, Pen and Brown Ink, Brown Wash, 29.3 × 21 cm.
Attributed works:
[ Bonhams Knightsbridge, Montpelier Street, London ] A magnificent rosewood reneer longcase clock, circa 1830, 7ft high, estimate £2,000-3,000. A Gothic Frame (later painting of St Philomena) designed by I. II. V. Pugin for the de Lisle family chapel at Grace Dieu, Leics, 10ft high, estimate £2,000-1,000. A fine Oak Dining Table attributed to I. II. V. Pugin, circa 1815, 8ft long, estimate £7,000-9,000.
Attributed works:
[ C. G. Boerner, Kasernenstrasse 13, Düsseldorf / 61 East 77th Street, New York ] Camille Corot (1796 Paris - Ville d'Avray 1875). La rencontre au bosquet. Autography. (1871). 572 × 400 mm sheet-size.
Attributed works:
[ Christie's, 8 King Street, St James, London ] The Master of the Carrand Tondo (Active c. 1430), The Madonna of Humility, Tempera on Gold Ground Panel, 28 1/2 × 20 1/4 in. (72.5 × 51.5 cm.). Estimate: £250,000-350,000.
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 108 - 112 Rue du Faubourg St. Honoré, Paris / 21 East 67th Street, New York ] Jean-Étienne Liotard (1702 - 1769). Portrait of the Comte Jean Diodati Black and Red Chalk, with Touches of White Heightening 9¼ × $7frac{3}{4} text{in}$. (23.5 × 18.8 cm.)
Attributed works:
[ cover ] Allegory of Vice, by Correggio. Red Chalk, 27.9 by 19.4 cm. (British Museum, London; Exh. Kunsthistorisches Museum, Vienna)
Attributed works:
[ David Jones, 8 Rue Rossini, Paris ] Giovanni Francesco Barbieri Called Il Guercino (Cento 1591 - 1666 Bologna). A Pair of Hand Studies, Preparatory for Engravings for Guercino's Academy. Pen & Brown Ink over Black Chalk. Indented for Transfer. 134 × 200; 140 × 207
Attributed works:
[ Dover Street Gallery, 13 Dover Street, London ] Allen Jones Janet 22, Oil on canvas, 1965. Signed and Inscribed on the Reverse
Attributed works:
[ Edoardo Testori and Marco Voena, Via Olmetto 17, Milan ] Daniele Crespi (Busto Arsizio 1597 - Milan 1630). The Flight into Egypt Oil on Panel cm. 40.8 × 59.4
Attributed works:
[ Eric Coatalem, 93 rue du Faubourg St. Honoré, Paris ] Jean Baptiste Deshayes Cléobis et Biton. Oil on Canvas 50 × 58.5 cm
Attributed works:
[ Finarte S. A., 7-8 Mason's Yard, Duke Street, St James, London ] G. De Chirico. Les Plaisirs du Poéte, 1913, Oil on Canvas: 69.5 × 96.5 cms
Attributed works:
[ Flavia Ormond Fine Arts Limited, 24 Brechin Place, London ] Aurelio Luini "Milan" (Circa 1530-1593). St. Matthew - Design for Spandrel over Chapel Entrance. Pen and Brown Ink, Brown Wash, Heightened with White, on Blue-Green Paper. 140 × 202mm.
Attributed works:
[ Hazlitt, Gooden & Fox, 38 Bury Street, St James, London ] Pierre-Alexandre Wille 1748-1837. Portrait of Madame Wille, Wearing a Felt Hat over a Lace Cap. Black, Red and White Chalks on Cream Paper, 39.8 × 31.7 cm. Signed and Dated P. A. Wille Filius 1793
Attributed works:
[ Hill-Stone, New York ] Cornelis Dusart 1660-1704. The Violin Player Seated in the Inn. Etching and Roulette; 1685. Bartsch 15, the Second of Two States. Hollstein 15, the Third of Three States. A Very Fine Impression.
Attributed works:
[ Kunsthandel Dr. Robert Keil, Gloriette Gasse 13, Vienna ] Jacopo Palma il Giovane (Venice 1548-1628) God the Father Black Chalk, Squared, Old Mount, 18.5 × 18 cm. Study for the Painting "The Meeting of Joachim and Anna" in San Geremia, Venice; Executed after 1609
Attributed works:
[ Marcello Aldega Margot Gordon, New York City ] Carlo Maratta Camerano 1625-1713 Rome. Red Chalk, Heightened with White, on Blue Paper 272 × 420 mm.
Attributed works:
[ Marlborough Fine Art Ltd, 6 Albemarle street, London ] R. B. Kitaj, Giotto at 70, 1994. Charcoal and Pastel on Paper, 30¼ × 22 in./76.8 × 55.9 cm
Attributed works:
[ Michael Miller Lucy Vivante Fine Arts Inc., 115 East 89th Street, New York ] Piero Buonaccorsi, Called Perino del Vaga. Study for a Scene in the Sala di Psiche in Castel S. Angelo, 1545-46 Pen and Brown Ink, Brush and Brown Wash, 120 × 250 mm, 4 5/8 × 9 15/16 in.
Attributed works:
[ Paul Drey Gallery, 11 East 57th Street, New York ] Domenico Piola, Genoa, 1627-1703. The Penitent Magdalen, Brush, Light and Dark Brown Wash, Heightened with White, on Gray Paper, 340 × 254 mm
Attributed works:
[ Phillips, 101 New Bond Street, London ] "Bandits in a Landscape", Signed T. Grigg, Gouache, 435mm × 635mm. One of a Pair. Estimate: £8,000-£12,000
Attributed works:
[ Phillips, 101 New Bond Street, London ] Girolamo Mazzola-Bedoli, (c. 1500-1569), "Virgin and Child with Infant St. John", 236mm × 183mm. (Photo Courtesy of the Photographic Survey, Courtauld Institute).
Attributed works:
[ Phillips, 101 New Bond Street, London ] Pieter Brueghel, the Younger (1564-1638), "The Wedding Feast", Signed and Dated P. Brueghel 1624, on Panel, 43cm × 56cm. Estimate: £350,000-£450,000
Attributed works:
[ Richard L. Feigen & Company, 6 Ryder Street, St James, London / 49 East 68th Street, New York ] François-Xavier Fabre Portrait of Marquis Don Luigi Grimaldi Leaning on the Tomb of His Fiancée Fanny Grimaldi and Posthumous Portrait of the Marquise Fanny Grimaldi as She Rejoins Her First Husband, the Marquis Giovanni Battista Grimaldi, in His Tomb, 1804 Each, Oil on Canvas, 31½ by $19frac{3}{4}$ Inches (80 by 50cm.) Portrait of the Marquis Signed and Dated: "F. X. F. 1804" Portraitof the Marquise Signed and Dated: "F. X. F.f./1804"
Attributed works:
[ The Grosvenor House Art & Antiques Fair / C. John, 70 South Audley Street, London ] An Exceptional Indian Agra Carpet Finely Woven by the Inmates of Agra Prison, Circa 1880. The Design is Derived from the Traditional Persian Floral Designs of the Late 16th Century. Wool Pile with a Cotton Foundation. Length 439 cm (172½ in). Width 351 cm ($138frac{1}{8}$ in).
Attributed works:
[ The Grosvenor House Art & Antiques Fair, London / Devenish & Company, 929 Madison Avenue, New York ] An exceptionally rare and beautifully figured George II mahogany bureau bookcase in the manner of Thomas Chippendale with unusual applied carved moulding and paterae on the fall front, retaining its original handles and lockplates in the form of rococo cartouches. English, circa 1755. Height 269 cm (106 in). Width 111.8 cm (44 in). Depth 61 cm (24 in).
Attributed works:
[ The Grosvenor House Art & Antiques Fair, London / Johnny Van Haeften Limited, 13 Duke Street, St James, London ] A Still Life of a Bare and Birds on a Table, by Adriaen van Utrecht (1599-Antwerp-1652). Signed and Dated 1647. Oil on Canvas, 70 × 107 cm (27½ × 42 in).
Attributed works:
[ The Grosvenor House Art & Antiques Fair, London / William Drummond, 8 St James Chambers, Ryder Street, London ] The Itinerant Bagpiper by Walter Geikie R. S. A. (1795-1837). Signed and Dated 'W Geikie 1832'. Oil-Paint on Canvas, 30.5 × 25.4 cm (12 × 10 in).
Attributed works:
[ The Grosvenor House Art & Antiques Fair, London ] Francesco Guardi (1712-1793). The Grand Canal, and The Island of San Cristoforo della Pace, Murano, Agnew's. Stand 59
Attributed works:
[ The Grosvenor House Art & Antiques Fair, London ] Peter Brueghel the Younger (Brussels 1564-1637). The Birdnester. 42.5 × 58.1 cm Oil on Panel, Johnny Van Haeften. Stand 61
Attributed works:
[ The Grosvenor House Art & Antiques Fair, London ]The Master B. F. (Binasco) Milan Circa 1510. Jacob and Esau. Tempera and Gold Leaf on Vellum. Signed by the Artist. Italy, 167 × 163mm (6½ × 6½), Circa 1510.
Attributed works:
[ Trinity Fine Art Ltd, 29 Bruton Street, London ] Francesco Guardi View of the Grand Canal with the Church of S. Lucia. Pen, Brown Ink and Brown Wash on White Paper, 285 × 445 mm.
Attributed works:
[ Voena, S. A. S., Via dei Mille 36, Turin ] Charles Dauphin Lorena 1620 ca. ∼ Torino 1677. Bacchus and Arianna. Oil on Canvas, cm. 150 × 220
Attributed works:
[ W. M. Brady & Co., 3 East 76th Street, New York ] Jacques-Louis David (1748-1825). Presumed Portrait of Jean-Baptiste-Robert Lindet (1743-1825). Signed, Left Center, L, David. Pen and Black Ink with Brush and Grey and Brown Washes over Black Chalk Diameter, 7½ inches (190 mm)
Non-western art unattributed:
[ Eskenazi, 10 Clifford Street, London ] Porcelain Dish Painted in Underglaze Blue with Wave and Trellis Patterns, Six Ruyi-Shaped or Cloud Panels and a Central Scene of Cranes, Ducks and Lotus. Yuan Dynasty, Mid 14th Century Diameter: 46.3cm
Non-western art unattributed:
[ J. J. Lally & Co., Oriental Art, 41 East 57 Street, New York ] Turquoise Inlaid Bronze Axe (Qi) Shang Dynasty (12th Century B. C.) Length 7% Inches (19.6 cm)
Non-western art unattributed:
[ The Chinese Porcelain Company, 822 Madison Avenue, New York ] A Very Rare Pair of Cloisonné Figures of Deer Qianlong Period, (1736-1795), Height: 9 Inches (24 cm.)
Non-western art unattributed:
[ The Grosvenor House Art & Antiques Fair, London / Grace Wu Bruce Inc, 701 Universal Trade Centre, 3 Arbuthnot Road, Hong kong ] A Superb Huanghuali Wood Side Table. Chinese Ming Dynasty. W 199.8 cm. D 59.1 cm. H 82 cm.
Western art unattributed:
[ Asprey, 165-169 New Bond Street, London ] A Rare English Silvered Pier Glass. Circa 1685. Height 69 ins. 175 cms.
Western art unattributed:
[ Glass Gallery Michael Kovacek, Spiegelgasse 12, Vienna ] Gold-Ruby Cannikin, Potsdam, Early 18th Century, Mount of Silver-Gilt, Marked "CE" in the Oval. Depressed Globular Form Blown into a Wooden Mould. The Middle of Bowl Considerably Waisted. Two-Piece Silver-Mount with Base and Long Spout, Handle and Cover. On the Base Pontil-Mark. Silver-Mount Slightlymissing at Basal rim. Height 11.8 cm.
Western art unattributed:
[ M. Turpin, 27 Bruton Street, London ] An Extremely Rare George I Wing Armchair in Walnut, the Frame Finely Enriched with Original Gilding. English, Circa 1710.
Western art unattributed:
[ Neumeister Fine Art Auctioneers, Barer Str. 37, Munich ] A Flemish Oak Statuette of the Virgin and Child, Circa 1470/80. 34,5 in. (87 cm).
Western art unattributed:
[ The Grosvenor House Art & Antiques Fair / 8-10 Hans Road, Knightsbridge, London ] A Very Fine Pair of George III Carved Mahogany Card Tables. English, Circa 1780. Height 72 cm (28½ in). Width 91.5 cm (36 in). Depth 45 cm (18 in). Literature: 18th Century English Furniture - The Norman Adams Collection, pp. 322-3, for a Pembroke Table and Card Table by the Same Maker.
Western art unattributed:
[ The Grosvenor House Art & Antiques Fair, London / Kugel, 279 Rue de Saint Honore, Paris ] A Collection of Ormolu Mounted Imperial Porphyry Vases. French, Late 18th and Early 19th Centuries.
Western art unattributed:
[ The Grosvenor House Art & Antiques Fair, London / Richard Philp, 59 Ledbury Road, London ] Crowned Madonna. German, 14th Century. Walnut. Height 43.5 cm (19¼ in).
Western art unattributed:
[ The Grosvenor House Art & Antiques Fair, London ] A Late 18th Century Drum or "Rent" Table with the Very Rare Feature of Circular Pedestal Base, the Top Laid in Vellum Green Leather with Central Hinged Well, the Frieze with Eight Wedge Shaped Drawers, Each One Numbered and Inlaid with Letters of the Alphabet, with Original Brass Handles, with a Cupboard on a Plinth Base. Height: 32in (81 cm) Diameter: 42in (107cm)
Western art unattributed:
[ Wildenstein, 147 New Bond Street, London ] School of Fontainebleau, Pan Pursuing Syrinx (Detail), Pen and Brown Ink with Black Wash, Squared for Transfer 53.8 × 39 cm; One of a Pair.
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