By using this website you agree to our Cookie policy

Search

359 articles
Book Review
Discover Degas and Miss La La
02/2025 | 1463 | 167
Pages: 195–196
related names
Reviewer:
Thomson, Richard (Thomson, Richard)
Subjects
artists:
museums and institutions:
Reviewed Items
subjects:
Discover Degas and Miss La La By Anne Robbins, Chiara Di Stefano, Laurie Fierstein, Darcy Grimaldo Grigsby, Denise Murrell, Sterre Overmars, Isolde Pludermacher and Christopher Riopelle. 136 pp. incl. 106 col. ills. (National Gallery Global, London, 2024), £16.95. ISBN 978–1–85709–714–6. | :
Book Review
Le Décor Impressionniste: Aux sources des Nymphéas La Peinture Impressionniste et la décoration
12/2024 | 1461 | 166
Pages: 1272–5
related names
Reviewer:
Orton-Hatzis, Anna (Orton-Hatzis, Anna)
Reviewer:
Pissarro, Joachim (Pissarro, Joachim)
Subjects
art literature:
dates:
museums and institutions:
Reviewed Items
subjects:
10. Installation view of ‘Le Décor Impressionniste: Aux sources des Nymphéas’, at the Musée de l’Orangerie, Paris, 2022, showing a reconstruction of the original arrangement of paintings by Paul Cezanne in the ‘grand salon’, the Jas de Bouffan, Aix-en-Provence. (Photograph © OPM). | :
subjects:
La Peinture Impressionniste et la décoration By Marine Kisiel. 380 pp. incl. numerous col. ills. (Les éditions Le Passage, Paris, 2021), €35. ISBN 978–2–8474–2439–3. | :
Illustrations
Attributed works:
10. Installation view of ‘Le Décor Impressionniste: Aux sources des Nymphéas’, at the Musée de l’Orangerie, Paris, 2022, showing a reconstruction of the original arrangement of paintings by Paul Cezanne in the ‘grand salon’, the Jas de Bouffan, Aix-en-Provence. (Photograph © OPM).
Attributed works:
11. Le Déjeuner: panneau décoratif, by Claude Monet. 1873. Oil on canvas, 160 by 201 cm. (Musée d’Orsay, Paris; Bridgeman Images).
Attributed works:
12. Parterre de marguerites, by Gustave Caillebotte. 1892–93. Oil on canvas, 205 by 115 cm. (Musée des impressionnismes, Giverny).
Article
Jean-Charles Cazin, 1881–83: naturalism and networking, regionalism and republicanism
03/2024 | 1452 | 166
Pages: 278–285
related names
Author:
Thomson, Richard (Thomson, Richard)
Subjects
dates:
Illustrations
Attributed works:
1. Recollection of the festival (Courage, Knowledge and Labour collaborate to establish the reign of Concord), by Jean-Charles Cazin. 1880–81. Oil on canvas, 289 by 234 cm. (Petit Palais, Paris).
Attributed works:
10. The dead town, by Jean-Charles Cazin. 1883. Oil on canvas, 71 by 91 cm. (Private collection).
Attributed works:
2. The Marne (riverbank with bathers), by Jean-Charles Cazin. 1881. Oil on canvas, 131.2 by 147 cm. (Museum of Fine Arts, Boston).
Attributed works:
3. Theocritus, by Jean-Charles Cazin. 1882. Oil on canvas, 74 by 60.5 cm. (Art Institute of Chicago; Bridgeman Images).
Attributed works:
4. Ulysses after the shipwreck, by Jean-Charles Cazin. c.1883. Oil on canvas, 73 by 59.5 cm. (Tate).
Attributed works:
5. Judith: the departure, by Jean-Charles Cazin. c.1882–83. Oil on canvas. (From W. Walton: Chefs d’Oeuvre de l’Exposition Universelle, Paris and Philadelphia 1889, between pp.16 and 17).
Attributed works:
6. The death-chamber of Léon Gambetta, by Jean-Charles Cazin. 1882. Oil on canvas, 38 by 46.3 cm. (Château-Musée Versailles; Bridgeman Images).
Attributed works:
7. Paysage au clair de lune, by Jean-Charles Cazin. c.1883–84. Oil on canvas, 27.4 by 22.3 cm. (Musée des Beaux-Arts, Reims).
Attributed works:
8. Rainbow, Achères la fôret, by Jean-Charles Cazin. 1883. Oil on canvas, 82 by 100.5 cm. (Cleveland Museum of Art; Bridgeman Images).
Attributed works:
9. Study for Rainbow, Achères la fôret, by Jean-Charles Cazin. c.1882–83. Oil on canvas, 22 by 27 cm. (Private collection).
Advertisements
Advertisements (front)
12/2023 | 1449 | 165
Pages: i–xvi
Subjects
Illustrations
Attributed works:
A sculpture of the Virgin of the Assumption Attributed to Alejo de Vahía, active in Palencia around 1473-1515 Gilt and polychromed wood, around 1509 Gift of Sir Michael Craig-Martin R.A. [Spanosh Gallery, The Auckland Project]
Attributed works:
ANDRÉS DE MELGAR (Sahagún, circa 1501–Santo Domingo de la Calzada, circa 1555) Descent from the Cross Oil on panel 152.5 x 110.4 cm [Caylus/Tefaf]
Attributed works:
Edgar DEGAS (1834-1917) Child’s study: two women’s heads Pastel on paper laminated on paper. Signature stamp lower left. 33 x 50 cm - 13 x 1911/16 in [Actéon]
Attributed works:
Giovan Battista Foggini (1652 – Florence – 1725) After a model by Giambologna of 1589 Hercules and the Erymanthian Boar Bronze: h. 45.4 cm [Patricia Wengraf Ltd.]
Attributed works:
Guercino (Italian, 1591-1666) St. John the Baptist, half length, circa 1640s-1650s Pen and brown ink on laid paper 9-7/8 x 8-1/4 inches (sheet) Estimate: $10,000 - $15,000 [Heritage Auctions]
Attributed works:
Juan de Zurbarán (Llerena 1620–1649) A Pear and Apples on a Pewter Plate, ca. 1641–42 Exhibiting at TEFAF Maastricht 2024 | Stand 342 [Nicholas Hall Art/Tefaf]
Attributed works:
Mary CASSATT (1844-1926) Smiling Sara in a big hat holding her dog (n° 1) Between 1901 and 1905. Pastel on paper. Signed. 57 x 41,5 cm - 223/8 x 161/4 in [Actéon]
Attributed works:
MICHAEL SWEERTS (1618–1664) A portrait of the artist (?) presenting the Virgin in Prayer Estimate: £400,000–600,000 [Christie's]
Attributed works:
The execution of Lady Jane by Paul Delaroche A preparatory oil sketch rediscovered [Moretti]
Western art unattributed:
MONUMENTAL MARBLE FIGURE OF BONUS EVENTUS Roman Empire, 2nd Century A.D. Height 198 cm (78 in.) [Cavagnis Lacerenza]
Exhibition Review
Pastels: From Millet to Redon
07/2023 | 1444 | 165
Pages: 790–792
related names
Reviewer:
Jones, Kimberly A. (Jones, Kimberly A.)
Subjects
dates:
media:
museums and institutions:
Reviewed Items
subjects:
Pastels: From Millet to Redon Musée d’Orsay, Paris 14th March–2nd July | :
Illustrations
Attributed works:
14. Portrait of a woman, by Jacques-Émile Blanche. 1887. Pastel on canvas, 129 by 64 cm. (Musée d’Orsay, Paris).
Attributed works:
15. Bouquet of daisies, by Jean-François Millet. c.1871–74. Pastel on beige paper laid on canvas fixed to a strainer, 68 by 83.5 cm. (Musée d’Orsay, Paris).
Attributed works:
16. Going out to fish (Zuiderzee), by Piet Mondrian. c.1900. Pastel, watercolour and charcoal on paper, 60 by 100 cm. (Musée d’Orsay, Paris).
Advertisements
Advertisements (front)
06/2023 | 1443 | 165
Pages: i-xxxvi
Subjects
Illustrations
Attributed works:
A group of Mars and History, by Wilhelm Christian Meyer (b.1726). 1766/67. Berlin porcelain, 44.2 cm. [E. & H. MANNERS LTD, LONDON/Treasure House London]
Attributed works:
A lady reading in an interior, by Carl Vilhelm Holsøe (1863–1935). Oil on canvas, 64.8 by 61 cm. MACCONNAL-MASON, LONDON/Treasure House Fair]
Attributed works:
Adolf Michael Böhm Othello Oil on canvas 53 x 42.5 cm, 207/8 x 16¾ in [Trinity Fine Art]
Attributed works:
An unknown noble boy, by Robert Peake (1551–1619). c.1605. Oil on panel, 113.2 by 88 cm. [THE WEISS GALLERY, SW1Y/London Art Week]
Attributed works:
Anne, Viscountess Pollington, later Countess of Mexborough, with her son John Charles, later 4th Earl of Mexborough, by Thomas Lawrence (1769–1830). c.1812. Oil on canvas, 236.2 by 144.8 cm. [MORETTI FINE ART, SW1Y/London Art Week]
Attributed works:
Anthony van Dyck (1599–1641), John Belasyse, First Baron Belasyse of Worlaby, 1636 [Robilant and Voena]
Attributed works:
Antoine-Jean GROS La Citoyenne Poussielgue Oil on canvas 28 7/8 x 23 1/2 inches Executed 1797 [Wildenstein]
Attributed works:
Artemisia Gentileschi Rome, 1593 – Naples, after 1654 Susanna and the Elders, about 1636–7 Oil on canvas, 265 x 210 cm [Moretti]
Attributed works:
Cake basket, by Paul de Lamerie (1688–1751). 1742. Silver, height 35.5 cm. [SHRUBSOLE GALLERY, NEW YORK/Treasure House Fair]
Attributed works:
Calle San Pedro, Cuenca, by David Bomberg (1890–1957). 1934. Oil on canvas, 67 by 52 cm. OSBORNE SAMUEL, LONDON/Treasure House Fair]
Attributed works:
CIRCLE OF PIERRE PUGET (1620–1694) Aeneas and Anchises, c.1680–90 Bronze, 23 in. (58.5 cm.) high Estimate: £150,000–250,000 [Christie's]
Attributed works:
Crucifixion with the Virgin, St John the Baptist and the Magdalen, by Fra Angelico (c.1395/1400–1455). c.1419–25. Tempera on gold-ground poplar panel, 59.7 by 34.2 cm. [CHRISTIE’S, SW1Y/London Art Week]
Attributed works:
David Roberts, R.A. (1796-1864), View of Tetouan from the Terrace of Cohen’s House, Morocco, inscribed and dated 10th April 1833, watercolour over pencil on two sheets of joined paper, 23 by 67.9 cm., 9 by 26¾ in. This is a rare double sketchbook sheet from Roberts’s first trip to Africa in the spring of 1833. [Guy Peppiatt Fine Art]
Attributed works:
Downshire Hill, Hampstead, by Algernon Newton (1880–1968). 1934. Oil on canvas, 45 by 75 cm. [ABBOTT & HOLDER, WC1/London Art Week]
Attributed works:
EDGAR DEGAS (1834-1917) Danseuse rajustant sa jupe, c. 1895 stamped with signature lower left charcoal heightened with white chalk on toned paper 12 x 10 in. (30.4 x 25.4 cm) [John MItchell Fine Paintings/London Art Week]
Attributed works:
Edward Wortley Montagu and his son Massoud Fortunatus, by Pietro Longhi (1701–85). Oil on canvas, 52 by 67 cm. [TRINITY FINE ART & WALTER PADOVANI, W1S/London Art Week]
Attributed works:
Etretat, le cap d’Antifer, by Claude Monet (1840–1926). c.1885. Pastel on paper, 27 by 35 cm. [JOHN MITCHELL FINE PAINTINGS, W1K/London Art Week]
Attributed works:
GA S PA R D D U G H E T Rome, 1615–1675 FIGURES BY A RIVER IN A CLASSICAL LANDSCAPE Black & white chalks on blue paper, with black ink framing lines 38 x 50 cm | 15 x 19  in [Nonesuch Gallery]
Attributed works:
GUSTAVE DORÉ (Strasbourg 1832 – Paris 1883) The fall of the Rebel Angels, circa 1871–72 Signed G Doré lower left. Oil on canvas, 125 x 148 cm (49¼ x 58¼ in) [Clase Fine Art]
Attributed works:
Head of a woman, by Erich Wolfsfeld (1884–1956). c.1920. Oil on paper, 36.5 by 26 cm. [AGNEWS, SW1A/London Art Week]
Attributed works:
Iron composition, by Lynn Chadwick (1914–2003). 1954. Iron and copper on a marble base, 53 by 33 by 25 cm. [PIANO NOBILE, LONDON/Treasure House Fair]
Attributed works:
JEAN-BAPTISTE WICAR Lille 1762–1834 Rome Portrait of Luigi Isingard, Ligure, c. 1800 Graphite 24.5 x 19.7 cm. (95/8 x 73/4 in.) [James Mackinnon]
Attributed works:
Kehinde Wiley (b. 1977), Triple Portrait of Charles II, 2008 [Robilant and Voena]
Attributed works:
MARLOW MOSS (1889-1958) Untitled, 1950 Black ink, pencil and tempera, 241 x 271 mm. (9½ x 10¾ in.) [Stephen Ongpin]
Attributed works:
Painting with orange and purple, by Adrian Heath (1920–92). 1956. Oil on canvas, 127 by 101.6 cm. [RICHARD GREEN, LONDON/Treasure House Fair]
Attributed works:
Pair of armchairs, attrib. Thomas Chippendale (1718–79). c.1780. Giltwood and upholstery, 44.5 by 65 by 66 cm. [RONALD PHILLIPS, LONDON/Treasure House Fair]
Attributed works:
Paul Cézanne (Aix-en-Provence 1839–1906) La Vie des Champs Oil on canvas, 10  x 13  in. (27.6 x 35.2 cm.) Painted c.1876-77 [Agnews]
Attributed works:
Portrait of Rudolph Nureyev, by David Hockney (b.1937). 1969. Pen and ink on paper, 43.3 by 35.3 cm. [CHRISTOPHER KINGZETT, LONDON/Treasure House Fair]
Attributed works:
Self-portrait of the artist with a bearded man, by Auguste- Barthélémy Glaize (1807–93). c.1830. Oil on card affixed to board, 44.5 by 59 cm. [ELLIOTT FINE ART, SW1/London Art Week]
Attributed works:
Stained glass panel, designed by A.W.N. Pugin (1812–52) and made by John Hardman & Son (founded 1845). English (Birmingham), 1846–52 and later. Stained glass and lead, 107 by 52 cm. [H. BLAIRMAN & SONS, SW1H/London Art Week]
Attributed works:
Striding Mars, by Giambologna (1529– 1609). c.1580. Bronze, height 39.4 cm. [STUART LOCHHEAD, SW1Y/London Art Week]
Attributed works:
Study after the monument to Sir Francis Vere, Westminster Abbey, by Richard Parkes Bonington (1802–28). c.1825. Wash over pencil, 14.6 by 19.6 cm. [JAMES MACKINNON, SW1Y/London Art Week]
Attributed works:
The Iberian Graham, no.722, by George Graham (1673–1751). c.1736. Walnut, silver, brass and steel, height 45.7 cm. [CARTER MARSH & CO., WINCHESTER/Treasure House Fair]
Attributed works:
The new home, by Walter Sickert (1860–1942). c.1912. Oil on canvas, 50.8 by 40.6 cm OFFER WATERMAN, LONDON/Treasure House Fair]
Attributed works:
The north front of Chalfont Lodge, Buckinghamshire, by Thomas Girtin (1775–1802). Commissioned c.1800. Watercolour over traces of pencil heightened with bodycolour, 42 by 54.9 cm. [GUY PEPPIATT FINE ART, SW1Y/London Art Week]
Attributed works:
The punishment of Cupid, by Luigi Pichler (1773–1854). c.1830. Brown sard and gold, height and width of gem 2.1 by 1.8 cm. WARTSKI, LONDON/Treasure House Fair]
Attributed works:
THOMAS LANDSEER (1795 - 1880), A Bengal Tiger, 46 in. (H) x 59 in. (W); Estimate: £50,000-£80,000 [Sloane Street Auctions].
Attributed works:
THOMAS SMITH OF DERBY (1720 - 1767), A View of Oxford, Christ Church Meadows, 27 in. (H) x 48 in. (W); Estimate: £25,000-£35,000 [Sloane Street Auctions].
Attributed works:
Torso (woman rubbing her back), by Edgar Degas (1834–1917). Early 20th century. Bronze, height 43 cm. [SLADMORE, LONDON/Treasure House Fair]
Attributed works:
Untitled, by Gillian Ayres (1930–2018). 1993. Acrylic on canvas, 40.2 by 56.5 cm. [STEPHEN ONGPIN FINE ART, W1K/London Art Week]
Attributed works:
Vase, Sèvres. 1843. Porcelain, height 63 cm. [MICHELE BEINY, NEW YORK/Treasure House Fair]
Attributed works:
VUE DU PONT DU VICOVARO SUR LE TEVERONE 27 MILLES DE ROME SÈVRES IMPERIAL MANUFACTORY OF PORCELAIN, CIRCA 1805 FROM THE SERVICE CAMBACÉRÈS DEPICTING ITALIAN VEDUTE Hard-paste porcelain. Diameter 23.3 cm Provenance: Twinight collection, New York, n°2106. [Raccanello & Leprince/London Art Week]
Attributed works:
William Adolphe Bouguereau (French, 1825-1905) Bergère (Shepherdess), 1888 Oil on canvas 45-1/2 x 32-1/2 inches (115.6 x 82.6 cm) Property from the Estate of Mrs. Amon G. Carter, Jr., Fort Worth, Texas Estimate: $500,000 - $700,000 [Heritage Auctions]
Attributed works:
‘But whose velvet violet lining with the lamplight gloating o’er, She shall press, ah nevermore!’, by Gustave Doré (1832–83). c.1882–83. Ink, wash and white heightening on paper, 51.5 by 35.8 cm. [CLASE FINE ART, SW1Y/London Art Week]
Non-western art unattributed:
A shabti for the controller vizier of the city (Thebes). Egypt, Ity New Kingdom, late 18th dynasty, c.1323– 1295 BC. Steatite, height 15.8 cm. [CHARLES EDE, LONDON/Treasure House Fair]
Non-western art unattributed:
Grasshopper. Central Mexico, Aztec Culture (1325–1521). Grey basalt, length 35.5 cm. [GALERIE MESTDAGH, BRUSSELS/Treasure House Fair]
Non-western art unattributed:
Serapi carpet. Persia, c.1880. Cotton and wool, 310 by 290 cm. KESHISHIAN, LONDON/Treasure House Fair]
Non-western art unattributed:
Study of a male Common Emerald Dove (Chalcophaps Indica). China, 19th century. Watercolour and gold leaf on paper, 38 by 25 cm. [AMIR MOHTASHEMI, W8/London Art Week]
Western art unattributed:
Archittetura dell’Africa. Pavia, c.1710. Tin-glazed earthenware, diameter 26 cm. RACCONELLO LEPRINCE, SW7/London Art Week]
Western art unattributed:
Corpus Christi. France, c.1400. Gilt and polychromed walnut, 73 by 65 cm. [DANIEL KATZ GALLERY, W1J/London Art Week]
Western art unattributed:
Roman oscillum fragment from a mask of Silenus. c.1st century AD. Marble, height 14.5 cm. [RUPERT WACE, AT SHAPERO RARE BOOKS, W1S/London Art Week]
Western art unattributed:
Somerset; a view from the garden of Montacute House with St Michael’s Hill in the foreground and Glastonbury Tor in the distance Oil on canvas, 18¾ x 24½ inches. c.1755, before the building of St Michael’s Hill Tower in 1760. [Abbott and Holder]
Exhibition Review
Manet / Degas Musée d’Orsay, Paris 28th March–23rd July
06/2023 | 1443 | 165
Pages: 638-641
related names
Reviewer:
Thomson, Richard (Thomson, Richard)
Subjects
dates:
subjects:
Reviewed Items
subjects:
Manet / Degas Musée d’Orsay, Paris 28th March–23rd July | :
Illustrations
Attributed works:
1. The artist (Portrait of Marcellin Desboutin), by Édouard Manet. 1875. Oil on canvas, 195 by 131.5 cm. (Museu de Arte Assis Chateaubriand, São Paulo; exh. Musée d’Orsay, Paris; Bridgeman Images).
Attributed works:
2. Monsieur and Madame Édouard Manet, by Edgar Degas. c.1868–69. Oil on canvas, 65 by 71 cm. (Kitakyushu Municipal Museum of Art; exh. Musée d’Orsay, Paris).
Attributed works:
3. In a café (Absinthe), by Edgar Degas. 1875–76. Oil on canvas, 92 by 68.5 cm. (Musée d’Orsay, Paris).
Exhibition Review
Impressionism: Franco-German Encounters
04/2023 | 1441 | 165
Pages: 445-447
related names
Reviewer:
zelger, franz (zelger, franz; Zelger, Franz)
Subjects
dates:
museums and institutions:
Reviewed Items
subjects:
Impressionism: Franco-German Encounters Hamburger Kunsthalle 29th October 2021– 31st December 2023 | :
Illustrations
Attributed works:
11. View of the Köhlbrand, by Lovis Corinth. 1911. Oil on canvas, 114.5 by 135 cm. (Hamburger Kunsthalle).
Attributed works:
12. Terrace of the Restaurant Jacob in Nienstedten on the river Elbe, by Max Liebermann. 1902. Oil on canvas, 70 by 100 cm. (Hamburger Kunsthalle).
Attributed works:
13. Morning ride in the Bois de Boulogne, by Pierre-Auguste Renoir. 1873. Oil on canvas, 261.5 by 226 cm. (Hamburger Kunsthalle).
Article
Cut from the same cloth: a composite canvas by Paul Cezanne
12/2022 | 1437 | 164
Pages: 1224-1233
related names
Author:
Aebi, Kiko (Aebi, Kiko)
Author:
Haddad, Abed (Haddad, Abed)
Subjects
collectors and dealers:
dates:
Illustrations
Attributed works:
1. Still life with apples, by Paul Cezanne. c.1878. Oil on canvas, 19 by 27 cm. (Fitzwilliam Museum, Cambridge, lent by the Provost and Fellows of King’s College, Cambridge, Keynes Collection).
Attributed works:
10. Study of heads, by Pierre-August Renoir. 1890s. Oil on canvas, 46 by 38 cm. (Barnes Foundation, Philadelphia).
Attributed works:
2. Glass and apples, by Paul Cezanne. 1879–80. Oil on canvas. 31.5 by 40 cm. (Rudolf Staechelin, Basel).
Attributed works:
3. Female nude (Leda), by Paul Cezanne. c.1887. Oil on canvas stretched on pasteboard, 44 by 62 cm. (Von der Heydt- Museum, Wuppertal).
Attributed works:
4. Reconstituted study sheet of drawings by Paul Cezanne, subsequently divided into three separate compositions: Sheet of studies, including a Skull (left), A historical or Biblical scene (The rape of Lucretia) (top right), and A historical or Biblical scene (bottom right). (From W. Feilchenfeldt, J. Warman and D. Nash: The Paintings, Watercolors and Drawings of Paul Cezanne, www.cezannecatalogue.com).
Attributed works:
5. Image of Glass with apples (right) and Still life with apples (left) unframed and in their original configuration, revealing contiguous brush strokes across both pictures. (© Museum of Modern Art, New York, 2022; photograph the authors).
Attributed works:
6. X-ray radiograph of Glass with apples (right) and Still life with apples (left). (Fondation Beyeler, Riehen, and Fitzwilliam Museum, Cambridge).
Attributed works:
7. MA-XRF maps of Glass with apples (right) and Still life with apples (left), showing the distribution of iron (Fe), calcium (Ca), zinc (Zn), copper (Cu), cobalt (Co), chromium (Cr) and mercury (Hg). (© Museum of Modern Art, New York, 2022; photograph the authors).
Attributed works:
8. Lead L-series (Pb-L) MA-XRF map of Glass with apples (right) and Still life with apples (left), with inset details magnifying holes along the edge of the original canvas. (© Museum of Modern Art, New York, 2022; photograph the authors).
Attributed works:
9. Five apples, by Paul Cezanne. 1877–78. Oil on canvas, 12.7 by 25.5 cm. (Private collection).
Article
Obituary: Richard Kendall (1946–2021)
03/2022 | 1428 | 164
Pages: 325-326
related names
Author:
Ganz, James A. (Ganz, James A.)
Subjects
Illustrations
Attributed works:
Richard Kendall, photographed in 2017. (Photograph Jill DeVonyar).
load more