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4 articles
Book Review
Picturing the Proletariat: Artists and Labor in Revolutionary Mexico, 1908–1940. By John Lear
08/2018 | 1385 | 160
Pages: 706-707
related names
Reviewer:
Sullivan, Edward J. (Sullivan, Edward J.; S., E. J.)
Subjects
dates:
places:
Illustrations
Attributed works:
9. Detail of The worker’s struggle against monopolies, by Pablo O’Higgins. 1934. Fresco. (Mercado Abelardo Rodriguez, Mexico City; photograph John Lear).
Book Review
Pollock’s Modernism. By Michael Schreyach
04/2018 | 1381 | 160
Pages: 354-355
related names
Reviewer:
Costello, Eileen (Costello, Eileen)
Subjects
media:
places:
Illustrations
Attributed works:
8. Number 1, 1950 (Lavender mist), by Jackson Pollock. 1950. Oil, enamel and aluminum on canvas, 221 by 299.7 cm. (National Gallery of Art, Washington).
Article
Breaking open the wall: the Morelia mural of Guston, Kadish and Langsner
07/2008 | 1264 | 150
Pages: 452-459
related names
Author:
Boime, Albert (Boime, Albert)
Subjects
dates:
museums and institutions:
places:
places:
subjects:
Illustrations
Attributed works:
14. The struggle against terror and fascism (the Inquisition), by Philip Guston, Reuben Kadish and Jules Langsner. 1934–35. Fresco, approx. 10 m. high. (Museo Regional Michoacano, Morelia, Michoacán, Mexico).
Attributed works:
15. The struggle against terror and fascism (the Inquisition), digital reconstruction, by Philip Guston, Reuben Kadish and Jules Langsner. 1934–35. Fresco, approx. 10 m. high. (Museo Regional Michoacano, Morelia, Michoacán, Mexico).
Attributed works:
16. Klansman flogging a negro, by Philip Guston. c.1930–31. Fresco. Lost or destroyed. (From D. Ashton: Yes, but. . . A Critical Study of Philip Guston, New York 1976, p.28).
Attributed works:
19. The torture methods of the Inquisition, by Bernard Picart. Eighteenth century. Etching. (Biblioteca Nacional, Madrid).
Attributed works:
20. An Inquisitional torture, by Ioan van Hertz. Nineteenth century. Etching, dimensions unknown. (Biblioteca Nacional, Madrid).
Attributed works:
21. The struggle against terror and fascism (the Inquisition), by Philip Guston, Reuben Kadish and Jules Langsner. 1934–35. Fresco, approx. 10 m. high. (Museo Regional Michoacano, Morelia, Michoacán, Mexico).
Attributed works:
22. The street meeting, by David Alfaro Siqueiros. 1932. Fresco. (Formerly Chouinard Art Institute, Los Angeles).
Attributed works:
23. Drawing for The conspirators, by Philip Guston. 1932. Graphite, ink, crayon and coloured pencil on paper, 57.2 by 36.8 cm. (Whitney Museum of American Art, New York).
Attributed works:
24. The studio, by Philip Guston. 1969. Canvas, 121.9 by 106.7 cm. (Private collection; courtesy of David McKee Gallery, New York).
Western art unattributed:
17. Photograph of Philip Guston, Reuben Kadish and Jules Langsner with David Alfaro Siqueiros, posed in front of the mural in Fig.14. c.1934. (Photograph courtesy of Andrew Langsner).
Western art unattributed:
18. Photograph of Philip Guston, Reuben Kadish and Jules Langsner, standing in front of the completed mural. 1935. (Photograph courtesy of Skip Kadish).
Exhibition Review
Siqueiros and Pollock. Düsseldorf
04/1996 | 1117 | 138
Pages: 272-275
related names
Reviewer:
Polcari, Stephen (Polcari, Stephen)
Subjects
artists:
dates:
subjects:
Illustrations
Attributed works:
59. The Sob, by David Alfaro Siqueiros. 1939. Enamel on Panel, 123.2 by 62.9 cm. (Museum of Modern Art, New York; Exh. Kunsthalle, Düsseldorf).
Attributed works:
60. Naked Man with a Knife, by Jackson Pollock. c.1938-41. 127.1 by 91.4 cm. (Tate Gallery, London; Exh. Kunsthalle, Düsseldorf).
Attributed works:
61. Bird, by Jackson Pollock. c.1938-41. Oil and Sand, 70.5 by 61.6 cm. (Museum of Modern Art, New York; Exh. Kunsthalle, Düsseldorf).
Attributed works:
62. The Devil in the Church, by David Alfaro Siqueiros. 1947. Pyroxilin on Panel, 219 by 156 cm. (Museo de Arte Moderno, Inba, Mexico; Exh. Kunsthalle, Düsseldorf).