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15 articles
Article
Biting satire: notes on Salvador Dalí’s ‘Debris of an automobile’
12/2023 | 1449 | 165
Pages: 1305–1319
related names
Author:
Lomas, David (Lomas, David)
Subjects
dates:
styles:
Illustrations
Attributed works:
1. Detail of Fig.2, showing a painter at an easel with the Ampurdan plain stretching beyond.
Attributed works:
10. The dream and lie of Franco, by Pablo Picasso. 1937. Aquatint and etching, image 31.7 by 42.1 cm. (Plate I, 8th January 1937, printed by Roger Lacourière; © Succession Picasso and DACS, London; Scala, Florence).
Attributed works:
11. Plate from Les Chants de Maldoror (Comte de Lautréamont), by Salvador Dalí. 1933–34. Photogravure and drypoint after celluloid engraving, 33 by 25 cm. (© Salvador Dalí, Fundació Gala – Salvador Dalí and DACS, London; Scala, Florence; Florence/bpk, Bildagentur fuer Kunst, Kultur und Geschichte, Berlin; Sprengel Museum, Hannover).
Attributed works:
12. The knight of death, by Salvador Dalí. c.1934. Oil on canvas, 65 by 54 cm. (Private collection; Bridgeman Images).
Attributed works:
13. Plate from Les Chants de Maldoror (Comte de Lautréamont), by Salvador Dalí. 1934. Photogravure and drypoint after celluloid engraving, 33.2 by 25.2 cm. (© Salvador Dalí, Fundació Gala – Salvador Dalí and DACS, London; Scala, Florence; Museum of Modern Art, New York).
Attributed works:
14. Expressions of fury in horses, a lion and a man, by Leonardo da Vinci. c.1503–04. Pen and ink with wash, and red chalk on paper, 19.6 by 30.8 cm. (© 2023 His Majesty King Charles III; Royal Collection Trust).
Attributed works:
15. Study for Suburbs of a paranoiac-critical town, by Salvador Dalí. 1935. Pencil and ink on paper, 32 by 22.8 cm. (© Salvador Dalí, Fundació Gala – Salvador Dalí and DACS, London; Sammlung Scharf-Gerstenberg, Berlin).
Attributed works:
16. Paranoiac woman-horse (invisible sleeping woman, lion, horse), by Salvador Dalí. 1930. Oil on canvas, 50 by 65 cm. (© Salvador Dalí, Fundació Gala – Salvador Dalí and DACS, London; NPL – DeA Picture Library; Bridgeman Images; Musée National d’Art Moderne, Centre Pompidou, Paris).
Attributed works:
17. Conversion of St Paul, by Caravaggio. 1601. Oil on canvas, 230 by 175 cm. (S. Maria del Popolo, Rome; Bridgeman Images).
Attributed works:
18. St George slaying the dragon or Roger and Angelica or Perseus and Andromeda, by Giorgio de Chirico. 1940. Oil on canvas, 91 by 116 cm. (Private collection).
Attributed works:
19. Battle for the Standard (re-touched copy after Leonardo da Vinci’s Battle of Anghiari), by Peter Paul Rubens. 1603. Black chalk, pen and paint on paper, 45.3 by 63.6 cm. (Musée du Louvre, Paris; Bridgeman Images).
Attributed works:
2. Debris of an automobile giving birth to a blind horse biting a telephone, by Salvador Dalí. 1938. Oil on canvas, 54.5 by 65.1 cm. (© Salvador Dalí, Fundació Gala – Salvador Dalí and DACS, London; Scala, Florence; Museum of Modern Art, New York).
Attributed works:
20. Paranonïa, by Salvador Dalí. c.1935–36. Oil on canvas, 38.1 by 46 cm. (© Salvador Dalí, Fundació Gala – Salvador Dalí and DACS, London; Dalí Museum, St Petersburg).
Attributed works:
21. Duncan’s horses, by Salvador Dalí. 1946. Pen and India ink on card, 25.3 by 19.4 cm. (Private collection).
Attributed works:
22. The city rises, by Umberto Boccioni. 1911. Tempera on card, 36 by 60 cm. (Jesi Collection, Milan; Bridgeman Images).
Attributed works:
3. The enigma of Hitler, by Salvador Dalí. 1938. Oil on canvas, 95 by 141 cm. (© Salvador Dalí, Fundació Gala – Salvador Dalí and DACS, London; Bridgeman Images; Museo Reina Sofía, Madrid).
Attributed works:
4. Street lamp, study of light, by Giacomo Balla. 1909. Oil on canvas, 174.7 by 114.7 cm. (© Peter Willi; Bridgeman Images; Museum of Modern Art, New York).
Attributed works:
5. Detail of Fig.2, showing Gala as a winged Victory and a father and child with a Leonardesque rock formation at Cadaqués.
Attributed works:
6. Detail of Guernica, by Pablo Picasso. 1937. Oil on canvas. (© Succession Picasso and DACS, London; Bridgeman Images; Museo Reina Sofía, Madrid).
Attributed works:
7. Detail of Fig.2, showing the horse and the light bulb hanging above it, which echoes the position of the electric light in Guernica.
Attributed works:
8. William Tell, by Salvador Dalí. 1930. Oil and collage on canvas, 113 by 87 cm. (© Salvador Dalí, Fundació Gala – Salvador Dalí and DACS, London; Bridgeman Images; Musée National d’Art Moderne, Centre Georges Pompidou, Paris).
Attributed works:
9. Horse head: study for ‘Guernica’, May 2, 1937, by Pablo Picasso. Oil on canvas, 65 by 92 cm. (© Succession Picasso and DACS, London; Scala, Florence; Museo Nacional Centro de Arte, Reina Sofia, Madrid).
Book Review
Avant-garde Art and Criticism in Francoist Spain. By Paula Barreiro López
12/2018 | 1389 | 160
Pages: 1076
Book Review
Picturing the Proletariat: Artists and Labor in Revolutionary Mexico, 1908–1940. By John Lear
08/2018 | 1385 | 160
Pages: 706-707
related names
Reviewer:
Sullivan, Edward J. (Sullivan, Edward J.; S., E. J.)
Subjects
dates:
places:
Illustrations
Attributed works:
9. Detail of The worker’s struggle against monopolies, by Pablo O’Higgins. 1934. Fresco. (Mercado Abelardo Rodriguez, Mexico City; photograph John Lear).
Exhibition Review
Julio González. The Hague
03/2018 | 1380 | 160
Pages: 249-251
related names
Reviewer:
Vernon, Jonathan (Vernon, Jonathan ; V., J.)
Subjects
dates:
media:
places:
Illustrations
Attributed works:
23. Strange head, by Julio González. 1932. Pencil, ink, pen and coloured pencil on paper, 19.3 by 11.7 cm. (Museo Nacional Centro de Arte Reina Sofía, Madrid; exh. Gemeentemuseum Den Haag).
Attributed works:
24. Head called ‘The Apostle’, by Julio González. 1933–34. Wood and iron wire, 24 by 13.8 by 4.2 cm. (Institut Valencià d’Art Modern, Generalitat; exh. Gemeentemuseum Den Haag).
Attributed works:
25. Woman in the garden, by Pablo Picasso. 1930–32 (possibly started in November 1929). Bronze, welded, 209.6 by 116.8 by 81.3 cm. (Museo Nacional Centro de Arte Reina Sofía, Madrid; exh. Gemeentemuseum Den Haag).
Article
Picasso, a political enemy of Francoist Spain
03/2013 | 1320 | 155
Pages: 167-172
related names
Author:
Tusell García, Genoveva (Tusell García, Genoveva)
Subjects
artists:
Illustrations
Attributed works:
21. Woman in blue, by Pablo Picasso (Museo Nacional Centro de Arte Reina Sofía, Madrid)
Attributed works:
25. Horse's head: study for Guernica, by Pablo Picasso (Museo Nacional Centro de Arte Reina Sofía, Madrid)
Attributed works:
26. Mother with dead child (I) postscript for Guernica, by Pablo Picasso (Museo Nacional Centro de Arte Reina Sofía, Madrid)
Western art unattributed:
22. Police record of Pablo Picasso, 7th December 1944. (Archivo Histórico Nacional, Ministry of Education, Culture and Sports, Madrid)
Western art unattributed:
23. Police record of Pablo Picasso (Archivo Histórico Nacional, Ministry of Education, Culture and Sports, Madrid)
Western art unattributed:
24. Police record of Pablo Picasso, 9th October 1951. (Archivo Histórico Nacional, Ministry of Education, Culture and Sports, Madrid)
Exhibition Review
The 1930s. Madrid
02/2013 | 1319 | 155
Pages: 128-130
related names
Reviewer:
Michaelides, Chris (Michaelides, Chris)
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
75. Returning from the execution, by André Masson (Kunsthalle Bremen; exh. Museo Nacional Centro de Arte Reina Sofía, Madrid)
Letter
Picasso's politics
02/2011 | 1295 | 153
Pages: 103
Publication Received
Arte Protegido. Memoria de la Junta del Tesoro Artístico durante la Guerra Civil.
05/2005 | 1226 | 147
Pages: 343
related names
Reviewer:
Shone, Richard (Shone, Richard; S., R.; Shone, Richard)
Subjects
dates:
museums and institutions:
Reviewed Items
subjects:
Arte Protegido. Memoria de la Junta del Tesoro Artístico durante la Guerra Civil. | editor: Ara, Judith , editor: Argerich, Isabel
Article
'Guernica': The Apocalypse of Representation
02/2001 | 1175 | 143
Pages: 80-85
related names
Author:
Brunner, Kathleen (Brunner, Kathleen)
Subjects
artists:
places:
Illustrations
Attributed works:
22. Guernica, by Picasso. 1st May-4th June 1937. 349.3 by 776.6 cm. (Centro de Arte Reina Sofia, Madrid).
Attributed works:
23. Dream and Lie of Franco II, by Picasso. 8th/9th January-7th June 1937. 31.4 by 42.1 cm. (DACS).
Attributed works:
24. Guernica: Composition Study IV, 1st May, by Picasso. 1937. Pencil on Paper, 53.7 by 64.7 cm. (Centro de Arte Reina Sofia, Madrid).
Attributed works:
25. Falling Man, 27th May, by Picasso. 1937. Pencil and Gouache on Paper, 23.2 by 29.3 cm. (Centro de Arte Reina Sofia, Madrid).
Attributed works:
26. Numance de Cervantès, Directed by J.-L. Barrault, Stage Sets and Costumes by André Masson. Théâtre-Antoine, Paris. 22nd April-6th May 1937. Photograph (Archives Renaud-Barrault, Paris).
Attributed works:
27. Minotauromachia, by Picasso. April 1935. Etching, 50 by 70 cm. (DACS).
Attributed works:
28. Guernica: Mother with Dead Child (IV), 28th May, by Picasso. 1937. Pencil, Gouache, Coloured Crayon and Collage on Paper, 23.1 by 29.2 cm. (Centro de Arte Reina Sofia, Madrid).
Attributed works:
29. Guernica: Composition Study VII, 9th May, by Picasso. 1937. Pencil on Paper, 24 by 45.3 cm. (Centro de Arte Reina Sofia, Madrid).
Attributed works:
30. Guernica: Composition Study I, 1st May, by Picasso. 1937. Pencil on Blue Paper, 21 by 26.9 cm. (Centro de Arte Reina Sofia, Madrid).
Attributed works:
31. Guernica, State II, by Picasso. May 1937. Photograph by Dora Maar. (Picasso Archives, Musée Picasso, Paris).
Publication Received
Picasso's Paintings, Watercolors, Drawings and Sculpture. Spanish Civil War, 1937-39. The Picasso Project
05/1998 | 1142 | 140
Pages: 342-343
related names
Reviewer:
Powell, Kirsten H. (Powell, Kirsten H.)
Subjects
artists:
dates:
places:
Reviewed Items
subjects:
Picasso's Paintings, Watercolors, Drawings and Sculpture. Spanish Civil War, 1937-39. The Picasso Project | :
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