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23 articles
Letter
Forerunners of ‘Heads of the People’
10/2021 | 1423 | 163
Pages: 884-885
related names
Author:
McConkey, Kenneth (McConkey, Kenneth)
Subjects
Illustrations
Attributed works:
1. Little London bootblack, by Jules Bastien-Lepage. 1882. Oil on canvas, 132.5 by 89.5 cm. (Musée des Arts Décoratifs, Paris; Scala Archives).
Attributed works:
2. A field hand (a woman of the fields), by George Clausen. 1883. Oil on canvas, 54.5 by 40 cm. (Private collection; photographed prior to the completion of conservation work).
Article
The ‘Heads of the People’ in the ‘Graphic’ (1875–83): further influences and legacies
07/2021 | 1420 | 163
Pages: 586-593
related names
Author:
Shaw, Samuel (Shaw, Samuel)
Subjects
Illustrations
Attributed works:
1. The brewer’s drayman, by Hubert Herkomer. 1875. Unknown engraver. Wood engraving. (First published in the Graphic, 20th November 1875; Bridgeman Images).
Attributed works:
2. The British rough, by William Small. 1875. Unknown engraver. Wood engraving. (First published in the Graphic, 26th June 1875; Bridgeman Images).
Attributed works:
3. A Cornish fisher-lad, by Arthur Hopkins. 1883. Unknown engraver. Wood engraving. (First published in the Graphic, 23rd June 1883; Bridgeman Images).
Attributed works:
4. The English pauper, by Kenny Meadows. 1840. Engraved by John Orrin Smith. Engraving, 21.2 by 13.2 cm. (From Heads of the People, London 1840–41; Bridgeman Images).
Attributed works:
5. The dress-maker, by Kenny Meadows. 1840. Engraved by John Orrin Smith. Engraving, 21.2 by 13.2 cm. (From Heads of the People, London 1840–41).
Attributed works:
6. Old Willie: The village worthy, by James Guthrie. 1886. Oil on canvas, 60.8 by 50.8 cm. (Kelvingrove Art Gallery and Museum, Glasgow; Bridgeman Images).
Attributed works:
7. Mamma Mia Poveretta, by Walter Sickert. c.1904. Oil on canvas, 46 by 38.2 cm. (Manchester Art Gallery; Bridgeman Images).
Attributed works:
8. Eli the thatcher, by William Rothenstein. 1913. Oil on canvas, 76.5 by 63.3 cm. (Manchester Art Gallery; Bridgeman Images).
Exhibition Review
Oscar Rejlander: Artist Photographer. J. Paul Getty Museum, Los Angeles
06/2019 | 1395 | 161
Pages: 505-508
related names
Reviewer:
Keller, Corey (Keller, Corey)
Subjects
dates:
Illustrations
Attributed works:
14. Two ways of life (Hope in repentance), by Oscar Gustave Rejlander. 1857. Albumen silver print, 21.8 by 40.8 cm. (Moderna Museet, Stockholm; exh. J. Paul Getty Museum, Los Angeles).
Attributed works:
15. [Self-portrait with a parrot], by Oscar Gustave Rejlander. c.1865. Albumen silver print, 37.4 by 27.6 cm. (Private collection; exh. J. Paul Getty Museum, Los Angeles).
Attributed works:
16. Please give us a copper, by Oscar Gustave Rejlander. c.1866–68. Albumen silver print, 17.9 by 12.6 cm. (Princeton University Art Museum; exh. J. Paul Getty Museum, Los Angeles).
Exhibition Review
Dorothea Lange: Politics of Seeing. Jeu de Paume, Paris
11/2018 | 1388 | 160
Pages: 965-968
related names
Reviewer:
Constantine, Simon (Constantine, Simon)
Subjects
dates:
media:
Illustrations
Attributed works:
19. Migrant mother, Nipomo, California, by Dorothea Lange. 1936. Gelatin silver print, 33.3 by 25.5 cm. (Dorothea Lange Collection, Oakland Museum of California; exh. Jeu de Paume, Paris).
Attributed works:
20. Sacramento, California. College students of Japanese ancestry who have been evacuated from Sacramento to the Assembly Center, by Dorothea Lange. 1942. Digital print, 27.9 by 22.9 cm. (Courtesy U.S. National Archives; exh. Jeu de Paume, Paris).
Attributed works:
21. White angel breadline, San Francisco, by Dorothea Lange. 1933. Gelatin silver print, 53.3 by 43.8 cm. (Dorothea Lange Collection, Oakland Museum of California; exh. Jeu de Paume, Paris).
Book Review
Ashcan Art, Whiteness, and the Unspectacular Man. By Alexis L. Boylan
10/2018 | 1387 | 160
Pages: 884-885
related names
Reviewer:
Griffin, Randall C. (Griffin, Randall C.)
Subjects
media:
Illustrations
Attributed works:
6. Men of the docks, by George Bellows. 1912. Canvas, 114.3 by 161.3 cm. (National Gallery, London).
Book Review
Picturing the Proletariat: Artists and Labor in Revolutionary Mexico, 1908–1940. By John Lear
08/2018 | 1385 | 160
Pages: 706-707
related names
Reviewer:
Sullivan, Edward J. (Sullivan, Edward J.; S., E. J.)
Subjects
dates:
places:
Illustrations
Attributed works:
9. Detail of The worker’s struggle against monopolies, by Pablo O’Higgins. 1934. Fresco. (Mercado Abelardo Rodriguez, Mexico City; photograph John Lear).
Exhibition Review
Class distinctions in Dutch painting
02/2016 | 1355 | 158
Pages: 159-161
related names
Reviewer:
Weller, Dennis P. (Weller, Dennis P.)
Subjects
dates:
Illustrations
Attributed works:
100. Maurits, Prince of Orange, by Michiel van Mierevelt. 1607 (Museum Het Prinsenhof, Delft; exh. Museum of Fine Arts, Boston)
Attributed works:
101. Jan Rijcksen and his wife, Griet Jans ('The shipbuilder and his wife'), by Rembrandt van Rijn. 1633 (Royal Collection; exh. Museum of Fine Arts, Boston)
Attributed works:
102. Portraits of the men from the St Job Inn in Utrecht collecting alms, by Jan van Bijlert. c.1630-35 (Centraal Museum, Utrecht; exh. Museum of Fine Arts, Boston)
Publication Received
The Camden Town Group. Representation of Class and Gender in Paintings of London Interiors
10/2007 | 1255 | 149
Pages: 713
related names
Reviewer:
James, Merlin (James, Merlin; James, Merlin Ingli; Ingli James, Merlin; J., M.)
Subjects
dates:
print:
subjects:
Reviewed Items
subjects:
The Camden Town Group. Representation of Class and Gender in Paintings of London Interiors | author: Webb, Valerie
Book Review
Below Stairs. 400 Years of Servants' Portraits.
09/2004 | 1218 | 146
Pages: 625
related names
Reviewer:
Brown, Iain Gordon (Brown, Iain Gordon; Brown, Iain G.)
Subjects
print:
Reviewed Items
subjects:
Below Stairs. 400 Years of Servants' Portraits. | author: Craske, Matthew , author: French, Anne , author: Waterfield, Giles
Article
William Powell Frith's 'The crossing sweeper': an archetypal image of mid-nineteenth-centruy London
05/2004 | 1214 | 146
Pages: 300-307
related names
Author:
Bills, Mark (Bills, Mark)
Subjects
dates:
museums and institutions:
places:
subjects:
Illustrations
Attributed works:
1. The crossing sweeper, by William Powell Frith. 1858. 43.1 by 25.5 cm. (Museum of London).
Attributed works:
10. The crossing sweeper, by William Powell Frith. 1858. 23 by 19 cm. (Courtesy Sotheby's, London).
Attributed works:
11. The crossing sweeper, by Charles William Sharpe, after William Powell Frith. 1864. Line engraving, 26.4 by 21.9 cm. (Guildhall Library, London).
Attributed works:
13. The crossing sweeper, by William Powell Frith. 1893. 43 by 35 cm. (Whereabouts unknown; photograph courtesy Witt Library, Courtauld Institute of Art).
Attributed works:
2. 'A poor sweep, sir!', by William Marshall Craig. From W.M. Craig: Itinerant Trades. Description of the plates, representing the itinerant traders of London in their ordinary costume; with notices of the remarkable places given in the background. Drawn by William Marshall Craig, and engraved by Edwards, London 1804. Hand-coloured engraving, 14 by 10 cm. (Guildhall Library, London).
Attributed works:
3. Pray remember the poor sweeper, by Thomas Rowlandson. From Characteristic sketches of the Lower Orders, intended as a companion to the New Picture of London: consisting of Fifty-four plates, neatly coloured, London 1820. Hand-coloured etching, 11.5 by 6.5 cm. (Guildhalll Library, London).
Attributed works:
7. Consecrated ground, by Hablot Knight Browne. Illustration for Bleak House, 1852. Etching, 10 by 8 cm. (Museum of London).
Attributed works:
9. Shaftesbury, or Lost and found, by William MacDuff. 1862. 46.7 by 40.5 cm. (Museum of London).
Western art unattributed:
12. The crossing sweeper. Anon. Parian figurine of c.1860. Porcelain, 33 by 18 by 12 cm. (Museum of London).
Western art unattributed:
4. Lady, 'No, I've nothing for you'. Anon. From Punch 25 (1853), p.215. Wood engraving, 8.5 by 8.5 cm. (Museum of London).
Western art unattributed:
5. Boy (to be-witch-ing Old Lady of Fashion). 'Was you a looking for a broom, Marm?'. Anon. From Punch 28. (1855) p.20. Wood engraving, 11 by 9.5 cm. (Museum of London).
Western art unattributed:
6. 'Please marm, yer bonnet's comin' off!'. Anon. From Punch 25 (1853), p.235. Wood engraving, 11 by 9.5 cm. (Museum of London).
Western art unattributed:
8. Boys exercising at Tothill Fields Prison. Anon. From H. Mayhew and J. Binny: The Criminal Prisons of London and scenes of Prison Life, London 1862, opp. p.356. Wood engraving, 10 by 12.5 cm. (Museum of London).
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