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3 articles
Exhibition Review
Gillian Wearing. London, Düsseldorf and Munich
06/2012 | 1311 | 154
Pages: 436-437
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related names
Reviewer:
Blood, Anne (Blood, Anne)
Subjects
artists:
Wearing, Gillian
dates:
2010-2019
museums and institutions:
Whitechapel Art Gallery, London, Great Britain / Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany / Pinakothek der Moderne, Munich, Germany
places:
Munich / London / Germany / England / Düsseldorf
print:
Wearing, Gillian
subjects:
Reviews / Exhibitions
Reviewed Items
subjects:
Gillian Wearing | institution: Kunstsammlung Nordrhein-Westfalen , institution: Pinakothek der Moderne , institution: Whitechapel Art Gallery
Illustrations
Attributed works:
71. Signs that say what you want them to say and not signs that say what other people want them to say, by Gillian Wearing. 1992–93. C-type print mounted on alu­minium, dimensions variable. (Courtesy of Maureen Paley, London; exh. Whitechapel Gallery, London)
Attributed works:
72. Trauma, by Gillian Wearing. 2000. Colour video on monitor with sound, 30 mins. (Courtesy of Maureen Paley, London; exh. Whitechapel Gallery, London).
Attributed works:
73. Me as Cahun holding a mask of my face, by Gillian Wearing. 2012. Framed bromide print, 149 by 120.5 cm. (Courtesy of Maureen Paley, London; exh. Whitechapel Gallery, London).
Exhibition Review
Contemporary art. London
01/2004 | 1210 | 146
Pages: 40-42
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related names
Reviewer:
Falconer, Morgan (Falconer, Morgan)
Subjects
artists:
Rae, Fiona / Wearing, Gillian
artists:
Rothenberg, Susan / McCarthy, Paul
dates:
2000-2009
places:
England / London
print:
Contemporary art
subjects:
Exhibitions / Reviews / Modern Art
subjects:
Turner Prize
Reviewed Items
subjects:
Fiona Rae: Hong Kong Garden | institution: Timothy Taylor Gallery
subjects:
Gillian Wearing | institution: Interim Art
subjects:
Paul McCarthy | institution: Hauser & Wirth
subjects:
Susan Rothenberg | institution: Waddington Galleries
subjects:
Turner Prize 2003 | institution: Tate Britain
Illustrations
Attributed works:
because I could not stop, by Anya Gallaccio. 2002. Bronze cast from an apple tree, apples and rope. (Private collection; exh. Tate Britain, London).
Attributed works:
Dominoes squared, by Susan Rothenberg. 2001–03. 90.2 by 174 cm. (Exh. Waddington Galleries, London).
Attributed works:
Moonlight bunny ranch, by Fiona Rae. 2003. 231.1 by 190.5 cm. (Exh. Timothy Taylor Gallery, London).
Attributed works:
Piccadilly, by Paul McCarthy. 2003. Mixed media installation with six video projections. (Exh. Hauser & Wirth, London).
Attributed works:
Self-portrait as my brother Richard Wearing, by Gillian Wearing. 2003. Digital C-type print, 191 by 130.5 cm. (Exh. Interim Art, London).
Exhibition Review
Gillian Wearing. London
11/2000 | 1172 | 142
Pages: 715-716
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related names
Reviewer:
Shone, Richard (Shone, Richard; S., R.; Shone, Richard)
Subjects
artists:
Wearing, Gillian
dates:
2000-2009
museums and institutions:
Serpentine Gallery, London, Great Britain
places:
England / London
subjects:
Exhibitions / Reviews
Illustrations
Attributed works:
55. What Is It?, by Gillian Wearing. 1992-93. Colour Print Mounted on Aluminium, 40 by 30 cm. From Signs That Say What you Want Them to Say and Not Signs That Say What Someone Else Wants you to Say. (Maureen Paley Interim Art, London; Exh. Serpentine Gallery, London).
Attributed works:
56. Camden Town Murder, by W. R. Sickert. c.1908. Pencil, 24.8 by 20 cm. (Private Collection, Courtesy Browse and Darby, London).
Attributed works:
57. Sacha and Mum, by Gillian Wearing. 1996. Video Still. (Courtesy of the Artist and Maureen Paley Interim Art, London; Exh. Serpentine Gallery, London).
Attributed works:
58. Theresa and Ben, by Gillian Wearing. 1998. Colour Print Diptych; Each 51 by 51 cm. (Courtesy of the Artist and Maureen Paley Interim Art; Exh. Serpentine Gallery, London).
Attributed works:
59. 2 into 1, by Gillian Wearing. 1997. Video Still. (Maureen Paley Interim Art, London; Exh. Serpentine Gallery, London).