Isa Genzken: Works from 1973
to 1983
K21, Kunstsammlung Nordrhein-
Westfalen, Düsseldorf
8th May–5th September |
:
Illustrations
Attributed works:
17. Installation
view of Isa
Genzken, Works
from 1973 to
1983 at K21,
Kunstsammlung
Nordrhein-
Westfalen,
Düsseldorf, 2021
(photograph
Achim Kukulies).
Attributed works:
18. Still from
Zwei Frauen
im Gefecht
(Two women
in combat), by
Isa Genzken.
1974. 16 mm film
transferred to
video, duration
7 minutes
40 seconds.
(Courtesy
Galerie Buchholz,
Berlin, Cologne
and New York).
68. Installation view of La Salle blanche (The white room), by Marcel Broodthaers. 1975 (Centre Pompidou, Paris; exh. Museum of Modern Art, New York)
Attributed works:
69. Pense-Bête (Memory aid), by Marcel Broodthaers. 1964 (Collection Flemish Community, on long-term loan to S.M.A.K., Ghent; exh. Museum of Modern Art, New York)
Attributed works:
70. Armoire blanche et table blanche (White cabinet and white table), by Marcel Broodthaers. 1965 (Museum of Modern Art, New York)
Attributed works:
71. Un Coup de dés jamais n'abolira le hasard (A throw of the dice will never abolish chance), by Marcel Broodthaers. 1969 (Museum of Modern Art, New York)
85. L'Etoile matinale (Morning star), by Joan Miró (Fundació Joan Miró, Barcelona; exh. Bucerius Kunst Forum, Hamburg)
Attributed works:
86. Nord-Sud, by Joan Miró (Collection Maeght, Paris; exh. Bucerius Kunst Forum, Hamburg)
Attributed works:
87. Le cheval, la pipe et la fleur rouge (The horse, the pipe and the red flower), by Joan Miró (Philadelphia Museum of Art; exh. Bucerius Kunst Forum, Hamburg)
Publication Received
Alexander Calder – Avant-Garde in Motion. Edited by Susanne Meyer-Büser
71. Signs that say what you want them to say and not signs that say what other people want them to say, by Gillian Wearing. 1992–93. C-type print mounted on aluminium, dimensions variable. (Courtesy of Maureen Paley, London; exh. Whitechapel Gallery, London)
Attributed works:
72. Trauma, by Gillian Wearing. 2000. Colour video on monitor with sound, 30 mins. (Courtesy of Maureen Paley, London; exh. Whitechapel Gallery, London).
Attributed works:
73. Me as Cahun holding a mask of my face, by Gillian Wearing. 2012. Framed bromide print, 149 by 120.5 cm. (Courtesy of Maureen Paley, London; exh. Whitechapel Gallery, London).
Brücke und Berlin. 100 Jahre Expressionismus |
institution: Neue Nationalgalerie
subjects:
Max Beckmann, Ferdnand Léger, Unerwartete Begegnungen |
institution: Museum Ludwig
Illustrations
Attributed works:
59. Mechanisms of amnesia, by Bernhard Heisig. 1981. 151.5 by 242 cm. (Landesmuseum für Kunst und Kulturgeschicte Oldenburg; exh. Martin-Groupis Bau, Berlin).
Attributed works:
60. The impure, by Neo Rauch. 2004. 270 by 210 cm. (Sammlung Queenie, Munich; exh. Museum der Bildenden Künste, Leipzig).
Attributed works:
61. Acrobat, by Matthias Weischer. 2005. 40 vby 30 cm. (Galerie Eigen+Art, Leipzig/Berlin; exh. Museum der Bildenden Künste, Leipzig.
Attributed works:
62. Lido, by Max Beckmann. 1924. 72.5 by 90.5 cm. (Saint Louis Art Museum; exh. Ludwig Museum, Cologne).
Attributed works:
63. Decorations by Ludwig Kirchner in his studio at Körnerstraße 45, Berlin-Friedenau. Photograph 1914. (Kirchner Museum Davos; exh. Neue Nationalgalerie, berlin).
64. Cloudy (Wolkig), by Gerhard Richter. 1968. 50 by 50 cm. (Museum Wiesbaden; exh. Lenbachhaus, Munich).
Attributed works:
65. 7 standing panes of glass (7 Stehende Scheiben), by Gerhard Richter. 2002. Glass and steal, 234 by 167 by 336 cm. (On loan to Kunstammlung Nordrhein-Westfalen, Düsseldorf; exh. Lenbacchus, Munich).
Attributed works:
66. Abstract Painting (Abstraktes Bild), by Gerhard Richter. 2004. 65 by 50 cm. (Private collection; exh. Lanbachhaus, Munich).