By using this website you agree to our Cookie policy

Search

7 articles
Exhibition Review
‘Meistens grundiere ich mit Kreide’: Emil Nolde’s Maltechnik Emil Nolde: Meine Art zu Malen
10/2022 | 1435 | 164
Pages: 1022-1026
related names
Reviewer:
Rainbird, Sean (Rainbird, Sean)
Subjects
artists:
dates:
Reviewed Items
subjects:
Emil Nolde: Meine Art zu Malen Pinakothek der Moderne, Munich 31st March 2022–28th February 2023 | :
subjects:
‘Meistens grundiere ich mit Kreide’: Emil Nolde’s Maltechnik Hamburger Kunsthalle 16th October 2021–18th April 2022 | :
Illustrations
Attributed works:
19. Tug on the Elbe, by Emil Nolde. 1910. Oil on canvas, 74 by 89 cm. (Hamburger Kunsthalle).
Attributed works:
20. Ship in the drydock, by Emil Nolde. 1910. Oil on canvas, 57 by 70 cm. (Hamburger Kunsthalle).
Attributed works:
21. Sailboat in the wind, by Emil Nolde. 1910. Oil on canvas, 74 by 89 cm. (Hamburger Kunsthalle).
Exhibition Review
August Sander: Sardinia 1927
10/2020 | 1411 | 162
Pages: 890-892
related names
Reviewer:
Roth, Helene (Roth, Helene)
Subjects
artists:
dates:
media:
museums and institutions:
places:
Reviewed Items
places:
August Sander: Sardinia 1927 Pinakothek der Moderne, Munich 19th May–8th November | :
Illustrations
Attributed works:
14. Cagliari, Largo Carlo Felice, by August Sander. 1927. Gelatin silver print, 22 by 28.8 cm. (© Die Photographische Sammlung/SKStiftung Kultur and the August Sander Archiv, Cologne/DACS, London, 2020).
Attributed works:
15. Peasant boys on a donkey, Iglesiente (?) or Abbsanta (?), by August Sander. 1927. Gelatin silver print, 22.6 by 17.6 cm. (© Bayerische Staatsgemäldesammlungen, Pinakothek der Moderne, Munich / Foundation Ann and Jürgen Wilde, Inv. 16400).
Attributed works:
16. Steps next to the Basilica S. Gavino, Porto Torres, by August Sander. 1927. Gelatin silver print, 16.7 by 23 cm. (© Die Photographische Sammlung/SKStiftung Kultur and the August Sander Archiv, Cologne/DACS, London, 2020).
Exhibition Review
Single-Leaf Woodcuts of the 15th Century. Pinakothek der Moderne, Munich
09/2019 | 1398 | 161
Pages: 756-759
related names
Reviewer:
Hamburger, Jeffrey (Hamburger, Jeffrey)
Subjects
dates:
media:
museums and institutions:
Illustrations
Attributed works:
9. Christ on a T-cross with the Virgin and John the Evangelist, copy after Master h w. c.1490. Woodcut made from two plates, grey print, colouring, damaged parchment, approx. 28 by 21.5 cm. (Staatliche Graphische Sammlung München, inv. no.209349 D).
Western art unattributed:
10. Christ Child within the Sacred Heart, probably Nuremberg. c.1450–65. Woodcut, black print and colouring, 18.5 by 13.1 cm. (Staatliche Graphische Sammlung München, inv. no.118290 D).
Western art unattributed:
Opposite 8. Annunciation, Lake Constance or Augsburg. c.1440. Woodcut, with calcite and metal powder, 26.7 by 18.9 cm. (Staatliche Graphische Sammlung München, inv. no.118166 D).
Book Review
Zeichner in Rom 1550–1700.
03/2013 | 1320 | 155
Pages: 183-184
related names
Reviewer:
Scrase, David (Scrase, David)
Subjects
museums and institutions:
places:
Exhibition Review
Gillian Wearing. London, Düsseldorf and Munich
06/2012 | 1311 | 154
Pages: 436-437
related names
Reviewer:
Blood, Anne (Blood, Anne)
Subjects
artists:
dates:
subjects:
Reviewed Items
subjects:
Gillian Wearing | institution: Kunstsammlung Nordrhein-Westfalen , institution: Pinakothek der Moderne , institution: Whitechapel Art Gallery
Illustrations
Attributed works:
71. Signs that say what you want them to say and not signs that say what other people want them to say, by Gillian Wearing. 1992–93. C-type print mounted on alu­minium, dimensions variable. (Courtesy of Maureen Paley, London; exh. Whitechapel Gallery, London)
Attributed works:
72. Trauma, by Gillian Wearing. 2000. Colour video on monitor with sound, 30 mins. (Courtesy of Maureen Paley, London; exh. Whitechapel Gallery, London).
Attributed works:
73. Me as Cahun holding a mask of my face, by Gillian Wearing. 2012. Framed bromide print, 149 by 120.5 cm. (Courtesy of Maureen Paley, London; exh. Whitechapel Gallery, London).
Exhibition Review
Max Beckmann in Amsterdam. Amsterdam and Munich
10/2007 | 1255 | 149
Pages: 728-729
related names
Reviewer:
Rainbird, Sean (Rainbird, Sean)
Subjects
artists:
dates:
print:
subjects:
Reviewed Items
subjects:
Max Beckmann. Exile in Amsterdam | institution: Pinakothek der Moderne , institution: Van Gogh Museum
Illustrations
Attributed works:
76. Ladies’ band, by Max Beckmann. 1940. Canvas, 151.5 by 110.5 cm. (Pinakothek der Moderne, Munich).
Attributed works:
77. Portrait of the Lütjens family, by Max Beckmann. 1944. Canvas, 179.5 by 85 cm. (Private collection; exh. Pinakothek der Moderne, Munich).
Editorial
Munich's Pinakothek der Moderne
02/2003 | 1199 | 145
Pages: 71-72
Subjects
dates:
museums and institutions:
places:
Illustrations
Attributed works:
1. The exterior of the Pinakothek der Moderne, Munich.
Attributed works:
2. The rotunda of the Pinakothek der Moderne, Munich.
Attributed works:
3. The central staircase of the Pinakothek der Moderne, Munich.