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5 articles
Exhibition Review
London exhibitions (Sean Scully). London
03/2012 | 1308 | 154
Pages: 211-213
related names
Reviewer:
Blood, Anne (Blood, Anne)
Subjects
artists:
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print:
subjects:
Reviewed Items
subjects:
Sean Scully. Change and Horizontals | institution: Drawing Center , institution: Galleria Nazionale d'Arte Moderna , institution: Middlesbrough Art Gallery , institution: Timothy Taylor Gallery
Illustrations
Attributed works:
39. Horizontals #5, by Sean Scully. 1975. Acrylic, tape, ink and graphite on paper, 55.9 by 76 cm. (Courtesy of Neo Neo Inc., New York; exh. Middlesbrough Institute of Modern Art).
Exhibition Review
‘Paris Calling’. London, Oxford and Margate
01/2007 | 1246 | 149
Pages: 61-63
related names
Reviewer:
Stonard, John-Paul (Stonard, John-Paul)
Subjects
artists:
dates:
museums and institutions:
places:
print:
print:
print:
print:
Reviewed Items
subjects:
Ange Leccia | institution: Gallery at Sketch
subjects:
Antigone under Hypnosis | institution: Victoria and Albert Museum
subjects:
Bertrand Lavier | institution: Bloomberg Space
subjects:
Cyprien Gaillard | institution: Laura Bartlett
subjects:
Daniel Buren | institution: Modern Art Oxford
subjects:
Eric Dietman | institution: Anthony Reynolds Gallery
subjects:
Hans Bellmer | institution: Centre Georges Pompidou , institution: Staatliche Kunstsammlungen , institution: Whitechapel Art Gallery
subjects:
Jean-Marc Bustamente | institution: Timothy Taylor Gallery
subjects:
Pierre Klossowski | institution: Museum Ludwig , institution: Whitechapel Art Gallery
subjects:
Tatiana Trouvé | institution: Bischoff/Weiss
Illustrations
Attributed works:
74. Installation view of Photo-souvenir, From three windows, 5 colours for 252 places, by Daniel Buren. 2006. (Modern Art Oxford).
Attributed works:
75. Prefiguration d’un pipe-line lingotique, by Eric Dietman. 1990. 44 bronze blocks, wooden pipes. Dimensions variable. (Exh. Anthony Reynolds Gallery, London).
Exhibition Review
Contemporary Painting. London
04/2005 | 1225 | 147
Pages: 269-271
related names
Reviewer:
Falconer, Morgan (Falconer, Morgan)
Subjects
dates:
places:
print:
Reviewed Items
subjects:
Gillian Carnegie | institution: Cabinet
subjects:
Life of Rielly | institution: Timothy Taylor Gallery
subjects:
Nicola Tyson | institution: Sadie Coles HQ
subjects:
Say Hello, Wave Goodbye | institution: Thomas Dane
subjects:
The Triumph of Painting | institution: Saatchi Gallery
Illustrations
Attributed works:
65. Orange sunshine, by Peter Doig. 1955–96. 276 by 102 cm. (Exh. Saatchi Gallery, London)
Attributed works:
66. Little by little, by Stefan Kürten. 2004. 145 by 190 cm. (Exh. Thomas Dane, London)
Attributed works:
67. Self-portrait trotting, by Nicola Tyson. 2004. 152.4 by 127 cm. (Exh. Sade Coles HQ, London)
Attributed works:
68. Pinata, by Gillian Carnegie. 2004. Oil on paper, 99.1 by 68.6 cm. (Exh. Cabinet, London)
Attributed works:
69. Out and about, by James Rielly. 2004. 188 by 172.7 cm. (Exh. Timothy Taylor Gallery, London)
Exhibition Review
American Art. London
08/2004 | 1217 | 146
Pages: 561-562
related names
Reviewer:
Falconer, Morgan (Falconer, Morgan)
Subjects
dates:
places:
print:
Reviewed Items
subjects:
Alex Katz | institution: Timothy Taylor Gallery
subjects:
Alice Neel: A Chronicle of New York 1950-1976 | institution: Victoria Miro (gallery)
subjects:
On Edge | institution: Rhodes + Mann
subjects:
Sarah Morris: Los Angeles | institution: White Cube
subjects:
Ten paintings and a Sculpture | institution: Gagosian Gallery
Illustrations
Attributed works:
65. Black Spanish family, by Alice Neel. 1950. Board, 76.2 by 55.9 cm. (Courtesy of Jeremy Lewison Ltd; exh. Victoria Miro Gallery, London).
Attributed works:
66. White pine 2, by Alex Katz. 2003. 182.9 by 487.7 cm. (Exh. Timothy Taylor Gallery, London).
Attributed works:
67. Untitled, by Cy Twombly. 2004. Household paint on panel, 252 by 185 cm. (Exh. Gagosian Gallery, London).
Attributed works:
68. Herbalife (Los Angeles), by Sarah Morris. 2004. Household gloss on canvas, 214 by 214 cm. (©Parallax; exh. White Cube, London).
Attributed works:
69. Untitled 1164 (S)-03 2003 (Midnight Cowboy), by Petah Coyne. 2003. Wax and mixed media, 152 by 112 by 86.5 cm. (Exh. Rhodes + Mann, London).
Exhibition Review
Contemporary art. London
01/2004 | 1210 | 146
Pages: 40-42
related names
Reviewer:
Falconer, Morgan (Falconer, Morgan)
Subjects
dates:
places:
subjects:
Reviewed Items
subjects:
Fiona Rae: Hong Kong Garden | institution: Timothy Taylor Gallery
subjects:
Gillian Wearing | institution: Interim Art
subjects:
Paul McCarthy | institution: Hauser & Wirth
subjects:
Susan Rothenberg | institution: Waddington Galleries
subjects:
Turner Prize 2003 | institution: Tate Britain
Illustrations
Attributed works:
because I could not stop, by Anya Gallaccio. 2002. Bronze cast from an apple tree, apples and rope. (Private collection; exh. Tate Britain, London).
Attributed works:
Dominoes squared, by Susan Rothenberg. 2001–03. 90.2 by 174 cm. (Exh. Waddington Galleries, London).
Attributed works:
Moonlight bunny ranch, by Fiona Rae. 2003. 231.1 by 190.5 cm. (Exh. Timothy Taylor Gallery, London).
Attributed works:
Piccadilly, by Paul McCarthy. 2003. Mixed media installation with six video projections. (Exh. Hauser & Wirth, London).
Attributed works:
Self-portrait as my brother Richard Wearing, by Gillian Wearing. 2003. Digital C-type print, 191 by 130.5 cm. (Exh. Interim Art, London).