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47 articles
Book Review
Kunst. Macht. Image: Anna Maria Luisa de’ Medici (1667–1743) im Spiegel ihrer Bildnisse und Herrschaftsräume
03/2021 | 1416 | 163
Pages: 303
related names
Reviewer:
Bailey, Gauvin Alexander (Bailey, Gauvin Alexander)
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museums and institutions:
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Reviewed Items
places:
Kunst. Macht. Image: Anna Maria Luisa de’ Medici (1667–1743) im Spiegel ihrer Bildnisse und Herrschaftsräume By Laura Windisch. 331 pp. incl. 26 col. + 39 b. & w. ills. (Böhlau Verlag, Vienna, Cologne and Weimar, 2019), €55. ISBN 978–3–412–51178–4. | :
Exhibition Review
Anni Albers. Tate Modern, London
01/2019 | 1390 | 161
Pages: 74-77
related names
Reviewer:
Darwent, Charles (Darwent, Charles)
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Illustrations
Attributed works:
22. Knot, by Anni Albers. 1947. Gouache on paper, 43.2 by 51 cm. (Josef and Anni Albers Foundation, Bethany CT; © 2018 Josef and Anni Albers Foundation, Bethany CT; exh. Tate Modern, London).
Attributed works:
23. Intersecting, by Anni Albers. 1962. Pictorial weaving, cotton and rayon, 40 by 41.9 cm. (Josef Albers Museum Quadrat Bottrop; © 2018 Josef and Anni Albers Foundation, Bethany CT; exh. Tate Modern, London).
Attributed works:
24. Eclat, by Anni Albers. 1974. Silkscreen on woven fabric, 30 by 45 cm. (Josef and Anni Albers Foundation, Bethany CT; © 2018 The Josef and Anni Albers Foundation, Bethany CT; exh. Tate Modern, London).
Publication Received
Liturgical Life and Latin Learning at Paradies bei Soest, 1300–1425. By Jeffrey F. Hamburger, Eva Schlotheuber, Susan Marti and Margot Fassler
07/2018 | 1384 | 160
Pages: 613
related names
Reviewer:
Kauffmann, C. M. (Kauffmann, C. M.; K., C. M.)
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dates:
Book Review
A Class of Their Own: The Düsseldorf School of Photography. By Maren Polte & Photography and Germany. By Andrés Mario Zervigón
05/2018 | 1382 | 160
Pages: 435-436
related names
Reviewer:
Schaffer, Jule (Schaffer, Jule)
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Illustrations
Attributed works:
7. The drummer, by Loretta Lux. 2004. Ilfochrome print, 35 by 30 cm. (Courtesy Yosi Milo Gallery, New York; © Loretta Lux/DACS, London, 2018).
Exhibition Review
Monochrome. London
02/2018 | 1379 | 160
Pages: 146-147
related names
Reviewer:
Stahlbuhk, Katharine (Stahlbuhk, Katharine)
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dates:
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subjects:
Illustrations
Attributed works:
7. Head of a woman, by Albrecht Dürer. 1520. Black and grey bodycolour heightened with white on paper, 32.4 by 22.8 cm. (British Museum, London; exh. National Gallery, London).
Attributed works:
8. St Christopher carrying the Infant Christ and St Anthony Abbot, from the Donne triptych, by Hans Memling. c.1478. Panel, each 71 by 30.5 cm. (National Gallery, London).
Attributed works:
9. Helga Matura with her fiancé, by Gerhard Richter. 1966. Canvas, 200 by 100 cm. (Museum Kunstpalast, Düsseldorf; © Gerhard Richter 2017; exh. National Gallery, London).
Exhibition Review
Thomas Ruff. London
01/2018 | 1378 | 160
Pages: 58-59
related names
Reviewer:
Wooldridge, Duncan (Wooldridge, Duncan)
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Reviewed Items
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Thomas Ruff at Whitechapel Gallery, London | :
Illustrations
Attributed works:
33. L’Empereur 06, by Thomas Ruff. 1982. (Courtesy the artist; exh. Whitechapel Gallery, London).
Attributed works:
34. 16h 30m / -50o, by Thomas Ruff. 1989. (Courtesy the artist; exh. Whitechapel Gallery, London).
Exhibition Review
Marcel Broodthaers. New York, Madrid and Düsseldorf
05/2016 | 1358 | 158
Pages: 396–98
related names
Reviewer:
Silberman, Robert (Silberman, Robert; Silberman, Robert B.)
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dates:
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Illustrations
Attributed works:
68. Installation view of La Salle blanche (The white room), by Marcel Broodthaers. 1975 (Centre Pompidou, Paris; exh. Museum of Modern Art, New York)
Attributed works:
69. Pense-Bête (Memory aid), by Marcel Broodthaers. 1964 (Collection Flemish Community, on long-term loan to S.M.A.K., Ghent; exh. Museum of Modern Art, New York)
Attributed works:
70. Armoire blanche et table blanche (White cabinet and white table), by Marcel Broodthaers. 1965 (Museum of Modern Art, New York)
Attributed works:
71. Un Coup de dés jamais n'abolira le hasard (A throw of the dice will never abolish chance), by Marcel Broodthaers. 1969 (Museum of Modern Art, New York)
Exhibition Review
Zurbarán
09/2015 | 1350 | 157
Pages: 658-659
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Reviewer:
Cruz de Carlos, María (Cruz de Carlos, María)
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dates:
museums and institutions:
museums and institutions:
subjects:
Illustrations
Attributed works:
78. Plate with quinces, grapes, figs and plums, by Juan de Zurbarán. c.1645 (Private collection; exh. Museo Thyssen-Bornemisza, Madrid)
Attributed works:
79. The house at Nazareth, by Francisco de Zurbarán. c.1644-45 (Fondo Cultural Villar Mir, Madrid; exh. Museo Thyssen-Bornemisza, Madrid)
Attributed works:
80. Agnus Dei, by Francisco de Zurbarán. 1639 (Museo de la Real Academia de Bellas Artes de San Fernando, Madrid; exh. Museo Thyssen-Bornemisza, Madrid)
Exhibition Review
Miró
05/2015 | 1346 | 157
Pages: 371-373
related names
Reviewer:
Thornton-Cronin, Lesley (Thornton-Cronin, Lesley)
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Illustrations
Attributed works:
85. L'Etoile matinale (Morning star), by Joan Miró (Fundació Joan Miró, Barcelona; exh. Bucerius Kunst Forum, Hamburg)
Attributed works:
86. Nord-Sud, by Joan Miró (Collection Maeght, Paris; exh. Bucerius Kunst Forum, Hamburg)
Attributed works:
87. Le cheval, la pipe et la fleur rouge (The horse, the pipe and the red flower), by Joan Miró (Philadelphia Museum of Art; exh. Bucerius Kunst Forum, Hamburg)
Exhibition Review
Gillian Wearing. London, Düsseldorf and Munich
06/2012 | 1311 | 154
Pages: 436-437
related names
Reviewer:
Blood, Anne (Blood, Anne)
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Reviewed Items
subjects:
Gillian Wearing | institution: Kunstsammlung Nordrhein-Westfalen , institution: Pinakothek der Moderne , institution: Whitechapel Art Gallery
Illustrations
Attributed works:
71. Signs that say what you want them to say and not signs that say what other people want them to say, by Gillian Wearing. 1992–93. C-type print mounted on alu­minium, dimensions variable. (Courtesy of Maureen Paley, London; exh. Whitechapel Gallery, London)
Attributed works:
72. Trauma, by Gillian Wearing. 2000. Colour video on monitor with sound, 30 mins. (Courtesy of Maureen Paley, London; exh. Whitechapel Gallery, London).
Attributed works:
73. Me as Cahun holding a mask of my face, by Gillian Wearing. 2012. Framed bromide print, 149 by 120.5 cm. (Courtesy of Maureen Paley, London; exh. Whitechapel Gallery, London).
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