Kunst. Macht. Image: Anna Maria Luisa
de’ Medici (1667–1743) im Spiegel ihrer
Bildnisse und Herrschaftsräume
By Laura Windisch. 331 pp. incl. 26 col. + 39
b. & w. ills. (Böhlau Verlag, Vienna, Cologne and
Weimar, 2019), €55. ISBN 978–3–412–51178–4. |
:
7. Head of a woman, by Albrecht Dürer. 1520. Black and grey bodycolour heightened with white on paper, 32.4 by 22.8 cm. (British Museum, London; exh. National Gallery, London).
Attributed works:
8. St Christopher carrying the Infant Christ and St Anthony Abbot, from the Donne triptych, by Hans Memling. c.1478. Panel, each 71 by 30.5 cm. (National Gallery, London).
68. Installation view of La Salle blanche (The white room), by Marcel Broodthaers. 1975 (Centre Pompidou, Paris; exh. Museum of Modern Art, New York)
Attributed works:
69. Pense-Bête (Memory aid), by Marcel Broodthaers. 1964 (Collection Flemish Community, on long-term loan to S.M.A.K., Ghent; exh. Museum of Modern Art, New York)
Attributed works:
70. Armoire blanche et table blanche (White cabinet and white table), by Marcel Broodthaers. 1965 (Museum of Modern Art, New York)
Attributed works:
71. Un Coup de dés jamais n'abolira le hasard (A throw of the dice will never abolish chance), by Marcel Broodthaers. 1969 (Museum of Modern Art, New York)
78. Plate with quinces, grapes, figs and plums, by Juan de Zurbarán. c.1645 (Private collection; exh. Museo Thyssen-Bornemisza, Madrid)
Attributed works:
79. The house at Nazareth, by Francisco de Zurbarán. c.1644-45 (Fondo Cultural Villar Mir, Madrid; exh. Museo Thyssen-Bornemisza, Madrid)
Attributed works:
80. Agnus Dei, by Francisco de Zurbarán. 1639 (Museo de la Real Academia de Bellas Artes de San Fernando, Madrid; exh. Museo Thyssen-Bornemisza, Madrid)
85. L'Etoile matinale (Morning star), by Joan Miró (Fundació Joan Miró, Barcelona; exh. Bucerius Kunst Forum, Hamburg)
Attributed works:
86. Nord-Sud, by Joan Miró (Collection Maeght, Paris; exh. Bucerius Kunst Forum, Hamburg)
Attributed works:
87. Le cheval, la pipe et la fleur rouge (The horse, the pipe and the red flower), by Joan Miró (Philadelphia Museum of Art; exh. Bucerius Kunst Forum, Hamburg)
71. Signs that say what you want them to say and not signs that say what other people want them to say, by Gillian Wearing. 1992–93. C-type print mounted on aluminium, dimensions variable. (Courtesy of Maureen Paley, London; exh. Whitechapel Gallery, London)
Attributed works:
72. Trauma, by Gillian Wearing. 2000. Colour video on monitor with sound, 30 mins. (Courtesy of Maureen Paley, London; exh. Whitechapel Gallery, London).
Attributed works:
73. Me as Cahun holding a mask of my face, by Gillian Wearing. 2012. Framed bromide print, 149 by 120.5 cm. (Courtesy of Maureen Paley, London; exh. Whitechapel Gallery, London).