Tin-Glaze and Image Culture: The MAK
Maiolica Collection in its Wider Context
Edited by Lilli Hollein, Rainald Franz and
Timothy Wilson, catalogue by Timothy Wilson
with contributions by Rainald Franz, Michael
Göbl and Nikolaus Hofer, with the collaboration
of Alena Volk. 288 pp. incl. 473 col. + 56 b. & w.
ills. (Museum of Applied Arts, Vienna, and
Arnoldsche, Stuttgart, 2022), £54.
ISBN 978–3–89790–672–3. |
:
Illustrations
Western art unattributed:
1. Plate showing Hercules and the Hydra.
c.1545–46. Tin-glazed earthenware,
circumference 32.8 cm. (Museum für
Angewandte Kunst, Vienna).
Josef Hoffmann: Progress
Through Beauty
Museum of Applied Arts (MAK),
Vienna
15th December 2021–19th June 2022 |
:
Illustrations
Attributed works:
17. Centrepiece
with two handles
for the Wiener
Werkstätte,
designed by
Josef Hoffmann.
1924. Brass, 18.5
by 30.5 by 18 cm.
(Museum
of Applied
Arts, Vienna;
photograph
Georg Mayer).
Attributed works:
18. Table for
Hermann
and Lydia
Wittgenstein’s
apartment,
designed by
Josef Hoffmann.
1905. Oak and
marble, height
66 cm. (Museum
of Applied
Arts, Vienna;
photograph
Georg Mayer).
Attributed works:
19. Installation
view of Josef
Hoffmann:
Progress Through
Beauty at the
Museum of
Applied Arts,
Vienna, 2021.
(Photograph
Georg Mayer).
Women Artists of the Wiener
Werkstätte
Museum of Applied Arts (MAK),
Vienna
5th May–3rd October |
:
Illustrations
Attributed works:
5. Front cover
of Die Wiener
Werkstätte
1903–1928:
Modernes
Kunstgewerbe
und sein Weg, by
Vally Wieselthier.
1929. Papier
maché, 21 by 23
cm. (Museum
of Applied Arts
(MAK), Vienna;
photograph
Georg Mayer).
Attributed works:
6. Charlotte
Billwiller,
Mathilde Flögl,
Susi Singer,
Marianne
Leisching
and Maria
Likarz. 1924.
Photograph.
(Museum of
Applied Arts
(MAK), Vienna).
Attributed works:
7. Fireplace
casing, by Vally
Wieselthier.
c.1925. Painted
and glazed
ceramic, height
126 cm. (Museum
of Applied Arts
(MAK), Vienna;
photograph
Christoph
Schleßmann).
Exhibition Review
Hidden Impressions: Japonisme in Vienna 1870-1930. Vienna, Österreichisches Museum für angewandte Kunst
65. Schwigen des Abends, by Kolo Moser, from Ver Sacrum 2 (1899), 25 by 25 cm. (Österreichisches Museum für angewandte Kunst, Vienna).
Non-western art unattributed:
63. Meerbrasse. Japanese, Last Quarter of the Nineteenth Century. Coloured Woodcut from the Collection of Gustav Klimt. (Private Collection, Vienna; Exh. Österreichisches Museum für angewandte Kunst, Vienna).
Non-western art unattributed:
64. Comb. Japanese, Nineteenth Century. Gold Lacquered Wood. (Österreichisches Museum für angewandte Kunst, Vienna).
Plate I. A, C.-Two Maniples. Coloured Worsted Embroidered on Linen. Length of Each, with Fringe, 119 cm. Width 7.5 cm. B-Stole and Maniple. Coloured Worsted Embroidered on Linen. Length of Each, with Fringe, 264 cm. and 119 cm. (Victoria and Albert Museum). The Vienna "Gosser Ornat" and a Stole and Two Maniples in London
Western art unattributed:
Plate I. D-Antipendium. Coloured Silks on Linen. Length, 296 cm; Width, 99 cm. (Oesterreichisches Museum, Vienna). The Vienna "Gosser Ornat" and a Stole and Two Maniples in London
Western art unattributed:
Plate II. A-Pluvial. (Coloured Silks on Linen.) Length, 272 cm; Width, 143 cm. (Oesterreichisches Museum, Vienna). The Vienna "Gosser Ornat" and a Stole and Two Maniples in London
Western art unattributed:
Plate II. B-Casule. (Coloured Silks on Linen.) Length, 123 cm.; Width, 73 cm.; C-Tunicle. (Coloured Silks on Linen.) Length, 129 cm.; Width, 136 cm. (Oesterreichisches Museum, Vienna). The Vienna "Gosser Ornat" and a Stole and Two Maniples in London
Fig 1. Design For a Dagger-Hilt, by Holbein. (British Museum)
Attributed works:
Fig. 2. A Trotting Horse, by Holbein. Drawing. (Basel Museum)
Attributed works:
Plate I. Designs For Cups. English Period. (Oesterreichisches Museum für kunst und Industrie, Vienna). Height, A-8.4 cm.; B-8.5 cm. Four Holbein Drawings at Vienna
Attributed works:
Plate I. Designs For Table Fountains. English Period. C-Height: 28 cm. (Oesterreichisches Museum für kunst und Industrie, Vienna). D-Height: 26.2 cm. (Basel Museum). Four Holbein Drawings at Vienna
Attributed works:
Plate II. Designs For Covered Vessels. English Period. (Basel Museum). Height: A-18 cm. B-2.51 cm. C, D-Woodcuts from the Old Testament Series. 1523-1526. Designs For a Dagger-Sheath. 1523-1526. 6.6 by 29.4 cm. E-Protototype For a Woodcut. (Oesterreichisches Museum für kunst und Industrie, Vienna.) F-First Sketch. (Basel Museum). Four Holbein Drawings at Vienna
Plate I. A-Crucifixion; Austrian, c. 1430. Panel, 46 by 80 cm. (Landesmuseum Johanneum, Graz); B-Coronation of the Virgin. Panel, 74.5 by 40 cm. (Stiftmuseum, Klosterneuberg); C-Coronation of the Virgin. Panel, 1.42 by 1.09 m. (Duke of Urach, Castle Liechtenstein, Würtemberg); D-The Founding of Klosterneuberg; Setting out for the Chase, by Rueland Fruhauf the Younger. Panel, 76 by 39 cm. (Augustiner Chorherrenstift, Klosterneuberg). Austrian Gothic Art in Vienna
Attributed works:
Plate II. B-Portrait of a Man, by Rueland Fruhauf the Elder. Panel, 25 by 18.3 cm. (Dr. Albert Figdor, Vienna). Austrian Gothic Art in Vienna
Attributed works:
Plate II. C-The Adoration of the Kings, by Konrad Laib. Panel, 74.5 by 40 cm. (Stiftmuseum, Klosterneuberg). Austrian Gothic Art in Vienna
Attributed works:
Plate II. D-Christ in the Garden of Gethsemane, by the Master of the Uttenheimer Altar. Panel, 96.5 cm. by 93.2 cm. (Count Wilczek, Burg Kreuzenstein). Austrian Gothic Art in Vienna
Western art unattributed:
Plate II. A-The Coronation of the Virgin. Panel, 2.02 by 1.61 m. (Redemptorist Cloister, Vienna). Austrian Gothic Art in Vienna