Dürer to Van Dyck: Drawings
from Chatsworth House
Royal Scottish Academy, Edinburgh
9th November 2024–23rd February
2025 |
:
Illustrations
Attributed works:
10. Arcadian
landscape,
by Hendrick
Goltzius. 1593.
Pen and black
ink, 35.7 by 46.8
cm. (Chatsworth
House,
Derbyshire; exh.
National Galleries
of Scotland,
Edinburgh).
Attributed works:
11. A dying tree,
its trunk covered
in brambles,
beside a fence,
by Peter Paul
Rubens. c.1618.
Pen, brown
ink, red and
black chalk and
watercolour,
35.2 by 29.8 cm.
(Chatsworth
House,
Derbyshire; exh.
National Galleries
of Scotland,
Edinburgh).
Attributed works:
12. View of the
Amsteldijk at
Meerzhuizen,
looking towards
the little windmill,
by Rembrandt.
c.1648–50. Pen,
brown ink and
brown wash with
watercolour on
paper prepared
with brown wash,
13 by 21.2 cm.
(Chatsworth
House,
Derbyshire; exh.
National Galleries
of Scotland,
Edinburgh).
Holbein and the Renaissance in the North, Städel Museum,
Frankfurt,(2nd November 2023–18th February 2024) |
:
subjects:
Holbein at the Tudor Court, Queen's Gallery, London, (10th November
2023–14th April 2024) |
:
Illustrations
Attributed works:
1. Portrait of a man with the surname Fischer, by Hans Holbein the
Elder. c.1512. Silverpoint on prepared paper, reworked with brush and
ink, 13.5 by 9.5 cm. (Staatliche Museen zu Berlin, Kupferstichkabinett;
exh. Städel Museum, Frankfurt).
Attributed works:
2. Portrait of a man with the surname Fischer, by Hans Holbein the
Younger (?). 1512. Oil on panel, 35 by 26.5 cm. (Private collection; exh.
Städel Museum, Frankfurt).
Attributed works:
3. The wife of a man with the surname Fischer, by Ambrosius Holbein
(?). 1512. Oil on panel, 35 by 26.6 cm. (Kunstmuseum Basel; Bridgeman
Images; exh. Städel Museum, Frankfurt).
5. Unidentified man, perhaps George Cornwall, by Hans Holbein
the Younger. c.1535–40. Oil and tempera on panel, diameter 32.4 cm.
(Städel Museum, Frankfurt).
1. Sir Nicholas Carew, by Hans Holbein the Younger. 1527. Black and
coloured chalks on paper, 54.8 by 38.5 cm. (Kunstmuseum Basel).
Attributed works:
2. Sir Nicholas Carew, after Hans Holbein the Younger. c.1585–90.
Oil on panel, 95.1 by 102.4 cm. (Collection of the Duke of
Buccleuch; photograph Hamilton Kerr Institute).
5. Detail of Fig.2, showing the extreme bottom of the slashed skirt and
the better-preserved blue paint with red glaze paint.
Attributed works:
6. Impresa of the Basel book printer Johann Froben, by Hans Holbein
the Younger. c.1523. Tempera on unprimed canvas (Tüchlein), 44 by 31
cm. (Kunstmuseum Basel).
Attributed works:
7. The Prodigal Son, by Huybrecht Beuckelaer. 1563–84. Oil on
canvas, 127.5 by 155.5 cm. (Musées royaux des Beaux-Arts de
Belgique, Brussels).
Exhibition Review
The Tudors: Art and Majesty in Renaissance England
10. Angel bearing
a candlestick
(one of a pair),
by Benedetto
da Rovezzano.
1524–29. Bronze,
101 by 50 by 33
cm. (Victoria and
Albert Museum,
London; exh.
Metropolitan
Museum of Art,
New York).
Attributed works:
11. Elizabeth I
(Sieve Portrait),
by Quentin
Metsys the
Younger. 1583.
Oil on canvas,
124.5 by 91.5
cm. (Pinacoteca
Nazionale, Siena;
exh. Metropolitan
Museum of Art,
New York).
Attributed works:
12. Henry VIII, by
Hans Holbein the
Younger. c.1537.
Oil on panel, 28
by 20 cm. (Museo
Nacional Thyssen-
Bornemisza,
Madrid; exh.
Metropolitan
Museum of Art,
New York).
Claude Monet (French, 1840–1926). Boulevard des Capucines, 1873–1874. Oil on canvas, 31 5/8 x 23 3/4 in.
(80.3 x 60.3 cm). Purchase: the Kenneth A. and Helen F. Spencer Foundation Acquisition Fund, F72-35.[Nelson Atkins Museum]
Attributed works:
FÉLIX BARRIAS
(1822–Paris–1907)
A Semi-Nude Reclining Man
Charcoal and white chalk on blue paper, squared for transfer, the upper right corner made up
Height: 64 cm; Length: 49 cm. Stamp: (L.219b) lower left
Our drawing is a study for one of the frescoes in the Saint Louis chapel, in the Parisian church of
Saint Eustache 'Saint Louis in Damiette comforting the plague stricken', decoration painted in 1851 [Ratton and Ladrière]
Attributed works:
From the series Emergent (Crystal Mouths), by Harold Offeh. 2022. (Commissioned for Burlington Contemporary Journal Issue 7)
Attributed works:
Gasparo Cairano
Deposition Group
(detail)
alabaster
47,5 x 65 x 22,5 cm [Carlo Orsi]
Attributed works:
Gboyega Odubanjo, featured
in Granta 156 : Interiors.
Photographed by Lewis Khan [Granta Magazine]
Attributed works:
HANS HOLBEIN THE YOUNGER (1497–1543) AND WORKSHOP
Portrait of Desiderius Erasmus (1466–1536)
oil on panel
7 ⅛ x 5 ½ in. (18 x 14 cm.)
Estimate: £1,000,000–1,500,000 [Christie's]
Attributed works:
LUCA GIORDANO known as LUCA FA PRESTO
(Naples 1634-1705)
Christ and the Samaritan woman at the well
Tondo a buon fresco su calce: portable fresco on the original wicker support, diameter 110 cm.
Circa 1685 [Santa Tecla]
Holbein: Capturing Character
Morgan Library and Museum,
New York
11th February–15th May |
:
Illustrations
Attributed works:
10. Allegory
of Passion, by
Hans Holbein
the Younger.
c.1532–36. Oil on
panel, 45.4 by
45.4 cm. (J. Paul
Getty Museum,
Los Angeles; exh.
Morgan Library
and Museum,
New York).
Attributed works:
11. Simon George
of Cornwall, by
Hans Holbein
the Younger.
c.1535–40. Mixed
technique on
panel, diameter
31 cm. (Städel
Museum,
Frankfurt; exh.
Morgan Library
and Museum,
New York).
Attributed works:
12. Portrait of
a woman, by
Hans Holbein the
Younger. 1532–
34. Tempera
and oil on panel,
23.2 by 19.1 cm.
(Detroit Institute
of Arts; exh.
Morgan Library
and Museum,
New York).
Exhibition Review
Portraying Pregnancy: From Holbein to Social Media. Foundling Museum, London
Portraying Pregnancy: From
Holbein to Social Media
Foundling Museum, London
24th January–26th April |
:
Illustrations
Attributed works:
10. Unknown lady
in red, by Marcus
Gheeraerts
II. 1620. Oil on
panel, 114.3
by 90.2 cm.
(Tate, London;
exh. Foundling
Museum,
London).
Attributed works:
11. Plate I from
William Hunter’s
Anatomia uteri
umani gravidi
tabulis illustrata,
London 1774, by
F.S. Ravenet
after Jan van
Rymsdyk.
Engraving,
57 by 48 cm.
(National Library
of Medicine,
Bethesda MD;
exh. Foundling
Museum, London).
Attributed works:
12. Pregnant
self-portrait, by
Ghislaine Howard.
1984. Oil on
board, 86.5 by 61
cm. (Collection
of the artist;
exh. Foundling
Museum, London).
Exhibition Review
Lost Treasures of Strawberry Hill: Masterpieces from Horace Walpole’s Collection. Strawberry Hill, Twickenham
11. Horace Walpole, by Joshua Reynolds. c.1756–57. Canvas, 127 by 110 cm. (Ragley Hall, Warwickshire; exh. Strawberry Hill, Twickenham).
Attributed works:
12. Catherine de Medici and her children, by the studio of François Clouet. 1561. Canvas, 198 by 137.2 cm. (Private collection; exh. Strawberry Hill, Twickenham).
Attributed works:
13. Installation view of Lost Treasures of Strawberry Hill in the Library, Strawberry Hill (Photograph Kilian O’Sullivan).
13. The Meeting of David and Abigail, by Guido Reni. c.1615–20, Canvas, 155.5 by 163.8 cm. (Chrysler Museum of Art, Norfolk VA; exh. New Orleans Museum of Art).
Attributed works:
14. Allegory of Philippe II, duc d’Orléans, Regent of the Realm, by Antoine Dieu. 1718. Canvas, 106 by 77 cm. (Musée National du Château de Versailles; exh. New Orleans Museum of Art).
Attributed works:
15. Preciosa recognised, by Godfried Schalcken. Late 1660s. Panel, 44.2 by 31.2 cm. (National Gallery of Ireland, Dublin; exh. New Orleans Museum of Art).
Article
From Giotto to the Bushmen: Roger Fry at the Slade 1909–13
1. Vision, volumes and recession, by Walter Sickert. c.1923, published 1929. Etching, 20 by 11.1 cm. (Courtauld Gallery, London).
Attributed works:
2. The unknown god: Roger Fry preaching the new faith, by Henry Tonks. Exhibited 1923. Canvas, 41.5 by 56 cm. (Private collection; courtesy Pym’s Gallery, London).
Attributed works:
3. Poster for the first Post-Impressionist exhibition, Grafton Galleries, London. 1910. Lettering by Roger Fry. 76.3 by 50.9 cm. (The Courtauld Gallery, London).
Attributed works:
4. The meeting at the Golden Gate from John Ruskin, Giotto and his Works in Padua, Orpington 1900, p.77. (Warburg Institute, London).
Attributed works:
5. Detail of The meeting at the Golden Gate, by Giotto. c.1305. Fresco. (Arena Chapel, Padua; Bridgeman Images).
Attributed works:
6. Some later primitives and Madame Tisceron, by John Currie. 1912. Tempera on canvas, 46 by 127 cm. (The Potteries Museum and Art Gallery, Stoke-on-Trent; Bridgeman Images).
Attributed works:
7. John Donne arriving in heaven, by Stanley Spencer. 1911. Canvas, 37 by 40.5 cm. (Fitzwilliam Museum, Cambridge).