• MENU
logo logo white logo sticky

Burlington Contemporary is the Burlington Magazine’s free online platform for reviews and research on international contemporary art.

Want to continue reading? Get 1 month digital access for only .

Subscribe now
By using this website you agree to our Cookie policy
  • MENU
logo logo white logo sticky

Search

content
A TO Z
clear all
54 articles
Exhibition Review
Picasso: Blue and Rose Musée d’Orsay, Paris; The Young Picasso: Blue and Rose Periods. Fondation Beyeler, Basel
02/2019 | 1391 | 161
Pages: 154-156
Buy / subscribe
related names
Reviewer:
Cowling, Elizabeth (Cowling, Elizabeth)
Subjects
art literature:
Daix, Pierre / Richardson, John
artists:
Picasso, Pablo
dates:
2010-2019
media:
Paintings / Drawings / Sculpture / Prints / Photographs / Radiographs / Documents / Pastels / Terracottas
museums and institutions:
Musée d'Orsay, Paris, France / Fondation Beyeler, Riehen, Basel, Switzerland
places:
France / Paris / Switzerland / Basel
subjects:
Spanish painting / Portraits / Self-portraits / Caricatures / Style
Illustrations
Attributed works:
18. Woman in blue, by Pablo Picasso. 1901. Canvas, 133 by 100 cm. (Museo Nacional Centro de Arte Reina Sofía, Madrid; exh. Fondation Beyeler, Basel).
Attributed works:
19. The embrace, by Pablo Picasso. 1903. Pastel on paper, 98 by 57 cm. (Musée de l’Orangerie, Paris; exh. Musée d’Orsay, Paris).
Attributed works:
20. Absinthe drinker, by Pablo Picasso. 1901. Canvas, 81 by 60 cm. (Kunstmuseum, Basel; exh. Fondation Beyeler, Basel).
Attributed works:
21. La coiffure, by Pablo Picasso. 1906. Canvas, 174.9 by 99.7 cm. (Metropolitan Museum of Art, New York; exh. Fondation Beyeler, Basel).
Publication Received
Sculpture on the Move 1946–2016. Edited by Bernhard Mendes Bürgi
11/2018 | 1388 | 160
Pages: 987
Subscribe to read
related names
Reviewer:
Vernon, Jonathan (Vernon, Jonathan ; V., J.)
Subjects
artists:
Picasso, Pablo / Brancusi, Constantin / Bourgeois, Louise
dates:
1900-1999 / 1950-1999 / 2000-2099
media:
Sculpture
museums and institutions:
Kunstmuseum, Basel, Switzerland
places:
Europe / Switzerland / Basel
subjects:
Modernism / Exhibition catalogues / Surveys
Exhibition Review
Georg Baselitz at eighty
09/2018 | 1386 | 160
Pages: 766-771
Subscribe to read
related names
Reviewer:
Weikop, Christian (Weikop, Christian)
Subjects
artists:
Baselitz, Georg / Schönebeck, Eugen / Friedrich, Caspar David / Richter, Ludwig / Pforr, Franz / Kiefer, Anselm / Nolde, Emil / Kirchner, Ernst Ludwig / De Kooning, Willem
dates:
2010-2019
media:
Paintings / Sculpture
museums and institutions:
Fondation Beyeler, Riehen, Basel, Switzerland / Hirshhorn Museum and Sculpture Garden, Washington, United States / Galerie Werner & Katz, Berlin, Germany
places:
Switzerland / Basel / United States / Washington DC / Germany
subjects:
German painting / Beauty / Romanticism / Portraits / Landscapes (visual works) / Figure paintings / Nudes / World War (1939-1945) / Nazism / Politics / Brücke / Expressionism / Neo-Expressionist / Carving (processes) / Colour / Polychromy / Brushwork / Style / Influence
Illustrations
Attributed works:
1. Man in the moon – Franz Pforr, by Georg Baselitz. 1965. Canvas, 161.9 by 129.9 cm. (National Gallery of Art, Washington; exh. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington).
Attributed works:
2. Opposite The naked man, by Georg Baselitz. 1962. Canvas, 114 by 146 cm. (Private collection, Seattle; exh. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington).
Attributed works:
3. Meissen woodsmen, by Georg Baselitz. 1969. Canvas, 250 by 200 cm. (Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington).
Attributed works:
4. Orange eater IX, by Georg Baselitz. 1981. Oil and tempera on canvas, 146 by 114 cm. (Skarstedt, New York; exh. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington).
Attributed works:
5. Below The Brücke chorus, by Georg Baselitz. 1983. Canvas, 280 by 450 cm. (Private collection; exh. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington).
Attributed works:
6. My new hat, by Georg Baselitz. 2003. Cedarwood and oil paint, 310.5 by 83.5 by 107 cm. (Pinault Collection, Venice; exh. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington).
Attributed works:
8. Dystopian couple, by Georg Baselitz. 2015. Canvas, 400 by 600 cm. (Courtesy the artist and White Cube; exh. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington).
Western art unattributed:
7. Georg Baselitz’s studio, Ammersee. (Photograph courtesy Georg Baselitz Archive, Munich).
Exhibition Review
In Search of 0,10 – The Last Futurist Exhibition of Painting
01/2016 | 1354 | 158
Pages: 061–062
Subscribe to read
related names
Reviewer:
Lodder, Christina (Lodder, Christina; L., C.; Lodder, Christina A.)
Subjects
artists:
Malevich, Kazimir / Tatlin, Vladimir
dates:
2010-2019
museums and institutions:
Fondation Beyeler, Riehen, Basel, Switzerland
places:
Switzerland / Riehen / Basel
subjects:
Reviews / Exhibitions / Futurism / Avant-garde / Russian
Illustrations
Attributed works:
80. Travelling woman, by Lyubov Popova. 1915 (State Museum of Contemporary Art, Thessaloniki, Costakis Collection; exh. Fondation Beyeler, Basel)
Attributed works:
81. Suprematism: non-objective composition, by Kazimir Malevich. 1915 (Ekaterinburgh Museum of Fine Arts; exh. Fondation Beyeler, Basel)
Attributed works:
82. Corner counter-relief, by Vladimir Tatlin. 1925 reconstruction by the artist of the 1915 original (State Russian Museum, St Petersburg; exh. Fondation Beyeler, Basel)
Exhibition Review
Gauguin
06/2015 | 1347 | 157
Pages: 432-433
Subscribe to read
related names
Reviewer:
Brettell, Richard R. (Brettell, Richard R.; Brettell, Richard)
Subjects
artists:
Gauguin, Paul
dates:
2010-2019
museums and institutions:
Fondation Beyeler, Riehen, Basel, Switzerland
places:
Switzerland / Riehen / Basel
subjects:
Reviews / Exhibitions
Illustrations
Attributed works:
57. Rupe Rupe, by Paul Gauguin (Pushkin State Museum of Fine Arts, Moscow; exh. Fondation Beyeler, Basel)
Attributed works:
58. Polynesian woman with children, by Paul Gauguin (The Art Institute of Chicago; exh. Fondation Beyeler, Basel)
Attributed works:
59. The artist's family, by Hans Holbein the Younger (Kunstmuseum, Öffentliche Kunstsammlung, Basel)
Exhibition Review
Marlene Dumas
04/2015 | 1345 | 157
Pages: 279-280
Subscribe to read
related names
Reviewer:
Cahill, James (Cahill, James; Cahill, J.)
Subjects
artists:
Dumas, Marlene
dates:
2010-2019
museums and institutions:
Tate Modern, London, Great Britain / Fondation Beyeler, Riehen, Basel, Switzerland / Stedelijk Museum, Amsterdam, Netherlands
places:
Switzerland / Netherlands / London / Basel / Amsterdam / Riehen / England
subjects:
Reviews / Exhibitions
Illustrations
Attributed works:
48. Great Britain, by Marlene Dumas (Vicki and Kent Logan collection; exh. Tate Modern, London)
Attributed works:
49. Death of the author, by Marlene Dumas (Jolie van Leeuwen collection; exh. Tate Modern, London)
Attributed works:
50. Magdalena (Venus), by Marlene Dumas (Private collection; exh. Tate Modern, London)
Exhibition Review
Max Ernst: Retrospective. Vienna and Basel
06/2013 | 1323 | 155
Pages: 430-431
Subscribe to read
related names
Reviewer:
Hopkins, David (Hopkins, David)
Subjects
artists:
Ernst, Max
dates:
2010-2019
museums and institutions:
Fondation Beyeler, Riehen, Basel, Switzerland / Albertina, Vienna, Austria
places:
Vienna / Switzerland / Riehen / Basel / Austria
subjects:
Reviews / Exhibitions
Illustrations
Attributed works:
85. Woman, old man and flower, by Max Ernst (Museum of Modern Art, New York; exh. Fondation Beyeler, Basel)
Attributed works:
86. Monument to the birds, by Max Ernst (Musée Cantini, Marseille; exh. Fondation Beyeler, Basel)
Attributed works:
87. At the first limpid word, by Max Ernst (Kunstsammlung Nordrhein-Westfalen, Düsseldorf; exh. Fondation Beyeler, Basel)
Exhibition Review
Pierre Bonnard. Riehen/Basel
05/2012 | 1310 | 154
Pages: 367-368
Subscribe to read
related names
Reviewer:
Zutter, Jörg (Zutter, Jörg)
Subjects
artists:
Bonnard, Pierre
dates:
2010-2019
museums and institutions:
Fondation Beyeler, Riehen, Basel, Switzerland
places:
Riehen / Basel / Switzerland
print:
Bonnard, Pierre
subjects:
Reviews / Exhibitions
Reviewed Items
subjects:
Pierre Bonnard | institution: Fondation Beyeler
Illustrations
Attributed works:
81. La Nappe blanche, by Pierre Bonnard. 1925. Canvas, 100 by 109 cm. (Von der Heydt-Museum, Wuppertal; exh. Beyeler Foundation, Riehen/Basel).
Attributed works:
82. Place Clichy, by Pierre Bonnard. 1912. Canvas, 138 by 203 cm. (Musée national d’Art moderne, Centre Georges Pompidou, Paris, on loan in the Musée des Beaux-Arts et d’Archéologie, Besançon; exh. Beyeler Foundation, Riehen/Basel).
Attributed works:
83. Autoportrait (Le Boxeur), by Pierre Bonnard. 1931. Canvas, 53 by 74.3 cm. (Musée d’Orsay, Paris; exh. Beyeler Foundation, Riehen/Basel).
Exhibition Review
Max Beckmann. Basel
02/2012 | 1307 | 154
Pages: 144-146
Subscribe to read
related names
Reviewer:
Rainbird, Sean (Rainbird, Sean)
Subjects
artists:
Beckmann, Max
dates:
2010-2019
museums and institutions:
Kunstmuseum, Basel, Switzerland
places:
Switzerland / Basel
print:
Beckmann, Max
subjects:
Reviews / Exhibitions
Reviewed Items
subjects:
Max Beckmann – The Landscapes | institution: Kunstmuseum
Illustrations
Attributed works:
68. The harbour of Genoa, by Max Beckmann. 1927. Canvas, 90.5 by 169.5 cm. (Saint Louis Art Museum; exh. Kunstmuseum Basel).
Exhibition Review
Konrad Witz. Basel
07/2011 | 1300 | 153
Pages: 497-499
Subscribe to read
related names
Reviewer:
Borchert, Till-Holger (Borchert, Till-Holger)
Subjects
artists:
Witz, Konrad
dates:
2010-2019
museums and institutions:
Kunstmuseum, Basel, Switzerland
places:
Switzerland / Basel
print:
Witz, Konrad
subjects:
Reviews / Exhibitions
Reviewed Items
subjects:
Konrad Witz | institution: Kunstmuseum
Illustrations
Attributed works:
68. Abraham before Melchizedek, by Konrad Witz. c.1435. Panel, 84.8 by 68.7 cm. (Kunst­museum, Basel).
Attributed works:
69. Playing card with nine herons in a landscape, by the workshop of Konrad Witz. c.1440–45. Watercolour, gouache and shell gold over drawings in pen on paper mounted on layers of glued paper, 15.6 by 9.5 cm. (Kunsthistorisches Museum, Vienna; exh. Kunst­museum, Basel).
Attributed works:
70. Synagogue, by Konrad Witz. c.1435. Panel, 86.1 by 80.7 cm. (Kunstmuseum, Basel).
Attributed works:
71. Sts Catherine and Mary Magdalene in the nave of a church, by Konrad Witz. c.1440–45. Panel, 162 by 130.4 cm. (Musée de l’Œuvre Notre-Dame, Strasbourg; exh. Kunstmuseum, Basel).
next
load more