By using this website you agree to our Cookie policy

Search

10 articles
Book Review
Gestalterinnen: Frauen, Design und Gesellschaft im Wien der Zwischenkriegszeit
03/2024 | 1452 | 166
Pages: 333–334
related names
Reviewer:
Long, Christopher (Long, Christopher)
Subjects
dates:
places:
Reviewed Items
subjects:
Gestalterinnen: Frauen, Design und Gesellschaft im Wien der Zwischenkriegszeit Edited by Elana Shapira and Anne-Katrin Rossberg. 248 pp. incl. 46 col. + 51 b. & w. ills. (De Gruyter, Berlin and Boston, 2023), £56.80. ISBN 978–3–11–077188–6. | :
Illustrations
Attributed works:
8. Vase, by Vally Wieselthier. c.1920. Ceramic, 52 by 26.5 cm. (Wien Museum, Vienna).
Article
Edith Hoffmann’s early years in England, 1934–38
12/2023 | 1449 | 165
Pages: 1320–1329
related names
Author:
Yapou-Kromholz, Yonna (Yapou-Kromholz, Yonna)
Subjects
dates:
places:
sources:
Illustrations
Attributed works:
1. Edith Hoffmann, photograph by Franz Pfemfert, Photo Dorit, Paris. c.1937–38. (Edith Hoffmann family collection, Jerusalem).
Attributed works:
2. Elizabeth Senior. Photograph, c.1935. (Courtesy of Sally Senior Mellersh).
Attributed works:
3. Eliezer Yapou. Photograph, 1938. (Edith Hoffmann family collection, Jerusalem).
Attributed works:
4. Herbert Read, by Howard Coster. Photograph, 1934. (National Portrait Gallery, London).
Attributed works:
5. The Exhibition of 20th Century German Art, New Burlington Galleries, London, by Ewan Phillips. 1938. Gelatin silver print, 16.4 by 23.2 cm. (© The Estate of Ewan Phillips; Tate Archive; M03751).
Attributed works:
6. The Exhibition of 20th Century German Art, New Burlington Galleries, London, by Ewan Phillips. 1938. Gelatin silver print, 16.4 by 23.2 cm. (© The Estate of Ewan Phillips; Tate Archive; M03754).
Attributed works:
7 and 8. Details of Figs.5 and 6, showing Edith in the New Burlington Galleries.
Attributed works:
9. Edith Hoffmann and Eliezer Yapou in Paris. Photograph, 1935. (Edith Hoffmann family collection, Jerusalem).
Book Review
The Traumatic Surreal: Germanophone Women Artists and Surrealism after the Second World War
05/2023 | 1442 | 165
Pages: 575-576
related names
Reviewer:
Huebner, Karla (Huebner, Karla)
Subjects
Reviewed Items
subjects:
The Traumatic Surreal: Germanophone Women Artists and Surrealism after the Second World War By Patricia Allmer. 280 pp. incl. numerous ills. (Manchester University Press, 2022), £80. ISBN 978–1–5261–4979–4 | :
Exhibition Review
Josef Hoffmann: Progress Through Beauty
06/2022 | 1431 | 164
Pages: 606-608
related names
Reviewer:
Galjer, Jasna (Galjer, Jasna)
Subjects
places:
Reviewed Items
subjects:
Josef Hoffmann: Progress Through Beauty Museum of Applied Arts (MAK), Vienna 15th December 2021–19th June 2022 | :
Illustrations
Attributed works:
17. Centrepiece with two handles for the Wiener Werkstätte, designed by Josef Hoffmann. 1924. Brass, 18.5 by 30.5 by 18 cm. (Museum of Applied Arts, Vienna; photograph Georg Mayer).
Attributed works:
18. Table for Hermann and Lydia Wittgenstein’s apartment, designed by Josef Hoffmann. 1905. Oak and marble, height 66 cm. (Museum of Applied Arts, Vienna; photograph Georg Mayer).
Attributed works:
19. Installation view of Josef Hoffmann: Progress Through Beauty at the Museum of Applied Arts, Vienna, 2021. (Photograph Georg Mayer).
Exhibition Review
Women Artists of the Wiener Werkstätte
07/2021 | 1420 | 163
Pages: 619-622
related names
Reviewer:
Shapira, Elana (Shapira, Elana)
Subjects
dates:
places:
Reviewed Items
subjects:
Women Artists of the Wiener Werkstätte Museum of Applied Arts (MAK), Vienna 5th May–3rd October | :
Illustrations
Attributed works:
5. Front cover of Die Wiener Werkstätte 1903–1928: Modernes Kunstgewerbe und sein Weg, by Vally Wieselthier. 1929. Papier maché, 21 by 23 cm. (Museum of Applied Arts (MAK), Vienna; photograph Georg Mayer).
Attributed works:
6. Charlotte Billwiller, Mathilde Flögl, Susi Singer, Marianne Leisching and Maria Likarz. 1924. Photograph. (Museum of Applied Arts (MAK), Vienna).
Attributed works:
7. Fireplace casing, by Vally Wieselthier. c.1925. Painted and glazed ceramic, height 126 cm. (Museum of Applied Arts (MAK), Vienna; photograph Christoph Schleßmann).
Exhibition Review
The Beginning: Art in Austria, 1945 to 1980
11/2020 | 1412 | 162
Pages: 993-995
related names
Reviewer:
Jackson-Beckett, Michelle (Jackson-Beckett, Michelle)
Subjects
museums and institutions:
subjects:
Reviewed Items
subjects:
The Beginning: Art in Austria, 1945 to 1980 Albertina Modern, Vienna 27th May–8th November | :
Illustrations
Attributed works:
20. Installation view of The Beginning: Art in Austria, 1945 to 1980 at Albertina Modern, 2020, showing the section ‘Feminist Avante-Garde’. (Photograph Rupert Steiner).
Attributed works:
21. Woman power, by Maria Lassnig. 1979. Oil on canvas, 182 by 126 cm cm. (Albertina, Vienna; © Maria Lassnig Foundation / Bildrecht, Vienna, 2020).
Attributed works:
22. Action pants: genital panic, by Valie Export. 1969/2001. Black-and-white photograph; barite on aluminium, 165 by 120 cm. (Albertina, Vienna).
Article
Global mission iconography in the Jesuit Church in Innsbruck (1636–66)
08/2020 | 1409 | 162
Pages: 658-672
related names
Author:
Bailey, Gauvin Alexander (Bailey, Gauvin Alexander)
Subjects
dates:
places:
styles:
subjects:
subjects:
Illustrations
Attributed works:
1. St Francis Xavier and the miracle of the crab. Second half of the seventeenth century. Oil on canvas. (Chapel of St Francis Xavier, Church of the Holy Trinity, Innsbruck).
Attributed works:
10. Design for the Francis Xavier altar, by Bartolomäus von Opstal. c.1666. Bistre, graphite, wash and reddish and ochre pigments on paper, 16.2 by 21 cm. (Archives of the Jesuit College, Innsbruck).
Attributed works:
11. Detail of Fig.5.
Attributed works:
12. Design for the Francis Xavier altar, by Bartolomäus von Opstal. c.1666. Black ink and reddish pigment on paper, 43.4 by 29.8 cm. (Archives of the Jesuit College, Innsbruck).
Attributed works:
13. Design for the Francis Xavier altar, by Bartolomäus von Opstal. c.1666. Black ink, reddish pigment and wash on paper, 42.2 by 24.1 cm. (Archives of the Jesuit College, Innsbruck).
Attributed works:
15. This illustration shows us the people and island which have been discovered by the Christian King of Portugal, by Johann Froschauer. 1505. Woodcut. (From A. Vespucci: Mundus Novus, Augsburg; Bridgeman Images).
Attributed works:
17. Detail of Fig.5.
Attributed works:
2. Vault of the Chapel of St Francis Xavier, Church of the Holy Trinity, Innsbruck, by Georg Braun and others. 1636. Stucco and gilding.
Attributed works:
4. Martyrdom of the Japanese saints Paul Miki, James Kisai and John de Goto, by Paul Pock. 1644. Oil on canvas, height 400 cm. (Church of the Holy Trinity, Innsbruck).
Attributed works:
5. Altar of the Chapel of St Francis Xavier, Church of the Holy Trinity, Innsbruck, by Bartholomäus von Opstal. 1666–68. Marble and gilded bronze, 690 by 400 cm. The altarpiece is Francis Xavier baptising an Indian nobleman, attributed to Heinrich Schönfeld. 1670. Oil on canvas, 250 by 175 cm.
Attributed works:
6. Detail of Fig.2, showing the map of India.
Attributed works:
7. A figure of the East Indies and adjacent islands. Hand-coloured engraving, 36 by 48.5 cm. From A. Ortelius: Theatrum Orbis Terrarum, Antwerp 1570. (Boston Public Library).
Attributed works:
8. A depiction of the islands of Japan. Hand-coloured engraving, 36 by 48.5 cm. From A. Ortelius: Theatrum Orbis Terrarum, Antwerp 1595. (Sanderus Antiquariaat, Ghent).
Attributed works:
9. Detail of Fig.2, showing the map of Japan.
Attributed works:
Xavierius’s dream of bringing help to the Indies, by Abraham van Diepenbeek. Engraving, 10.5 by 13.5 cm. (From Imago Primi Saeculi Societatis Iesu, Antwerp 1640).
Western art unattributed:
14. Design for the Francis Xavier altar. c.1666. Bistre, graphite and wash on paper. 44.9 by 30.9 cm. (Archives of the Jesuit College, Innsbruck).
Western art unattributed:
16. Design for a sculpture of St Francis Xavier for the Francis Xavier Altar. c.1666. Graphite, black ink and wash on paper, 42 by 24 cm. (Archives of the Jesuit College, Innsbruck).
Western art unattributed:
3. Plan of the Jesuit (now the University) Church, Innsbruck. 1781. Ink and watercolour on paper, 73.5 by 52 cm. (Tiroler Landesarchiv).
Exhibition Review
Otto Prutscher: Universal Designer of Viennese Modernism. Museum of Applied Art (MAK), Vienna
04/2020 | 1405 | 162
Pages: 344-346
related names
Reviewer:
Long, Christopher (Long, Christopher)
Subjects
artists:
dates:
places:
Reviewed Items
subjects:
Otto Prutscher: Universal Designer of Viennese Modernism Museum of Applied Art (MAK), Vienna 20th November 2019–17th May | :
Illustrations
Attributed works:
18. Tablecloth, by Otto Prutscher. c.1910. Executed by Herrburger and Rhomberg, Vienna. Woven cotton, 145 by 143.5 cm. (Museum of Applied Art, Vienna; photograph Katrin Wisskirchen).
Attributed works:
19. Plant stand, by Otto Prutscher. c.1908. Executed by Joh. Loetz Witwe for Bakalowits, Vienna. Wood, metal, and glass, height 164.5 cm. (Otto Prutscher Archive, Baden; exh. Museum of Applied Art, Vienna; photograph Peter Kainz).
Attributed works:
20. Lidded goblet, by Otto Prutscher. 1927–28. Executed by Josef Carl Klinkosch, Vienna. Silver gilt, 34 cm. (Museum of Applied Art, Vienna).
Short Notice
Rediscovered drawings by Erwin Dominik Osen
03/2020 | 1404 | 162
Pages: 224-227
related names
Author:
Blackshaw, Gemma (Blackshaw, Gemma)
Subjects
dates:
museums and institutions:
places:
Illustrations
Attributed works:
14. Portrait of a patient, by Erwin Dominik Osen. 1915. Graphite and watercolour on paper, 56.7 by 39.8 cm. (Leopold Museum, Vienna).
Attributed works:
15. Portrait of a patient, by Erwin Dominik Osen. 1915. Graphite and watercolour on paper, 48.3 by 32 cm. (Leopold Museum, Vienna).
Attributed works:
16. Erwin Dominik Osen, nude with crossed arms, by Egon Schiele. 1910. Black chalk, watercolour and gouache on paper, 44.7 by 31.5 cm. (Leopold Museum, Vienna; photograph Manfred Thumberger).
Book Review
Egon Schiele: The Complete Paintings 1909–1918. Edited by Tobias G. Natter
01/2018 | 1378 | 160
Pages: 71-72
related names
Reviewer:
Clegg, Elizabeth (Clegg, Elizabeth)
Subjects
artists:
dates:
media:
styles:
subjects:
Illustrations
Attributed works:
7. Man and woman I (Lovers I), by Egon Schiele. 1914. (Private collection, New York).