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3 articles
Exhibition Review
John Heartfield. Berlin
08/2009 | 1277 | 151
Pages: 569-571
related names
Reviewer:
White, Michael (White, Michael)
Subjects
artists:
dates:
museums and institutions:
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subjects:
Reviewed Items
subjects:
John Heartfield: Zeitausschnitte. Fotomontagen 1918–1938 | institution: Berlinische Galerie
Illustrations
Attributed works:
69. Adolf der Übermensch, by John Heartfield. AIZ 29, 1932. Photomontage, 38 by 27 cm. (Akademie der Künste, Berlin Kunstsammlung/Heartfield Community of Heirs; exh. Berlinische Galerie, Berlin).
Attributed works:
70. John Heartfield mit Polizeipräsident Zörgiebel, by John Heartfield. Original montage for ‘Benuetze Foto als Waffe!’. AIZ 37, 1929. Photomontage, 28 by 21.1 cm. (Akademie der Künste, Berlin Kunstsammlung/ Heartfield Community of Heirs; exh. Berlin­ische Galerie, Berlin).
Article
Colour in Vladimir Tatlin’s counter-reliefs
01/2008 | 1258 | 150
Pages: 28-34
related names
Author:
Lodder, Christina (Lodder, Christina; L., C.; Lodder, Christina A.)
Subjects
dates:
subjects:
subjects:
Illustrations
Attributed works:
37. The nude (Composition with a nude), also known as Nude no.1, by Vladimir Tatlin. 1913. Canvas, 143 by 108 cm. (State Tretyakov Gallery, Moscow).
Attributed works:
38. Selection of materials: zinc, palisander wood and spruce, by Vladimir Tatlin. 1916. Varnished palisander wood, sheet iron, galvanised sheet iron and wood, 100 by 64 by 27 cm. (State Tretyakov Gallery, Moscow).
Attributed works:
39. Corner counter-relief, by Vladimir Tatlin. 1925, replica of a 1915 original. Blackened iron sheet, copper, wood, rope and reinforcing elements, 71 by 118 cm. (State Russian Museum, St Petersburg).
Attributed works:
40. Pictorial relief (Synthetic-static composition; counter-relief), by Vladimir Tatlin. 1914. Wood, various metals and leather, 63 by 53 by 13 cm. (State Tretyakov Gallery, Moscow).
Attributed works:
41. A clear night, the sea bay (The ship’s deck): design for the third(?) act of Richard Wagner’s opera ‘The Flying Dutchman’, by Vladimir Tatlin. 1915. Canvas, 87 by 156 cm. (Bakhrushin State Theatrical Museum, Moscow).
Attributed works:
42. Blue counter-relief (Pictorial relief; synthetic-static composition), by Vladimir Tatlin. 1914. Wood, metal, leather, chalk, dye and oil, 79.5 by 44 by 7.3 cm. (Berlinische Galerie, Berlin).
Attributed works:
43. Pictorial relief (Counter-relief), by Vladimir Tatlin. 1915–16. Wood, brass, tin, dye and oil, 85 by 43 cm. (Private collection, Germany)
Attributed works:
44. The month of May, by Vladimir Tatlin. 1916. Tempera and mixed media on wood, 52 by 39 cm. (National Gallery, Berlin).
Attributed works:
45. Board no.1: Staro-Basman, by Vladimir Tatlin. 1916. Tempera, oil and gilt-bronze on wood, 100 by 57 cm. (State Tretyakov Gallery, Moscow).
Exhibition Review
Die Brücke. Madrid, Barcelona and Berlin
05/2005 | 1226 | 147
Pages: 350-352
related names
Reviewer:
Lloyd, Jill (J. L.) (Lloyd, Jill (J. L.); L., J.)
Subjects
dates:
places:
print:
Reviewed Items
subjects:
Brücke: El Nacimiento del Expresionismo Alemán | institution: Brücke-Museum , institution: Museo Thyssen-Bornemisza , institution: Museu Nacional d'Art de Catalunya
Illustrations
Attributed works:
56. Landscape near Dresden, by Erich Heckel. 1905. 51 by 70 cm. (Museum Folkwang, Essen; exh. Museo Thyssen-Bornemisza, Madrid).
Attributed works:
57. Fränzi in front of a covered chair, by Ernst Ludwig Kirchner. 1910. 71 by 49.5 cm. (Museo Thyssen-Bornemisza, Madrid).
Attributed works:
58. Early spring, by Karl Schmidt-Rottluff. 1911. 76.3 by 84 cm. (museum am Ostwall, Dortmund; exh. Museo Thyssen-Bornemisza, Madrid).
Attributed works:
59. Portrait of Erich Heckel, by Ernst Ludwig Kirchner. 1909. 84 by 61 cm. (Bünder Kunstmuseum, Chur; exh. Museo Thyssen-Bornemisza, Madrid).