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9 articles
Book Review
Lazar Khidekel and Suprematism, edited by Regina Khidekel
01/2017 | 1366 | 159
Pages: 50
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Reviewer:
Lodder, Christina (Lodder, Christina; L., C.; Lodder, Christina A.)
Subjects
artists:
Khidekel, Lazar Markovich
subjects:
Russian architecture / Avant-garde / Suprematist
subjects:
Architects / Russian / UNOVIS (Group)
Book Review
Malevich Writes: A Theory of Creativity. Cubism to Suprematism, by P. Railing
05/2016 | 1358 | 158
Pages: 373
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Reviewer:
Lodder, Christina (Lodder, Christina; L., C.; Lodder, Christina A.)
Subjects
artists:
Malevich, Kazimir
dates:
1910-1919 / 1920-1929
subjects:
Russian painting / Artists' writings / Abstract art / Avant-garde / Russian / Art theory / Suprematist
Book Review
Malevich Paints: The Seeing Eye, P. Railing
04/2014 | 1333 | 156
Pages: 248-249
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Reviewer:
Stupples, Peter (Stupples, Peter)
Subjects
artists:
Malevich, Kazimir
dates:
1910-1919
subjects:
Russian painting / Avant-garde / Suprematist
Book Review
Malevich: Painting the Absolute
04/2012 | 1309 | 154
Pages: 281-282
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Reviewer:
Lodder, Christina (Lodder, Christina; L., C.; Lodder, Christina A.)
Subjects
artists:
Malevich, Kazimir
dates:
1880-1909 / 1910-1919 / 1920-1929 / 1930-1939
print:
Malevich, Kazimir
subjects:
Russian painting / Abstract art / Suprematist / Art theory / Formal analysis
Reviewed Items
subjects:
Malevich: Painting the Absolute | author: Nakov, Andrei B.
Illustrations
Attributed works:
48. Three young girls, by Kazimir Malevich. 1928–29. Panel, 57 by 48 cm. (Russian Museum, St Petersburg).
Article
Colour in Vladimir Tatlin’s counter-reliefs
01/2008 | 1258 | 150
Pages: 28-34
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Author:
Lodder, Christina (Lodder, Christina; L., C.; Lodder, Christina A.)
Subjects
artists:
Malevich, Kazimir
dates:
1910-1919
museums and institutions:
Gosudarstvennaja Tretjakovskaja Galerja (State Tretyakov Gallery), Moscow, Russia / Gosudarstvennyi Russkii Muzei (State Russian Museum), Saint Petersburg, Russia / Berlinische Galerie, Berlin, Germany
print:
Tatlin, Vladimir
subjects:
Tatlin, Vladimir
subjects:
Russian sculpture / Assemblages / Cubist / Reliefs / Mixed media / Revolution (Russia: 1917-1921) / Destruction / Lost works / Collections, Public / Colour / Pigments / Russian painting
subjects:
Suprematist
subjects:
Counter-Relief / Damage to works of art
Illustrations
Attributed works:
37. The nude (Composition with a nude), also known as Nude no.1, by Vladimir Tatlin. 1913. Canvas, 143 by 108 cm. (State Tretyakov Gallery, Moscow).
Attributed works:
38. Selection of materials: zinc, palisander wood and spruce, by Vladimir Tatlin. 1916. Varnished palisander wood, sheet iron, galvanised sheet iron and wood, 100 by 64 by 27 cm. (State Tretyakov Gallery, Moscow).
Attributed works:
39. Corner counter-relief, by Vladimir Tatlin. 1925, replica of a 1915 original. Blackened iron sheet, copper, wood, rope and reinforcing elements, 71 by 118 cm. (State Russian Museum, St Petersburg).
Attributed works:
40. Pictorial relief (Synthetic-static composition; counter-relief), by Vladimir Tatlin. 1914. Wood, various metals and leather, 63 by 53 by 13 cm. (State Tretyakov Gallery, Moscow).
Attributed works:
41. A clear night, the sea bay (The ship’s deck): design for the third(?) act of Richard Wagner’s opera ‘The Flying Dutchman’, by Vladimir Tatlin. 1915. Canvas, 87 by 156 cm. (Bakhrushin State Theatrical Museum, Moscow).
Attributed works:
42. Blue counter-relief (Pictorial relief; synthetic-static composition), by Vladimir Tatlin. 1914. Wood, metal, leather, chalk, dye and oil, 79.5 by 44 by 7.3 cm. (Berlinische Galerie, Berlin).
Attributed works:
43. Pictorial relief (Counter-relief), by Vladimir Tatlin. 1915–16. Wood, brass, tin, dye and oil, 85 by 43 cm. (Private collection, Germany)
Attributed works:
44. The month of May, by Vladimir Tatlin. 1916. Tempera and mixed media on wood, 52 by 39 cm. (National Gallery, Berlin).
Attributed works:
45. Board no.1: Staro-Basman, by Vladimir Tatlin. 1916. Tempera, oil and gilt-bronze on wood, 100 by 57 cm. (State Tretyakov Gallery, Moscow).
Article
Malevich and Film
07/1993 | 1084 | 135
Pages: 470-478
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Author:
Shatskikh, Alexandra (Shatskikh, Alexandra)
Subjects
artists:
Malevich, Kazimir
dates:
1900-1929
places:
Russia / Soviet Union
subjects:
Russian painting / Soviet art / Suprematist
subjects:
Visual sources / Films (motion pictures)
Illustrations
Attributed works:
27. Doctor Mabuzo, by Kazimir Malevich. 1925. Poster, 106 by 70.6 cm. (State Tretyakov Gallery, Moscow).
Attributed works:
28. Deti buri (Children of the Storm), by Mikhail Veksler. 1926. Poster, 70 by 106 cm. (Museum für Gestaltung, Zürich).
Attributed works:
29. Cow and Violin, by Kazimir Malevich. 1913. Panel, 48.8 by 25.8 cm. (State Russian Museum, St Petersburg).
Attributed works:
30. An Englishman in Moscow, by Kazimir Malevich. 1914. 88 by 57 cm. (Stedelijk Museum, Amsterdam).
Attributed works:
31. The Aviator, by Kazimir Malevich. 1914. 125 by 65 cm. (State Tretyakov Gallery, Moscow).
Attributed works:
32. Supremus no. 50, by Kazimir Malevich. 1915. 97 by 66 cm. (Stedelijk Museum, Amsterdam).
Attributed works:
33. The Black Square, by Kazimir Malevich. 1914-15. 79.6 by 79.5 cm. (State Tretyakov Gallery, Moscow).
Attributed works:
34. Designs for Suprematist Ballet, by Nina Kogan. 1920. Gouache and Ink, 22 by 31.5 cm. (Museum of Theatre Art, St Petersburg).
Book Review
Malevitch: Suprematism and Revolution in Russian Art, 1910-1930
02/1985 | 983 | 127
Pages: 106-107
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Author:
Beckett, Jane (Beckett, Jane)
Subjects
artists:
Malevich, Kazimir
dates:
1900-1929
places:
Soviet Union / Russia
subjects:
Russian painting / Soviet art / Suprematist
Reviewed Items
subjects:
Malevitch: Suprematism and Revolution in Russian Art, 1910-1930 | author: Zhadova, Larissa A.
Article
Malevich's Suprematism - The Higher Intuition
08/1976 | 881 | 118
Pages: 576-583+585
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related names
Author:
Compton, Susan P. (Compton, Susan P.; Compton, Susan)
Subjects
artists:
Malevich, Kazimir
artists:
Rozanova, Olga
dates:
1900-1919
places:
Moscow / Saint Petersburg
places:
Russia
sources:
Uspenskiĭ, P. D., 1878-1947
sources:
Pound, Ezra
subjects:
Russian painting / Avant-garde
subjects:
Suprematist / Art theory
subjects:
Futurism
subjects:
Poetry / Literature
subjects:
Cubist
Illustrations
Attributed works:
36. Cover Design by Malevich. Used on the Publication of Victory over the Sun.
Attributed works:
37. Portrait of Matiushin [Matyushin], by Malevich. First Exh. February 1914. Canvas, 106 by 107.5 cm. (Collection George Costakis, Moscow).
Attributed works:
39. Still Life, by Picasso Published in Soirées de Paris, No. 18.15, November 1913.
Attributed works:
40. 'Sadok Sudei 2', by Vladimir Burliuk.
Attributed works:
41. Cover of Tango s korovami, by Vasily Kamensky, Published March 1914.
Attributed works:
42. Portrait of an Englishwoman, by Wyndham Lewis, Reproduced in Strelets, March 1915.
Attributed works:
43. Drawing by Malevich, 9.5 by 8.5 cm.
Attributed works:
A) C. Bragdon: Diagram Drawn from Plate 29 A Primer of Higher Space (The Fourth Dimension)
Attributed works:
B) P. Uspensky: Tertium Organum 'Diagram Reproduced from C. H. Hinton The Fourth Dimension.
Attributed works:
C) C. Bragdon: Diagram Drawn from Plate 14 A Primer of Higher Space (The Fourth Dimension).
Western art unattributed:
38. Lubok, Eighteenth-Century Woodcut.
Article
The Russian contribution to Modern painting
05/1960 | 686 | 102
Pages: 204-211
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related names
Author:
Gray, Camilla (Gray, Camilla)
Subjects
artists:
Larionov, Mikhail
artists:
Rodchenko, Aleksander
artists:
Lissitzky, El
artists:
Malevich, Kazimir
artists:
Tatlin, Vladimir
artists:
Mashkov, Ilya
artists:
Falk, Robert
artists:
Konchalovsky, Piotr
artists:
Goncharova, Natalia
artists:
Vrubel, Mikhail
artists:
Korovin, Sergey
dates:
1900-1929
patrons:
Mamontov, Savva Ivanovich, 1841-1918
places:
Moscow / Abramtsevo / Saint Petersburg
places:
Russia / Soviet Union
subjects:
Suprematist
subjects:
Russian painting / Avant-garde
subjects:
Constructivist
Illustrations
Attributed works:
27. The Violinist, by Piotr Konchalovsky. Signed and Dated 1918. Canvas, 142 by 105 cm. (Tretyakov Gallery, Moscow.)
Attributed works:
28. Peasants Gathering Apples, by Natalia Goncharova. 1911. Canvas, 104 by 97 cm. (Tretyakov Gallery, Moscow.)
Attributed works:
29. Spring, by Mikhail Larionov. Signed. Canvas, 118 by 148 cm. (Tretyakov Gallery, Moscow.)
Attributed works:
30. Portrait of E. L. Kirkaldi, by Ilya Mashkov. Signed. 1910. Canvas, 166 by 124 cm. (Tretyakov Gallery, Moscow.)
Attributed works:
31. Corner Counter-Relief, by Vladimir Tatlin. 1914-15. Wood, Cardboard, Metal, and Other Materials. (Destroyed.)
Attributed works:
32. Dynamic Suprematism, by Kasimir Malevich. 1916. Canvas, 80 by 71 cm. (Russian Museum, Leningrad.)
Attributed works:
33. At the Harvest, by Kasimir Malevich. Signed and Dated 1909. Canvas, 86 by 67 cm. (Tretyakov Gallery, Moscow.)
Attributed works:
34. Painting Relief, by Vladimir Tatlin. 1913-14. Paper Collage, Metal Foil, Wallpaper, and Other Materials. (Destroyed.)
Attributed works:
36. Planit - The Contemporary Environment, by Kasimir Malevich. Pencil on Paper, 37 by 54 cm. (Stedelijk Museum, Amsterdam.)
Attributed works:
37. Cover Design of Constructivist Magazine Veshch/Gegenstand/Objet, by El Lissitzky, Edited by El Lissitzky and Ilya Ehrenburg, Berlin, 1922.
Attributed works:
38. Project for a Kiosk Biznaks, by Alexandr Rodchenko. 1919. Pen and Ink. (Private Collection.)
Western art unattributed:
35. Soviet Section of 'International Press Exhibition', Cologne, 1928, by El Lissitzky. Dominant Medium: Photomontage.