Il Rinascimento europeo di
Antoine de Lonhy
Palazzo Madama, Turin
7th October 2021–9th January 2022 |
:
Illustrations
Attributed works:
5. The Trinity,
by Antoine de
Lonhy. 1465–70.
Tempera and
gold on panel
transferred to
canvas, 172 by
82 cm. (Museo
Civico, Turin;
exh. Palazzo
Madama, Turin).
Attributed works:
6. The Trinity,
from The Saluces
Hours, by
Antoine de Lonhy.
1445–50/1465–70.
Parchment, 28 by
20 cm. (British
Library, London,
MS Add. 27697,
fol.75); exh. Museo
Civico, Turin).
Attributed works:
7. St Fabian, St
Sebastian and
pilgrims adoring
the relics of St
Catherine, by
Antoine de Lonhy.
1454. Fragments
from a wall
painting (Musée
des Augustins,
Toulouse; exh.
Museo Civico,
Turin).
47. Untitled (allegorical study), by Oscar Gustav Reijlander. Gold-toned albumen print (Wilson Centre for Photography, London; exh. National Gallery, London).
Attributed works:
48. The rosy wealth of June, by Ignace-Henri-Théodore Fantin-Latour (National Gallery, London)
Attributed works:
49. Blow-up: untitled 5, by Ori Gersht (Mummery + Schnelle, London; exh. National Gallery, London)
Attributed works:
50. Paradise, view down the Hodder, Stonyhurst, by Roger Fenton. Gold-toned albumen print (Wilson Centre for Photography, London; exh. National Gallery, London)
75. Last Judgment, by Rafael Destorrents. 1403. Parchment, the sheet 36.5 by 27.5 cm., from the missal of St Eulalia (Capitol de la Catedral, Barcelona; exh. Museu Nacional d’Art de Catalunya, Barcelona).
Attributed works:
76. Retable of St Michael Archangel, by Bernat Martorell. c.1440–45. Panel, 306 by 257 cm. (Museu Diocesà, Tarragona; exh. Museu Nacional d’Art de Catalunya, Barcelona).
Attributed works:
77. Dalmatic with St George baptising, designed by Bernat Martorell. c.1445–50. Brocade, gold, metal and silk thread, overall 118 by 152 cm. (Palau de la Generalitat, Barcelona; exh. Museu Nacional d’Art de Catalunya, Barcelona).
Attributed works:
78. St James the Less, by Jordi Safont. 1442–43. Sandstone, 36 by 34 by 35 cm. (Museu Diocesà i Comarcal, Lleida; exh. Museu Nacional d’Art de Catalunya, Barcelona).
65. Spatial force construction, by Liubov Popova. 1921. Oil and marble dust on plywood, 71 by 63.9 cm. (State Museum of Contemporary Art, Thessaloniki; exh. Royal Academy of Arts, London).
Attributed works:
67. Gosprom building, Karkhov, detail with covered skywalk, by Richard Pare. 1999. Photograph, 121.9 by 120.1 cm. (Courtesy of the photographer; exh. Royal Academy of Arts, London).
Western art unattributed:
66. MoGES under construction, by an unknown photographer. c.1924? Photograph, 22.8 by 16.4 cm. (Shchusev State Museum of Architecture, Moscow; exh. Royal Academy of Arts, London).
21. The farm, by Joan Miró. 1921–22. Canvas, 132 by 147 cm. (National Gallery of Art, Washington; exh. Tate Modern, London).
Attributed works:
22. Head of a Catalan peasant, by Joan Miró. 1925. Canvas, 147 by 115 cm. (Moderna Museet, Stockholm; exh. Tate Modern, London).
Attributed works:
23. Sketch for Head of a Catalan peasant, by Joan Miró. On the front page of Le Matin, 23rd March 1925. Pen on newspaper. (Fundació Joan Miró, Barcelona).
89. The manila shawl, by Kees van Dongen. c.1910–11. Canvas, 100 by 81 cm. (S. and P. Traboulsi; exh. Montreal Museum of Fine Arts).
Attributed works:
90. Chandelier, Moulin de la Galette, by Kees van Dongen. c.1905–06. Canvas, 70 by 84.3 cm. (Nouveau Musée National de Monaco; exh. Montreal Museum of Fine Arts).