89. Huey Newton, by Henry Taylor. 2007. Acrylic and collage on canvas, 95.2 by 76.8 cm. (Martin and Rebecca Eisenberg; exh. Carnegie Museum of Art, Pittsburgh).
Attributed works:
90. TIP, by Phyllida Barlow. 2013. Timber, steel, spray paint, paint, steel mesh, scrim, cement, fabric and varnish, approx. 7 m. high, shown alongside Carnegie, by Richard Serra. 1985. Steel, approx. 11 m. high. (Exh. Carnegie Museum of Art, Pittsburgh).
Attributed works:
91. Beer garden with Ulrike and Celeste, by Nicole Eisenman. 2009. Canvas, 165.1 by 208.3 cm. (Private collection; exh. Carnegie Museum of Art, Pittsburgh).
Article
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26. Portrait of Henry Clay Frick, by B.L.H. Dabbs. 1899. Photograph (Courtesy of the Frick Collection/Frick Art Reference Library, New York)
Attributed works:
27. Christ and the disciples at Emmaus, by Pascal-Adolphe-Jean Dagnan-Bouveret (Carnegie Museum of Art, Pittsburgh)
Attributed works:
28. Consolatrix Afflictorum, by Pascal-Adolphe-Jean Dagnan-Bouveret (Frick Art and Historical Center, Pittsburgh)
Attributed works:
29. The dining-room at Clayton after the installation of Consolatrix Afflictorum. Photograph by Louis Stephany (Courtesy of the Frick Collection/Frick Art Reference Library, New York)
Attributed works:
30. Portrait of Childs Frick, by Pascal-Adolphe-Jean Dagnan-Bouveret (Frick Art and Historical Center, Pittsburgh)
Attributed works:
31. Sundown in the lane, by George Inness (Montclair Art Museum, Montclair NJ)
Attributed works:
32. St Francis in the desert, by Giovanni Bellini (Frick Collection, New York)
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History of a fake: ‘The Virgin and Child with an angel’ after Francesco Francia in the National Gallery, London
46. Arrangement in Black: Portrait of Señor Pablo de Sarasate, by James McNeill Whistler. 1884. Canvas, 217 by 111.7 cm. (Carnegie Institute, Pittsburgh).
Attributed works:
47. Portrait of Pablo de Valladolid, by Diego Velázquez. 1635. Canvas, 209 by 123 cm. (Museo del Prado, Madrid).
76. Untitled (Buzzard), by Paul Thek. 1968. Wood, taxidermic buzzard, shoes, paint, metal, black-and-white photographs, string, Plexiglas and wax, 130 by 107 by 50 cm. (Museum Moderner Kunst, Stiftung Ludwig, Vienna; exh. Whitney Museum of American Art, New York).
Attributed works:
77. Thek in the Palermo Catacombs, by Peter Hujar. 1963 (reproduced from the original negative, 2010). Photograph. (Peter Hujar Archive LLC; courtesy of Matthew Marks Gallery, New York; exh. Whitney Museum of American Art, New York).
Attributed works:
78. Untitled, 1966, from the series Technological reliquaries, by Paul Thek. 1966. Wax, paint, polyester resin, nylon monofilament, wire, plaster, plywood, melamine laminate, rhodium-plated bronze and Plexiglas, 35.6 by 38.3 by 19.1 cm. (Whitney Museum of American Art, New York).
Exhibition Review
Whitney Biennial; Carnegie International. New York; Pittsburgh
81. Body mask, by Sherrie Levine. 2007. Cast bronze, 57.2 by 24.1 by 14.6 cm. (Collection of the artist, courtesy Paula Cooper Gallery, New York; exh. Whitney Museum of American Art, New York).
Attributed works:
82. The big sleep, by Richard Hughes. 2007. Jesmonite, pigment, acrylic paint, modeling putty and plastic, 24.1 by 190.5 by 91.1 cm. (Ovitz Family Collection, Los Angeles; exh. Carnegie
Museum of Art, Pittsburgh).
Attributed works:
83. Butterfly angel, by Bruce Conner. 1975. Gelatin-silver photogram, 215.9 by 99.1 cm. (Rosa Preserve Collection, Napa CA; exh. Carnegie Museum of Art, Pittsburgh).
86. Perspective View of an Indian Scene, a Set Design for Nurmahal, by Karl Friedrich Schinkel. 1822. Gouache and Body Colour, 23.7 by 37.2 cm. (Kupferstichkabinett, Berlin; Exh. Art Institute of Chicago).
Attributed works:
87. Perspective View from the North-East of the Schauspielhaus, Berlin, by Karl Friedrich Schinkel. 1821. Pen and Ink with Wash and White Highlights, 31.8 by 20.6 cm. (Kupferstichkabinett, Berlin; Exh. Art Institute of Chicago).
Attributed works:
88. Interior Perspective View of the Proposed Getraudenkirche, Berlin, by Karl Friedrich Schinkel. 1819. Pen, Ink, Water-Colour and Wash, 22 by 28 cm. (Kupferstichkabinett, Berlin; Exh. Art Institute of Chicago).
107. Archive of the Artists of the Carnegie International 1896-1991, by Christian Boltanski. 1991. Installation, Cardboard Boxes and Lamps. (Mattress Factory, Pittsburgh).
Attributed works:
108. Cell III, by Louise Bourgeois. 1991. Mixed Media, 208.2 by 213.4 by 213.4 cm. (Robert Miller Gallery, New York; Exh. Carnegie Museum of Art, Pittsburg).
Attributed works:
109. Lost Objects, by Allan McCollum. 1991. Enamel on Cast Concrete. (Collection of the Artist and John Weber Gallery, New York; Exh. Carnegie Museum of Art, Pittsburgh).
Attributed works:
110. Offerings, by Ann Hamilton. 1991. Mixed Media Installation, Steel, Glass, Melting Wax and Canaries. (Louver Gallery, New York; Exh. Carnegie Museum of Art, Pittsburgh).
Exhibition Review
The Carnegie International. Pittsburgh, Carnegie Museum of Art