69. Aggregation: one thousand boats show, by Yayoi Kusama. 1963. Row boat, oars, plaster, shoes and paper, dimensions variable. (Stedelijk Museum, Amsterdam; exh. Tate Modern, London).
Attributed works:
70. Infinity mirrored room – filled with the brilliance of life, by Yayoi Kusama. 2011. Wood, mirror, plastic, acrylic, LED lights and aluminium, 300 by 617.5 by 645.5 cm. (Collection of the artist; exh. Tate Modern, London).
77. No.276 (Honeycomb), by Glenn Ligon. 1990. Oil, synthetic polymer, oil-stick and graphite on paper, 76.2 by 56.5 cm. (Whitney Museum of American Art, New York).
Attributed works:
78. Therapy #1, by Glenn Ligon. 2002. Canvas, 81.3 by 81.3 cm. (Courtesy of the artist and collection of Shaun Regen; exh. Whitney Museum of American Art, New York).
Attributed works:
79. Untitled, by Glenn Ligon. 2008. Neon and paint, 61 by 368.3 cm. (Rubell Family Collection; exh. Whitney Museum of American Art, New York).
76. Untitled (Buzzard), by Paul Thek. 1968. Wood, taxidermic buzzard, shoes, paint, metal, black-and-white photographs, string, Plexiglas and wax, 130 by 107 by 50 cm. (Museum Moderner Kunst, Stiftung Ludwig, Vienna; exh. Whitney Museum of American Art, New York).
Attributed works:
77. Thek in the Palermo Catacombs, by Peter Hujar. 1963 (reproduced from the original negative, 2010). Photograph. (Peter Hujar Archive LLC; courtesy of Matthew Marks Gallery, New York; exh. Whitney Museum of American Art, New York).
Attributed works:
78. Untitled, 1966, from the series Technological reliquaries, by Paul Thek. 1966. Wax, paint, polyester resin, nylon monofilament, wire, plaster, plywood, melamine laminate, rhodium-plated bronze and Plexiglas, 35.6 by 38.3 by 19.1 cm. (Whitney Museum of American Art, New York).
68. Composite for how to look . . ., by Babette Mangolte. 1978/2009. Black-and-white photograph composite, 25.4 by 20.3 cm. (Courtesy of Broadway 1602, New York; exh. Whitney Museum of American Art, New York).
Attributed works:
69. Mall of America, by Josephine Meckseper. 2009. Video, transferred to DVD, colour, sound, 12.48 mins. (Courtesy of VG Bild-Kunst, Bonn; exh. Whitney Museum of American Art, New York).
Attributed works:
70. Untitled, by Robert Grosvenor. 2009. Fibreglass, flocking and aluminum, 121.9 by 121.9 by 487.7 cm. (red unit); 121.9 by 792.5 by 1.3 cm. (aluminum unit). (Courtesy of Paula Cooper Gallery, New York; exh. Whitney Museum of American Art, New York).
Exhibition Review
Georgia O’Keeffe. New York, Washington and Santa Fe
82. Evening star no.IV, by Georgia O’Keeffe. 1917. Watercolour on paper, 22.5 by 30.5 cm. (Georgia O’Keeffe Museum, Santa Fe; exh. Whitney Museum of American Art, New York).
Attributed works:
83. Early abstraction, by Georgia O’Keeffe. 1915. Charcoal on paper, 61 by 47.3 cm. (Milwaukee Art Museum; exh. Whitney Museum of American Art, New York).
Attributed works:
84. Red canna, by Georgia O’Keeffe. 1925/26. Canvas mounted on masonite, 91.4 by 76 cm. (University of Arizona, Tucson; exh. Whitney Museum of American Art, New York).
52. Goldfish bowl, by Alexander Calder. 1929. Wire, 40.6 by 38.1 by 15.2 cm. (Calder Foundation, New York; exh. Centre Pompidou, Musée national d’art moderne, Paris).
Attributed works:
53. Aztec Josephine Baker, by Alexander Calder. c.1929. Wire, 134 cm. high. (Calder Foundation,
New York; exh. Centre Pompidou, Musée national d’art moderne, Paris).
69. Homes for America, by Dan Graham. 1966–67. 35 mm. slides and carousel projector, dimensions variable. (Collection Daled, Brussels; exh. Whitney Museum of American Art, New York).
Attributed works:
70. Performance/audience/mirror, by Dan Graham. 1977. Performance at De Appel Arts Centre, Amsterdam. (Photograph courtesy of the artist; exh. Whitney Museum of American Art, New York).
Attributed works:
71. Rock my religion, by Dan Graham. 1982–84. Single channel video still. (Distributed by Electronic Arts Intermix, New York; exh. Whitney Museum of American Art, New York).
81. Body mask, by Sherrie Levine. 2007. Cast bronze, 57.2 by 24.1 by 14.6 cm. (Collection of the artist, courtesy Paula Cooper Gallery, New York; exh. Whitney Museum of American Art, New York).
Attributed works:
82. The big sleep, by Richard Hughes. 2007. Jesmonite, pigment, acrylic paint, modeling putty and plastic, 24.1 by 190.5 by 91.1 cm. (Ovitz Family Collection, Los Angeles; exh. Carnegie
Museum of Art, Pittsburgh).
Attributed works:
83. Butterfly angel, by Bruce Conner. 1975. Gelatin-silver photogram, 215.9 by 99.1 cm. (Rosa Preserve Collection, Napa CA; exh. Carnegie Museum of Art, Pittsburgh).
66. Splitting: four corners, by Gordon Matta-Clark. 1974. Four building fragments, painted wood, metal and tar, 139.1 by 106.7 by 106.7; 144.8 by 110.5 by 108.6 cm.; 108.6 by 102.9 by 111.8 cm.; 137.2 by 111.1 by 108 cm. (San Francisco Museum of Modern Art; exh. Museum of Contemporary Art, Los Angeles).
Attributed works:
67. Splitting 10 & 11, by Gordon Matta-Clark. 1975. Four gelatin silver prints, cut and collaged, 61 by 91.4 by 5.1 cm. (framed). (Estate of Gordon Matta-Clark; exh. Museum of Contemporary Art, Los Angeles).
Attributed works:
68. Gordon Matta-Clark and friends performing ‘Tree dance’, Vassar College, Poughkeepsie. 1971. Silent b. & w. 16 mm. film. (Estate of Gordon Matta-Clark and David Zwirner, New York; exh. Museum of Contemporary Art, Los Angeles).