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184 articles
Article
Whistler’s ‘Symphony in white no.1’ through the lens of copyright history
05/2022 | 1430 | 164
Pages: 486-491
related names
Author:
Cooper, Elena (Cooper, Elena)
Subjects
dates:
Illustrations
Attributed works:
1. Symphony in white no.1: the white girl, by James Abbott McNeill Whistler. 1862. Oil on canvas, 213 by 107.9 cm. (National Gallery of Art, Washington; exh. Royal Academy of Arts, London).
Attributed works:
2. Symphony in white no.2: the little white girl, by James Abbott McNeill Whistler. 1864. Oil on canvas, 76.5 by 51.1 cm. (Tate; exh. Royal Academy of Arts, London).
Attributed works:
3. Symphony in white no.3, by James Abbott McNeill Whistler. 1865–67. Oil on canvas, 51.4 by 76.9 cm. (Barber Institute of Fine Arts, University of Birmingham; Bridgeman Images; exh. Royal Academy of Arts, London).
Attributed works:
4. Weary, by James Abbott McNeill Whistler. 1863. Drypoint on Japanese paper, 25.4 by 16.5 cm. (National Gallery of Art, Washington).
Attributed works:
5. Nocturne: grey and gold – Chelsea snow, by James Abbott McNeill Whistler. 1878. Oil on canvas, 47 by 62.2 cm. (Fogg Art Museum, Harvard University).
Attributed works:
6. The Woman in White, by Frederick Walker. 1872. Gouache on paper, 217.2 by 128.9 cm. (Tate; exh. Royal Academy of Arts, London).
Article
The new Whistler catalogue raisonné
06/2021 | 1419 | 163
Pages: 530-535
related names
Author:
McConkey, Kenneth (McConkey, Kenneth)
Subjects
media:
Illustrations
Attributed works:
1. Arrangement in black and gold: Comte Robert de Montesquiou- Fezensac, by James McNeill Whistler. 1891–92. Oil on canvas, 208.6 by 91.8 cm. (Frick Collection, New York).
Attributed works:
2. Harper Pennington, by James McNeill Whistler. 1880–81. Chalk and pastel on paper, 21.4 by 13.8 cm. (National Gallery of Art, Washington).
Attributed works:
3. Rose et argent: la jolie mutine, by James McNeill Whistler. 1892–93. Oil on canvas, 190.5 by 89.5 cm. (Hunterian Art Gallery, University of Glasgow; Bridgeman Images).
Attributed works:
4. Green and violet: the evening walk, Dieppe, by James McNeill Whistler. 1896. Oil on panel, 12.7 by 21.5 cm. (Crystal Bridges Museum of American Art, Bentonville AK).
Attributed works:
5. Symphony in white, no.3, by James McNeill Whistler. 1865–67. Oil on canvas, 52 by 76.5 cm. (Barber Institute of Fine Arts, Birmingham; Bridgeman Images).
Attributed works:
6. Arrangement in grey and green: portrait of J.J. Cowan, by James McNeill Whistler. 1893–1900. Oil on canvas, 95.5 by 51 cm. (Scottish National Gallery, Edinburgh).
Attributed works:
7. Nocturne in black and gold: the falling rocket, by James McNeill Whistler. 1875. Oil on canvas, 60.3 by 46.6 cm. (Detroit Institute of Arts; Bridgeman Images).
Article
Eugène Boudin’s beach scenes at the Salon during the 1860s
05/2019 | 1394 | 161
Pages: 374-387
related names
Author:
Manoeuvre, Laurent (Manoeuvre, Laurent)
Subjects
dates:
Illustrations
Attributed works:
1. Detail of Fig.23.
Attributed works:
10. Beach scene, by Eugène Boudin, here identified as A meeting on a beach. 1866. Canvas, 73.5 by 104 cm. (Private collection).
Attributed works:
11. Caricature of The beach at Trouville by Eugène Boudin, exhibited at the Salon in 1866, by ‘Bertall’, published in ‘Le Salon de 1866’, Le Journal Amusant, no.545 (9th June 1866).
Attributed works:
12. Figures on a beach, by Eugène Boudin. 1865. Pencil and watercolour on paper, 17.4 by 13.7 cm. (Musée du Louvre and Musée d’Orsay, Paris).
Attributed works:
13. Beach scene, by Eugène Boudin. 1865. Pencil and watercolour on paper, 13 by 19.4 cm. (Musée du Louvre and Musée d’Orsay, Paris).
Attributed works:
14. Figures on a beach, by Eugène Boudin. 1865. Pencil and watercolour on paper, 14 by 18.2 cm. (Musée du Louvre and Musée d’Orsay, Paris).
Attributed works:
15. Children on a beach, by Eugène Boudin. 1865. Pencil and watercolour on paper, 10.6 by 14.6 cm. (Musée du Louvre and Musée d’Orsay, Paris).
Attributed works:
16. Bathers, by Eugène Boudin. 1865. Pencil and watercolour on paper, 9.2 by 17.3 cm. (Musée du Louvre and Musée d’Orsay, Paris).
Attributed works:
17. Study of a dog, by Eugène Boudin. 1865. Pencil on paper, 8.2 by 11 cm. (Musée du Louvre and Musée d’Orsay, Paris).
Attributed works:
18. The jetty, by Eugène Boudin, from L’Art à Paris en 1867, Album autographique, 7th edition, Paris 1867.
Attributed works:
19. Beach scene, by Eugène Boudin, from L’Art à Paris en 1867, Album autographique, 7th edition, Paris 1867.
Attributed works:
2. Bathing hour at Trouville beach, by Eugène Boudin. 1864. Canvas, 67.5 by 104 cm. (Art Gallery of Ontario, Toronto).
Attributed works:
20. The jetty at Le Havre, by Eugène Boudin, from L’Art à Paris en 1867, Album autographique, 17th edition (Paris 1867).
Attributed works:
21. Leaving for the pardon, Finistère, by Eugène Boudin, from L’Art à Paris en 1867, Album autographique, 17th edition (Paris 1867).
Attributed works:
22. Beach scene, by Eugène Boudin. 1867. Canvas, 63 by 89 cm. (National Museum of Western Art, Tokyo).
Attributed works:
23. Beach scene, by Eugène Boudin, here identified as Beach near Trouville, painted in 1864 and reworked in 1869. Canvas, 67.3 by 104.1 cm. (Minneapolis Institute of Art).
Attributed works:
24. Reading on the beach, by Eugène Boudin. 1869. Pencil and watercolour on paper, 12.5 by 18.5 cm. (Private collection).
Attributed works:
25 and 26. Beach scenes, by Eugène Boudin (recto and verso of a single sheet). 1868. Pencil and watercolour on paper, 13.2 by 21 cm. (Private collection).
Attributed works:
3. Concert at Deauville casino, by Eugène Boudin. 1865. Canvas, 41 by 73 cm. (National Gallery of Art, Washington).
Attributed works:
4. Drawing by Eugène Boudin after Fig.2, illustrated in L’Autographe au Salon et dans les Ateliers (13th May 1865), p.27.
Attributed works:
5. Bathing hour at Trouville beach, by Eugène Boudin. 1864. Canvas, 31.1 by 48.5 cm. (Private collection).
Attributed works:
6. Bathing hour at Trouville beach, by Eugène Boudin. c.1865. Pencil on paper, 20 by 30 cm. (Private collection).
Attributed works:
7. Bathing hour at Trouville beach, by Emile Vernier after Eugène Boudin. c.1865. Lithograph. (Musée Villa Montebello, Trouville).
Attributed works:
8. Beach scene, by Eugène Boudin. c.1865. Pencil on paper, 20 by 30 cm. (Private collection).
Attributed works:
9. Beach scene, by Eugène Boudin. 1866. Watercolour over pencil on paper, 13.5 by 25.7 cm. (Private collection).
Advertisements
Advertisements (front)
04/2019 | 1393 | 161
Pages: i-xvi
Subjects
advertisements:
Illustrations
Attributed works:
[Alan Cristea. The stones of Venice, ca’ foscari 2, by Joe Tilson. 2017. Inkjet print with screenprint and hand colouring, 135.8 by 100 cm.]
Attributed works:
[Andrew Edmunds, London. Anti-saccharites, or, John Bull and his family leaving off the use of sugar, by James Gillray (1756–1815). 1792. Etching with watercolour, 31.5 by 40.6 cm.]
Attributed works:
[Boerner. A Stag at sharkey’s, by George Bellows (1882–1925). 1917. Lithograph on Japan paper, 47.5 by 60.5 cm.]
Attributed works:
[Dorotheum. Guido Cagnacci, The Penitent Magdalene, oil on canvas, 96 x 75.5 cm]
Attributed works:
[Elizabeth Harvey-Lee. Albrecht Dürer (1471–1528): The little Fortune Original engraving, c.1495–96]
Attributed works:
[Elizabeth Harvey-Lee. George Pencz (c.1500–1550): Medea Original engraving, 1539]
Attributed works:
[Elizabeth Harvey-Lee. The two ships, James Abbott McNeill Whistler (1834–1903). 1875. Etching, 20.8 by 13.2 cm.]
Attributed works:
[Gilden's Art Gallery, London. The Gourd, by Joan Miró (1893–1983). 1969. Etching and aquatint with carborundum, 101.5 by 70 cm.]
Attributed works:
[Gwen Hughes. Lill Tschudi: Musizierende (Coppel LT 82) Linocut, 1949, edition 21/50]
Attributed works:
[Gwen Hughes. Sortie d’usine no.4, by Anthony Gross (1905–1984). 1931. Etching, 32 by 23.8 cm.]
Attributed works:
[Karsten Schubert. Untitled (fragment 6), by Bridget Riley. 1965. Screenprint on Plexiglas, 74.5 by 73.8 cm.]
Attributed works:
[London Original Print Fair. Kelly Reemtsen, Splitting Hairs,  (detail) Woodcut printed in colours Published by the artist Image courtesy of Lyndsey Ingram]
Attributed works:
[Osborne Samuel. CRW Nevinson, Returning to the Trenches, 1916, Drypoint 15.1 x 20.2 cm]
Attributed works:
[Osborne Samuel. The merry-go-round, by Cyril Power (1872–1951). c.1930. Linocut, 30.5 by 30.4 cm.]
Attributed works:
[Paragon Press. Sarah Morris Vertical Power Screenprint, 2018]
Attributed works:
[Paragon Press.Odysseus factor, (one of a series of six in an edition of sixty-eight), by Sarah Morris. 2018. Screenprint, 90 by 90 cm.]
Attributed works:
[Pratt Contemporary, Sevenoaks. Untitled (2), by Frederic Morris. 2019. Etching and aquatint, 34 by 24 cm.]
Attributed works:
[Pratt Contemporary. Alison Lambert, Wrestlers, 2019. Monotype. Plate: 25 x 20 cm]
Attributed works:
[Redfern Gallery, London, Identical shapes: 16 orientations, by John Carter. 2016. Screenprint, 71 by 52 cm.]
Attributed works:
[The Redfern Gallery. The Skaters by Cyril Power, 1932. Linocut, 20 x 32 cm]
Attributed works:
[Throckmorton Fine Art. Nickolas Muray, Frida on the White Bench, 1939]
Western art unattributed:
[Bonhams. A Roman marble satyr, c. 1st-2nd century AD, Estimate £50,000-£70,000]
Western art unattributed:
[Galerie Chenel. Head of Hermes, Roman, late 1st century AD, marble, 28 x 21 cm]
Western art unattributed:
[Karsten Schubert. Untitled [Fragment 1], 1965 screenprint on plexiglas (on reverse of sheet) 255/8 x 321/8 in, 65.2 x 81.6 cm (image) 261/2 x 33 in, 67.4 x 83.9 cm (plexiglas)]
Book Review
The Société des Trois in the Nineteenth Century: The Translocal Artistic Union of Whistler, Fantin-Latour, and Legros. By Melissa Berry
09/2018 | 1386 | 160
Pages: 803
Book Review
Color in the Age of Impressionism: Commerce, Technology, and Art. By Laura Anne Kalba
04/2018 | 1381 | 160
Pages: 352-353
related names
Reviewer:
Clark, Alexis (Clark, Alexis)
Subjects
dates:
places:
Illustrations
Attributed works:
6. Place de la Madeleine on a Sunday morning, by Léon Gimpel. 1914. Autochrome. (Société française de photographie, Paris).
Article
Unpublished letters from John Singer Sargent to Jacques-Emile Blanche
10/2017 | 1375 | 159
Pages: 800-806
related names
Author:
Viraben, Hadrien (Viraben, Hadrien)
Subjects
subjects:
subjects:
Illustrations
Attributed works:
36. Jacques-Emile Blanche, by John Singer Sargnt. Here dated 1889-90 (musée des beaux-arts de Rouen).
Attributed works:
37. Self-portrait with cap, by Jacques-Emile Blanche. 1890 (Petit Palais, Paris; © Petit Palais and Roger-Viollet).
Attributed works:
38. Young girl with hydrangeas, by Jacques-Emile Blanche. 1887 (Private collection; image courtesy Jane Roberts).
Attributed works:
39. Carnation, lily, lily, rose, by John Singer Sargent. 1885-86 (Tate, London).
Letter
A painted cabinet in Edinburgh
02/2017 | 1367 | 159
Pages: 132
related names
Author:
Hopkinson, Martin (Hopkinson, Martin; Hopkinson, Martin)
Subjects
dates:
Illustrations
Western art unattributed:
60. The cloud cabinet. c.1877-78 (National Museum of Scotland, Edinburgh)
Article
Reconsidering Whistler's portrait of Henry Irving
09/2016 | 1362 | 158
Pages: 723-729
related names
Author:
Teniswood-Harvey, Arabella (Teniswood-Harvey, Arabella)
Subjects
dates:
Illustrations
Attributed works:
28. Arrangement in black, No.3: Sir Henry Irving as Philip II of Spain, by James McNeill Whistler. 1876, reworked 1885 (The Metropolitan Museum of Art, New York)
Attributed works:
29. Philip II of Spain, by Titian. 1551 (Museo Nacional del Prado, Madrid)
Attributed works:
30. Philip II of Spain, after Titian. 1555 (National Portrait Gallery, London)
Attributed works:
31. Philip IV, by Diego Velázquez. 1623-28 (Museo Nacional del Prado, Madrid)
Western art unattributed:
32. Costume for Henry Irving as Benedick in Much Ado About Nothing, maker unknown. 1882 (Victoria and Albert Museum, London)
Western art unattributed:
33. Arrangement in black, No.3, photograph of Fig.28 in an incomplete state. c.1876 (Glasgow University Library, Scotland)
Book Review
American Painters on Technique. Volume I: The Colonial Period to 1860; Volume II: 1860–1945, L. Mayer and G. Myers
12/2015 | 1353 | 157
Pages: 857-858
related names
Reviewer:
Veliz, Zahira (Veliz, Zahira; Véliz Bomford, Zahira; Veliz, Z.)
Subjects
subjects:
Illustrations
Attributed works:
44. Self-portrait, by Thomas Sully, 1821 (Metropolitan Museum of Art, New York)
Attributed works:
45. Return from Bohemia, by Grant Wood. 1935 (Crystal Bridges Museum of American Art, Bentonville)
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