By using this website you agree to our Cookie policy

Search

14 articles
Book Review
Schinkel: A Meander through his Life and Work
04/2019 | 1393 | 161
Pages: 352-353
related names
Reviewer:
Bergdoll, Barry (Bergdoll, Barry)
Subjects
places:
Reviewed Items
subjects:
Schinkel: A Meander through his Life and Work By Kurt W. Forster. | :
Illustrations
Attributed works:
6. Polishing the granite basin for the Lustgarten, by Johann Erdmann Hummel. 1831. Cardboard, 46 by 75 cm. (Alte Nationalgalerie, Berlin).
Article
The Art of Conservation XV. The conservation history of the Ghent Altarpiece
09/2018 | 1386 | 160
Pages: 754-765
related names
Author:
Dubois, Hélène (Dubois, Hélène)
Subjects
collectors and dealers:
Illustrations
Attributed works:
1. The adoration of the Mystic Lamb, by Hubert and Jan van Eyck. Completed by 1432. Panel, shown open, 375 by 514 cm. Before restora- tion. (Cathedral of St Bavo, Ghent; © lukasweb.be – Art in Flanders vzw).
Attributed works:
2. Diagram showing the extent of mid-sixteenth century overpaint on the outside wings of the polyptych. (©KIK-IRPA, Brussels).
Attributed works:
3. Detail of Fig.4, showing Joos Vijd’s right eye after varnish removal. The pink scumbles around the eyes, which cover the original eyelashes, are typical of the mid-sixteenth-century overpainting campaign. (©KIKIRPA, Brussels).
Attributed works:
4. The adoration of the Mystic Lamb, by Hubert and Jan van Eyck. Completed by 1432. Panel, shown closed, 375 by 257 cm. Photographed after restoration. (Cathedral of St Bavo, Ghent; © lukasweb.be – Art in Flanders vzw).
Attributed works:
5. Detail of Fig.4, showing Elisabeth Borluut’s drapery before the removal of varnish and overpaint. (Cathedral of St Bavo, Ghent).
Attributed works:
6. Fig.5 after the removal of overpaint and restoration. (Cathedral of St Bavo, Ghent; © lukasweb.be – Art in Flanders vzw).
Attributed works:
7. The Virgin Annunciate and Angel musicians (recto and verso of the same panel), by Hubert and Jan van Eyck. Photographs taken in Berlin before the restoration of 1894. Original hinges are present on the left side of the frame of the Virgin’s panel. Metal reinforcements were added to the extremities of the crossbar. Later, wrought metal hinged braces were attached by large screws fitted through the frame and visible on the front of the Angels panel. (Deutsches Dokumentationszentrum für Kunstgeschichte – Bildarchiv Foto Marburg).
Attributed works:
8. The prophet Micah, detail of Fig.4, shown in the frame designed by Karl Friedrich Schinkel with a hatch covering the inscription beneath the prophet. Photograph, before 1878. (RKD, Netherlands Institute for Art History, M.J. Friedländer Archive, The Hague).
Attributed works:
9. The Ghent Altarpiece as installed in the Vijd chapel between 1865 and 1920. It comprises Eyckian central panels, Lagye’s fur-clothed Adam and Eve and Coxcie’s copies of the other shutters. Photograph, c.1910–13. (© Stadsarchief, Ghent).
Western art unattributed:
10. Jef Van der Veken in his studio in Brussels. Photograph, before 1929. (RKD, Netherlands Institute for Art History, Jef Van der Veken Archive, The Hague).
Western art unattributed:
11. Albert Philipott applies wax to the surface of Eve in order to consolidate the paint layers. Photograph, 1951. (© KIK-IRPA, Brussels).
Western art unattributed:
12. Albert Philipott removes the overpainted clouds around the dove in The Adoration of the Lamb. Photograph, 1951. (© KIK-IRPA, Brussels).
Article
The ‘Führerprojekt’ goes to Washington
05/2017 | 1370 | 159
Pages: 375-385
related names
Author:
Kuenstner, Molli E. (Kuenstner, Molli E.)
Author:
O'Callaghan, Thomas A. (O'Callaghan, Thomas A.)
Subjects
dates:
places:
Illustrations
Attributed works:
20. Dionysus and a courtesan dancing, by Karl Friedrich Schinkel. c.1827-30. From the Antique Cycle frieze in the throne room of the Reichsministerium für Volksaufklärung und Propaganda, Berlin (destroyed 1945). Photograph by Otto Cürlis. 1943-45. (Department of Image Collections, National Gallery of Art, Washington)
Attributed works:
21. Peace gladdens the people, by Antoine Pesne. 1746. Stadtschloss, Potsdam (destroyed 1945). Photograph by Peter Cürlis. 1943. (Department of Image Collections, National Gallery of Art, Washington)
Attributed works:
22. The middle courtyard of Schloss Ludwigsburg, Baden-Württemberg, draped with camouflage netting to conceal it from Allied bombers. Photograph by Helga Schmidt-Glassner. 1943-45. (Department of Image Collections, National Gallery of Art, Washington)
Attributed works:
23. History of the Speyer diocese, by Januarius Zick. 1751-54. Schloss Bruchsal, Baden (destroyed 1945, but later rebuilt). Photograph by Helga Schmidt-Glassner. 1943-45. (Department of Image Collections, National Gallery of Art, Washington)
Attributed works:
25. Knights' Hall, Stadtschloss, Berlin (bombed 1945, demolished 1951). Photograph by Peter Cürlis. 1943-45. (Department of Image Collections, National Gallery of Art, Washington)
Attributed works:
26. Detail from the Glorification of the future emperor Joseph I, by Sebastiano Ricci. 1701-02. Blue staircase ceiling, Schloss Schönbrunn, Vienna. Photograph by Pitt Severin. 1944-45. (Department of Image Collections, National Gallery of Art, Washington)
Attributed works:
27. Kurt Wolff, by Charles Leirens. c.1942 (Family Archive Christian Wolff)
Attributed works:
28. Survey photographer Peter Cürlis, reflected while photographing the mirror in the apartment of Frederick the Great, Stadtschloss, Potsdam (destroyed 1945). Photograph by Peter Cürlis. 1943-45. (Department of Image Collections, National Gallery of Art, Washington)
Attributed works:
29. Detail of Young Berliner receiving CARE package, probably by Susi Weigel. 1947 (Manuscripts and Archives Division, New York Public Library)
Attributed works:
30. Detail from the Allegory of the planets and four continents, by Giambattista Tiepolo. 1752-53. Residenz, Würzburg (bombed 1945 and restored). Photograph by Carl Lamb. 1944-45 (Department of Image Collections, National Gallery of Art, Washington)
Non-western art unattributed:
31. Detail from A Music-making deity. Third to eighth century. Fresco fragment from Xianjing, China, formerly in the Museum für Völkerkunde, Berlin; Museum destroyed by Allied bombing, present whereabouts of the fragment unknown. Photograph by Otto Cürlis. 1943-45. (Department of Image Collections, National Gallery of Art, Washington)
Western art unattributed:
24. Receipt for the photographs taken by Helga Glassner issued by the Württemberg monuments and fine arts office and signed by Denkmalpfleger Richard Schmidt. It was sent with film to Berlin and bears the stamp of the Propaganda Ministry and the code for the Führerprojekt: Kult-BK/9084. 1944. (Department of Image Collections, National Gallery of Art, Washington)
Exhibition Review
Karl Friedrich Schinkel. Berlin and Munich
05/2013 | 1322 | 155
Pages: 353-355
related names
Reviewer:
Bergdoll, Barry (Bergdoll, Barry)
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
55. Portrait of the artist's daughter, Marie, by Karl Friedrich Schinkel (Saint Louis Art Museum; exh. Kunsthalle der Hypo-Kulturstiftung, Munich)
Attributed works:
56. Design for a department store, by Karl Friedrich Schinkel(?) (Kunstbibliothek, Berlin; exh. Kunsthalle der Hypo-Kulturstiftung, Munich)
Book Review
Karl Friedrich Schinkel als Kunstler: Annaherung und Kommentar
01/2003 | 1198 | 145
Pages: 43-45
related names
Reviewer:
Bergdoll, Barry (Bergdoll, Barry)
Subjects
Reviewed Items
artists:
Karl Friedrich Schinkel als Kunstler: Annaherung und Kommentar | author: Haus, Andreas , author: Peschken, Goerd , author: Peters, Fokke Christian , author: Zadow, Mario Alexander
Advertisements
Advertisements April 1999 (front)
04/1999 | 1153 | 141
Pages: i-xx
Subjects
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
St John the Baptist, by Ercole de' Roberti. c.1478. Oil and Oil/Tempera Emulsion on Panel, 54 by 31 cm. (Gemäldegalerie, Berlin; Exh. The J. Paul Getty Museum, Los Angeles)
Attributed works:
[Agnew's, 43 Old Bond Street, London] Louis Leopold Boilly (1761-1845). La Folie du Jour. Black Chalk, Pen and Brown Ink and Watercolour. 320 × 400 mm
Attributed works:
[Aldega-Gordon, New York, New York]. Sketch. Giuseppino Galliari, 1752-1817
Attributed works:
[Arnoldi-Livie, Munich. Exh. Salon Du Dessin, Salons Hoche, Paris, France] Jean-Baptist Isabey: Portrait of a Young Lady Sitting on a Verandah, c.1810. Black Chalk with Stumping, Heightened with White, 28 × 23 cm.
Attributed works:
[Artemis Group, 23 East 73rd Street, New York, New York] Christoffer Wilhelm Eckersberg (1783-1853), A Brig under Sail in Fair Weather, Oil on Canvas, 1844-45, 18½ × 26 3/4 Inches (47 × 68 cm.)
Attributed works:
[Arturo Cuellar, Burglistrasse 18, 8002 Zurich, Switzerland] Wilhelm Schadow (Berlin 1788 - 1862 Düsseldorf). Portrait of Friedrich Gottlieb Schadow. Black Chalk, Heightened with White. Signed 1808. 32.2 × 27 cm. Portrait of the Berlin Court-Architect Friedrich Gottlieb Schadow (1761-1831).
Attributed works:
[Arturo Cuellar, Zurich. Exh. Salon Du Dessin, Salons Hoche, Paris, France] Johann Gottfried Schadow: Portrait of Charlotte Susanna Juliane Schadow, née Hielkert. Signed. Chalk, 33.5 × 27.6 cm.
Attributed works:
[Charles Ratton & Guy Ladriere, 14, rue de Marignan and 11, quai Voltaire, Paris, France] School of Cremona, XVth Century. The Sacrifice of Isaac. Tempera on Panel, 27.5 × 19 cm
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Luigi Miradori Called Genovesino. Genoa c.1605 - Cremona after 1654. Portrait of a Youth. Oil on Canvas: 122 × 90.2 mm
Attributed works:
[Colnaghi, London. Exh. Salon Du Dessin, Salons Hoche, Paris, France] Francesco Guardi: View of the Rialto and the Riva del Vin. Signed Lower Left. Pen and Brown Ink with Brown and Grey Washes, 24.7 × 42.3 cm.
Attributed works:
[Flavia Ormond Fine Arts, 24 Brechin Place, London, UK] Giovanni Battista Tiepolo. Venice 1696∼1770 Madrid. The Madonna and Child with Angels Appearing to a Kneeling Pilgrim and a Seated Saint. Black Chalk, Pen and Brown Ink, Brown Wash 12¼ × 8 7/8 Inches (310 × 226 mm)
Attributed works:
[Flavia Ormond, London. Exh. Salon Du Dessin, Salons Hoche, Paris, France] Giacomo Cavedone: Madonna and Child Seated on Clouds (Recto); Study of Hands (Verso), c.1620. Black Chalk on Blue Paper, 37.8 × 27.3 cm.
Attributed works:
[Galerie Antoine Laurentin, 65 rue Sainte-Anne, Paris, France] François Bonvin. Paris 1817 - 1887 Saint-Germain-en Laye. Falaise de Mers près du Tréport. Aquarelle, Gouache et lavis d'encre brune. Porte une trace de signature en bas, à droite. 223 × 330 mm
Attributed works:
[Galerie du Bayser, 69 rue Sainte-Anne, Paris, France] Jean-Honoré Fragonard (1732-1806). Portrait of a Seated Man. Black Chalk. 33 × 25 cm
Attributed works:
[Hill-Stone Incorporated, Park Avenue, New York, New York] Hanns Lautensack. Bamberg 1524 - 1566 Vienna. A View of Steyr on Enns. Etching; 1544. Hollstein 28, Only State. A Fine, Atmospheric Impression.
Attributed works:
[Joanna Booth, 247 King's Road, London, UK] Belisario Corenzio (1560-1640). Study of Horses' Heads, Brush and Blue Wash, 183 × 178mm
Attributed works:
[Katrin Bellinger Kunsthandel, Ismaninger Strasse 73, Munich, Germany] Jacques le Moyne de Morgues. Dieppe c.1533 - 1588 London. Peaches. Gouache and Gold Leaf on Vellum; Inscribed Verso: 35. 152 × 113 mm.
Attributed works:
[Olimpia Theodoli, 14 Dover Street, London, UK] Aenea Vico, Vase from the Antique. Engraving, 1542
Attributed works:
[Paul Proute S. A., 74, rue de Seine, 75006, Paris, France] Fra Semplice DA Verona. Verona? c.1589 - 1654. Seated Woman in Profile Turned to the Right. Black and Red Chalk with White Heightening on Grey-Blue Paper
Attributed works:
[Sotheby's, International Realty, 123 Sloane Street, London, UK] Images of: painting by Thomas Gainsborough, R. A. Gilt Bronze Mythical Beast - Han Dynasty. painting by John Frederick Lewis and photo of Lyall Mews, London.
Attributed works:
[Talabardon & Gautier, 44, Rue Sainte-Anne, 7002, Paris, France] Jean-Baptiste Greuze (1725-1805). Bourgeoise de Florence. 1755. Pen, Black Ink and Wash. Signed and Dated Lower Left. Engraved by F.-A. Moitte in 1768. 19.8 × 13.4 CM
Attributed works:
[Talabardon & Gautier, Paris. Exh. Salon Du Dessin, Salons Hoche, Paris, France] Adam Elsheimer: The Denial of St Peter. Pen and Brown Ink, 12.4 × 16.5 cm.
Attributed works:
[Thomas Le Claire Master Drawings, Elbchaussee 156, Hamburg, Germany] Karl Friedrich Schinkel. 1781 Neuruppin - Berlin 1841. Design for the Title Page of Fairy Tales by Clemens Brentano. Gouache over Pen and Ink. 180 × 120 mm. Signed and Dated Bottom Right: Schinkel 1815.
Attributed works:
[Thomas Le Clare, Hamburg. Exh. Salon Du Dessin, Salons Hoche, Paris, France] Jean-Michel Moreau, Called Moreau le Jeune: Scene from Virgil's Aeneid, Pen and Brown Ink with Brown Wash. 22.3 × 15.6 cm.
Attributed works:
[Yvonne Tan Bunzl, London. Exh. Salon Du Dessin, Salons Hoche, Paris, France]Luigi Sabatelli: The Crucifixion. Black Chalk, Pen and Brown Ink Heightened with White on Prepared Paper. 52.9 × 36.4 cm.
Non-western art unattributed:
[British Museum, London] The British Museum's Head of Organic Artefacts Conservation, Allyson Rae, Is Helping Preserve a 1980s Papua New Guinea Festival Head Dress.
Advertisements
Advertisements October 1997 (front)
10/1997 | 1135 | 139
Pages: i-xxiv
Subjects
subjects:
Illustrations
Attributed works:
[ Artemis Group, 15 Duke Street, St. James, London / C. G. Boerner, Kasernenstrasse 13, Dusseldorf ] Karl Friedrich Schinkel (Neurupin 1781 - 1841 Berlin). Lake Traun near Gmunden in Austria. Pen Lithograph Printed in Grey and Black. (Ca. 1811). Winkler 14. 532 × 643 mm. One of Probably Only Two Known Impressions. From C. G. Boerner's Neue Lagerliste 109.
Attributed works:
[ Bassenge, Erdener Strasse, 5 A, Berlin ] Johann König (ca 1586-1642, Nuremberg) Josua's Victory over the Amorites at Gibeon. Signed and Dated 1615. Bodycolour on Vellum. 14.5 × 18.5 cm.
Attributed works:
[ Charles Ratton & Guy Ladrière, 14 rue de Marignan and 11 Quai Voltaire, Paris ] Ubaldo Gandolfi (1728-1781). Education of the Virgin Pen and Brown Ink, Brown Wash, 158 × 113 mm. A Very Similar Painting in the Church of San Lorenzo in Budrio Is Dated Circa 1750-1755.
Attributed works:
[ Christie's, 502 Park Avenue, New York ] The Pavlovsk Palace Secretaire, a Highly Important Louis XVI Sevres Porcelain-Mounted Secretaire Cabinet from the Boudoir of Empress Maria Feodorovna at Pavlovsk Palace, circa 1780, by Adam Weisweiler. Estimate: $2,500,000-$4,000,000 (£1,500,000-£2,500,000)
Attributed works:
[ Colnaghi, 15 Old Bond Street, London ] Pietro Fabris. Active in Naples between 1754 and 1804 The Entrance to the Grotto of Posilippo from Naples Gouache: 388 × 551 mm Signed in Black Ink at the Lower Left: Fabris P.
Attributed works:
[ cover ] Trompe l'œil with a Bust of Venus, by Caesar van Everdingen. 1665. 74 by 60.8 cm. (Mauritshuis, The Hague; Gift of Mrs. J. H. M. Staring-de Mol van Otterloo, 1992)
Attributed works:
[ Dorotheum, Dorotheergasse 17, Vienna ] Cornelis Mahu, Antwerpen ca. 1613-1689. A Breakfast Still Life with Lemon, Pomegranate, Grapes, Oysters and a Glided Cup, Oil on Panel, 48×37,5 cm.
Attributed works:
[ Hill-Stone, New York ] Lorenzo Tiepolo. Venice 1737 - 1776 Madrid. The Triumph of Mars. Etching, after Giambattista Tiepolo; c.1759. Rizzi 229, the Second State of Three with the Number But before the Inscription. Watermark: Three Crescents with Letter W. A Brilliant Impression with Full Deckle Edges All around.
Attributed works:
[ Jack Kilgore & Co., Inc., 154 East 71st Street, New York ] Joachim Beuckelaer. (Circa 1530/33-Antwerp-1573/4). Golgotha. Signed with Monogram and Dated '1567 JB'. Oil on Panel, 22¼ by $22frac{1}{8}$ Inches (56.5 by 56 cm.)
Attributed works:
[ Macmillan publishers, London ] Antonio Canova, The Three Graces, Marble, h.1.67m. 1815-17. © The Conway Library, Courtauld Institute of Art. From the Article Canova
Attributed works:
[ Richard Green, 44 Dover Street, London ] Sawrey Gilpin, RA (1733-1807). A Grey Horse, a Pomeranian and a Hound in a Rocky Landscape. Signed and Dated 1791. Canvas: 53¼ × 68 in / 135.2 × 172.7 cm
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] Jacob Jordaens (1593-1678). "There Is No Point in Closing the Cage Once the Bird Has Flown" Bears Signature: Jordaens, Pen and Brown Ink and Watercolour, over Black Chalk. On Three Joined Sheets of Paper 232 by 293mm. Estimate: Dfl. 80,000-120,000
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] A Gable-Shaped Plaque of Two Martyred Saints, Limoges, Circa 1200-1210. 24.4 × 18.2 cm.
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] Jan Gossaert, Called Mabuse ca. 1478-ca 1536. The Madonna and Child Enthroned, with Angels Making Music Panel: 14 × 11 inches (35.5 × 28 c.m.) Painted Circa 1510. Estimate: $1,500,000-2,000,000
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] Joseph Mallord William Turner, R. A. (1775-1851) View of Stoke House near Bristol, the Seat of Lady Lippincote Signed l.r.: William Turner Delin, Pen and Grey Ink and Watercolour 29.5 by 41 cm.; 11½ by 16 in. Estimate: £40,000-60,000
Attributed works:
[ Spink-Leger, 13 Old Bond Street, London ] Sir Peter Lely 1618-1680. The Hon Leonard Grey. Oil Painting on Canvas. Signed with the Artist's Monogram Size: $29frac{3}{4}$ × 25 Inches Painted Circa 1646
Attributed works:
[ Tate Gallery, Millbank, London (Bp) ] Patrick Heron, Horizontal Stripe Painting: November 1957 - January 1958, 1957-8
Western art unattributed:
[ Bruun Rasmussen auctioneers, Bredgate 33, Copenhagen ] Russian Mahogany Writing-Commode. Early 19th Century
Western art unattributed:
[ Christie's, 502 Park Avenue, New York ] A Highly Important Royal Silver Cistern and Wine Fountain Commissioned by George, Elector of Hanover and King of England, Maker's Mark of Lewis Dedeke, Circa 1710. The Oval Cistern, 27 in. (68.7 cm.) Long, 12 in. (30.5 cm.) High; The Fountain, 15 in. (38 cm.) Diameter, 28 in. (71 cm.) High.
Western art unattributed:
[ Christie's, 502 Park Avenue, New York ] The Tucker-Dayrell Cup: An Important Elizabeth I Parcel-Gilt Silver Cup and Cover, London, 1598, Maker's Mark IE, above Three Pellets - $14frac{3}{4}$ in. (37.5cm.) High.
Advertisements
Advertisements March 1997 (front)
03/1997 | 1128 | 139
Pages: i-xxviii
Subjects
artists:
subjects:
Illustrations
Attributed works:
[ Arno Winterberg, Hildastr. 12, Heidelberg ] Bernardo Bellotto, Called Canaletto (Venice 1720 - 1780 Warsaw), The Old Marketplace at Dresden (View from Seestraße). Etching 1752. De Vesme 18; Print with Little Spots (Plate), but without Perceptible Patches of Rust and Verdigris on the Plate. 54,5 × 84,2 cm.
Attributed works:
[ Arturo Cuellar, Bürglistrasse 18, Zurich ] Jacopo Palma, Called Palma Giovane (1554-1628). Venus and Adonis. Pen and Ink, with Brown Wash Heightened with White and Red. 21.2 × 33.8 cm
Attributed works:
[ August Laube, Trittligasse 19, Zurich ] Pierre Bonnard (1867-1947). Place le Soir. Lithograph in Four Colours on Thin Velin. 1899. Signed in Pencil Lower Right "P. Bonnard". R-M. 62. B. 64. 28:38 cm
Attributed works:
[ C. G. Boerner GmbH, Kasernenstrasse 13, Düsseldorf / 23 East 73rd Street, New York ] Augustin Hirschvogel (Nuremberg 1503-1553 Vienna). Landscape with High Rock and a Castle at Left. Etching. 1546. Bartsch and Schwarz 74. Hollstein 47.
Attributed works:
[ Charles Ratton & Guy Ladrière, 14 rue de Marignan and 11 quai Voltaire, Paris ] Giovanni Bilivert (1585-1664) and Studio, Tancrède retrouve Clorinde blessée. Oil on Canvas, 121.5 × 160 cm.
Attributed works:
[ Colnaghi, 15 Old Bond Street, London ] Cornelis van Haarlem 1562 - Haarlem - 1638. A Study of Two Goddesses. Oil on Panel: 38.2 × 26.5 mm.
Attributed works:
[ Concorde Art Associates ] Thomas Hovenden (American Genre Artist). Reverie. Signed 'T. H. Hovenden' with Initials in Monogram. Dated 1873, Lower Left. Oil on Canvas, 27 × 22 ins.
Attributed works:
[ Cover ] Rinaldo and Armida, by Domenichino, after Cleaning. 1620-21. 121 by 167 cm. (Louvre, Paris).
Attributed works:
[ Emmanuel Mpoatti, 134 Rue du Faubourg St. Honoré, Paris ] Willem van Mieris, the Elder Leiden 1662 - Leiden 1747. Sarah Bringing Hagar to Abraham. Oil on Panel. Signed Upper Right: "W. van Mieris...". 44.2 cm × 36.3 cm. Circa 1685 - 1690
Attributed works:
[ Galerie Berès, 25 Quai Voltaire, Paris ] Edouard Manet (1832 - 1883) L'enfant à l'épée 1861. Brush and Brown India Ink on Tracing Paper. 25.4 × 18.2 cm. From the H. Guérard Collection.
Attributed works:
[ Galerie Koller Auctioneers, Hardturmstrasse 102, Zurich ] Melchior de Hondecoeter (1636-1695). Study of Ten Ducklings. Around 1669. Oil on Canvas. 32×40 cm.
Attributed works:
[ Galerie Lingenauber, Schwerinstr., 38, Düsseldorf ] Giovanni Battista Tiepolo.The Madonna of the Goldfinch. Canvas 62 by 49.5 cm (24½ by $19frac{2}{3}$ in.)
Attributed works:
[ Hall & Knight Ltd, 15 Duke Street, St. James, London / 21 East 67th Street, New York ] Joos de Momper II (1546-Antwerp-1635) and Jan Breughel the Younger (1601-Antwerp-1678). An Extensive Landscape with Harvesters in the Foreground. Oil on Panel, 32¼ × 56¼ Inches (82 × 144 cm)
Attributed works:
[ Heribert Tenschert, Bibermühle 1, Ramsen / Kirchplatz 14-15, Rotthalmünster ] Petrarch visiting Boccaccio in his dream; large frontispiece miniature of the 8th book of Boccaccio's "De casibus virorum illustrium" in the French translation of Laurent de Premierfait. In our latest catalogue "Boccaccio und Petrarca in Paris" we offer the complete manuscript (illuminated in Paris by the Maître François workshop c. 1460-70) with 88 miniatures: measuring 500 by 350 mm, this is the largest Boccaccio ms. known.
Attributed works:
[ Marcello Aldega Margot Gordon, New York ] Jacopo Negretti, Called Palma il Giovane. The Penitent Mary Magdalene. Pen and Brown Ink, Brown Wash, Heightened with White, over Black Chalk, on Grey Paper. 305 × 200 mm.
Attributed works:
[ Olimpia Theodoli, 55 Cambridge Street, London ] Odoardo Fialetti (Bologna 1573 - Venice 1638) The Academy of Drawing. Etching, Bartsch 210, Only State
Attributed works:
[ Piero Corsini Inc., 162 East 63rd Street, New York ] Giovanni Benedetto Castiglione, Called IL Grechetto Genoa 1609 - Mantua 1664. Pastoral Landscape. Signed in Foreground; Datable to the Late 1640s. Oil on Canvas, 24 × 39 Inches (61 × 99.5 cm.)
Attributed works:
[ Richard L. Feigen & Company, 49 East 68th Street, New York ] Leonaert Bramer, Music Making Figures on a Terrace, 1660-70, Oil on Canvas, 175 by 217 cm. Signed, Lower Centre (On Steps): "Bramer".
Attributed works:
[ The European Fine Art Fair, Maastricht ] Adriaen van der Werff, Portrait of the Artist's Daughter, Maria. Signed and Dated 1718 79 × 67.5 cm.
Attributed works:
[ The European Fine Art Fair, Maastricht ] Alexandre-François Desportes, Still Life with Dead Game and Fruit in a Niche. 110 × 85 cm.
Attributed works:
[ The European Fine Art Fair, Maastricht ] Denys Calvaert, The Agony in the Garden. Signed with Monogram Oil on Copper 54.3 × 41.5 cm.
Attributed works:
[ The European Fine Art Fair, Maastricht ] Elm and Mahogany Cylindrical Secretaire Designed by K. F. Schinkel and Made by G. W. Dreusike, Neu Ruppin 217 × 150 × 66 cm.
Attributed works:
[ The European Fine Art Fair, Maastricht ] Francesco Cairo, St Agatha. Panel 33.5 × 24.5 cm.
Attributed works:
[ The European Fine Art Fair, Maastricht ] Frans Floris I, Arithmetica. Signed and Dated 1557 151.5 × 224.2 cm.
Attributed works:
[ The European Fine Art Fair, Maastricht ] Gérard van Opstal, The Triumph of Silenus. Marble 38 × 58 cm.
Attributed works:
[ The European Fine Art Fair, Maastricht ] Nicholas Berchem, Italianate Mountainous Landscape. Signed and Dated 1670 110.5 × 97.5 cm.
Attributed works:
[ The European Fine Art Fair, Maastricht ] Painted Ivory Marriage Casket. Early 15th Century ht 8.7 cm wdth 7 cm
Attributed works:
[ The European Fine Art Fair, Maastricht ] Paulus Potter, Two Cows and a Bull Beside a Fence. Signed and Dated 1647 Panel 49.5 × 37.2 cm.
Attributed works:
[ The European Fine Art Fair, Maastricht ] Pierre-Paul Prud'hon, Study for Head of Plutus. Black and White Chalk on Blue Paper 35 × 24 cm.
Attributed works:
[ The European Fine Art Fair, Maastricht ] Wilhelm Reinhart Silver Cup of the Hanseatic Order Dated 1591. ht 19cm. wt. 340 kg
Attributed works:
[ The European Fine Art Fair, Maastricht ] Willem van de Velde the Younger, A Calm with a Dutch Smalschip and an English Man o'War at Anchor. Signed with Monogram Panel 50.8 × 45.5 cm.
Attributed works:
[ Trinity Fine Art Ltd, 29 Bruton Street, London ] Mario Balassi, Portrait of Vittoria della Rovere, Copper, 16.5 cm. Commissioned by Cardinal Carlo de' Medici from the Painter in 1637.
Attributed works:
[Brimo de Laroussilhe, 7 quai Voltaire, Paris ] Elijah and the Widow of Sarepta. Mosan, c. 1160-1170. Copper Plaque with Beaded Border, Gilt and Champlevé Enamelled; Height: 59 mm; Width: 75 mm. Gilding Heavily Abraded with Some Areas of Enamel Missing.
Attributed works:
[Dover Street Gallery, 13 Dover Street, London ] Giacomo Ceruti. (1724-?). God the Eternal. Oil on Glass, 66 × 52 cm.
Western art unattributed:
[ Cinq Antiquaires a Paris ] A Louis XVI Pair of Jardinieres. Carved and Painted Wood. Height: 85 in - 216 cm.
Exhibition Review
Schinkel. Pittsburgh and Chicago
02/1995 | 1103 | 137
Pages: 136-137
related names
Reviewer:
Bergdoll, Barry (Bergdoll, Barry)
Subjects
dates:
subjects:
Illustrations
Attributed works:
86. Perspective View of an Indian Scene, a Set Design for Nurmahal, by Karl Friedrich Schinkel. 1822. Gouache and Body Colour, 23.7 by 37.2 cm. (Kupferstichkabinett, Berlin; Exh. Art Institute of Chicago).
Attributed works:
87. Perspective View from the North-East of the Schauspielhaus, Berlin, by Karl Friedrich Schinkel. 1821. Pen and Ink with Wash and White Highlights, 31.8 by 20.6 cm. (Kupferstichkabinett, Berlin; Exh. Art Institute of Chicago).
Attributed works:
88. Interior Perspective View of the Proposed Getraudenkirche, Berlin, by Karl Friedrich Schinkel. 1819. Pen, Ink, Water-Colour and Wash, 22 by 28 cm. (Kupferstichkabinett, Berlin; Exh. Art Institute of Chicago).
Publication Received
Karl Friedrich Schinkel's 'The English Journey'. Journal of a Visit to France and England 1826
08/1994 | 1097 | 136
Pages: 564
related names
Reviewer:
Bergdoll, Barry (Bergdoll, Barry)
Subjects
Reviewed Items
artists:
Karl Friedrich Schinkel's 'The English Journey'. Journal of a Visit to France and England 1826 | author: Bindman, David , author: Riemann, Gottfried
load more