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63 articles
Article
A portrait of an unknown woman by Titian
03/2025 | 1464 | 167
Pages: 212–17
related names
Author:
Humfrey, Peter (Humfrey, Peter)
Author:
Joannides, Paul (Joannides, Paul; J., P.; Joannides, P. E. A.)
Subjects
artists:
dates:
Illustrations
Attributed works:
1. Portrait of a woman in a green dress, by Titian. c.1550–55(?). Oil on canvas, 86 by 70.4 cm. (Private collection).
Attributed works:
2. Detail of the back of the canvas of Fig.1.
Attributed works:
3. X-radiograph of Fig.1.
Attributed works:
4. Portrait of a woman, by Paolo Veronese. c.1555. Oil on canvas, 106 by 87 cm. (Musée de la Chartreuse, Douai; photograph Hugo Maertens).
Attributed works:
5. Portrait of a woman. Venice. c.1555(?). Oil on canvas, 101 by 77 cm. (Musée des Beaux-Arts, Béziers).
Article
Two paintings by Artemisia Gentileschi in the Potsdam collection of Frederick the Great
02/2025 | 1463 | 167
Pages: 115–125
related names
Author:
Windt, Franziska (Windt, Franziska)
Subjects
Illustrations
Attributed works:
1. Lucretia and Tarquinius, by Artemisia Gentileschi. Second half of the 1620s/1630. Oil on canvas, 261 by 222.5 cm. (© Stiftung Preußische Schlösser und Gärten Berlin-Brandenburg, Potsdam (SPSG); photograph W. Pfauder).
Attributed works:
10. X-ray photograph of Fig.1. (© SPSG; photograph A. Steuerlein; processing W. Pfauder).
Attributed works:
11. Detail of Fig.10, showing the head of Tarquinius. (© SPSG; photograph A. Steuerlein; processing W. Pfauder).
Attributed works:
12. Detail of Fig.1, showing the head of Tarquinius.
Attributed works:
13. Detail of Fig.10, showing Tarquinius’ stocking. (© SPSG; photograph A. Steuerlein; processing W. Pfauder).
Attributed works:
14. Madonna and Child, by Artemisia Gentileschi. ?1616–19. Oil on canvas, 116.5 by 86.5 cm. (Galleria Spada, Rome; MiC, Direzione Musei Statali della Città di Roma, Photographic Archive).
Attributed works:
15. X-ray photograph of Fig.14. (MiC, Direzione Musei Statali della Città di Roma, Photographic Archive).
Attributed works:
16. Madonna with cherries, by Artemisia Gentileschi. ?1610–12. Oil on canvas, 118 by 86 cm. (Galleria Palatina, Palazzo Pitti, Florence; courtesy Gabinetto Fotografico delle Gallerie degli Uffizi).
Attributed works:
17. Suffer the little children to come unto me, by Artemisia Gentileschi. 1625–26. Oil on canvas, 134.6 by 97.7 cm. (Basilica di S. Carlo Borromeo al Corso, La Venerabile Arciconfraternita dei Santi Ambrogio e Carlo, Rome).
Attributed works:
18. Detail of Fig.17, showing the faces of the children.
Attributed works:
19. Detail of Fig.1, showing the face of Lucretia.
Attributed works:
2. Gallery of the New Palace in Sanssouci, Potsdam. Photograph, 1995. (© SPSG; photograph R. Handrick).
Attributed works:
3. Bathsheba in the bath, by Artemisia Gentileschi. Second half of the 1630s. Oil on canvas, 261 by 223 cm. (© SPSG; photograph W. Pfauder).
Attributed works:
4. Display of the paintings in the New Palace, Potsdam, since 1768. From left to right: Suicide of Lucretia, by Guido Reni; Fig.1; Judgment of Paris, by Luca Giordano; Rape of the Sabine Women, by Luca Giordano; Fig.3; and Diogenes in the barrel, attributed to Guido Reni.
Attributed works:
5. Detail of Fig.3, showing Artemisia Gentileschi’s technique with no overlaps of painted features.
Attributed works:
6. Bathsheba in the bath, by Artemisia Gentileschi. c.1635. Oil on canvas, 286 by 219 cm. (Galleria Palatina, Palazzo Pitti, Florence).
Attributed works:
7. Composition of Fig.6, shown in white lines and superimposed over Fig.3. (Drawing by B. Jackisch).
Attributed works:
8. Bathsheba in the bath, by Artemisia Gentileschi. ?.c.1640–45. Oil on canvas, 288 by 228 cm. (Private collection).
Attributed works:
9. Suicide of Lucretia, by Artemisia Gentileschi. 1620s. Oil on canvas, 92.9 by 72.7 cm. (J. Paul Getty Museum, Los Angeles).
Short Notice
‘Victory at San Pietro in Casale’ in the Galleria Doria Pamphilj, Rome
02/2025 | 1463 | 167
Pages: 154–157
related names
Author:
C. Leone, Stephanie (C. Leone, Stephanie)
Author:
Serrani, Alessandro (Serrani, Alessandro)
Subjects
dates:
museums and institutions:
places:
Illustrations
Attributed works:
1. Victory at San Pietro in Casale, here attributed to Giovanni Andrea Sirani and others. 1649–51. Oil on canvas, 188 by 275 cm. (© ADP s.r.l.; Galleria Doria Pamphilj, Rome).
Attributed works:
3. Supper at the house of Simon the Pharisee, by Giovanni Andrea Sirani. 1652. Oil on canvas, 380 by 490 cm. (S. Girolamo alla Certosa, Bologna; su concessione del Ministero della Cultura – Archivio Fotografico dei Musei Nazionali di Bologna).
Western art unattributed:
2. View of the siege of Castro. 1641 or later. Engraving, 34.6 by 48.5 cm. (© His Majesty King Charles III, 2025; Royal Collection Trust).
Article
Authenticity issues with works by Vincent van Gogh
10/2024 | 1459 | 166
Pages: 1045–55
related names
Author:
Meedendorp, Teio (Meedendorp, Teio)
Author:
Oudheusden, Saskia van (Oudheusden, Saskia van)
Author:
Tilborgh, Louis van (Tilborgh, Louis van)
Subjects
museums and institutions:
Illustrations
Attributed works:
1. Self-portrait as a painter, by Vincent van Gogh. 1887–88. Oil on canvas, 61.5 by 50 cm. (Van Gogh Museum, Amsterdam; Vincent van Gogh Foundation).
Attributed works:
10. Comparison of pink colours in the collars, left: Head of a woman with a green bonnet (Fig.8), right: Head of a woman (Fig.6).
Attributed works:
11. Comparison of lips, top: Head of a woman with a green bonnet (Fig.8), centre: Head of a woman (Fig.6).
Attributed works:
12. Detail of infra-red reflectogram of Head of a woman (Fig.6).
Attributed works:
14. Wood gatherers in the snow, by Vincent van Gogh. August/September 1884. Oil on canvas on panel, 67 by 126 cm. (Private collection).
Attributed works:
15. Reproduction of Fig.14 in Vincent van Gogh: 40 Photocollographies d’après ses tableaux et dessins, Amsterdam 1904, plate 19.
Attributed works:
17. Detail of Fig.14, showing the man in Van Gogh’s original painting.
Attributed works:
2. Interior of a restaurant, formerly attributed to Vincent van Gogh. Oil on canvas, 65 by 81 cm. (Private collection).
Attributed works:
3. Interior of the Grand Bouillon-Restaurant le Chalet, Paris, by Vincent van Gogh. November, early December 1887. Oil on canvas, 54 by 64.5 cm. (Private collection).
Attributed works:
4. Photo of Fig.3 from J.-B. de la Faille: Vincent van Gogh, Paris 1939, p.388.
Attributed works:
5. Portrait of Etienne-Lucien Martin, by Vincent van Gogh. November 1887. Oil on canvas, 65.8 by 54.5 cm. (Van Gogh Museum, Amsterdam; Vincent van Gogh Foundation).
Attributed works:
6. Head of a woman, by an unknown artist. Early 20th century, probably between 1902 and 1909. Oil on canvas on panel, 40 by 29.9 cm. (Private collection).
Attributed works:
7. Reproduction of ‘Frau mit grüner Haube’, from Kunst und Künstler 12 (1914), p.596.
Attributed works:
8. Head of a woman with a green bonnet, by Vincent van Gogh. Late 1884–early 1885. Oil on canvas on panel, 40.1 by 29.6 cm. (Private collection).
Attributed works:
9. Red: Head of a woman with a green bonnet (Fig.8); green: Head of a woman (Fig.6). (Overlay Heleen van Driel, Van Gogh Museum).
Western art unattributed:
13. Wood gatherer, formerly attributed to Vincent van Gogh. Pencil and watercolour on laid paper, 32.5 by 25 cm. (Private collection).
Western art unattributed:
16. Detail of Fig.15, showing the highlights on the man’s clothing.
Letter
The histoire véridique of Frankfurt’s ‘The embarkation for Cythera’
06/2024 | 1455 | 166
Pages: 544–545
related names
Author:
Eidelberg, Martin P. (Eidelberg, Martin P.; Eidelberg, Martin)
Subjects
museums and institutions:
subjects:
Illustrations
Attributed works:
The embarkation for Cythera, by Jean Antoine Watteau. c.1709–10. Oil on canvas, 45.5 by 56 cm. (Städel Museum, Frankfurt).
Article
A portrait by Richard Westall of the poet Eleanor Porden
04/2024 | 1453 | 166
Pages: 358–367
related names
Author:
Bryant, Barbara (Bryant, Barbara)
Subjects
dates:
Illustrations
Attributed works:
1. Reverse of Fig.2, showing the handwritten inscription on the stretcher.
Attributed works:
10. Design for a couch, by Thomas Hope. 1807. Engraving. (From Household Furniture and Interior Decoration, Executed From Designs By Thomas Hope, London, pl.xxviii, nos.2 and 3).
Attributed works:
11. Thetis bringing the armour to Achilles, by John Flaxman. 1805. Engraving. (From The Iliad of Homer Engraved from the Compositions of John Flaxman RA Sculptor, London, pl.xix).
Attributed works:
2. Eleanor Anne Porden, here attributed to Richard Westall. 1807. Oil on canvas, 113 by 143.8 cm. (© Christie’s Images; Bridgeman Images; Krannert Art Museum, Champaign IL).
Attributed works:
3. Eleanor Porden, by John Flaxman. 1807. Graphite on paper, 15.9 by 11.1 cm. (Museum of Fine Arts, Boston).
Attributed works:
4. Photograph of a lost drawing of Eleanor Porden. (Derbyshire Record Office, Matlock).
Attributed works:
5. Detail from J. Horwood’s Plan, showing 59 Berners Street. (From J. Horwood: Plan of the Cities of London and Westminster, the Borough of Southwark and parts adjoining shewing every house, London 1794).
Attributed works:
6. Portrait of Richard Westall, R.A., by Thomas Lawrence and Richard Westall. Mid-1790s. Graphite on paper, 21.4 by 16.3 cm. (© Christie’s Images; Bridgeman Images; private collection).
Attributed works:
7. Expiation of Orestes, by William Bond, after Richard Westall. 1810. Stipple engraving, 35.3 by 30.5 cm. (From J. Britton et al.: The Fine Arts of the English School, London 1812).
Attributed works:
8. Reconciliation of Helen and Paris, after his defeat by Menelaus, by Richard Westall. c.1805. Oil on panel, 127 by 101 cm. (Tate).
Attributed works:
9. Detail of Fig.2, showing the frieze on the vase.
Short Notice
Domenico Guidi in Padula: a rediscovered ‘Annunciation’
11/2023 | 1448 | 165
Pages: 1206-1209
related names
Shorter Notice by:
Ciarlo, Nicola (Ciarlo, Nicola)
Subjects
dates:
Illustrations
Attributed works:
1. Detail of The Holy Family, with St Elizabeth, St Zacharias and John the Baptist, by Domenico Guidi. c.1676–85. Marble, 491.5 by 190.7 cm. (S. Agnese in Agone, Rome; photograph Enea Abbaticchio).
Attributed works:
2. The dream of St Joseph, by Domenico Guidi. c.1695–99. Marble, 302 by 190 cm. (Capocaccia Chapel, S. Maria della Vittoria, Rome; Bibliotheca Hertziana, Max Planck- Institut für Kunstgeschichte, Rome; photograph Enrico Fontolan).
Attributed works:
3. Virgin Mary, here attributed to Domenico Guidi. c.1699–1701. Marble, 84 by 65 by 31 cm (with socle). (Charterhouse of S. Lorenzo, Padula; courtesy Ministero della Cultura, Direzione regionale Musei della Campania, Naples; photograph Giuseppe Panza).
Attributed works:
4. Archangel Gabriel, here attributed to Domenico Guidi. c.1699–1701. Marble, 94 by 81 by 39 cm (with socle). (Charterhouse of S. Lorenzo, Padula; courtesy Ministero della Cultura, Direzione regionale Musei della Campania, Naples; photograph Giuseppe Panza).
Attributed works:
5. Bust of the Virgin annunciate, by Domenico Guidi. c.1670. Marble and red limestone, 89 by 76 cm. (Princely Collections, Lichtenstein, Vaduz-Vienna; photograph Scala, Florence).
Attributed works:
6. Detail of Fig.1, showing the face of the Virgin.
Attributed works:
7. Detail of Fig.3, showing the face of the Virgin.
Letter
Moore, not Monti
10/2023 | 1447 | 165
Pages: 1052
related names
Author:
Ciani Sciolla, Albertina (Ciani Sciolla, Albertina)
Subjects
Illustrations
Attributed works:
1. Monument to Isabella Kemeys Cooper, by Christopher Moore. 1838. (St Edward King and Martyr, Goathurst, Somerset).
Article
A newly identified portrait by Sir Nathaniel Bacon
07/2022 | 1432 | 164
Pages: 641-649
related names
Author:
Hearn, Karen (Hearn, Karen)
Subjects
dates:
Illustrations
Attributed works:
1. Self-portrait, by Nathaniel Bacon. c.1620. Oil on canvas, 206.4 by 153.7 cm. (Private collection).
Attributed works:
10. Self-portrait with his wife, Isabella Brant, by Peter Paul Rubens. c.1609–10. Oil on canvas, 178 by 136.5 cm. (Alte Pinakothek, Munich; Bridgeman Images).
Attributed works:
2. Detail of Fig.2, showing metal braid on Bacon’s jacket.
Attributed works:
3. The artist’s wife, Jane Bacon, Lady Cornwallis, née Meautys, here attributed to Nathaniel Bacon. c.1614–17. Oil on canvas, 203.2 by 149.8 cm. (Government House, Sydney; photograph Ondrej Koucky, Rapturous Media).
Attributed works:
4. Cookmaid with still life of vegetables and fruit, by Nathaniel Bacon. c.1620–25. Oil on canvas, 151 by 246.7 cm. (Tate).
Attributed works:
5. Detail of Brome Hall, Suffolk, by Johannes Kip. 1715. Engraving, 35.5 by 49 cm. (From J. Kip: Nouveau théâtre de la Grande Bretagne, London 1715, I, pl.44).
Attributed works:
6. Detail of Fig.3, showing Brome Hall.
Attributed works:
7. Monument to Jane, Lady Bacon, by Thomas Stanton. Commissioned 1657. Marble. (St Mary’s church, Culford, Suffolk).
Attributed works:
8. Detail of Fig.3, showing figures in the garden.
Attributed works:
9. Detail of Fig.3, showing the sitter’s hands and pregnant body.
Article
The finding of the infant Bacchus
02/2022 | 1427 | 164
Pages: 180-183
related names
Author:
Hendrikman, Lars (Hendrikman, Lars)
Subjects
dates:
sources:
Illustrations
Attributed works:
5. Young Bacchus, after Godfried Maes. After 1762. Oil on canvas, 63 by 54.7 cm. (Bonnefanten, Maastricht; photograph Peter Cox).
Attributed works:
6. Fig.5, photographed in 2012 before cleaning and removal of overpaint in 2020. (Bonnefanten, Maastricht; photograph Peter Cox).
Attributed works:
7. The finding of the infant Bacchus on Chios, by Godfried Maes. Last quarter of the 17th century. Black chalk, pen and black ink and grey and brown wash on paper, approx. 18 by 24 cm. (Courtesy F. Baulme Fine Arts).
Attributed works:
8. The infant Bacchus entrusted to the nymphs of Nysa; the death of Echo and Narcissus, by Nicolas Poussin. 1657. Oil on canvas, 122.6 by 180.5 cm. (Harvard Art Museums).
Attributed works:
9. Bacchus turns Acoetes’ crew into dolphins, by Godfried Maes. Last quarter 17th century, Black chalk, pen and black ink and grey and brown wash on paper, approx. 18 by 24 cm. (Leiden University Library, Print Room).
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