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51 articles
Short Notice
Leonardo da Vinci’s Burlington House Cartoon: a new hypothesis
09/2024 | 1458 | 166
Pages: 928-31
related names
Shorter Notice by:
Rumberg, Per (Rumberg, Per)
Subjects
dates:
museums and institutions:
places:
sources:
subjects:
Illustrations
Attributed works:
1. Virgin and Child with St Anne and the infant St John the Baptist (the Burlington House Cartoon), by Leonardo da Vinci. c.1506–08. Charcoal with white chalk on paper, mounted on canvas, 141.5 by 104.6 cm. (National Gallery, London).
Attributed works:
2. Virgin and Child with St Anne and the infant St John the Baptist, surrounded by ten saints (the Pala del Gran Consiglio), by Fra Bartolommeo. 1510–13. Oil on panel, 444 by 308 cm. (Museo Nazionale di San Marco, Florence).
Exhibition Review
The Renaissance Nude
05/2019 | 1394 | 161
Pages: 416-419
related names
Reviewer:
Nuttall, Paula (Nuttall, Paula)
Subjects
dates:
Illustrations
Attributed works:
8. A male nude with proportions indicated, by Michelangelo Buonarroti. c.1515–20. Red chalk on paper, 28.9 by 18 cm. (Royal Collection Trust / © Her Majesty Queen Elizabeth II 2019; exh. Royal Academy of Arts, London).
Attributed works:
9. A myth of Pan, by Dosso Dossi. c.1524. Canvas, 163.8 by 145.4 cm. (J. Paul Getty Museum, Los Angeles; exh. Royal Academy of Arts, London).
Western art unattributed:
10. Elderly bather. German, c.1480. Boxwood with some polychromy, height 16.2 cm. (Liebieghaus Skulpturensammlung, Frankfurt; exh. Royal Academy of Arts, London).
Exhibition Review
Fra Bartolommeo
02/2017 | 1367 | 159
Pages: 153-154
related names
Reviewer:
Jacoby, Joachim (Jacoby, Joachim)
Subjects
artists:
dates:
subjects:
Illustrations
Attributed works:
80. Noli me tangere, by Fra Bartolommeo. c.1505-06 (Musée du Louvre, Paris; exh. Museum Boijmans Van Beuningen, Rotterdam)
Attributed works:
81. Composition studies for a Deposition and the Noli me tangere, by Fra Bartolommeo. c.1505-06 (Museum Boijmans Van Beuningen, Rotterdam)
Attributed works:
82. Studies for St John the Baptist, by Fra Bartolommeo. 1511-12 (Museum Boijmans Van Beuningen, Rotterdam)
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Advertisements March 2011 (front)
03/2011 | 1296 | 153
Pages: s.p.
Subjects
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subjects:
Illustrations
Attributed works:
[Agnew's, London. Sisteron, by J.M.W. Turner (1775-1851). Watercolour, 13.3 by 19 cm]
Attributed works:
[Agnew's, London. The presentation of the Virgin, by Luca Giordano (1634-1705). Gouache on chamois skin, laid down on panel, 26 by 34.5 cm]
Attributed works:
[Agnew’s. 35 Albermarle Street. London. Louis Carrogis called Carmontelle (1717-1806). Portrait of Jean-Charles-Louis de Mesgrigny (1744-1822). Red chalk, each 8 x 6 1/4 in (20 x 15.8 cm)]
Attributed works:
[Agnew’s. 35 Albermarle Street. London. Louis Carrogis called Carmontelle (1717-1806). Portrait of Louis-Marie de Mesgrigny (1744-1822). Red chalk, each 8 x 6 1/4 in (20 x 15.8 cm)]
Attributed works:
[Arnoldi-Livie, Munich. Ruins of the Palace of the Caesars on the Palatine in Rome, by Franz Kaisermann (1765-1833). c-1792. Signed lower left: Keisermann fecit. Watercolour, 50.6 by 65.6 cm]
Attributed works:
[Artur Ramon Art, Barcelona. Head of an old man in profile, by Giovanni Francesco Barbieri, called Il Guercino (1591-1666). Red chalk on paper, 22.2 by 19.3 cm]
Attributed works:
[Charles Beddington Limited. 16 Saville Row, London, W1S 3PL. Claude-Joseph Vernet (Avignon 1714-1789 Paris). An Inlet near Naples with a Castle and Fisherfolk. Oil on canvas, 24 7/8 x 38 7/8 in (63.3 x 98.8 cm)]
Attributed works:
[Charly Bailly. 10 rue de l’Hotel-de-Ville. Geneva. Elisabetta Sirani (Bologna 1638-1665). The Martyrdom of a Saint. Oil on canvas, 107 by 81.5 cm (42 by 32 cm)]
Attributed works:
[Damiano Lapiccirella. Borgo Ognisanti, 56r. Florence. Via Margutta 54. Rome. Ubaldo Gandolfi (1728-1782). Bust of a child with his head turned downwards, to the left (detail). Oil on paper glued to canvas, 230 x 300 cm]
Attributed works:
[Damiano Lapichirella, Florence. View of the Palazzo Ducale in Venice, by Giuseppe Bernardino Bison (1762-1844). c.1828. Gouache on paper, 33 by 44 cm]
Attributed works:
[David Tunick Inc, New York. Moonlight, by Edvard Munch (1863-1944). 1896, Colour woodcut, 40 by 47.1 cm]
Attributed works:
[Dickinson, London. Verve, by Henri Matisse (1869-1954). 1939. Signed lower right: Henri Matisse 31/8 39. Cut and pasted papers on a paper support. 36.5 by 55.5 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Anthony van Dyck (1599-1641), The Penitent Magdalena (detail), oil on canvas, 60 x 65 cm.]
Attributed works:
[Emanuel Von Baeyer, London. The Papal Crown, by Felix Buhot (1847-1898). 1888. Etching, drypoint and aquatint, 44 by 34.4 cm]
Attributed works:
[Galerie Antoine Laurentine, Paris. Man in blue, by Gaston Chaissac (1910-64). 1959. Oil on cardboard, 32.5 by 25 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Pompeo Batoni. Lucca, 1718 - Rome, 1787. Vulcan in his forge. Oil on canvas, 94.2 x 73.7 cm (37 1/8 x 29 cm)]
Attributed works:
[Galerie Paul Prouté, Paris. Study for the Personification of 'The Iliad' in the Apotheosis of Homer, by Jean-Auguste-Dominique Ingres (1780-1867), graphite, 27.7 by 26.2 cm]
Attributed works:
[Galerie Tanakaya, Paris. Sagi (The heron maiden), by Kitano Tsunetomi (1880-1947). 1925. Signed: Tsunetomi hitsu. Shin-Hanga print, 54.3 by 36.4 cm]
Attributed works:
[Gros & Delettrez. 22, rue Drouot. Paris. Albert Cuyp: Woman Milking a Cow, oil on canvas, 94 x 120 cm, signed.]
Attributed works:
[Jean-Luc Baroni, London. Study of a Morrocan standing in profile, by Eugène Delacroix (1798-1863). Black chalk, with touches of red and blue chalk and watercolour, 33.2 by 21.5 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Baldassarre Franceschini, called Il Volterrano (Volterra 1611-1690 Florence). Portrait of Marchese Altoviti as Hylas. Oil on canvas: 96.3 by 76.8 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Fra Bartolomeo (1472 - Florence - 1517). Studied of the Heads of Two Dominican Friars. Red chalk: 132 by 169 mm]
Attributed works:
[Koller. Hardturmstrasse 102. CH-8031, Zurich. Ivan Konstantinovich Aivazovsky (detail)]
Attributed works:
[Kunstsalon Franke-schenk. Residenzstrasse 23. Munich. Arnold Bocklin (1827 Basle - 1901 San Domenico) Oil on canvas, 79,13 x 61,2 inch (201 x 155 cm), monogrammed and dated lower left: AB 1897.]
Attributed works:
[Lady Lever Art Gallery. (image detail) Style of Guido Reni, Head of a young man, drawn about 1600]
Attributed works:
[Le Claire Kunst, Hamburg. View of a valley with a bridge, in Franconia, by Adolph von Menzel (1815-1905). Monogrammed and dated: A.M. 93. Graphite, 31 by 22.7 cm]
Attributed works:
[Le Claire Kunst. Elbchausse 386. Hamburg. Adolph von Menzel. Franconian Landscape. Pencil. 310 x 227 mm]
Attributed works:
[Liliane Fredericks. Giulia Lama (Venice c.1681 - c.1753 Venice). Study of male nude, seated, left leg outstreched. 434 mm x 424 mm (17 1/8 x 12 1/2 in) Black and White chalk on grey paper]
Attributed works:
[Mia N. Weiner. Mountain Road. Norfolk. CT. CLAUDINE BOUZONNET-STELLA (Lyon 1636-1697 Paris) 'Venus giving Arms to Aeneus'. Preparatory for an engraving after Poussin's painting which had been commissioned by Jacques Stella, uncle of Claudine, and which descended to Claudine upon his death. She is known for her engravings of his work and Poussin's]
Attributed works:
[Museo del Pardo, Madrid. Chardin. 1699-1779]
Attributed works:
[Noortman Master Painting, Amsterdam. Sleeping legionary, by Ubaldo Gandolfi (1728-81). Oil on paper laid onto canvas, 23.2 by 34.6 cm]
Attributed works:
[Pagliari Fine Arts at Galerie Charles Ratton & Guy Ladrière. 11, quai Voltaire. Paris. Giovanni Francesco Barbieri detto il Guercino (Cento, 1591 - Bologna, 1666). Vanitas. (Oil on paper laid down on canvas, 28 x 42 cm)]
Attributed works:
[Paul Proute. 74 Rue de Seine, 75006. Paris. Jean-Baptiste Marie PIERRE. Paris 1714-1789. Vulcan montrant à Venus les armes forgées pour Enér. Signed. Black chalk, pen and brown ink and wash, heightened with white, 216 x 252 mm]
Attributed works:
[Ralph R. Haugwitz. Kulmbacher Strasse 3. Berlin. Anton Graff, (1736-1813) Attr., Reflective Pause, Chalk, 349 x 224 mm]
Attributed works:
[Stephen Ongpin Fine Art, London. A young woman asleep, by Richard Parkes Bonington (1802-28). Watercolour, over a pencil underdrawing, 13.3 by 11 cm]
Attributed works:
[Stephen Ongpin Fine Art, London. Study of a bather, by Pierre-Auguste Renoir (1841-1919). Signed at lower left: Renoir. Watercolour over an underdrawing in pencil, 32.4 by 30.9 cm]
Attributed works:
[Stephen Ongpin Fine Art. Riverwide House. 6 Mason’s Yard, Duke Street St. James’s. London. Guido Reni (1575-1642). The Head of a Young Woman Looking Upwards. Black and red chalk, with touches of white chalk, on pale brown paper, 377 x 270 mm (14 7/8 x 10 5/8 in)]
Attributed works:
[The Burlington Magazine. London. 'Thomas'. No. 15 from Twenty- eight caricatures, by Thomas Patch. 1769-70. Soft-ground etching. 15.2 by 10.8 cm]
Attributed works:
[The Burlington Magazine. London. Landscape at Iden, by Paul Nash. 1929. Canvas, 69.9 by 90.8 cm (Tate Britain, London)]
Attributed works:
[The Burlington Magazine. London. Samuel Pepys, by Sir Godfrey Kneller. 1689. Canvas, 76.0 by 63.5 cm (National Maritime Museum, Greenwich)]
Attributed works:
[The London Original Print Fair. The Royal Academy. Piccadilly. London. Grayson Perry, Map of Nowhere (detail), 2008 © The artist and Paragon Press, London.]
Attributed works:
[The Van Gogh Museum. Amsterdam. Vincent van Gogh1853-1890. Zonnerbloemen, Arles, Januari 1889. Van Gogh Museum Amsterdam.]
Attributed works:
[Trinity Fine Art, London and New York. Study of dolphin and a dolphin's skull, by Vincenzo Gemito (1852-1929). Signed and dated lower left in graphite: V. Gemito 1923. Pen, black/brown ink with some wash, 23 by 32 cm.]
Attributed works:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. Luigi Valadier (Rome 1726-1785). A Trembleuse with a Beaker and CUp, and a detail of the stand with alternatives. Pen and dark brown ink and wash, 335 x 236 mm. Signed Luigi Valadierargentiere a S. Luigi de Francesi.]
Attributed works:
[Venator & Hanstein. Cacilienstrasse 48. 50667 Cologne. Germany. Ludwig van Beethoven. Draft of the Goethe song "Neue Liebe, neues Leben" (WoO 127). Vienna, 1798/99]
Attributed works:
[W.M. Brady & Co., New York. Head of a young girl, Jean-Baptiste Greuze (1725-1805). Red chalk, 40.5 by 32.7 cm]
Attributed works:
[Wienerroither & Kohlbacher, Vienna. Reclining male with long hair, by Gustav Klimt (1862-1918). Blue crayon on paper, 36.8 by 55.8 cm]
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Advertisements March 2009 (front)
03/2009 | 1272 | 151
Pages: s.p.
Subjects
advertisements:
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Illustrations
Attributed works:
[Bernheimer-Colnaghi. Munich and London. David and Bathsheba, by Lucas Cranach the elder (1472-1553). Signed lower right with the device of a winged serpent and dated: 1534. Oil on panel, 115 by 79.3cm]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Fancisco José de Goya y Lucientes (Fuendetodos 1746-1828 Bordeaux). Bajan rinendo. Brush and grey wash, scraping. 9 1/4 x 5 1/8 in. (234 x 143mm)]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Franz Xaver Winterhalter (1805-1873). Portrait of Duchess Rosalie Paulee Duchatel (detail). Oil on canvas, 1841, 256 x 158 cm]
Attributed works:
[Douwes Fine Art. Amsterdam. A young man, half-length, wearing a burgundy jacket and a feathered cap, by Jan van Bijlert (1597/8-1671). Signed: Jv. bylert. fe:. Oil on panel, 55.5 by 45 cm]
Attributed works:
[Douwes Fine Art. Stadhouderskade 40. Amsterdam. 37 Duke St. St James’s. London. Rembrandt Harmensz. van Rijn (Leiden 1606 - 1669 Amsterdam). "Beggar in a brimmed Hat", circa 1645-1650. Black chalk: 145 x 100 mm: on laid paper.]
Attributed works:
[G. Sarti. Paris. Adam and Eve mouring over dead Abel, by Giovanni Battista Caracciolo, called Battistello (1578-1635). c. 1625. Oil on canvas, 144 by 178 cm]
Attributed works:
[Galerie Berès. Paris. Composition 1952, by Oscar Gauthier (b.1921). 1952. Signed and dated lower right: OSCAR GAUTHIER 52. Gouache on paper, 50 by 32 cm]
Attributed works:
[Galerie Canesso, Paris. The singer, by Pietro Bellotti (1625-1700). Oil on canvas, 72.5 by 54 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Michael Sweerts. Bruxelles, 1618 - Goa, India, 1664. The Great Laundry Day. Oil on canvas, 49 x 78,5 cm (19 5/16 x 30 7/8 in)]
Attributed works:
[Galerie David Levy. Paris. Personage 1945, by Victor Brauner (1903-1966). 1945. Monogram at lower left, dated at lower right: 22 x 11 x 45 x. Wax on paper, watercolour and indian ink, 14.1 by 9 cm]
Attributed works:
[Galerie de La Scala. Paris. Project for a plate, by André Derain (1880-1954). Signed: a derain. Watercolour on paper, 15.8 by 16.4 cm]
Attributed works:
[Galerie Didier Aaron & Cie. Paris, London & New York. L'Amour, by Charles-Joseph Natoire (1700-77). Dated at bottom: 1745. Red chalk, pastel and white chalk on beige paper, 27 by 35.1 cm]
Attributed works:
[Galerie Laurentin. Paris. Don Quichotte, by Gérard Garouste (b.1946). c. 1997. Gouache, 97 by 55.5 cm]
Attributed works:
[Galerie Laurentin. Paris. Portrait of Madeleine au Chapeau, by Tsugouharu Foujita (1886-1968). 1932. Ink on paper, 48.5 by 38.2 cm]
Attributed works:
[Galerie Talarbardon & Gautier. Paris. Cornelia, mother of the Grachhi, by Jean-Guillaume Moitte (1746-1810). Pen, ink and grey wash, 29 by 54.8 cm]
Attributed works:
[Galerie Zlotowski. Paris. Study for the portrait of Jacques Nayral, by Albert Gleizes (1881-1953). Wash and Indian ink, with blue pencil squaring, 62 by 47.8 cm]
Attributed works:
[Galeries Hans. Jungfernstieg, 34 III. D-20354 Hamburg. Sebastiano del Piombo. Portrait of Michelangelo. Oil on panel, 88.5 x 74cm]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. David Bomberg 1890-1957. Zahara, Andalucia, circa 1935. Oil on canvas. 24 1/2 x 29 1/2 inches; 62.5 x 75 cm]
Attributed works:
[Hill-Stone, Inc. Box 273, Gracie Station. New York. Louis-Jean Desprez (Auxerre 1743-1804 Stockholm) and Francesco Piranesi (Rome 1756 - 1810 Paris). The Temple of Serapis in Pozzuoli. Etching by Piranesi, with extensive watercolour and gouache by Dsprez; 1781. Wollin 5 i/II, before the engraved names of the artists and before the title. Desprez's signeture and title faintly visible. Piranesi's inscription at lower right: se vend chez Mr. François Piranesi - Rome. An extremely fine impression with Desprez's watercolour addition still very fresh and intense.]
Attributed works:
[London Original Print Fair. Royal Academy of Arts. Burlington Gardens. London. Marc Quinn, detail from Untitled 4, from Portraits of Landscapes.]
Attributed works:
[Paul Proute. 74 Rue de Seine, 75006. Paris. Giovanni Battista Piranesi. Venise 1720-Rome 1778. Study of a man. Brush and brown ink, 137 x 85 mm. Dated around 1770-1775]
Attributed works:
[Paul Prouté. Paris. Study for the 'Bois sacré' or Paysage Idyllique', by François-Louis Français (1814-1897). Watercolour, gouache, pen and brown ink, 32.3 by 39.7 cm]
Attributed works:
[Sebastian + Barquet. New York & London. Bench by George Nakashima. American black walnut, and hickory with one East Indian rosewood bey, 78.7 by 289.5 by 104.7 cm]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Giovanni Battista Foggini (1652-1725). Il Porcellino. Height: 16.5 cms.]
Attributed works:
[Trinity Fine Art. London. Charity, by Richard Cosway R.A. (c.1742-1821). Pencil, 23 by 14 cm]
Attributed works:
[W.M. Brady. New York. La tasse, by Pablo Picasso (1881-1973). Signed and dated, lower right: Picasso/22-5-21. Charcoal and stump on paper, 23.3 by 34.3 cm]
Western art unattributed:
[Bernard Steinitz. 9, Rue du Cirque – 77, Rue du Faubourg Saint-Honoré. Paris. Exceptional pair of alabaster vases with chased gilt-bronze serpent décor. Russia (?), late 18th century, circa 1790-1800. H. 4 cm (16 1/2in). Base 17x17 cm (6 1/2 x 6 1/2 in)]
Western art unattributed:
[Charles Ratton & Guy Ladrière. 14 rue de Marignan, 75008 Paris. French School. Late XVIth Century. Allegory of Charity. Oil on canvas, 119 x 99.5 cm]
Advertisements
Advertisements January 2006 (Front)
01/2006 | 1234 | 148
Pages: i-xvi
Subjects
advertisements:
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advertisements:
subjects:
Illustrations
Attributed works:
[C. G. Boerner, Dusseldorf. 13 Kasernenstr 13. USA 23 East 73rd Street, New York. John Christian Clausen Dahl (1788 Bergen (Norway) - Dresden 1857) Cumulus Clouds 1845. Watercolour in blue and shades of grey, 93 x 149 mm. Signed and dated in grey watercolour with the tip of the brush at lower left Dahl 1845 Maij.]
Attributed works:
[C. G. Boerner, Dusseldorf. 13 Kasernenstr 13. USA 23 East 73rd Street, New York. Rocky crag with vegetation under light blue sky (verso: two sketches for the base of a statue), by Johann Heinrich Schilbach (1798 Barchfeld an der Werra - Darmstadt 1851). Probably 1830s. Watercolour in various shades of blue, green and brown over traces of pencil on fine white wove drawing paper, verso: pencil, 9.9 by 16.9 cm]
Attributed works:
[C. G. Boerner, Dusseldorf. 13 Kasernenstr 13. USA 23 East 73rd Street, New York. View across the Lago di Albano towards Monte Cavo, with the Monastery of Pallanzuola on the Bluff (recto); verso: some ornamental pencil sketches and two brush strokes of blue watercolour, by Ernst Fries (1801 Heidelberg - Karlsruhe 1833). Pencil with greyish-blue and brown wash on wove paper, 28.9 by 41.7 cm. Inscribed at lower centre (probably in a different hand) Albaner See.]
Attributed works:
[Christie’s. New York. 20 Rockefeller Plaza. NY 10020. A cart-horse and a postilion at the door of a forge, by Jean-Louis-André-Théodore Géericault (Rouen 1791-1824 Paris). Black lead, watercolour and bodycolour, 16.2 by 18.5 cm. Sale: Old Master and 19th Century Drawings, 24th January 2006.]
Attributed works:
[Christie’s. New York. 20 Rockefeller Plaza. NY 10020. A kneeling woman praying, in profile to the right, by Baccio della Porta, called Fra Bartolomeo (Florence 1472-1517). With inscription F Bartolome and 123. Black and white chalk on light brown paper, 29.4 by 17 cm. Sale: Old Master and 19th Century Drawings, 24th January 2006.]
Attributed works:
[Christie’s. New York. 20 Rockefeller Plaza. NY 10020. MICHELANGELO LUDOVICO BUONARROTI, CALLED MICHELANGELO (Caprese 1475-1564 Rome). The head and torso of a man looking down to the left. Black chalk, the outlines indented with a stylus, fragmentary watermark six-pointed star. 9 3/4 x 6 in. (248 x 176 mm.)]
Attributed works:
[Flavia Ormond Fine Arts. London. Red and silver, by Ben Nicholson (Denham 1894-1982 London). 1955. Oil and pencil on canvas, 76 by 68.5 cm. Exhibition: Old Master and Modern Drawings, Adelson Gallery, 24th January-10th February 2006.]
Attributed works:
[Flavia Ormond, Fine Arts. Adelson Galleries. The Mark Hotel, 25 East 77th Street (3rd Floor), New York. MARINO MARINI 1901-1980. Horse Rider 1950-51 gouache on paper 432x336 mm. Exhibition catalogue entry No. 20]
Attributed works:
[Hazlitt, Gooden & Fox. 38 Bury Street, St. James’s London. SW1Y 6BB. Carlo Innocenzo Carlone (1686-1775). An Allegory of Painting. Oil on canvas, 33.2x25.6 cm (13 1/8 x 10 1/8 in.)]
Attributed works:
[Isabella Stewart Gardner Museum. Boston, Massachussetts. Gentile Bellini. Seated Scribe (detail), 1479-81.]
Attributed works:
[Salander O’Reilly, New York (in association with Lestranger, Paris). Naples in a thunderstorm, by Simon-Joseph-Alexandre-Clément Denis. 1804. Oil on paper laid down on canvas, 48 by 64 cm. Exhibition: Home and Abroad: Landscape Painting in France and Italy 1780-1860. 19th January-25th February 2006.]
Attributed works:
[Salander O’Reilly, New York (in association with Lestranger, Paris). View near Spoleto, by Jean-Victor Bertin, 1843. Oil on canvas, 32.5 by 45.7 cm. Exhibition: Home and Abroad: Landscape Painting in France and Italy 1780-1860. 16th January-25 February 2006.]
Attributed works:
[Schlichte Bergen. P.C. Hooftstraat 53’, 1071 BN Amsterdam. THEODORE ROUSSEAU. Paris 1812 - 1867 Barbizon. A view of Lake Geneva with a sailing boat, 1834. Oil on paper laid down on canvas 23x34 cm. Vente Rousseau stamp TH R lower right (Lugt 2436)]
Attributed works:
[Selective Art, sarl. 13, Rue Mazarine, 75006 Paris. Bruno Innocenti, Stradivaria 1 '43.]
Attributed works:
[Shepherd & Derom Galleries. 58 East 79 Street, New York City. MATTIA PRETI. Taverna 1613-1699. Red 378 x 275 mm. Provenance: The Witt Collection.]
Attributed works:
[Sotheby’s & Co., 1334 York Avenue, 10021. New York. Oberon and Titania on a lily, by William Blake. (London 1757-1827). The upper part of a W visible lower right, perhaps a fragment of a signature. Watercolour, 21.1 by 16.2 cm. Sale: Old Master Drawings, 25th January 2006.]
Attributed works:
[Sotheby’s & Co., 1334 York Avenue, 10021. New York. Rembrandt Harmensaz. van Rijn. Study of a woman in a white cap. Oil on panel. 21 by 14 3/4 in. 53.3 by 37.5 cm.]
Attributed works:
[Sotheby’s & Co., 1334 York Avenue, 10021. New York. Willem van de Velde the Elder - Leiden 1611 - 1693 London. The visit of Charles II to the 'Tiger': passing Woolwich and several of the King's ships (detail). Black lead, pen and black ink and grey wash on four sheets of paper, 304 by 126 mm.]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. Adoration of the Shapherds, by Sir Anthony van Dyck (Antwerp 1599 - 1641 London) Oil on panel, 58.5 by 47 cm. Sale: Old Master Painting, 26th January 2006.]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. The Penitent Magdalene, by Corrado Giaquinto (Molfetta 1703-1766 Naples). Oil on canvas, unlined, in its original(?) Roman gilt wood frame, 160 by 118.2 cm. Sale: Old Master Paintings, 26th January 2006.]
Attributed works:
[Swann. 104 East 25th Street. New York, NY 10010. Willem Troost (Amsterdam 1684-1759), An imaginary Rhine Landscape with Boats, Fishermen and a Castle on a Hill, gouache on cream laid paper.]
Attributed works:
[W. M. Brady & Co. 22 East 80th Street. New York. A kneeling man seen from behind (recto), by Jean-Louis- André-Theodore Géricault (Rouen 1791-1824 Paris). Inscribed indistinctly, verso, and numbered, verso, 1801/2. Pen and Brown ink (recto); black chalk with brush and brown wash( verso), 23.8 by 19.3 cm. Exhibition: Master Drawing, 1520-1890, 24th January-16th February 2006.]
Attributed works:
[W. M. Brady & Co. 22 East 80th Street. New York. Female figure holding a baby, study for 'The Daughter of Jephthah', by Simon Vouet (Paris 1590-1649 Paris). Black chalk heightened with white, on beige paper, 38.7 by 22.3 cm. Exhibition: Master Drawings, 1520-1890. 24th January-16th February 2006.]
Attributed works:
[W. M. Brady & Co. 22 East 80th Street. New York. Giuseppe Cesari, called il Cavaliere d'Arpino. Arpino 1568-1640 Rome. An Angel in flight: Study for the Ascension, St. Giovanni in Laterano. Inscibed, lower right, Joseppo d'Arpinas and numbered, lower left, 16.10. Black and red chalk , 15 x 14 inches (380 x 357 mm). Provenance: Baron ROger Portalis (d. 1912), Paris (Lugt 2232); Léon Voillemnt (1881-1949), Paris (Lugt 789d); Private collection, Brussels.]
Exhibition Review
Fra Bartolommeo and Fra Paolino. Florence and Pistoia
09/1996 | 1122 | 138
Pages: 628-630
related names
Reviewer:
Ellis, Charles S. (Ellis, Charles S.)
Subjects
artists:
artists:
dates:
museums and institutions:
museums and institutions:
places:
subjects:
Illustrations
Attributed works:
75. Portia, Attributed to Fra Bartolommeo. 108 by 50 cm. (Uffizi, Florence; Exh. Palazzo Pitti, Florence).
Attributed works:
76. Christ Blessing, Here Attributed to Mariotto Albertinelli. 60 by 54 cm. (Galleria Borghese, Rome; Exh. Palazzo Pitti, Florence).
Attributed works:
77. Madonna and Child, Attributed to Fra Bartolommeo. 87.7 by 68 cm. (Hammond Collection, Stamford, CT; Exh. Palazzo Pitti, Florence).
Attributed works:
78. Sacra Conversazione with Sts John the Baptist, James, Phillip and Anthony Abbot, by Bernardino del Signoraccio. 1491. 230 by 172 cm. (Museo Diocesano, Pistoia; Exh. Palazzo Communale, Pistoia).
Attributed works:
79. Pietà with Sts John, Mary Magdalen, Dominic and Thomas Acquinas, by Fra Paolino. 1519. 134 by 173 cm. (Museo di San Marco, Florence).
Book Review
Fra Bartolommeo et son atelier. Dessins et peintures des collections francaises
11/1995 | 1112 | 137
Pages: 756-757
related names
Reviewer:
Ellis, Charles S. (Ellis, Charles S.)
Subjects
artists:
dates:
places:
subjects:
Reviewed Items
subjects:
Fra Bartolommeo et son atelier. Dessins et peintures des collections francaises | author: Christiansen, Monique , author: Fischer, Chris
Illustrations
Attributed works:
52. Adam and Eve with Cain and Abel, by Fra Paolino. 103 by 81 cm. (Museo Clemente Rospigliosi, Pistoia).
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Advertisements June 1993 (front)
06/1993 | 1083 | 135
Pages: i-xl
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[ Arturo Cuellar, Bürglistrasse 18, Zurich ] Baccio della Porta, Called Fra Bartolomeo (1472-1517), A Farm on a Ridge. Pen and Brown Ink, Watermark Flower (Tulip) with Two Leaves (cf. Briquet 6664, Florence and Catania, 1508) 15 × 25 cm.
Attributed works:
[ Buch-und Grafik-Antiquariat Falk+ Falk, Kirchgasse 28, Zurich ] Bry, Theodor de. America Sammlungen von Reisen noch Ost - und Westindien. Pt. I - VI. 1591-1620. Richly Illustrated with Engraved Maps and Views. Contemp. Vellum. Very Rare!
Attributed works:
[ Charles Ratton & Guy Ladrière, 14 rue de Marignan and 11 quai Voltaire, Paris ] Desiderio da Settignano (Settignano ca. 1430-Florence 1464), Virgin and Child. Marble Relief - 32,5 × 22,5 cm.
Attributed works:
[ Christie's, 8 King Street, St James, London ] Guido Reni (1575-1642): The Penitent Magdalen, 44¼ × 36in. (112.5 × 91.5cm.). Estimate: £800,000-1,200,000. Removed from Wrotham Park
Attributed works:
[ Christie's, 8 King Street, St James, London ] Michelangelo di Ludovico Buonarroti Simoni, Called Michelangelo (1475-1564): The Meeting of the Infant Saint John the Baptist with the Holy Family on the Rest on the Flight into Egypt, Black and Red Chalk, Pen and Brown Ink, over Stylus Indications, 279 × 391 mm.
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 108-112 Rue du Faubourg Saint-Honoré, Paris / 21 East 67th Street, New York ] Giulio Cesare Procaccini, Bologna 1574 - Milan 1625. The Annunciation. Oil on Panel: 123.5 × 95.5 cms
Attributed works:
[ cover ] Salver with Four Reclining Deities, One of a Pair from the Calverley Toilet Service, by William Fowle. 1683-84. Silver. (Victoria and Albert Museum, London).
Attributed works:
[ De Jonckheere, 100 Rue du Faubourg Saint-Honoré, Paris ] David Teniers (1620 Antwerp-Brussels 1690) - The Alchimist - Oil on Canvas: 34,9 × 47,6 cm, Signed and Dated 1652
Attributed works:
[ Dover Street Gallery, 13 Dover Street London ] Alexandre-Marie Colin (1798-1873) An Odalisque. Oil on Canvas. Signed and Dated 1843. 30 by 36.75 cms
Attributed works:
[ Durham Art Gallery, Aykley Heads, Durham ] George Fennel Robson (1788-1833) 'Durham Cathedral from Prebends Bridge'. The Bowes Museum, Durham County Council.
Attributed works:
[ Flavia Ormond Fine Arts Ltd, 24 Brechin Place, London ] Giovanni Battista Gaulli (Called il Baciccio) 1639-1709. A Preparatory Study for the Group of Charity for an Unexecuted Ceiling Fresco for the Sala del Maggior Consiglio in the Ducal Palace, Genoa. Pen and Brown Ink with Grey Wash over Black Chalk, c.1693. 391 × 278 mm.
Attributed works:
[ Galerie Schmit, 396 Rue Saint-Honoré, Paris ] Stanislas Lépine, "Le Port aux Vins au Pont Sully", Panneau, 15,8 × 23,7 cm. Pient vers 1882 - 1885. "Le Bassin de la Villette", Toile, 34 × 68,5 cm. Peint vers 1876 - 1880.
Attributed works:
[ Galleria Salamon, Via San Damiano 2, Milan ] Evaristo Baschenis (Bergamo 1617 - Wien 1677), Musical Instruments. Oil on Canvas; 85 × 105 cms
Attributed works:
[ Hill-Stone, New York ] Carlo Maratti 1625-1713, St. Joseph Holding the Christchild with the Virgin.
Attributed works:
[ Les Enluminures, Le Louvre des Antiquaires, 2 Place du Palais Royal, Paris ] King Louis XII and Queen Anne of Brittany in Prayer (200 × 215mm) Attributed to the Master of Philippe of Guelders. Initial from a Royal Antiphonal (Frontispiece?). Paris, France after 1499
Attributed works:
[ Noortman, 40-41 Old Bond Street, London / Vrijthof 49, Maastricht ] Pieter de Hooch 1629-1684. The Courtyard of a House in Delft. Canvas: 68 × 57.5 cm. Signed and Dated 1658
Attributed works:
[ Phillips, 101 New Bond Street, London ] Ludolf Backhuysen, (1631-Amsterdam-1708), "A View of the Texel with a Man-o-War Lying at Anchor", Oil on Canvas, 55cm × 67.5cm. Estimate: £30,000-£50,000
Attributed works:
[ Richard L. Feigen & Company, 6 Ryder Street, St James, London / 49 East 68th Street, New York ] Sir Thomas Lawrence, Portrait of Thomas Dawson, 1st Viscount Cremorne, c.1780. Oil on Canvas, 241.3 by 144.8 cm.
Attributed works:
[ Sotheby's, 34 - 35 New Bond Street, London ] Pier Jacopo Alari-Bonacolsi Called Antico (c. 1460-1528). The Young Hercules Reading, Manua, circa 1495, Bronze and Gilt Bronze. 9ins (22.9cm) High, Later Carved Wood Base.
Attributed works:
[ Spencer A. Samuels & Co, 52 East 78th Street, New York ] Francesco Salviati, Soldier Fleeing (34.6 × 26 cm) Literature: Francesco Salviati by Luisa Mortari, 1992, Illustration no. 400
Attributed works:
[ The Grosvenor House Antiques Fair, London (C. John, 70 South Audley Street, Mayfair, London) ] A French Beauvais Tapestry, Finely Woven in Silk and Wool. From the Series La Noble Pastorale - The Foundation of Love. From the Workshops of Charron, Circa 1760. Dimensions, 276.7 × 292 cm (109 × 115 in).
Attributed works:
[ The Grosvenor House Antiques Fair, London ( Agnew's) ] Sir Peter Paul Rubens (1577-1640), The Holy Family with the Infant St John the Baptist. Canvas, 57 × 46 in (144.7 × 116.9 cm)
Attributed works:
[ The Grosvenor House Antiques Fair, London ] A Very Fine Miniature Tea and Coffee Set by Paul de Lamerie. Circa 1725. This 17 Piece Set Is the Most Expensive Miniature Set Ever.
Attributed works:
[ The Grosvenor House Antiques Fair, London ] Caspar Netscher, (1639-84). Self Portrait. Oil on Canvas, 18¼ × 14½ in.
Attributed works:
[ The Grosvenor House Antiques Fair, London ] David Bomberg (1890-1957), A View of the Mount of Olives. Oil on Board, 20 × 26 Inches, Signed and Dated 25
Attributed works:
[ The Grosvenor House Antiques Fair, London ] Fernando Yañez de la Almedina (Active 1501-1531 in Valencia), Christ as Salvator Mundi. Oil on Panel 23.5 × 15.3 cm. Circa 1500-1515
Attributed works:
[ The Grosvenor House Antiques Fair, London ] Jenny Lind by Friedrich Heinrich Karl Schmidt-Carlson (1806-87). Signed and Dated 'Schmidt-Carlson Lubeck 1852'. Oil on Metal, 15.5 × 14 cm (6 × 5½ in).
Attributed works:
[ Thomas Gibson Fine Art Ltd, 44 Old Bond Street, London ] Lucas Cranach the Elder, Judith with the Head of Holofernes, c1530. Oil on Limewood Panel. 29½ × 21¼ Inches / 75 × 54 cm
Non-western art unattributed:
[ Eskenazi, 10 Clifford Street, London ] Earthenware Horse Biting at Its Left Knee, Glazed in Cream and Brown with Pink and Red Pigments and Gilding. Tang Dynasty, 8th Century. Height: 54.7cm
Non-western art unattributed:
[ J. J. Lally & Co., 41 East 57 Street, New York ] Archaic Jade Notched Disk, Xuanji Neolithic/Shang Dynasty, 2nd Millennium B. C. Diameter $4frac{3}{8}$ Inches (11.2 cm)
Non-western art unattributed:
[ Syz, 94 Eaton Place, London ] A Shakudo nanako Tsuba Carved in Low Relief, Details Inlaid in Gold and Silver. Unsigned, Mino-Goto School, Mid-Edo Period. 7.5 × 7.2 × 0.5 cm
Non-western art unattributed:
[ The Grosvenor House Antiques Fair, London ] A Chinese Stone Head of a Man. Yuan Dynasty, 1279-1368. An Unusual Stone Head of a Man, Wearing a Hat with a Shaped Crest, His Face and Features Well Defined with a Gentle, Sensitive Smile. Height 28.5 cm.
Non-western art unattributed:
[ The Grosvenor House Antiques Fair, London ] A Fine and Rare Mughal Jade Bowl with Crenellated Rim and S-Curl Handles, the Stone a Green Tone with Russet Markings. Turkestan, 18th Century. Length across the Handles 20 cm (8 in).
Non-western art unattributed:
[ The Grosvenor House Antiques Fair, London ] A Rare Chinese, Porcelain, Oval, White-Glazed, Rococo-Style Tureen and Cover, Modelled from a European Faience Original, Supported on Four Paw Feet Moulded with Irregular Fluted and Ridges; The Sides Set with Scrolling Handles; The Cover Modelled as a Curled Leaf with Spiralling Stem Finial. Early Quianlong Period, 1736-1795. Width: 31½ cm.
Non-western art unattributed:
[ The Grosvenor House Antiques Fair, London ] A Very Fine and Rare Huanghuali Wood Bookcase. Chinese, Late 16th to Early 17th Century. Height 199.3 cm
Non-western art unattributed:
[ The Grosvenor House Antiques Fair, London ] An Ivory Powder Flask. Indian, 17th Century. Length: 25 cm. Width: 5.5 cm.
Western art unattributed:
[ Aronson of Amsterdam, Nieuwe Spiegelstraat 39, Amsterdam ] A Very Rare Dutch Delftware Polychrome Plaque Showing a Musician Playing a Bright Yellow viola da gamba, within a Yellow Border, ca.1760, 27 × 22cm (Without Frame)
Western art unattributed:
[ Asprey, 165 - 169 New Bond Street, London / 725 Fifth Avenue, New York ] The Tatham of Tatham Mazer. A Highly Important Henry VII Mazer Bowl, Maker's Mark W, London 1501, 7″ diameter. This Is the Earliest Recorded Hallmarked Mazer.
Western art unattributed:
[ M. Bascourt, Mechelsesteenweg 17, Antwerp ] Superb marquetry French Cabinet, 2nd. half of the 17th century. Inlay of flowers from different varieties of wood in the Dutch manner, but the ivory jasmine flowers are typically French. Pewter strips with inlay around the central door with Louis XIVth flowers and vase pattern. The sides are also similarly decorated. (Inside three small drawers) 63 × 95 × 39 cm.
Western art unattributed:
[ Perrin, 98 Faubourg Saint-Honoré and 3 Quai Voltaire, Paris ] Suite of Four Stools c.1800. Height: 85 cm. Width: 89 cm. Depth: 47 cm. A rare group of carved and gilded X-form wooden stools The uprights terminate at the top in carved heads of fantastic beasts, whose plumage continues to the level of the seat. A disk decorated with flower petals makes the junction of the uprights. Each stool rests on four claw feet. This series of exceptionally large stools belongs to the world of decorative objects of high fashion at the end of the eighteenth and the beginning of the nineteenth centuries.
Western art unattributed:
[ The Grosvenor House Antiques Fair, London ] A 19th-Century Onyx and Diamond Set Cameo Brooch. English, Circa 1880.
Western art unattributed:
[ The Grosvenor House Antiques Fair, London ] A George III Carved Giltwood Console Table, the Serpentine Fronted Siena Marble Top Resting above a Giltwood Frieze. The Legs Comprising 'C' Scrolls Are United at the Base by a Cartouche-Shaped Stretcher, Supporting a Springer Spaniel, a Partridge and a Musket. English, Circa 1765. Height: 37 in. (94 cm). Width: 50 in. (127 cm). Depth: 24 in. (61 cm).
Western art unattributed:
[ The Grosvenor House Antiques Fair, London ] A Highly Important and Extremely Rare Queen Anne Japanned Bureau Cabinet. Circa 1708. Height: 92 in. Width: 39½ in.
Western art unattributed:
[ The Grosvenor House Antiques Fair, London ] A Pair of Empire Giltwood Armchairs of Assyrian Inspiration. French, Circa 1800. The Musee des Arts Decoratifs in Paris Shows an Armchair That Belonged to the President de L'Assemblee Very Similar to These Armchairs, after a Drawing by the Architect Poyet. Height of Back 92 cm (36¼ in). Height of Seat 43 cm (17 in). Width 70 cm (27½ in). Depth 70 cm (27½ in).
Western art unattributed:
[ The Grosvenor House Antiques Fair, London ] An exceptional George III harewood and marquetry tambour writing table. English, circa 1775. Height 91.5 cm (36 in). Width 82 cm (32½ in). Depth 72 cm (28½ in).
Western art unattributed:
[ The Grosvenor House Antiques Fair, London ] French Faience Lion. Early 18th Century. One of a Pair. Height 73.1 cm ($28frac{3}{4}$ in) and 72.4 cm (28½ in).
Western art unattributed:
[ The Grosvenor House Antiques Fair, London ] The 'Pokrov'. Russian, Third Quarter of the 15th Century.
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