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211 articles
Exhibition Review
Monet and London: Views of the Thames Monet and the Impressionist Cityscape
01/2025 | 1462 | 167
Pages: 32-4
related names
Reviewer:
Thomson, Richard (Thomson, Richard)
Subjects
dates:
places:
Reviewed Items
subjects:
Monet and the Impressionist Cityscape Edited by Ralph Gleis and Josephine Hein. 120 pp. incl. 82 col. + b. & w. ills. (Staatliche Museen zu Berlin and Hirmer, Munich, 2024), £29.95. ISBN 978–3774–4404–9. | :
subjects:
Monet and London: Views of the Thames Courtauld Gallery, London 27th September 2024–19th January 2025 | :
Illustrations
Attributed works:
1. Waterloo bridge, effet de soleil (sunlight effect), by Claude Monet. 1903. Oil on canvas, 73.8 by 98.1 cm. (Milwaukee Art Museum; exh. Courtauld Gallery, London).
Attributed works:
2. Charing Cross Bridge, la Tamise (the Thames), by Claude Monet. 1903. Oil on canvas, 73.4 by 100.3 cm. (Musée des Beaux- Arts, Lyon; exh. Courtauld Gallery, London).
Attributed works:
3. Quai du Louvre, by Claude Monet. 1867. Oil on canvas, 65.1 by 92.6 cm. (Kunstmuseum Den Haag; exh. Nationalgalerie, Berlin).
Book Review
Le Décor Impressionniste: Aux sources des Nymphéas La Peinture Impressionniste et la décoration
12/2024 | 1461 | 166
Pages: 1272–5
related names
Reviewer:
Orton-Hatzis, Anna (Orton-Hatzis, Anna)
Reviewer:
Pissarro, Joachim (Pissarro, Joachim)
Subjects
art literature:
dates:
museums and institutions:
Reviewed Items
subjects:
10. Installation view of ‘Le Décor Impressionniste: Aux sources des Nymphéas’, at the Musée de l’Orangerie, Paris, 2022, showing a reconstruction of the original arrangement of paintings by Paul Cezanne in the ‘grand salon’, the Jas de Bouffan, Aix-en-Provence. (Photograph © OPM). | :
subjects:
La Peinture Impressionniste et la décoration By Marine Kisiel. 380 pp. incl. numerous col. ills. (Les éditions Le Passage, Paris, 2021), €35. ISBN 978–2–8474–2439–3. | :
Illustrations
Attributed works:
10. Installation view of ‘Le Décor Impressionniste: Aux sources des Nymphéas’, at the Musée de l’Orangerie, Paris, 2022, showing a reconstruction of the original arrangement of paintings by Paul Cezanne in the ‘grand salon’, the Jas de Bouffan, Aix-en-Provence. (Photograph © OPM).
Attributed works:
11. Le Déjeuner: panneau décoratif, by Claude Monet. 1873. Oil on canvas, 160 by 201 cm. (Musée d’Orsay, Paris; Bridgeman Images).
Attributed works:
12. Parterre de marguerites, by Gustave Caillebotte. 1892–93. Oil on canvas, 205 by 115 cm. (Musée des impressionnismes, Giverny).
Exhibition Review
Pissarro: Father of Impressionism
05/2022 | 1430 | 164
Pages: 512-515
related names
Reviewer:
Adler, Kathleen (Adler, Kathleen)
Subjects
dates:
Reviewed Items
subjects:
Pissarro: Father of Impressionism Ashmolean Museum, Oxford 18th February–22nd June | :
Illustrations
Attributed works:
25. Côte Saint-Denis, at Pontoise, by Paul Cézanne. 1877. Oil on canvas, 65.4 by 54.2 cm. (Private collection; exh. Ashmolean Museum, Oxford).
Attributed works:
26. Côte des Boeufs, Pontoise, by Camille Pissarro. 1877. Oil on canvas, 114.9 by 87.6 cm. (National Gallery, London; exh. Ashmolean Museum, Oxford).
Attributed works:
Opposite 27. Self-portrait with palette, by Camille Pissarro. c.1896. Oil on canvas, 53 by 30.5 cm. (Dallas Museum of Art; exh. Ashmolean Museum, Oxford).
Exhibition Review
Millet and Modern Art: From Van Gogh to Dalí. Saint Louis Art Museum, St Louis
04/2020 | 1405 | 162
Pages: 346-348
related names
Reviewer:
Clarke, Michael (Clarke, Michael)
Subjects
artists:
dates:
subjects:
Reviewed Items
subjects:
Millet and Modern Art: From Van Gogh to Dal  Saint Louis Art Museum, St Louis 16th February–17th May | :
Illustrations
Attributed works:
21. Archaeological reminiscences of Millet’s Angelus, by Salvador Dalí. c.1934. Oil on panel, 31.8 by 39.4 cm. (Dalí Museum, St Petersburg FL; exh. Saint Louis Art Museum).
Attributed works:
22. In the rice fields, by Angelo Morbilli. 1901. Canvas, 182.9 by 130.2 cm. (Private collection; exh. Saint Louis
Book Review
Die Stadt von der Neuzeit bis zum 19. Jahrhundert: Urbane Entwürfe in Europa und Nordamerika. By Vittorio Magnago Lampugnani
01/2019 | 1390 | 161
Pages: 92-93
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Advertisements (front)
04/2018 | 1381 | 160
Pages: n.p.
Subjects
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Moeller Fine Art Ltd, New York, United States / London Original Print Fair / Andrew Edmunds (dealer), London, Great Britain / Redfern Gallery, London, Great Britain / Print Quarterly, London / Sarah Sauvin. Old Masters and Modern Prints. Paris / Osborne Samuel Gallery, London, Great Britain / Karsten Schubert, London, Great Britain / Paragon Press, London, Great Britain / Elizabeth Harvey-Lee, Oxford, Great Britain / Pratt Contemporary Art, Sevenoaks, Great Britain / Peter Finer (antique arms), London, Great Britain / Sphinx Fine Art, London, Great Britain / Master Drawings (art periodical) / Yale University Press, London, Great Britain / Museo Nacional del Prado, Madrid, Spain / Im Kinsky (auction house), Vienna, Austria / Getty Trust Publications , Great Britain / Dorotheum (auction house), Vienna, Austria / Simon Dickinson, London, Great Britain / Alessandro Cesati, Milan, Italy / Day and Faber, London, Great Britain / Rafael Valls, London, Great Britain / Didier Aaron, Inc, New York, United States / Otto Naumann, New York, United States / Trinity Fine Art Ltd, London, Great Britain / Daniel Katz Ltd (dealers), London, Great Britain / Emanuel Von Baeyer, London, Great Britain / Timothy Newbery (frames), London, Great Britain / The-saleroom.com / Museum of the Order of St John, London, Great Britain / Irish Art Review / Caring for your Collection / The Art Newspaper, London, Great Britain / Hazlitt Holland-Hibbert, London, Great Britain / Chanel, firm / Burlington Magazine
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subjects:
Illustrations
Attributed works:
[Andrew Edmunds Prints & Drawings. James Gilray (1756–1815). The Plumb-pudding in danger. 1805. Etching & engraving 258 x 263 mm, with publisher’s watercolour]
Attributed works:
[Dorotheum. Pieter Brueghel II (1564/65-1637/38), The King Drinks (detail), signed, oil on panel, 75 x 105 cm, €700,000 – 900,000, Auction 24 April 2018]
Attributed works:
[Elizabeth Harvey-Lee. Martin de Vos (designer): The Four Seasons. The set of four engravings, c1590 (“Summer” illustrated) First state of two. With Phillips Galle’s address (“Winter” with a Gothic P watermark)]
Attributed works:
[Flowers Gallery. Ken Currie , Head in Profile, 2017]
Attributed works:
[Galerie Sismann. Circle of Leonhard Kern (1588-1622). Andromeda. Germany. First half of the 17th century. H. 45 cm; W. 33 cm; D. 25 cm]
Attributed works:
[Im Kinsky Auction House. Georg Raphael Donner. Venus, Vienna, c. 1738/39 lead-pewter-alloy, h. 40 cm € 50,000–100,000]
Attributed works:
[London Original Print Fair. After Dürer #26, by Ann-Marie James. 2017. Ink on paper, 35 by 27 cm. Karsten Schubert, London]
Attributed works:
[London Original Print Fair. Church and farm at Eragny, by Camille Pissarro (1830–1903). c.1890. Etching, 15.3 by 24.2 cm. Elizabeth Harvey-Lee, Oxfordshire]
Attributed works:
[London Original Print Fair. Cottage in Dorset: Wood End, by Graham Sutherland (1903–1980). 1929. Etching, 13 by 17 cm. Redfern Gallery, London]
Attributed works:
[London Original Print Fair. Eros (3), by Ana Maria Pacheco. 2018. Monotype heightened in mixed media, 28.5 by 35 cm. Pratt Contemporary, Sevenoaks]
Attributed works:
[London Original Print Fair. Free Fall #31, by Carol Robertson. 2018. Monoprint. Flowers Gallery, London and New York]
Attributed works:
[London Original Print Fair. Gin Lane, by William Hogarth (1697–1764). 1751. Etching and engraving, 38.3 by 32.4 cm. Andrew Edmunds, London]
Attributed works:
[London Original Print Fair. I’m Blue, James Nares, 2017 (detail). Screenprint printed and published by Durham Press.]
Attributed works:
[London Original Print Fair. Oxfordshire (on the Oxford canal), by Muirhead Bone (1876–1953). Drypoint, 15.1 by 22.9 cm. Gordon Cook, London]
Attributed works:
[London Original Print Fair. Pisa, by Ben Nicholson (1894–1992). 1951. Etching, 19.5 by 14.75 cm. Osborne Samuel, London]
Attributed works:
[London Original Print Fair. Reclining artist, by Grayson Perry. Etching, 70.3 by 102.7 cm. Paragon Press, London]
Attributed works:
[London Original Print Fair. Seated woman drying her feet, by Théophile Alexandre Steinlen (1859–1923). 1902. Etching and aquatint, 29.8 by 29.7 cm. Sarah Sauvin, Paris]
Attributed works:
[London Original Print Fair. South South-West 2, by Rachel Gracey. 2018. Lithograph, 26 by 26 cm. Zuleika Gallery, London]
Attributed works:
[Moeller Fine Art. Jean-Étienne Liotard 1702–1789. Portrait de Philibert Cramer, c. 1758. Pastel on blue paper mounted on canvas, 25 × 21 3 ⁄16 in. (63.5 × 53.8 cm). Original frame with period glass]
Attributed works:
[Osborne Samuel. Cyril Edward Power (1872– 1951) The Sunshine Roof c1934 Linocut 26 x 33 cm]
Attributed works:
[Paragon Press. Joana Vasconcelos. Ria Formosa. Colour etching with blockprinting 2017]
Attributed works:
[Pratt Contemporary. Ana Maria Pacheco, Study for Sculpture, 2018. Triptych Monotype (detail). Each sheet: 59 x 56 cm.]
Attributed works:
[Redfern Gallery. Rue de Seine, by David Hockney. 1972. Etching and aquatint, 53 by 45 cm.]
Attributed works:
[Sarah Sauvin. Jean-Étienne Liotard, Self-Portrait as a Young Man Etching, ca.1731 (Tilanus 1; Roethlisberger and Loche 18) Counterproof of an unknown 1st state (of 3). Only one other counterproof known (Fondation Custodia) Provenance: Soliman Lieutaud (Lugt 1682)] (p.v) [Osborne Samuel. Cyril Edward Power (1872– 1951) The Sunshine Roof c1934 Linocut 26 x 33 cm]
Attributed works:
[Sphinx Fine Art. Karel Dujardin, A Horseman Holding a Roemer of Wine with an Ostler Tending the Horses (Detail)]
Attributed works:
[Zuleika Gallery. Man posing, by Lucien Freud (1922–2011). 1982. Etching, 70 by 54 cm. Edition of 50 + 15 AP]
Non-western art unattributed:
[Peter Finer. A Saddle. 15th–17th century. Eastern Tibet or Chinese. Iron, gold, silver, wood, leather and textile. 57 cm / 22.75 inches. Provenance: Private Collection UK]
Exhibition Review
Jongkind and friends
04/2018 | 1381 | 160
Pages: 332-333
related names
Reviewer:
Clarke, Michael (Clarke, Michael)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
10. Moonlight, Dordrecht, by Johan Barthold Jongkind. 1872. Canvas, 40.3 by 65.6 cm. (Private collection; exh. Dordrechts Museum, Dordrecht).
Attributed works:
11. The jetty at Honfleur, by Johan Barthold Jongkind. 1865. Canvas, 33.5 by 43.4 cm. (Van Gogh Museum, Amsterdam; exh. Dordrechts Museum, Dordrecht).
Exhibition Review
Pissarro. Paris
06/2017 | 1371 | 159
Pages: 498-500
related names
Reviewer:
Bade, Patrick (Bade, Patrick)
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
58. The gardens of the Hermitage, Pontoise, by Camille Pissarro. 1867 (National Gallery, Prague; exh. Musée Marmottan Monet, Paris)
Attributed works:
59. Peasant girl lighting a fire, by Camille Pissarro. 1888 (Musée d'Orsay, Paris; exh. Musée du Luxembourg, Paris)
Attributed works:
60. Self-portrait, by Camille Pissarro. 1896 (Dallas Museum of Art; exh. Musée Marmottan Monet, Paris)
Attributed works:
61. White frost at Ennery, by Camille Pissarro. 1873 (Musée d'Orsay, Paris; exh. Musée Marmottan Monet, Paris)
Article
Charles Stewart Carstairs and Camille Pissarro’s ‘The Côte des Boeufs at L’Hermitage’: model of magnanimity or marketing strategy?
08/2016 | 1361 | 158
Pages: 628-637
related names
Author:
Iacono, Margaret (Iacono, Margaret)
Subjects
collectors and dealers:
dates:
Illustrations
Attributed works:
30. The Côte des Boeufs at L'Hermitage, by Camille Pissarro. 1877 (National Gallery, London)
Attributed works:
31. The Ballet Scene from Meyerbeer's Opera 'Robert Le Diable', by Edgar Degas. 1876 (Victoria and Albert Museum, London)
Attributed works:
32. Faa Iheihe, by Paul Gauguin. 1898 (On long-term loan to the National Gallery, London from Tate, London)
Attributed works:
33. King George V, accompanied by Queen Mary, at the Opening of the Modern Foreign and Sargent Galleries at the Tate Gallery, 26th June 1926, by John Lavery. 1929 (Tate, London)
Attributed works:
34. View from Louveciennes, by Camille Pissarro. 1869-70 (National Gallery, London)
Attributed works:
35. The Boulevard Montmartre at Night, by Camille Pissarro. 1897 (National Gallery, London)
Attributed works:
36. Portrait of a Lady, by Edouard Manet. c.1879 (National Gallery of Art, Washington DC)
Attributed works:
37. Chrysanthemums in a Chinese Vase, by Camille Pissarro. 1873 (National Gallery of Ireland, Dublin)
Attributed works:
38. The Dreamer, by Pierre-Auguste Renoir. 1879 (St Louis Art Museum)
Attributed works:
39. Portrait of Madame Michel Lévy, by Edouard Manet. 1882 (Private collection; image courtesy of Sotheby's)
Western art unattributed:
29. Charles Stewart Carstairs (1865-1928). c.1928. Photograph (Courtesy Diana Towers McNamara)
Article
Camille Pissarro’s ‘Turpitudes sociales’ revisited, part II: anarchism, anti-Semitism and Adolphe Willette
07/2016 | 1360 | 158
Pages: 547-551
related names
Author:
Thomson, Richard (Thomson, Richard)
Subjects
dates:
Illustrations
Attributed works:
28. Cover of Turpitudes sociales, by Camille Pissarro. 1889 (Collection of Jean Bonna, Geneva)
Attributed works:
29. L'hiver sera dur pour les goymes cette année (Discours de S.M. Rothschild, roi de France), by Adolphe Willette. Published in Le Pierrot 21 (30th August 1889). (Zimmerli Art Museum, Rutgers University, New Brunswick)
Attributed works:
30. Le Capital. Turpitudes sociales, no.1, by Camille Pissarro. 1889 (Collection of Jean Bonna, Geneva)
Attributed works:
31. Les Affaires; Accaparement - Misère!, by Jean-Louis Forain. Published in Le Fifre (30th March 1889). (Zimmerli Art Museum, Rutgers University, New Brunswick)
Attributed works:
32. The Golden Calf, by Camille Pissarro. 1889 (Denver Art Museum)
Attributed works:
33. Detail of Les Juifs et la Semaine Sainte, by Adolphe Willette. Published in Le Courrier français (5th April 1885). (Zimmerli Art Museum, Rutgers University, New Brunswick)
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