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Article

Anthony van Dyck and George Gage in Rome

01/2018 | 1378 | 160

Pages: 4-9

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Author:

Rangoni, Fiorenza (Rangoni, Fiorenza)

Subjects

artists:

Dyck, Anthony van / Duquesnoy, François / Smith, William, 17th c English painter and art agent

collectors and dealers:

Gage, George / James I, King of England, 1566-1625 / Charles I, King of England, 1600-1649

dates:

1600-1649

media:

Paintings / Documents

places:

Rome

subjects:

Diplomacy / Flemish art

Illustrations

Attributed works:

1. George Gage with two men, by Anthony van Dyck. 1622. (National Gallery, London).

Attributed works:

4. Lamentation over the dead Christ, by Lucas Vorsterman after Anthony van Dyck. c.1634. Engraving. (British Museum, London).

Attributed works:

5. Detail from Matthäus Merian’s panoramic map of Rome. 1642. Engraving. Strada di Corte Savella runs left to right into the lower-left corner of Piazza del Duca (today Piazza Farnese).

Western art unattributed:

2. Detail of Fig.3.

Western art unattributed:

3. Entry in the Liber status animarum of S. Lorenzo in Damaso, Rome, 1620–22, recording the presence in a house in strada di Corte Savella of George Gage, Anthony van Dyck, William Smith and Gio. Domenico Silenzi. (Archivio Storico Diocesano, Rome).

Short Notice

Rubens’s Whitehall ceiling

02/2007 | 1247 | 149

Pages: 101-104

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Author:

Millar, Oliver (Millar, Oliver; Millar, Mr.; Miller, Oliver)

Subjects

artists:

Rubens, Peter Paul

buildings:

Banqueting House, Whitehall Palace, London, Great Britain

dates:

1630-1639

print:

Rubens, Peter Paul

subjects:

Flemish painting / Contracts / Iconography / Corpora (catalogues) / Ceilings / Interiors / James I, King of England, 1566-1625

Illustrations

Attributed works:

35. The ceiling decoration of the Banqueting Hall, by Peter Paul Rubens. c.1633–35. Overall dimensions: 33.52 by 16.76 m. (Banqueting House, Whitehall, London).

Article

An unknown cameo of James I and the Order of the Garter

06/2006 | 1239 | 148

Pages: 400-405

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Author:

Hein, Jørgen (Hein, Jørgen)

Subjects

dates:

1630-1639 / 1640-1649

museums and institutions:

Rosenborg Castle, Copenhagen, Denmark

print:

James I, King of England, 1566-1625

print:

Cameo carving

subjects:

James I, King of England, 1566-1625

subjects:

Cameos / Gem carvings / Collections, Public / Identification / Goblets / Cups / Enamels / Gold / Iconography / Order of the Garter

Illustrations

Attributed works:

33. Queen Elizabeth’s visit to Blackfriars in 1600, to attend the marriage of Lord and Lady Herbert, attributed to Robert Peake the Elder. 1600. Canvas, 132 by 188 cm. (Sherborne Castle; photograph by kind permission of J.K. Wingfield Digby).

Attributed works:

40. Christian IV of Denmark’s Great George, here ascribed to Corvinianus Saur. Copenhagen, 1606. Gold, enamel, pearls and diamonds, altered and mounted on a pedestal before 1696, 5.6 by 4.4 by 4.6 cm. (Rosenborg Castle, Copenhagen).

Attributed works:

41. Detail of Fig.40.

Attributed works:

42. Detail of Fig.40.

Western art unattributed:

34. James I. Brown on white sardonyx cameo, oval, 3.8 by 2.7 cm. (Rosenborg Castle, Copenhagen).

Western art unattributed:

35. Cup set with cameos. Northern European, 1635–50. Gold and enamel, 43.3 cm. high (overall). The moor with a dragon dates from c.1615 and originally formed an independent statuette. (Rosenborg Castle, Copenhagen).

Western art unattributed:

36. Hind. Brown on white sardonyx cameo, circular, 3.3 by 3 cm. (Rosenborg Castle, Copenhagen).

Western art unattributed:

37. Duke Ulrik, by an unknown painter. Copenhagen, 1605–10. Canvas, 104 by 83 cm. (Danish Museum of National History, Frederiksborg Castle, Hillerød).

Western art unattributed:

38. Detail of Fig.37.

Western art unattributed:

39. Duke Ulrik’s Lesser George. Sardonyx, gold and enamel set with fifty-four table-cut diamonds (one missing), 4.6 cm. diam. (cameo); 6.5 cm. diam. (overall). (Rosenborg Castle, Copenhagen).

Article

Rubens's Glynde Sketch and the Installation of the Whitehall Ceiling

05/1970 | 806 | 112

Pages: 272+274-281

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Author:

Held, Julius S. (Held, Julius S.; Held, Julius)

Subjects

artists:

Rubens, Peter Paul

artists:

Gribelin, Simon, II

buildings:

Glynde Place, Glynde, Great Britain

buildings:

Banqueting House, Whitehall Palace, London, Great Britain

collectors and dealers:

Brand family, Viscounts Hampden

dates:

1630-1639

places:

England

subjects:

Flemish painting / Ceilings

subjects:

Visual sources / Reconstructions

subjects:

Preliminary drawings

subjects:

Iconography / Royalty

subjects:

James I, King of England, 1566-1625

Illustrations

Attributed works:

10. Diagram of the Lines of Vision of the Installation, as Planned by Rubens.

Attributed works:

11. Part of the Whitehall Ceiling, Seen from the North (Entrance) as Planned by Rubens.

Attributed works:

12. Proposed Arrangement of the Whitehall Ceiling, in Accordance with Rubens's Plan.

Attributed works:

13. Ceiling of the Church of San Sebastiano, Venice, by Paolo Veronese. 1555-56.

Attributed works:

7. The Present Installation of Rubens's Ceiling in the Banqueting House at Whitehall.

Attributed works:

8. The Apotheosis of James I and Other Sketches for Whitehall, by Peter Paul Rubens. (Collection Mrs Humphrey Brand, Glynde Place.)

Attributed works:

9. Rubens's Ceiling in the Banqueting House at Whitehall. Engraving in Three Parts by Simon Gribelin, 1720.

Article

Three Royal Jewels: The Three Brothers, the Mirror of Great Britain and the Feather

07/1966 | 760 | 108

Pages: 350-353

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Author:

Strong, Roy (Strong, Roy; Strong, Roy C.)

Subjects

dates:

1500-1599

dates:

1600-1649

patrons:

James I, King of England, 1566-1625

places:

England / London

subjects:

Metalwork / Jewellery

subjects:

Tudor / Elizabethan

subjects:

British painting / Jewellery

subjects:

Elizabeth I, Queen of England, 1533-1603

subjects:

Stuart

subjects:

James I, King of England, 1566-1625

subjects:

Jacobean

Illustrations

Attributed works:

19. Detail from Queen Elizabeth I Wearing the Three Brothers, Attributed to William Segar. Dated 1585. Panel. (Collection Marquess of Salisbury, Hatfield House.)

Attributed works:

20. Detail from James I Wearing the Mirror of Great Britain, by John de Critz (?). Panel. (Formerly Harcourt Collection.)

Attributed works:

22. Detail from James I Wearing the Feather, by John de Critz (?). Panel. (Collection the Earl of Haddington, Tyninghame.)

Western art unattributed:

18. The Three Brothers. Water-Colour on Vellum, 21.2 by 18 cm. (Historisches Museum, Basle.)

Western art unattributed:

21. Detail from James I Wearing the Three Brothers, by an Unknown Artist. Panel. (Gripsholm.)

Article

Marcus Gheeraerts the Younger: A Sequel Through Inscriptions

12/1963 | 729 | 105

Pages: 533-541

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Author:

Millar, Oliver (Millar, Oliver; Millar, Mr.; Miller, Oliver)

Subjects

artists:

Geeraerts, Marcus, the younger, 1561-1635

dates:

1550-1649

patrons:

James I, King of England, 1566-1625

places:

England / Flanders

subjects:

Flemish painting / Portraits / Inscriptions

subjects:

Aristocracy / Patronage

subjects:

Royalty / Jacobean

Illustrations

Attributed works:

10. Christophe, Comte de Beaumont, by Marcus Gheeraerts the Younger. Dated 1605. Canvas, 198 by 106.7 cm. (Hatfield House.)

Attributed works:

11. Louis Frederick, Duke of Wurtemberg, by Marcus Gheeraerts the Younger. Signed and Dated 1608. Canvas, 225 by 113 cm. (St James's Palace.) Reproduced by Gracious Permission of Her Majesty The Queen.

Attributed works:

12. Catherine, Lady Jermyn, by Marcus Gheeraerts the Younger. Dated 1614. Panel, 73.6 by 57.2 cm. (Private Collection.)

Attributed works:

13. Unknown Lady, by Marcus Gheeraerts the Younger. Dated 1614. Panel, 114.3 by 82.5 cm. (National Portrait Gallery.)

Attributed works:

14. Elizabeth, Lady Russell, by Marcus Gheeraerts the Younger. Signed and Dated 1625. Canvas, 195.2 by 106.7 cm. (Woburn Abbey.)

Attributed works:

15. Frances, Duchess of Richmond and Lennox, Attributed to Marcus Gheeraerts the Younger. Dated 1611. Canvas, 208 by 133.3 cm. (Collection Viscount Cowdray, Cowdray Park.)

Attributed works:

16. William Pope, 1st Earl of Downe, by Marcus Gheeraerts the Younger. Signed and Dated 1624. Panel, 62.3 by 47 cm. (Trinity College, Oxford.)

Attributed works:

17. William Camden, by Marcus Gheeraerts the Younger. Signed. Panel, 76.2 by 58.5 cm. (Bodleian Library, Oxford.)

Attributed works:

18. Ulrik, Duke of Schleswig-Holstein, by Marcus Gheeraerts the Younger. Dated 1614. Canvas, 213 by 127 cm. (Woburn Abbey.)

Attributed works:

19. Sir Henry Savile, by Marcus Gheeraerts the Younger. Originally Signed and Dated 1621. Canvas, 218 by 127 cm. (Bodleian Library, Oxford.)

Attributed works:

20. Richard Tomlins, by Marcus Gheeraerts the Younger. Signed and Dated 1628. Panel, 111.8 by 83.8 cm. (Bodleian Library, Oxford.)

Attributed works:

21. Anne Hale, Mrs Hoskins, by Marcus Gheeraerts the Younger. Signed and Dated 1629. Panel, 111.8 by 82.5 cm. (Collection Mr John Master.)

Attributed works:

22. Charles Hoskins, by Marcus Gheeraerts the Younger. Dated 1629. Panel, 66 by 52.7 cm. (Collection Mr John Master.)

Attributed works:

23. Dudley, 4th Lord North(?), by Cornelius Johnson. Signed and Dated 1627. Panel, 78.2 by 62.3 cm. (Collection Earl of Guildford.)

Attributed works:

8. Alexander Seton, 1st Earl of Dunfermline, by Marcus Gheeraerts the Younger. Dated 1610. Canvas, 115 by 87 cm. (Yester House.)

Attributed works:

9. Queen Anne of Denmark, by Marcus Gheeraerts the Younger. Dated 1614. Panel, 110.5 by 87.3 cm. (Windsor Castle.) Reproduced by Gracious Permission of Her Majesty The Queen.

Short Notice

The Silver Seal-Case of the Earl of Montrose

11/1959 | 680 | 101

Pages: 404+406-407

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Author:

Finlay, Ian (Finlay, Ian)

Subjects

dates:

1600-1649

patrons:

Graham, John, Third Earl of Montrose, 1548-1608

patrons:

James I, King of England, 1566-1625

places:

England / Scotland

subjects:

Metalwork / Silverwork / Seals

subjects:

Aristocracy / Patronage

Illustrations

Attributed works:

48. Seal-Case of 3rd Earl of Montrose, Showing Canongate Townmark, Assay-Groove, and Punch of George Cunningham, Senr.

Attributed works:

49. Seal-Case of 3rd Earl of Montrose, Showing the Montrose Arms. 1604. Silver-Gilt. (Collection the Duke of Montrose; on Loan to the Royal Scottish Museum, Edinburgh.)

Attributed works:

50. Seal-Case of 3rd Earl of Montrose, Showing Royal Arms Engraved on Lid.

Book Review

English Engraving in the Reign of James I

03/1957 | 648 | 99

Pages: 97-98

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Reviewer:

Auerbach, Erna (Auerbach, Erna; Auerbach, E.)

Subjects

dates:

1500-1799

patrons:

James I, King of England, 1566-1625

places:

England

subjects:

British painting / Prints

subjects:

Engravings

Reviewed Items

subjects:

Engraving in England in the Sixteenth and Seventeenth Centuries. Part II: The Reign of James I. | author: Hind, Arthur M.

Article

The Whitehall Ceiling

08/1956 | 641 | 98

Pages: 258-265+267

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related names

Author:

Millar, Oliver (Millar, Oliver; Millar, Mr.; Miller, Oliver)

Subjects

artists:

Rubens, Peter Paul

buildings:

Banqueting House, Whitehall Palace, London, Great Britain

dates:

1600-1649

patrons:

Charles I, King of England, 1600-1649

patrons:

James I, King of England, 1566-1625

places:

England / London

subjects:

Royalty / Patronage

subjects:

James I, King of England, 1566-1625

subjects:

Flemish painting / Ceilings

subjects:

Apotheosis / Allegorical figures

Illustrations

Attributed works:

1. The Apotheosis of James I etc., by Peter Paul Rubens. Panel, 95 by 63.1 cm. (Mrs Humphrey Brand, Glynde Place.)

Attributed works:

2. Wisdom and Ignorance, Detail from the Sketch Reproduced in Fig. 1.

Attributed works:

3. Detail from Apotheosis of James I, by Peter Paul Rubens. (Banqueting House, Whitehall.) Ministry of Works, Crown Copyright.

Attributed works:

4. Apotheosis of James I, Engraved by Lucas Vorsterman II after Rubens (Printed in Reverse).

Attributed works:

5. Bounty and Avarice, Detail from the Sketch Reproduced in Fig.1.

Attributed works:

6. Bounty and Avarice, by Peter Paul Rubens. Panel, 54 by 31 cm. (Count Antoine Scilcrn.)

Attributed works:

7. Bounty and Avarice, by Peter Paul Rubens. (Banqueting House, Whitehall.) Ministry of Works, Crown Copyright.

Attributed works:

8. Detail from Fig.1. [The Apotheosis of James I etc., by Peter Paul Rubens. Panel, 95 by 63.1 cm. (Mrs Humphrey Brand, Glynde Place.)]

Attributed works:

9. Detail from Fig.1. [The Apotheosis of James I etc., by Peter Paul Rubens. Panel, 95 by 63.1 cm. (Mrs Humphrey Brand, Glynde Place.)]

Article

A Newly Identified Miniaturist of the Early Seventeenth Century, Probably Sir James Palmer

07/1949 | 556 | 91

Pages: 196-197+199

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Author:

Reynolds, Graham (Reynolds, Graham; R., G.; Reynolds, A. Graham; Reynolds, Arthur Graham)

Subjects

artists:

Palmer, James, 1585-1658

artists:

Oliver, Isaac

artists:

Hilliard, Nicholas

dates:

1600-1649

places:

England

subjects:

British painting / Miniatures (paintings) / Portrait miniatures / Portraits

subjects:

Royalty / Patronage

subjects:

James I, King of England, 1566-1625

Illustrations

Attributed works:

13. King James I. Signed and Dated 1623. (Mr W. V. Paterson.)

Attributed works:

14. A Man, Called Sir Robert Carr, Earl of Somerset. Signed and Dated 1619. (Fitzwilliam Museum.)

Attributed works:

15. Unknown Man. Signed and Dated 1623. (Lord Glenconner.)

Attributed works:

16. Elizabeth, Lady Garrard. Signed and Dated 1614. (Lt-Col P. D. S. Palmer, Dorney Court.)

Attributed works:

17. Martha, Lady Palmer. (Lt-Col P. D. S. Palmer.)

Attributed works:

18. Sir James Palmer, by Nicholas Hilliard. (Lt-Col P. D. S. Palmer.) Fig. 18 Here Attributed to Sir James Palmer, and Reproduced Approximately Same Size as Originals.

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