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25 articles
Book Review
London’s ‘Golden Mile’: The Great Houses of the Strand, 1550–1650. By Manolo Guerci.
12/2022 | 1437 | 164
Pages: 1290-1291
related names
Reviewer:
Saint, Andrew (Saint, Andrew)
Subjects
Reviewed Items
subjects:
London’s ‘Golden Mile’: The Great Houses of the Strand, 1550–1650 By Manolo Guerci. 336 pp. incl. 220 col. ills. (Paul Mellon Centre for the Study of British Art, London, 2021), £50. ISBN 978–1–913107–23–9. | :
Illustrations
Attributed works:
1. Detail from West Central District, by Wenceslaus Hollar, showing Worcester House, the Savoy and Somerset House on the south side of the Strand, and Exeter (otherwise Burghley) House opposite on the north side. c.1660. Etching, 34.8 by 45.6 cm. (Folger Shakespeare Library, Washington).
Exhibition Review
Elizabethan Treasures: Miniatures by Hilliard and Oliver
05/2019 | 1394 | 161
Pages: 414-416
related names
Reviewer:
Hearn, Karen (Hearn, Karen)
Subjects
dates:
Illustrations
Attributed works:
5. Francis Bacon, later Baron Verulam and Viscount St Alban, by Nicholas Hilliard. 1578. Watercolour and bodycolour with gold on vellum, laid on card, 6 by 4.7 cm. (National Portrait Gallery, London).
Attributed works:
6. Unknown woman with a jewelled hat, by Nicholas Hilliard. c.1585. Watercolour and bodycolour with gold and silver on vellum, laid on a playing card with four diamonds visible on the reverse, 5.4 by 4.2 cm. (Portland Collection; exh. National Portrait Gallery, London; Bridgeman Images).
Attributed works:
7. Henry Wriothesley, 3rd Earl of Southampton, by Isaac Oliver. c.1596. Watercolour and bodycolour on vellum, laid on card, 6.5 by 5.2 cm. (Private collection; exh. National Portrait Gallery, London).
Article
The design of New Court at St John’s College, Cambridge
10/2018 | 1387 | 160
Pages: 840-849
related names
Author:
Salmon, Frank (Salmon, Frank)
Subjects
Illustrations
Attributed works:
10. Detail of a design for the south elevation of New Court, by Thomas Rickman and Henry Hutchinson. November 1826. Pen and ink on paper, 62 by 108 cm. (By permission of the Master and Fellows of St John’s College, Cambridge, SJCA/MPSC4/4)
Attributed works:
11. The Bridge of Sighs, viewed westward from the Third Court loggia, St John’s College, Cambridge, by Thomas Rickman and Henry Hutchinson. 1827–31. (Photograph © Tim Rawle)
Attributed works:
12. Detail of Fig.10, showing the design for an iron Bridge of Sighs.
Attributed works:
13. The New Court ‘Bridge Passage’, St John’s College, Cambridge, viewed westward towards the cloister with the entrance to A Staircase on the right, by Thomas Rickman and Henry Hutchinson. 1827–31. (Photograph Tim Rawle).
Attributed works:
14. Detail of Fig.2, digitally rendered to show the building as it would have appeared if built in red brick.
Attributed works:
2. South front of New Court, St John’s College, Cambridge, by Thomas Rickman and Henry Hutchinson. 1827–31. (Photograph © Tim Rawle).
Attributed works:
3. Perspective view of a design for New Court from the south-east, by John Clement Mead. October 1824. Pen, ink and wash on paper, 68 by 124 cm. (By permission of the Master and Fellows of St John’s College, Cambridge, SJCA/MPSC2/10).
Attributed works:
4. Detail of a design for the east elevation of New Court, by John Clement Mead. October 1824. Pen, ink and wash on paper, 70 by 98 cm. (By permission of the Master and Fellows of St John’s College, Cambridge, SJCA/MPSC2/5).
Attributed works:
5. The Shrewsbury Tower gatehouse in Second Court, St John’s College, Cambridge, by Ralph Symons and Gilbert Wigge. 1598–1602. (Photograph © Tim Rawle).
Attributed works:
6. Detail of a design for the south elevation of New Court, by John Clement Mead. October 1824. Ink and wash on paper, 70 by 98 cm. (By permission of the Master and Fellows of St John’s College, Cambridge, SJCA/MPSC2/2).
Attributed works:
7. South side of Second Court, St John’s College, Cambridge, by Ralph Symons and Gilbert Wigge. 1598–1602. (Photograph © Tim Rawle).
Attributed works:
8. Detail of a design for the south elevation of New Court, St John’s College, Cambridge, by Arthur Browne. April–September 1825. Pen, ink and grey wash on card, 22 by 55 cm. (By permission of the Master and Fellows of St John’s College, Cambridge, SJCA/MPSC3/3).
Attributed works:
9. Detail of a plan of a design for New Court, by Arthur Browne. April–September 1825. Pen, ink and wash on card, 22 by 56 cm. (By permission of the Master and Fellows of St John’s College, Cambridge, SJCA/MPSC3/2).
Western art unattributed:
1. New Court and the Bridge of Sighs, St John’s College, Cambridge, viewed from the Kitchen Bridge to the south-east. Mid-nineteenth century. Engraving, 8.5 by 13.5 cm. (Private collection).
Publication Received
Heralds and Heraldry in Shakespeare’s England. Edited by Nigel Ramsay.
05/2015 | 1346 | 157
Pages: 357
related names
Reviewer:
Goldring, Elizabeth (Goldring, Elizabeth)
Subjects
Book Review
Shakespeare’s Restless World
04/2013 | 1321 | 155
Pages: 261
related names
Reviewer:
Goldring, Elizabeth (Goldring, Elizabeth)
Subjects
dates:
museums and institutions:
Book Review
Shakespeare: Staging the World
04/2013 | 1321 | 155
Pages: 261
related names
Author:
Goldring, Elizabeth (Goldring, Elizabeth)
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dates:
museums and institutions:
Book Review
Citizen Portrait: Portrait Painting and the Urban Elite of Tudor and Jacobean England and Wales
01/2013 | 1318 | 150
Pages: 33-34
related names
Reviewer:
Goldring, Elizabeth (Goldring, Elizabeth)
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Illustrations
Western art unattributed:
41. Serjeant William Lovelace, by an unknown English artist (Dulwich Picture Gallery, London)
Publication Received
The Building of Elizabethan and Jacobean England
04/2010 | 1285 | 152
Pages: 259
related names
Reviewer:
Airs, Malcolm (Airs, Malcolm)
Subjects
dates:
Reviewed Items
subjects:
The Building of Elizabethan and Jacobean England | author: Howard, Maurice
Exhibition Review
Dynasties. London, Tate Gallery
01/1996 | 1114 | 138
Pages: 41-43
related names
Reviewer:
Macleod, Catharine (Macleod, Catharine)
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Illustrations
Attributed works:
44. Unknown Man, Possibly Henry Fitz-Alan, Earl of Arundel, by Hans Eworth. 1550. Panel, 65 cm. diam. (Lane Fine Art; Exh. Tate Gallery, London).
Attributed works:
45. Elizabeth I and the Three Goddesses, Possibly by Hans Eworth. 1569. Panel, 70.8 by 84.5 cm. (Her Majesty the Queen; Exh. Tate Gallery, London).
Attributed works:
46. Alice Smythe, née Judde, by Cornelis Ketel. 1579-80. Panel, 46.8 by 39 cm. (Private Collection; Exh. Tate Gallery, London).
Attributed works:
47. Henry, Prince of Wales, by Robert Peake. c. 1603? 133 by 90 cm. (Palazzo Reale, Turin; Exh. Tate Gallery, London).
Publication Received
Elizabethan and Jacobean Style
05/1994 | 1094 | 136
Pages: 324
related names
Reviewer:
Howarth, David (Howarth, David)
Subjects
subjects:
Reviewed Items
subjects:
Elizabethan and Jacobean Style | author: Mowl, Timothy
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