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Article

A set of silver-gilt waiters by Benjamin Pyne for the Courtenay family of Powderham Castle, Devon

06/2018 | 1383 | 160

Pages: 478-485

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related names

Author:

Murdoch, Tessa (Murdoch, Tessa)

Subjects

artists:

Pyne, Benjamin / Della Bella, Stefano / Gribelin, Simon, II

buildings:

Powderham Castle, Exeter, Great Britain

collectors and dealers:

Fetherstonhaugh, Harry, Sir, 2nd Baronet

dates:

1650-1699 / 1700-1799 / 1800-1829

media:

Silverwork

museums and institutions:

Victoria and Albert Museum, London, Great Britain / Gilbert Collection, London, Great Britain / State Historical Museum, Moscow, Russia / Royal Ontario Museum, Toronto, Canada

patrons:

Courtenay, William, Sir

places:

Great Britain / London

subjects:

Decorative arts / Country houses / Ornament / Dinner services / Coats of arms / Goldsmiths / Chasing (metalwork) / Antiquarianism / Baroque / Dating / Attribution / Provenance

Illustrations

Attributed works:

9. Salver, marked for Edward Farrell, London. 1824–25. Silver-gilt, width 25.5 cm. (Private collection).

Attributed works:

1. Waiter, one of a set of seven, marked for Benjamin Pyne, London. 1698–99. Silver-gilt, Britannia standard, width 21.7 cm. (Victoria and Albert Museum, London).

Attributed works:

10. Niche in the buffet servery linked to the dining room, Uppark, West Sussex. 1812–13. (Photograph National Trust).

Attributed works:

12. Design for a cartouche, Plate 18 from Raccolta di varii capricci, by Stefano della Bella. c.1646. Etching. (Victoria and Albert Museum, London).

Attributed works:

13. Sideboard dish, one of a pair, marked for Edward Farrell, London. 1824–25. Silver-gilt, diam. 38.1 cm. (The National Trust).

Attributed works:

2. Waiter, one of a set of seven, marked for Benjamin Pyne, London. 1698–99. Silver-gilt, Britannia standard, width 21.7 cm. (The Gilbert Collection, on long loan to the Victoria and Albert Museum, London).

Attributed works:

3. Waiter, one of a set of seven, marked for Benjamin Pyne, London. 1698–99. Silver-gilt, Britannia standard, width 21.7 cm. (State Historical Museum, Moscow).

Attributed works:

4. Waiter, one of a set of seven, marked for Benjamin Pyne, London. 1698–99. Silver-gilt, Britannia standard, width 21.7 cm. (Royal Ontario Museum, Toronto).

Attributed works:

5. Diverses figures a l’eau forte de petits amours [sic], by Abraham Bosse after Paolo Farinati. 1644. Etching, 12.8 by 16.2 cm. (British Museum, London).

Attributed works:

6. Plate 3 from A book of ornaments useful to Jewellers, Watchmakers and All Other Artists, by Simon Gribelin. London 1697. Engraving, 19.2 by 15.8 cm. (Victoria and Albert Museum, London).

Attributed works:

7. Design for a frieze, plate 12 from Ornamenti di Fregi et Fogliami, by Stefano della Bella. c.1648–49. Etching, 8.2 by 24.9 cm. (Victoria and Albert Museum, London).

Attributed works:

8. Detail of one of the Powderham waiters, showing maker’s mark for Benjamin Pyne, with Britannia standard mark, London hallmark and the date letter for 1698–99. (Victoria and Albert Museum, London).

Western art unattributed:

11. Trade card of Kensington Lewis. c.1822–27. Etching. (British Museum, London).

Article

The Rococo in England: Book Illustrators, Mainly Gravelot and Bentley

12/1985 | 993 | 127

Pages: 870+872-880

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Author:

Halsband, Robert (Halsband, Robert)

Subjects

artists:

Gravelot, Hubert François Bourguignon

artists:

Bentley, Richard

artists:

Gribelin, Simon, II

artists:

Müller, Johann Sebastian

dates:

1700-1799

places:

England / London

sources:

Shakespeare, William

sources:

Richardson, Samuel

sources:

Gray, Thomas, 1716-1771

subjects:

British painting / Illustrated books

subjects:

Rococo

subjects:

Literature in art

Illustrations

Attributed works:

42. Tail-Piece Vol. II, p.6. 11 by 7.8 cm. Horace: Opera: 2 Vols., London, John Pine [1733, 1737].

Attributed works:

43. Title Page Vignette, Vol. I, Signed Sim: Gribelin Sculps. 8.3 by 9.2 cm. Anthony, Earl of Shaftesbury: Characteristics of Men, Manners, Opinions, Times, 3 Vols., 2nd Edition, London [1714].

Attributed works:

44. F.16, Vol. I, Signed Bickham Sculp. 31.5 by 19.5 cm. George Bickham, Junior: The Musical Entertainer, 2 Vols. London, Charles Corbett [1737-1739].

Attributed works:

45. Frontispiece for Fable II, Signed H. Gravelot, inv. et delin. G. Scotin, Sculp. 15.3 by 9.8 cm. John Gay: Fables... Volume the Second, London, J. and P. Knapton and T. Cox [1738].

Attributed works:

46. Frontispiece for 'The Tempest', Vol. I, Signed H. Gravelot in & del. G. Vander Gucht Scul. 13.3 by 7.6 cm. Shakespeare: Works, ed. L. Theobald, 2nd ed., London, H. Lintot et al. [1740], 8 Vols.

Attributed works:

47. Frontispiece for 'Othello', Signed H. Gravelot in & del. G. Vander Gucht Scul. 13.3 by 7.6 cm. Shakespeare: Works, ed. L. Theobald, 2nd ed., London, H. Lintot et al. [1740], 8 Vols.

Attributed works:

48. Frontispiece for 'Macbeth', Signed H. Gravelot in & del. G. Vander Gucht Scul. 13.3 by 7.6 cm. Shakespeare: Works, ed. L. Theobald, 2nd ed., London, H. Lintot et al. [1740], 8 Vols.

Attributed works:

49. Facing p. 305, Vol. II. Signed H. Gravelot inv. et Sculp. 12.7 by 7.4 cm. Samuel Richardson: Pamela, 6th ed. Corrected, 4 Vols. London, Osborn and Riving ton [1742].

Attributed works:

50. Facing Page 358, Vol. I. Signed F. Hayman inv. H. Gravelot Sculp. 12.7 by 7.4 cm. Samuel Richardson: Pamela, 6th ed. Corrected, 4 Vols. London, Osborn and Rivington [1742].

Attributed works:

51. Frontispiece for 'The Tempest', Vol. I. Signed F. Hayman inv. H. Gravelot Sculps. 21 by 14.7 cm. Shakespeare: Works, ed. Thomas Hammer, 6 Vols. Oxford, University Press [1743-44].

Attributed works:

52. Facing p.311, Vol. I. Signed F. Hayman inv. del. C. Grignion Sculp. 21.1 by 18.9 cm. John Milton: Paradise Lost. A New Edition, ed. Thomas Newton, 2 Vols. London, J. and R. Tonson and S. Draper [1749].

Attributed works:

53. Title Page, 37.8 by 27.7 cm. Designs... Poems, R. Dodsley, London [1753]. 53. Title Page, 37.8 by 27.7 cm. Designs... Poems, R. Dodsley, London [1753]. [Designs by R. Bentley, poems by T. Gray ]

Attributed works:

54. Tail Piece, f.23. 13.9 by 10.2 cm. Designs... Poems, R. Dodsley, London [1753]. 53. Title Page, 37.8 by 27.7 cm. Designs... Poems, R. Dodsley, London [1753]. [Designs by R. Bentley, poems by T. Gray ]

Attributed works:

55. Frontispiece for 'Ode on the Death of a Favourite Cat, Drowned in a Tub of Gold Fishes', Facing f.[5], Signed on Palette 'RB' [Richard Bentley del.]. 25 by 18.6 cm. Designs... Poems, R. Dodsley, London [1753]. [Designs by R. Bentley, poems by T. Gray ]

Attributed works:

56. Frontispiece for 'Ode', Facing f.[1], Signed J. S. Müller sc., 25.2 by 18.2 cm. Designs... Poems, R. Dodsley, London [1753]. [Designs by R. Bentley, poems by T. Gray ]

Attributed works:

57. Frontispiece for 'Ode on a Distant Prospect of Eton College', Facing f.[8], Signed J. S. Müller sc. 26.2 by 18.5 cm. Designs... Poems, R. Dodsley, London [1753]. [Designs by R. Bentley, poems by T. Gray ]

Attributed works:

58. Frontispiece for 'A Long Story', Facing f.[14], Signed J. S. Müller sc. 28.2 by 21 cm. Designs... Poems, R. Dodsley, London [1753]. [Designs by R. Bentley, poems by T. Gray ]

Attributed works:

59. Frontispiece for 'Elegy Written in a Country Church Yard', Facing f.[28], Signed on Lower Left Pedestal 'B' [Bentley] and C. Grignion Sculp. 26.2 by 21.1 cm. Designs... Poems, R. Dodsley. London [1753]. [Designs by R. Bentley, poems by T. Gray ]

Attributed works:

60. Tail-Piece, f.7. 15.5 by 11.6 cm. Designs... Poems, R. Dodsley, London [1753]. [Designs by R. Bentley, poems by T. Gray ]

Attributed works:

61. Tail-Piece, f.13. 11.3 by 13.5 cm. Designs... Poems, R. Dodsley, London [1753]. [Designs by R. Bentley, poems by T. Gray ]

Attributed works:

62. Head-Piece, f.[28], Signed C. Grignion Sculp. 11.2 by 19.3 cm. Designs... Poems, R. Dodsley, London [1753]. [Designs by R. Bentley, poems by T. Gray ]

Attributed works:

63. Tail-Piece, f.[36], Signed C. Grignion Sculp. 11.4 by 14.8 cm. Designs... Poems, R. Dodsley, London [1753]. [Designs by R. Bentley, poems by T. Gray ]

Article

Rubens's Glynde Sketch and the Installation of the Whitehall Ceiling

05/1970 | 806 | 112

Pages: 272+274-281

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related names

Author:

Held, Julius S. (Held, Julius S.; Held, Julius)

Subjects

artists:

Rubens, Peter Paul

artists:

Gribelin, Simon, II

buildings:

Glynde Place, Glynde, Great Britain

buildings:

Banqueting House, Whitehall Palace, London, Great Britain

collectors and dealers:

Brand family, Viscounts Hampden

dates:

1630-1639

places:

England

subjects:

Flemish painting / Ceilings

subjects:

Visual sources / Reconstructions

subjects:

Preliminary drawings

subjects:

Iconography / Royalty

subjects:

James I, King of England, 1566-1625

Illustrations

Attributed works:

10. Diagram of the Lines of Vision of the Installation, as Planned by Rubens.

Attributed works:

11. Part of the Whitehall Ceiling, Seen from the North (Entrance) as Planned by Rubens.

Attributed works:

12. Proposed Arrangement of the Whitehall Ceiling, in Accordance with Rubens's Plan.

Attributed works:

13. Ceiling of the Church of San Sebastiano, Venice, by Paolo Veronese. 1555-56.

Attributed works:

7. The Present Installation of Rubens's Ceiling in the Banqueting House at Whitehall.

Attributed works:

8. The Apotheosis of James I and Other Sketches for Whitehall, by Peter Paul Rubens. (Collection Mrs Humphrey Brand, Glynde Place.)

Attributed works:

9. Rubens's Ceiling in the Banqueting House at Whitehall. Engraving in Three Parts by Simon Gribelin, 1720.

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