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5 articles
Article
The anxiety of Op: towards a theory of art and the non-visual senses
09/2023 | 1446 | 165
Pages: 988-95
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Author:
Díaz, Eva (Díaz, Eva)
Subjects
artists:
Riley, Bridget, London , Great Britain / Stanczak, Julian
styles:
Optical art
subjects:
Aesthetics / Perception / Optics
subjects:
Art theory
Illustrations
Attributed works:
1. Current, by Bridget Riley. 1964. Synthetic polymer paint on board, 48.1 by 149.3 cm. (Museum of Modern Art, New York; Scala, Florence).
Attributed works:
2. Installation view of The Responsive Eye at the Museum of Modern Art, New York, 1965, showing in the far corner Instability through movement of the spectator, by Julio Le Parc. 1962–64. (Museum of Modern Art Archives, New York; Scala, Florence; photograph George Cserna).
Attributed works:
3. The duel, by Julian Stanczak. 1963. Synthetic polymer paint on canvas, 137.2 by 198.1 cm. (Museum of Modern Art, New York; Scala, Florence).
Attributed works:
4. Cover of the exhibition catalogue for The Responsive Eye at the Museum of Modern Art, New York (1965), designed by Joseph Bourke Del Valle.
Attributed works:
5. Bridget Riley standing amongst her 3D painted artwork ‘Continuum, 1963’, in an exhibition at Gallery One, 16 North Audley Street, London, by Tom Picton. 1963. (© Estate of Tom Picton; artwork © Bridget Riley 2023; Tate Images).
Exhibition Review
Summer of Love. Liverpool, Frankfurt and Vienna
11/2005 | 1232 | 147
Pages: 768-770
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Reviewer:
Anfam, David (Anfam, David)
Subjects
dates:
2000-2009 / 1960-1969
museums and institutions:
Kunsthalle, Vienna, Austria / Schirn Kunsthalle, Frankfurt, Germany / Tate Liverpool, Liverpool, Great Britain
places:
Vienna / Germany / Frankfurt / Liverpool / England / Austria
print:
1960-1979
subjects:
Exhibitions / Reviews / Posters / Abstract art / Avant-garde / Modern Art / Pop art / Optical art
Reviewed Items
subjects:
Summer of Love: Art of the Psychedelic Era | institution: Kunsthalle , institution: Schirn Kunsthalle , institution: Tate Liverpool
Illustrations
Attributed works:
52. Glow, by Bernard Cohen. 1965. 213.4 by 274.3 cm (Arts Council Collection, Hayward Gallery, London; exh. Schirn Kunsthalle, Frankfurt)>
Attributed works:
53. Love me I'm an ugly failure, by Martin Sharp. 1967. Poster, 74.5 by 49.5 cm. (The artist; exh. Schirn Kunsthalle, Frankfurt).
Attributed works:
54. Neon rose #6, blues project, by Victor Moscoso. Poster, 51 by 37.5 cm. (Peter Golding Inspirational Times Collection; exh. Schirn Kunsthalle, Frankfurt).
Attributed works:
55. Video disque 2: YOR, by Peter Sedgley. 1968. Screen print on spun aluminium disc, 76 cm. diam. (The artist; exh. Schirn Kunsthalle, Frankfurt).
Short Notice
Bridget Riley's 'Continuum' (1963) recreated
09/2005 | 1230 | 147
Pages: 619-621
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Author:
Follin, Frances (Follin, Frances)
Subjects
artists:
Riley, Bridget, London , Great Britain
dates:
1960-1969 / 2000-2009
museums and institutions:
Musée d'Art moderne et contemporain, Strasbourg, France
print:
Riley, Bridget, London , Great Britain
subjects:
British painting / Exhibitions / Copies / Optical art / Installations (visual works)
Illustrations
Attributed works:
40. Bridget Riley's Continuum being assembled at Mike Smith studio, London, 2005.
Attributed works:
48. Bridget Riley standing in Continuum, holding a maquette for the work. 1963. (Photograph courtesy of the artist).
Attributed works:
49. Continuum, by Bridget Riley. 1963. Emulsion on board with wood framework, 198.1 by 853.4 cm., interior diam. 121.9 cm. (Photograph courtesy of the artist).
Short Notice
Recent Museum Acquisitions: Vasarely's 'Kalota' (City Art Museum of Saint Louis)
05/1966 | 758 | 108
Pages: 262+264
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Subjects
artists:
Vasarely, Victor de
dates:
1960-1969
museums and institutions:
Saint Louis Art Museum, Saint Louis, United States
places:
Hungary / United States / Saint Louis (Missouri)
subjects:
Art museums / Acquisitions / Hungarian / Optical art / Paintings
Illustrations
Attributed works:
68. Kalota, by Victor de Vasarely. Signed. 1963. Canvas, 203 by 213.6 cm. (City Art Museum, St Louis, Missouri.)
Exhibition Review
Current and Forthcoming Exhibitions: New York [Optical art]
04/1965 | 745 | 107
Pages: 218-220
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Reviewer:
Lanes, Jerrold (Lanes, Jerrold)
Subjects
artists:
Riley, Bridget, London , Great Britain
artists:
Vasarely, Victor de
artists:
Poons, Larry
artists:
Levinson, Mon
artists:
Cunningham, Ben
dates:
1960-1969
places:
New York / United States
subjects:
Exhibitions / Reviews
subjects:
Optical art
Illustrations
Attributed works:
63. Tunko, by Vasarely. 1964. Glass Transparence, 80 by 61.5 by 16.5 cm. (Exh. Sidney Janis Gallery, New York.)
Attributed works:
64. Black Moving Planes XIX, by Mon Levinson. 1964. Plexiglas, Acetate and Paper, 76.2 by 55.5 cm. (Kornblee Gallery, New York; Exh. Museum of Modern Art, New York.)
Attributed works:
65. Equivocation, by Ben Cunningham. 1964. Acrylic on Masonite, 66 by 64.8 cm. (East Hampton Gallery, New York; Exh. Museum of Modern Art, New York.)
Attributed works:
66. Slice and Reel, by Larry Poons. 1962. Acrylic and Fabric Dye on Canvas, 204 by 102 cm. (Artist's Collection; Exh. Green Gallery, New York.)