Drawings by Rembrandt and His Pupils. Telling the Difference |
institution: J. Paul Getty Museum
Illustrations
Attributed works:
24. Lot and his family departing from Sodom. School of Rembrandt van Rijn. c.1638–39. Pen and brown ink, brush and brown wash, 22 by 23.5 cm. (Albertina, Vienna).
Attributed works:
25. Bust of an old man looking left, here attributed to Rembrandt van Rijn. c.1629–30. Red and black chalk on paper, 13.7 by 11.6 cm. (Private collection, The Hague).
Attributed works:
26. Study of a man’s head and shoulders, by Jan Lievens. c.1630. Red and black chalk on paper, 17 by 13.5 cm. (British Museum, London).
Attributed works:
27. Christ as a gardener appearing to Mary Magdalene, by ?Carel Fabritius. c.1640. Pen and brown ink with white gouache, 15.4 by 14.6 cm. (Rijksmuseum, Amsterdam).
Attributed works:
28. Farmhouse and a haystack, by Rembrandt van Rijn. c.1652. Pen and brown ink, brush and grey-brown wash, gouache white heightening, 11.6 by 20.2. (Trustees of the Chatsworth Settlement, Chatsworth).
Attributed works:
29. Farmhouse and a haystack, by Rembrandt van Rijn. c.1652. Pen and brown ink, with brown wash and white heightening on grey-brown paper, 14.3 by 27 cm. (Lugt collection, Institut Néerlandais, Paris).
Attributed works:
30. Seated female nude. School of Rembrandt van Rijn. c.1661. Pen and brown ink, with wash, brown and white hightening on paper, 29.2 by 17.5 cm. (Rijksmuseum, Amsterdam).
Attributed works:
31. Seated female nude, by Rembrandt van Rijn. c.1660. Pen and brown ink, brown wash and white gouache on paper, 21.1 by 17.7 cm. (Art Institute of Chicago, Clarence Buckingham collection).
Short Notice
The ideal of history painting: Georges Rouault and other students of Gustave Moreau at the Ecole des Beaux-Arts, Paris, 1892–98